Loe raamatut: «Killing Ways»
Copyright
An imprint of HarperCollinsPublishers
1 London Bridge Street,
Hammersmith, London W6 8JB
Published by HarperCollinsPublishers 2015
Copyright © Alex Barclay 2015
Cover design layout © HarperCollinsPublishers 2015
Cover photographs © Tony Watson/Arcangel Images (subway); Eliada Toska/Getty Images (woman running); Shutterstock.com (wing)
Alex Barclay asserts the moral right to be identified as the author of this work
This is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books
Source ISBN: 9780007494545
Ebook Edition © APRIL 2015 ISBN: 9780007494552
Version 2015-03-04
Praise for Alex Barclay:
‘The rising star of the hard-boiled crime fiction world, combining wild characters, surprising plots and massive backdrops with a touch of dry humour’
Mirror
‘Tense, no-punches-pulled thriller that will have you on the edge of your deckchair’
Woman and Home
‘Explosive’
Company
‘Darkhouse is a terrific debut by an exciting new writer’
Independent on Sunday
‘Compelling’
Glamour
‘Excellent summer reading … Barclay has the confidence to move her story along slowly, and deftly explores the relationships between her characters’
Sunday Telegraph
‘The thriller of the summer’
Irish Independent
‘If you haven’t discovered Alex Barclay, it’s time to jump on the bandwagon’
Image Magazine
Dedication
To Moira Reilly,
Thank you for being your warm, wise, and wonderful self.
With you here, the book begins on the perfect note.
Table of Contents
Cover
Title Page
Copyright
Praise for Alex Barclay
Dedication
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Acknowledgements
About the Author
Also by Alex Barclay
About the Publisher
PROLOGUE
Amanda Petrie stopped dead in front of the skeletal wreck of a creature stumbling toward her on legs like knotted spindles. The woman looked to be in her sixties, bruised, wounded and terrified. She was dressed in a faded blue nightgown draped no differently than if it was on a hanger in a store, except that it was caked in filth of all kinds, and it stank like something inhuman. Her matted gray hair grew between bald patches, she was missing teeth, she was hollow-cheeked, she was a shell.
Amanda dropped her cell phone, didn’t even notice how it bounced and cracked and spat out its battery, how the binder she’d been holding struck the ground, broke open, sent loose pages from magazines sliding across the concrete.
From the awful silence that followed, Amanda began to hear something – a soft pit, pit, pit. She looked down. A bright photo of a rainbow-themed garden party had floated from the binder and landed between the old woman’s dirty feet. Maggots were dropping onto it – pit, pit, pit – from under her nightgown.
Amanda turned away, heaving. She pressed her hand tightly over her mouth. Her eyes bulged and watered. Slowly, she turned back to the woman.
‘I’m sorry. I’m so sorry,’ she said. ‘Are you OK? I mean … do you need help? Obviously you need help …’
The woman stood before her, wide-eyed, not a blink. And from this desolation, Amanda noticed eyes the most incredible shade of blue, and was suddenly struck with an image of a baby girl in a bassinet smiling up at her parents, innocent, expectant, hopeful, years from this.
‘Where did you come from?’ said Amanda, looking around. They were on a quiet road in an isolated part of Sedalia, sixty miles southwest of Denver, Colorado. She was there only to check out a venue for her sister’s surprise fortieth. She had just crossed it off her list.
The woman didn’t reply.
Amanda took a step away from her, then crouched down to gather the parts of her phone, putting them back together with a shaky hand.
Kurt Vine was driving along Crooked Trail Lane, in his 1984 cream and brown pickup with the camper shell, radio off, cigarette burning down in the ashtray, running through the events of the previous night. He was on Level 9 of Hufuki, a video game with a great Japanese-sounding name that all the players understood was really an abbreviation of Hunt, Fuck, Kill. You just couldn’t say it out loud. Kurt had hunted down, raped and murdered forty-two victims to get to Level 9 out of 10. It was getting exciting. He had missed a few obvious traps in the last session. He should have known better. Some twelve-year-old kid in Ohio had beaten him. It was embarrassing. But Kurt was undeterred – no one had officially reached Level 10. There was a rumor that once you unlocked that world, real girls played the victims. You chased their avatar, but the screams were real, live, and you could see their faces in the right-hand corner of the screen, see their fear. Whether anything was being done to these girls to elicit these reactions was not something Kurt Vine considered. They were in a distant universe. They were the unreal real.
Every night, Kurt heard voices from all over the world in his ear, every accent imaginable, the tower of fucking Babel coming through the internet into his headset. When a player pissed him off, beat him, humiliated him, he would mimic them on the walk from the sofa to the bathroom or the bedroom or the kitchen. But only if he had ever heard their reactions when they knew it was game over, man. Loser sounds. Who wants to mimic the soundtrack to a rival’s victory?
Winning was important to Kurt Vine. He had a narrow focus, a regular grip on just a few small things … a games console, a camera, a bottle of Diet Coke, and his dick.
The camera was for taking photos of old buildings that he uploaded to his website, ForTheForgotten.net ‘To honor those who lived and worked within these walls’, wherever those crumbling walls may have been.
At the bottom of the site, he had a DONATE NOW button, a low-key ‘If you like my work, please consider contributing to my film, development, and print costs’. He was thinking of setting up an online store to sell some of his work, he was thinking of offering his services to corporations, or news organizations or stock photo agencies. Kurt thought about a lot of things. But mainly he thought about easy things, things that required no effort.
Kurt Vine had inherited most of his grandfather’s estate – including thousands of sprawling acres in Sedalia that were dotted with brush and ruins. The land and buildings were Kurt’s outright, but the remainder of his inheritance – the cash part – was dwindling fast. The donations were his only real income, and they were typically small. Sometimes he felt guilty that a lot of his donors were visual arts students, who likely couldn’t spare the money but wanted to reward him for his talent, probably in the hope that the same kindness would be offered them when they were spat out into the world after graduation.
Despite the modest student endowments, there was a new Nikon on the passenger seat beside him. Nine months earlier, an email had come into his inbox. YOU HAVE A DONATION. He clicked on it, expecting the usual ten or twenty dollars. This was different. This was $10,000. He looked at it for a while, and he mistrusted it for a while longer. And then he spent most of it. And, six months after the donation came in, he got the knock on his cabin door. The man who stood there smiled and said: ‘I’ve come to collect my debt.’
Weird shit always happens to me, thought Kurt, as he ran through the woods of his fantasy land, chasing screaming women.
He got hard just thinking about it. Kurt was always alone when he got hard.
Amanda Petrie dialed 911, her heart pounding.
‘Nine-one-one. What is your emergency?’
‘Police, ambulance?’ said Amanda. ‘I’d like to report … a lady here, who’s in a state of extreme neglect, I think. She’s … very thin, very wasted.’
‘Ma’am, what number are you calling from?’
‘My number is 555-360-9597. That’s my cell phone. My name is Amanda Petrie.’
‘And what is your location, ma’am?’
‘We’re in Sedalia, Douglas County … um … I pulled in to the side of the road to take some pictures. The last place I remember is Crooked Trail Lane? I’m about a five-minute drive from there.’
‘Can you give me any more details, ma’am?’
‘Can’t you track my location?’ said Amanda.
‘We don’t have that facility here, ma’am.’
‘Oh,’ said Amanda. ‘Well, I can’t really say. I’m just seeing road and trees, a couple of barns. I think I’ve driven about seven miles from an inn called Russell’s?’
‘Ma’am, is the woman you are with in need of medical attention?’
‘Yes.’
‘We’re going to send help right away for you, ma’am, and I’m going to keep you on the line with me, get some more details from you. Are you in a position to stay with her while we send help?’
‘Yes, yes, I can,’ said Amanda. ‘Please hurry, though. Please hurry. She’s very distressed.’
‘Thank you, ma’am. Can you tell me the name of the woman please?’
Amanda turned to the woman, whose eyes appeared to be growing larger in her skeletal face. Her lips were dried out, cracked, ringed with deep lines. She pressed them together.
‘What’s your name?’ said Amanda. ‘Can you tell me your name?’
The woman’s lips parted. She began rocking back and forth. But instead of speaking, she quietly croaked a tuneless song, her voice flat, broken, her eyes now scrunched closed: ‘Needle’s pointing to your heart, now I know the way we’ll part, needle’s pointing to your heart, now I know the way we’ll part, needle’s pointing to your heart, now I know the way we’ll part.’
Her arm shot out, and she slapped the phone out of Amanda Petrie’s hand.
Kurt Vine was busy shunting memories of bad men and bad game plays out of his mind when he saw two women standing by the roadside. He looked around, for a moment thinking he was driving through a movie set. Or a game. There was a cute girl and an old lady who looked like she had been dug up from a grave. This was some kind of a two-woman zombie apocalypse situation.
Weird shit just keeps on happening to me, he thought. He watched as the old woman suddenly slapped the girl’s hand. He pulled over, parked the pickup, and climbed down.
‘Ladies!’ he said, moving as quickly as he could toward them, wiping the sweat that always flowed so readily. ‘How can I be of assistance?’ It was a line from Hufuki, but he figured it was appropriate.
Douglas County Undersheriff Cole Rodeal stood in the ambulance bay of the Sky Ridge Medical Center, tuning out his wife, Edie, the EMS Coordinator. As soon as she had used the expression ‘me time’, he was gone. Maybe that was because he didn’t love Edie any more, and hated himself for it. Really, it was because he was depressed and hadn’t realized it. He wanted to be home, in his den, with a box set from a time when women had never heard the expression ‘me time’. He was jolted from his thoughts by the screech of tires and a small scream from the wife he really did love. He turned to where she was looking.
Oh, fuck.
Kurt Vine liked being part of this emergency that he knew, in his heart, wasn’t a true emergency. He was driving like he had a siren, but he knew this crazy lady in the nightgown was going to be all right. She was starved and beaten and she smelled like shit, but she wasn’t dying, as far as he could tell.
He was finally easing off the gas as they approached the ambulance bay at Sky Ridge.
‘What is that smell?’ he said. He looked into the back seat. ‘Holy shit! She’s on fire! She’s on fucking fire!’
Amanda Petrie turned around at the same time and screamed. Small flames were rising from the terrified woman’s chest and shoulders. Her nightgown was melting into her skin, her hair shriveling.
‘Holy fucking shit!’ said Kurt, slamming his foot on the accelerator instead of the brake, sending the pickup shooting toward a group of EMTs, until he yanked the steering wheel hard and plowed instead into the side wall of the hospital.
On impact, the old lady said: ‘I did something real bad. Something terrible brought me here.’
1
‘That lady died.’ Special Agent Ren Bryce turned to Everett King, one of her newest colleagues, an ex-trader, financial and IT expert, and quick, firm friend. ‘The one from the crash at Sky Ridge Medical Center. No one came forward to claim her, no match with any missing persons …’ She shook her head. ‘Rodeal reckons she was held captive somewhere for months at the very least: she had rope burns on her wrists, bruises on her ankles as if she’d been shackled, she was starved, beaten. But they found nothing in the neighborhood canvas. They ran her details through the system – nothing. Imagine that’s your life … tortured and neglected to death.’
‘Like your liver,’ said Everett.
Ren was shaking a bottle of Fiji to help dissolve the two Alka-Seltzer she had broken into it.
‘My liver is well tended to,’ said Ren.
‘Like a captor tends to his captee.’
‘Stockholm Syndrome.’ She took a drink. She had already drunk a bottle of freshly squeezed pineapple juice. Hangover Cure Supreme. The Alka-Seltzer was a rarely required second step. The previous night was a blur of bright lights, colorful drinks, and dancing on chairs and half-empty dance floors with two girls she had met at her bipolar support group two weeks earlier. They had presumed that, like them, she was unlucky enough to be a bipolar-loved-one wrangler, not the wranglee. That was often the case. Ren didn’t want to lie, but she didn’t want to correct them. She just wanted to party. The women were at the support group to learn how not to enable their loved one. Instead, they were fine-tuning the art of enabling a stranger. But there was no law against it. Ren smiled to herself: there should, in fact, be laws to fully support it.
Ren had been off her meds for three months.
‘Did you see the video of the crash?’ she said.
‘No.’
‘Rodeal was quite the hero – dived for his wife, totally saved her life, broke his arm in the fall. Sexism in Emergencies: it’s not all bad when a man thinks women need to be saved.’
‘It was his wife …’
‘I’ve dealt with him, work-wise,’ said Ren. ‘I walk away with a twitch in my eye. Sometimes I think he expects me to be the one serving the refreshments.’
‘Oh, baby girl, you always servin’ up the refreshment!’
‘And you keep topping up those glasses, handsome man.’
‘God help this guy,’ said Everett, nodding toward the glass panel of the interview room where murder suspect Jonathan Briar was perfectly framed. Briar’s fiancée, twenty-three-year-old Hope Coulson, had now been missing from their Denver apartment for twenty-eight days. Briar had ignited public suspicion with the first dopey words out of his mouth when asked about her on live television: ‘Aww … I’m sure she’ll be back,’ he said, smiling like an idiot, next to Hope Coulson’s weeping parents.
‘He doesn’t yet know that he meets a lot of the criteria for the Ren Bryce Book of Wrong,’ said Everett. ‘Stoner – check! Skinny dreads – check! Mouth too small – check! And my second favorite: rat-colored hair – check! I mean, rats are gray. His hair is mousey.’
‘Rats are creepier.’
‘And my all-time-favorite,’ said Everett. ‘Eyes overly almond: check!’
‘Because I like almond-shaped eyes,’ said Ren. ‘Too almond, though – that’s a problem.’ She looked at Everett. ‘I’m a nightmare. I know. Judgey McJudgicles.’
‘On the upside of his issues,’ said Everett, ‘every time he appears on screen or in print, the line of volunteer searchers grows.’
Hope Coulson had captured the public’s hearts. She was a sweet, blonde, kind-hearted kindergarten teacher, a volunteer for everything from painting the ladies’ nails at her local retirement home to delivering Meals on Wheels to the housebound, to being stationed at First-Aid tents at community events. At one time, Jonathan Briar looked like nothing more harmful than a guy who was batting above his weight. Now, he was looking like a killer.
Ren drank the rest of the Alka-Seltzer, then held a hand to her stomach.
Ooh. Not good. Drank too quickly, despite best efforts.
‘You drank that way too fast,’ said Everett.
‘Ugh.’ She threw the empty bottle in the garbage. ‘OK. Shall we dance?’
‘We always do.’ He turned the door knob and let Ren go first.
Jonathan Briar almost jumped from his seat. ‘Did you find her?’
So dramatic. So forced.
Ren shook her head. ‘No, Jonathan. No, we did not. Not yet.’ She sat down. ‘Jonathan, I’m Special Agent Ren Bryce, and this is my colleague, Special Agent Everett King. How are you holding up?’
Briar shrugged. ‘I’m OK … I guess.’
‘Let me explain who we are,’ said Ren. ‘Agent King and I are members of the Rocky Mountain Safe Streets Task Force. Not to alarm you – we do handle all kinds of crimes – but we are technically a violent crime squad. We’re multi-agency, meaning there are FBI agents like us, and there are detectives from DPD – that’s Denver PD, along with members of the Jefferson County Sheriff’s Department, Aurora PD, etc.
‘We have to consider that Hope may have been the victim of a violent crime. Of course, we don’t know that yet. I understand you’ve been questioned by DPD—’
‘Every day!’ said Jonathan. ‘Every day since she left.’
‘Left?’ said Ren.
He shrugged. ‘It’s exhausting.’
Not my point. ‘You said “left”,’ said Ren. ‘Do you think Hope just left?’
Jonathan looked away, shrugging again. ‘It’s better than thinking anything else.’
‘Back to what I was saying,’ said Ren. ‘We’re talking to you today at the request of Detective Glenn Buddy at Denver PD, and because some new evidence has come to light.’
‘What evidence?’ said Jonathan.
‘I want to show you a photograph of your fiancée, Hope,’ said Ren, ignoring the question. She set it down on the table. ‘Well, actually it’s a photo of you and Hope. When was this taken?’
Jonathan swallowed. ‘Christmas just gone. At my mom’s house. Why?’
‘You look really happy,’ said Ren.
‘We were,’ he said, nodding.
Were: past tense.
Jonathan blinked, but there were no tears.
‘Now, here’s another photo,’ said Ren. She set down an aerial photo of a landfill site.
‘Do you know Fyron Industries?’ said Everett, shifting forward in his seat. ‘They manage this landfill site. It’s off of I-70. The dumpster by your house – that’s where that goes.’
Jonathan looked at Everett as if he had just crawled from a dumpster himself.
Everett took out a red Sharpie and drew a large box on the photo. ‘This area here,’ he said, ‘is three acres square. The garbage runs twenty feet deep if we’re to go back almost a month to when Hope went missing …’
Jonathan recoiled. ‘What the hell are you showing me this for? What do you mean “go back almost a month”?’
Don’t look at me for answers. That’s not how this goes.
‘To search this area, we’re calling in all the favors we can,’ said Everett. ‘Law enforcement across a lot of different agencies, along with volunteer civilians. That’s the effect Hope has had on people. They’re coming from all over to offer to search a stinking hellhole for her, to suit up and go right in there to look for your missing fiancée. If we can in any way limit all that searching … or if we knew, for example, that we were wasting our time, or anyone else’s time … or if there’s somewhere else we should be looking …’
As Everett spoke, Ren was studying Jonathan Briar. You are a dull-eyed dope-smoking moron. I have little time for dope-smoking morons.
‘Is there anything you’d like to tell us?’ said Ren.
‘No!’ said Jonathan. ‘No. Except that you are wasting your time: thinking I did this!’ There was no anger, just a whining, pleading exhaustion.
‘Everyone in your position tells us we’re wasting our time,’ said Ren, ‘but, as you know, a lot of the time we’re not. The odds are not in your favor. Before we go in here,’ she pointed to the landfill photo, ‘before we bring people into this wonderland, we’d like to know the truth.’
‘I’ve told you the truth!’ said Jonathan. ‘I’ve told you a million times. I’m innocent! Last time I saw Hope she was alive and well. What more can I tell you? That’s my story.’
‘Story?’ said Ren.
‘You know what I mean,’ said Jonathan. ‘I didn’t mean it that way.’
‘Were you and Hope happy?’ said Ren.
‘Yes!’ said Jonathan. ‘Fucking leave me alone with the happiness bullshit! I don’t think I can take this any more! I feel like I’m losing my mind, here. All you people looking at me! It’s fucking driving me insane!’
Snap. Snap. Show your hand.
‘Jonathan, we found traces of Hope’s blood in the living room,’ said Ren. ‘Do you know how that got there?’
‘She cut her finger, I don’t know. Were they drops, smears, spatters?’
Go, CSI.
‘If they were drops or smears,’ he said, ‘then she cut her finger a while back. If they were spatters, then, I guess, someone might have killed her at home, right? Is that your point?’
How Not to Talk to Law Enforcement 101.
Ren looked at Everett.
Jonathan started to cry. ‘I love Hope. I always have. From when I was nine years old. I wouldn’t lay a finger on her. All I ever want to do is protect her.’ He cried harder. ‘What if you find her and she’s dead?’
Wow. Have you really only thought about that now?
He kept talking. ‘What if she’s there in all that garbage and she’s dead? Then what happens? Then do you just, like, assume it’s me? What evidence is going to be on that body at that stage? I’m terrified of what’s going to go down. I want Hope found, but I also don’t want her to be just pulled out of some garbage. I mean, I know what you’re thinking, it’s disgusting anyway, it’s a murder, who gives a shit, but I do.’ He went quiet. ‘I do, because Hope would. She wouldn’t want anyone seeing her that way.’
‘What way?’ said Ren, keeping her tone neutral.
Jonathan leapt from his seat. ‘Dead on a garbage heap! What do you think I mean? Why do you people always think I mean something I don’t mean?’
Because you say weird shit. Because your answers are weird. Your phraseology. Your language. Your focus.
‘Sit the fuck down,’ said Ren.
Jonathan sat down, but kept talking, the words speedy and tumbling. ‘Dead after weeks, rotting away and all that other shit. Jesus! Who would ever want anyone to see them that way? I know I never would. But what happens then? I say nothing to you today because I know nothing and then you arrest me? Like, will I look suspicious to you because of that? I mean, I’ll say anything not to come across as someone shady. I wasn’t there that night at the time you’re talking about. I was working! I’m not thinking about how Hope looks because I killed her in some horrible way. I’m thinking about what a fucked-up mess dead bodies are after all that time.’
