Loe raamatut: «The Giant's Robe», lehekülg 2

CHAPTER II.
A LAST WALK

MARK turned in from Chancery Lane under the old gateway, and went to one of the staircase doorways with the old curly eighteenth-century numerals cut on the centre stone of the arch and painted black. The days of these picturesque old dark-red buildings, with their small-paned dusty windows, their turrets and angles, and other little architectural surprises and inconveniences, are already numbered. Soon the sharp outline of their old gables and chimneys will cut the sky no longer; but some unpractical persons will be found who, although (or it may be because) they did not occupy them, will see them fall with a pang, and remember them with a kindly regret.

A gas jet was glimmering here and there behind the slits of dusty glass in the turret staircase as Mark came in, although it was scarcely dusk in the outer world; for Old Square is generally a little in advance in this respect. He passed the door laden with names and shining black plates announcing removals, till he came to an entrance on the second floor, where one of the names on a dingy ledge above the door was 'Mr. Vincent Holroyd.'

If Mark had been hitherto a failure, Vincent Holroyd could not be pronounced a success. He had been, certainly, more distinguished at college; but after taking his degree, reading for the Bar, and being called, three years had passed in forced inactivity – not, perhaps, an altogether unprecedented circumstance in a young barrister's career, but with the unpleasant probability, in his case, of a continued brieflessness. A dry and reserved manner, due to a secret shyness, had kept away many whose friendship might have been useful to him; and, though he was aware of this, he could not overcome the feeling; he was a lonely man, and had become enamoured of his loneliness. Of the interest popularly believed to be indispensable to a barrister he could command none, and, with more than the average amount of ability, the opportunity for displaying it was denied him; so that when he was suddenly called upon to leave England for an indefinite time, he was able to abandon prospects that were not brilliant without any particular reluctance.

Mark found him tying up his few books and effects in the one chamber which he had sub-rented, a little panelled room looking out on Chancery Lane, and painted the pea-green colour which, with a sickly buff, seem set apart for professional decoration.

His face, which was dark and somewhat plain, with large, strong features, had a pleasant look on it as he turned to meet Mark. 'I'm glad you could come,' he said. 'I thought we'd walk back together for the last time. I shall be ready in one minute. I'm only getting my law books together.'

'You're not going to take them out to Ceylon with you, then?'

'Not now. Brandon – my landlord, you know – will let me keep them here till I send for them. I've just seen him. Shall we go now?'

They passed out through the dingy, gas-lit clerk's room, and Holroyd stopped for a minute to speak to the clerk, a mild, pale man, who was neatly copying out an opinion at the foot of a case. 'Good-bye, Tucker,' he said, 'I don't suppose I shall see you again for some time.'

'Good-bye, Mr. 'Olroyd, sir. Very sorry to lose you. I hope you'll have a pleasant voy'ge, and get on over there, sir, better than you've done 'ere, sir.'

The clerk spoke with a queer mixture of patronage and deference: the deference was his ordinary manner with his employer in chief, a successful Chancery junior, and the patronage was caused by a pitying contempt he felt for a young man who had not got on.

'That 'Olroyd'll never do anything at the Bar,' he used to say when comparing notes with his friend the clerk to the opposite set of chambers. 'He's got no push, and he's got no manner, and there ain't nobody at his back. What he ever come to the Bar for at all, I don't know!'

There were some directions to be given as to letters and papers, which the mild clerk received with as much gravity as though he were not inwardly thinking, 'I'd eat all the papers as ever come in for you, and want dinner after 'em.' And then Holroyd left his chambers for the last time, and he and Mark went down the ricketty winding stair, and out under the colonnade of the Vice-Chancellors' courts, at the closed doors of which a few clerks and reporters were copying down the cause list for the next day.

They struck across Lincoln's Inn Fields and Long Acre, towards Piccadilly and Hyde Park. It was by no means a typical November afternoon: the sky was a delicate blue and the air mild, with just enough of autumn keenness in it to remind one, not unpleasantly, of the real time of year.

'Well,' said Holroyd, rather sadly, 'you and I won't walk together like this again for a long time.'

'I suppose not,' said Mark, with a regret that sounded a little formal, for their approaching separation did not, as a matter of fact, make him particularly unhappy.

Holroyd had always cared for him much more than he had cared for Holroyd, for whom Mark's friendship had been a matter of circumstance rather than deliberate preference. They had been quartered in the same lodgings at Cambridge, and had afterwards 'kept' on the same staircase in college, which had led to a more or less daily companionship, a sort of intimacy that is not always strong enough to bear transplantation to town.

Holroyd had taken care that it should survive their college days; for he had an odd liking for Mark, in spite of a tolerably clear insight into his character. Mark had a way of inspiring friendships without much effort on his part, and this undemonstrative, self-contained man felt an affection for him which was stronger than he ever allowed himself to show.

Mark, for his part, had begun to feel an increasing constraint in the company of a friend who had an unpleasantly keen eye for his weak points, and with whom he was always conscious of a certain inferiority which, as he could discover no reason for it, galled his vanity the more.

His careless tone wounded Holroyd, who had hoped for some warmer response; and they walked on in silence until they turned into Hyde Park and crossed to Rotten Row, when Mark said, 'By the way, Vincent, wasn't there something you wanted to speak to me about?'

'I wanted to ask a favour of you; it won't give you much trouble,' said Holroyd.

'Oh, in that case, if it's anything I can do, you know – but what is it?'

'Well,' said Holroyd, 'the fact is – I never told a soul till now – but I've written a book.'

'Never mind, old boy,' said Mark, with a light laugh; for the confession, or perhaps a certain embarrassment with which it was made, seemed to put Holroyd more on a level with himself. 'So have lots of fellows, and no one thinks any the worse of them – unless they print it. Is it a law book?'

'Not exactly,' said Holroyd; 'it's a romance.'

'A romance!' cried Mark. 'You!'

'Yes,' said Holroyd, 'I. I've always been something of a dreamer, and I amused myself by putting one of my dreams down on paper. I wasn't disturbed.'

'You've been called though, haven't you?'

'I never got up,' said Holroyd, with a rather melancholy grimace. 'I began well enough. I used to come up to chambers by ten and leave at half-past six, after noting up reports and text-books all day; but no solicitor seemed struck by my industry. Then I sat in court and took down judgments most elaborately, but no leader ever asked me to take notes for him, and I never got a chance of suggesting anything to the court as amicus curiæ, for both the Vice-Chancellors seemed able to get along pretty well without me. Then I got tired of that, and somehow this book got into my head, and I couldn't rest till I'd got it out again. It's finished now, and I'm lonely again.'

'And you want me to run my eye over it and lick it into shape a little?' asked Mark.

'Not quite that,' said Holroyd; 'it must stand as it is. What I'm going to ask you is this: I don't know any fellow I would care to ask but yourself. I want it published. I shall be out of England, probably with plenty of other matters to occupy me for some time. I want you to look after the manuscript for me while I'm away. Do you mind taking the trouble?'

'Not a bit, old fellow,' said Mark, 'no trouble in the world; only tying up the parcel each time, sending it off again. Well, I didn't mean that; but it's no trouble, really.'

'I dare say you won't be called upon to see it through the press,' said Holroyd; 'but if such a thing as an acceptance should happen, I should like you to make all the arrangements. You've had some experience in these things, and I haven't, and I shall be away too.'

'I'll do the best I can,' said Mark. 'What sort of a book is it?'

'It's a romance, as I said,' said Holroyd. 'I don't know that I can describe it more exactly: it – '

'Oh, it doesn't matter,' interrupted Mark. 'I can read it some time. What have you called it?'

'"Glamour,"' said Holroyd, still with a sensitive shrinking at having to reveal what had long been a cherished secret.

'It isn't a society novel, I suppose?'

'No,' said Holroyd. 'I'm not much of a society man; I go out very little.'

'But you ought to, you know: you'll find people very glad to see you if you only cultivate them.'

There was something, however, in Mark's manner of saying this that suggested a consciousness that this might be a purely personal experience.

'Shall I?' said Holroyd. 'I don't know. People are kind enough, but they can only be really glad to see any one who is able to amuse them or interest them, and that's natural enough. I can't flatter myself that I'm particularly interesting or amusing; any way, it's too late to think about that now.'

'You won't be able to do the hermit much over in Ceylon, will you?'

'I don't know. My father's plantation is in rather a remote part of the island. I don't think he has ever been very intimate with the other planters near him, and as I left the place when I was a child I have fewer friends there than here even. But there will be plenty to do if I am to learn the business, as he seems to wish.'

'Did he never think of having you over before?'

'He wanted me to come over and practise at the Colombo Bar, but that was soon after I was called, and I preferred to try my fortune in England first. I was the second son, you see, and while my brother John was alive I was left pretty well to my own devices. I went, as you know, to Colombo in my second Long, but only for a few weeks of course, and my father and I didn't get on together somehow. But he's ill now, and poor John died of dysentery, and he's alone, so even if I had had any practice to leave I could hardly refuse to go out to him. As it is, as far as that is concerned, I have nothing to keep me.'

They were walking down Rotten Row as Holroyd said this, with the dull leaden surface of the Serpentine on their right, and away to the left, across the tan and the grey sward, the Cavalry Barracks, with their long narrow rows of gleaming windows. Up the long convex surface of the Row a faint white mist was crawling, and a solitary, spectral-looking horseman was cantering noiselessly out of it towards them. The evening had almost begun; the sky had changed to a delicate green tint, merged towards the west in a dusky crocus, against which the Memorial spire stood out sharp and black; from South Kensington came the sound of a church bell calling for some evening service.

'Doesn't that bell remind you somehow of Cambridge days?' said Mark. 'I could almost fancy we were walking up again from the boats, and that was the chapel bell ringing.'

'I wish we were,' said Holroyd with a sigh: 'they were good old times, and they will never come back.'

'You're very low, old fellow,' said Mark, 'for a man going back to his native country.'

'Ah, but I don't feel as if it was my native country, you see. I've lived here so long. And no one knows me out there except my poor old father, and we're almost strangers. I'm leaving the few people I care for behind me.'

'Oh, it will be all right,' said Mark, with the comfortable view one takes of another's future; 'you'll get on well enough. We shall have you a rich coffee planter, or a Deputy Judge Advocate, in no time. Any fellow has a chance out there. And you'll soon make friends in a place like that.'

'I like my friends ready-made, I think,' said Holroyd; 'but one must make the best of it, I suppose.'

They had come to the end of the Row; the gates of Kensington Gardens were locked, and behind the bars a policeman was watching them suspiciously, as if he suspected they might attempt a forcible entry.

'Well,' said Mark, stopping, 'I suppose you turn off here?' Holroyd would have been willing to go on with him as far as Kensington had Mark proposed it, but he gave no sign of desiring this, so his friend's pride kept him silent too.

'One word more about the – the book,' he said. 'I may put your name and address on the title-page, then? It goes off to Chilton and Fladgate to-night.'

'Oh yes, of course,' said Mark, 'put whatever you like.'

'I've not given them my real name, and, if anything comes of it, I should like that kept a secret.'

'Just as you please; but why?'

'If I keep on at the Bar, a novel, whether it's a success or not, is not the best bait for briefs,' said Holroyd; 'and besides, if I am to get a slating, I'd rather have it under an alias, don't you see? So the only name on the title-page is "Vincent Beauchamp."'

'Very well,' said Mark, 'none shall know till you choose to tell them, and, if anything has to be done about the book, I'll see to it with pleasure, and write to you when it's settled. So you can make your mind easy about that.'

'Thanks,' said Holroyd; 'and now, good-bye, Mark.'

There was real feeling in his voice, and Mark himself caught something of it as he took the hand Vincent held out.

'Good-bye, old boy,' he said. 'Take care of yourself – pleasant voyage and good luck. You're no letter-writer, I know, but you'll drop me a line now and then, I hope. What's the name of the ship you go out in?'

'The "Mangalore." She leaves the Docks to-morrow. Good-bye for the present, Mark. We shall see one another again, I hope. Don't forget all about me before that.'

'No, no,' said Mark; 'we've been friends too long for that.'

One more good-bye, a momentary English awkwardness in getting away from one another, and they parted, Holroyd walking towards Bayswater across the bridge, and Mark making for Queen's Gate and Kensington.

Mark looked after his friend's tall strong figure for a moment before it disappeared in the dark. 'Well, I've seen the last of him,' he thought. 'Poor old Holroyd! to think of his having written a book – he's one of those unlucky beggars who never make a hit at anything. I expect I shall have some trouble about it by-and-by.'

Holroyd walked on with a heavier heart. 'He won't miss me,' he told himself. 'Will Mabel say good-bye like that?'

CHAPTER III.
GOOD-BYE

ON the same afternoon in which we have seen Mark and Vincent walk home together for the last time, Mrs. Langton and her eldest daughter Mabel were sitting in the pretty drawing-room of their house in Kensington Park Gardens.

Mrs. Langton was the wife of a successful Q.C. at the Chancery Bar, and one of those elegantly languid women with a manner charming enough to conceal a slight shallowness of mind and character; she was pretty still, and an invalid at all times when indisposition was not positively inconvenient.

It was one of her 'at home' days, but fewer people than usual had made their appearance, and these had filtered away early, leaving traces of their presence behind them in the confidential grouping of seats and the teacups left high and dry in various parts of the room.

Mrs. Langton was leaning luxuriously back in a low soft chair, lazily watching the firebeams glisten through the stained-glass screen, and Mabel was on a couch near the window trying to read a magazine by the fading light.

'Hadn't you better ring for the lamps, Mabel?' suggested her mother. 'You can't possibly see to read by this light, and it's so trying for the eyes. I suppose no one else will call now, but it's very strange that Vincent should not have come to say good-bye.'

'Vincent doesn't care about "at homes,"' said Mabel.

'Still, not to say good-bye – after knowing us so long, too! and I'm sure we've tried to show him every kindness. Your father was always having solicitors to meet him at dinner, and it was never any use; and he sails to-morrow. I think he might have found time to come!'

'So do I,' agreed Mabel. 'It's not like Vincent, though he was always shy and odd in some things. He hasn't been to see us nearly so much lately, but I can't believe he will really go away without a word.'

Mrs. Langton yawned delicately. 'It would not surprise me, I must say,' she said. 'When a young man sets himself – ' but whatever she was going to say was broken off by the entrance of her youngest daughter Dolly, with the German governess, followed by the man bearing rose-shaded lamps.

Dolly was a vivacious child of about nine, with golden locks which had a pretty ripple in them, and deep long-lashed eyes that promised to be dangerous one day. 'We took Frisk out without the leash, mummy,' she cried, 'and when we got into Westbourne Grove he ran away. Wasn't it too bad of him?'

'Never mind, darling, he'll come back quite safe – he always does.'

'Ah, but it's his running away that I mind,' said Dolly; 'and you know what a dreadful state he always will come back in. He must be cured of doing it somehow.'

'Talk to him very seriously about it, Dolly,' said Mabel.

'I've tried that – and he only cringes and goes and does it again directly he's washed. I know what I'll do, Mabel. When he comes back this time, he shall have a jolly good whacking!'

'My dear child,' cried Mrs. Langton, 'what a dreadful expression!'

'Colin says it,' said Dolly, though she was quite aware that Colin was hardly a purist in his expressions.

'Colin says a good many things that are not pretty in a little girl's mouth.'

'So he does,' said Dolly cheerfully. 'I wonder if he knows? I'll go and tell him of it – he's come home.' And she ran off just as the door-bell rang.

'Mabel, I really think that must be some one else coming to call after all. Do you know, I feel so tired and it's so late that I think I will leave you and Fräulein to talk to them. Papa and I are going out to dinner to-night, and I must rest a little before I begin to dress. I'll run away while I can.'

Mrs. Langton fluttered gracefully out of the room as the butler crossed the hall to open the door, evidently to a visitor, and presently Mabel heard 'Mr. Holroyd' announced.

'So you really have come after all,' said Mabel, holding out her hand with a pretty smile of welcome. 'Mamma and I thought you meant to go away without a word.'

'You might have known me better than that,' said Holroyd.

'But when your last afternoon in England was nearly over and no sign of you, there was some excuse for thinking so; but you have come at last, so we won't scold you. Will you have some tea? It isn't very warm, I'm afraid, but you are so very late, you know. Ring, and you shall have some fit to drink.'

Vincent accepted tea, chiefly because he wanted to be waited upon once more by her with the playful, gracious manner, just tinged with affectionate mockery, which he knew so well; and then he talked to her and Fräulein Mozer, with a heavy sense of the unsatisfactory nature of this triangular conversation for a parting interview.

The governess felt this too. She had had a shrewd suspicion for some time of the state of Holroyd's feelings towards Mabel, and felt a sentimental pity for him, condemned as he was to disguise them under ordinary afternoon conversation.

'He is going away,' she thought; 'but he shall have his chance, the poor young man. You will not think it very rude, Mr. Holroyd,' she said, rising: 'it will not disturb you if I practise? There is a piece which I am to play at a school concert to-morrow, and do not yet know it.'

'Vincent won't mind, Ottilia dear,' said Mabel. 'Will you, Vincent?' So the governess went to the further room where the piano stood, and was soon performing a conveniently noisy German march. Vincent sat still for some moments watching Mabel. He wished to keep in his memory the impression of her face as he saw it then, lighted up by the soft glow of the heavily shaded lamp at her elbow; a spirited and yet tender face, with dark-grey eyes, a sensitive, beautiful mouth, and brown hair with threads of gold in it which gleamed in the lamplight as she turned her graceful head.

He knew it would fade only too soon, as often happens with the face we best love and have reason chiefly to remember. Others will rise unbidden with the vividness of a photograph, but the one face eludes us more and more, till no effort of the mind will call it up with any distinctness.

Mabel was the first to speak. 'Are you very fond of music, Vincent?' she said a little maliciously. 'Would you rather be allowed to listen in peace, or talk? You may talk, you know.'

'I came late on purpose to see as much of you as possible,' said poor Vincent. 'This is the last time I shall be able to talk to you for so long.'

'I know,' said Mabel, simply; 'I'm very sorry, Vincent.' But there was only a frank friendliness in her eyes as she spoke, nothing more, and Vincent knew it.

'So am I,' he said. 'Do you know, Mabel, I have no photograph of you. Will you give me one to take away with me?'

'Of course, if I have one,' she said, as she went to a table for an album. 'Oh, Vincent, I'm so sorry. I'm afraid there's not one left. But I can give you one of mother and father and Dolly, and I think Colin too.'

'I should like all those very much,' said Vincent, who could not accept this offer as a perfect substitute, 'but can't you find one of yourself, not even an old one?'

'I think I can give you one after all,' said Mabel; 'wait a minute.' And as she came back after a minute's absence she said, 'Here's one I had promised to Gilda Featherstone, but Gilda can wait and you can't. I'll give you an envelope to put them all in, and then we will talk. Tell me first how long you are going to be away?'

'No longer than I can help,' said Vincent, 'but it depends on so many things.'

'But you will write to us, won't you?'

'Will you answer if I do?'

'Of course,' said Mabel. 'Don't you remember when I was a little girl, and used to write to you at school, and at Trinity too? I was always a better correspondent than you were, Vincent.'

Just then Dolly came, holding a cage of lovebirds. 'Champion said you were here,' she began. 'Vincent, wait till I put Jachin and Boaz down. Now you can kiss me. I knew you wouldn't go away without saying good-bye to me. You haven't seen my birds, have you? Papa gave them to me. They're such chilly birds, I've brought them in here to get warm.'

'They're very much alike,' said Vincent, looking into the cage, upon which each bird instantly tried to hide its head in the sand underneath the other.

'They're exactly the same,' said Dolly, 'so I never know which is Jachin and which is Boaz; but they don't know their own names, and if they did they wouldn't answer to them, so it doesn't matter so very much after all, does it?'

As it never occurred to Dolly that anybody could have the bad taste to prefer any one else's conversation to her own, she took entire possession of Vincent, throwing herself into the couch nearest to him, and pouring out her views on lovebirds generally to his absent ear.

'They don't know me yet,' she concluded, 'but then I've only had them six months. Do you know, Harold Caffyn says they're little humbugs, and kiss one another only when people look at them. I have caught them fighting dreadfully myself. I don't think lovebirds ought to fight. Do you? Oh, and Harold says that when one dies I ought to time the other and see how long it takes him to pine away; but Harold is always saying horrid things like that.'

'Dolly dear,' cried the governess from the inner room, 'will you run and ask Colin if he has taken away the metronome to the schoolroom?'

Dolly danced out to hunt for that prosaic instrument in a desultory way, and then forget it in some dispute with Colin, who generally welcomed any distraction whilst preparing his school-work – a result which Fräulein Mozer probably took into account, particularly as she had the metronome by her side at the time. 'Poor Mr. Vincent!' she thought; 'he has not come to talk with Dolly of lovebirds.'

'You will be sure to write and tell us all about yourself,' said Mabel. 'What do you mean to do out there, Vincent?'

'Turn coffee-planter, perhaps,' he said gloomily.

'Oh, Vincent!' she said reproachfully, 'you used to be so ambitious. Don't you remember how we settled once that you were going to be famous? You can't be very famous by coffee-planting, can you?'

'If I do that, it is only because I see nothing else to do. But I am ambitious still, Mabel. I shall not be content with that, if a certain venture of mine is successful enough to give me hopes of anything better. But it's a very big "if" at present.'

'What is the venture?' said Mabel. 'Tell me, Vincent; you used to tell me everything once.'

Vincent had very few traces of his tropical extraction in his nature, and his caution and reserve would have made him disposed to wait at least until his book were safe in the haven of printer's ink before confessing that he was an author.

But Mabel's appeal scattered all his prudence. He had written with Mabel as his public; with the chief hope in his mind that some day she would see his work and say that it was well done. He felt a strong impulse to confide in her now, and have the comfort of her sympathy and encouragement to carry away with him.

If he had been able to tell her then of his book, and his plans respecting it, Mabel might have looked upon him with a new interest, and much that followed in her life might have been prevented. But he hesitated for a moment, and while he hesitated a second interruption took place. The opportunity was gone, and, like most opportunities in conversation, once missed was gone for ever. The irrepressible Dolly was the innocent instrument: she came in with a big portfolio of black and white papers, which she put down on a chair. 'I can't find the metronome anywhere, Fräulein,' she said. 'I've been talking to Colin: he wants you to come and say good-bye before you go, Vincent. Colin says he nearly got "swished" to-day, only his master begged him off because he'd done nothing at all really. Wasn't it nice of him? Ask him to tell you about it. Oh, and, Vincent, I want your head for my album. May I cut it out?'

'I want it, myself, Dolly, please,' said Vincent; 'I don't think I can do without it just yet.'

'I don't mean your real head,' said Dolly, 'I believe you know that – it's only the outline I want!'

'It isn't a very dreadful operation, Vincent,' said Mabel. 'Dolly has been victimising all her friends lately, but she doesn't hurt them.'

'Very well, Dolly, I consent,' said Vincent; 'only be gentle with me.'

'Sit down here on this chair against the wall,' said Dolly, imperiously. 'Mabel, please take the shade off the lamp and put it over here.' She armed herself with a pencil and a large sheet of white paper as she spoke. 'Now, Vincent, put yourself so that your shadow comes just here, and keep perfectly still. Don't move, or talk, or anything, or your profile will be spoilt!'

'I feel very nervous, Dolly,' said Vincent, sitting down obediently.

'What a coward you must be! Why, one of the boys at Colin's school said he rather liked it. Will you hold his head steady, Mabel, please? – no, you hold the paper up while I trace.'

Vincent sat still while Mabel leaned over the back of his chair, with one hand lightly touching his shoulder, while her soft hair swept across his cheek now and then. Long after – as long as he lived, in fact – he remembered those moments with a thrill.

'Now I have done, Vincent,' cried Dolly, triumphantly, after some laborious tracing on the paper. 'You haven't got much of a profile, but it will be exactly like you when I've cut it out. There!' she said, as she held up a life-size head cut out in curling black paper; 'don't you think it's like you, yourself?'

'I don't know,' said Vincent, inspecting it rather dubiously, 'but I must say I hope it isn't.'

'I'll give you a copy to take away with you,' said Dolly, generously, as she cut out another black head with her deft little hands. 'There, that's for you, Vincent – you won't give it away, will you?'

'Shall I promise to wear it always next to my heart, Dolly?'

Dolly considered this question. 'I think you'd better not,' she said at last: 'it would keep you warm certainly, but I'm afraid the black comes off – you must have it mounted on cardboard and framed, you know.'

At this point Mrs. Langton came rustling down, and Vincent rose to meet her, with a desperate hope that he would be asked to spend the whole of his last evening with them – a hope that was doomed to disappointment.

'My dear Vincent,' she said, holding out both her hands, 'so you've come after all. Really, I was quite afraid you'd forgotten us. Why didn't somebody tell me Vincent was here, Mabel? I would have hurried over my dressing to come down. It's so very provoking, Vincent, but I have to say good-bye in a hurry. My husband and I are going out to dinner, and he wouldn't come home to change, so he will dress at his chambers, and I have to go up and fetch him. And it's so late, and they dine so ridiculously early where we're going, and he's sure to keep me waiting such a time, I mustn't lose another minute. Will you see me to the carriage, Vincent? Thanks. Has Marshall put the footwarmer in, and is the drugget down? Then we'll go, please; and I wish you every success in – over there, you know, and you must be careful of yourself and bring home a nice wife. – Lincoln's Inn, tell him, please. – Good-bye, Vincent, good-bye!'