A PROPOSAL UNDER DIFFICULTIES
CHARACTERS:
ROBERT YARDSLEY, } suitors for the hand of Miss Andrews.
JACK BARLOW, }
DOROTHY ANDREWS, a much-loved young woman.
JENNIE, a housemaid.
HICKS, a coachman, who does not appear.
The scene is laid in a fashionable New York drawing-room. The time is late in October, and Wednesday afternoon. The curtain rising shows an empty room. A bell rings. After a pause the front door is heard opening and closing. Enter Yardsleythrough portière at rear of room.
Yardsley. Ah! So far so good; but I wish it were over. I’ve had the nerve to get as far as the house and into it, but how much further my courage will carry me I can’t say. Confound it! Why is it, I wonder, that men get so rattled when they’re head over heels in love, and want to ask the fair object of their affections to wed? I can’t see. Now I’m brave enough among men. I’m not afraid of anything that walks, except Dorothy Andrews, and generally I’m not afraid of her. Stopping runaway teams and talking back to impudent policemen have been my delight. I’ve even been courageous enough to submit a poem in person to the editor of a comic weekly, and yet here this afternoon I’m all of a tremble. And for what reason? Just because I’ve co-come to ask Dorothy Andrews to change her name to Mrs. Bob Yardsley; as if that were such an unlikely thing for her to do. Gad! I’m almost inclined to despise myself. (Surveys himself in the mirror at one end of the room. Then walking up to it and peering intently at his reflection, he continues.) Bah! you coward! Afraid of a woman—a sweet little woman like Dorothy. You ought to be ashamed of yourself, Bob Yardsley. She won’t hurt you. Brace up and propose like a man—like a real lover who’d go through fire for her sake, and all that. Ha! That’s easy enough to talk about, but how shall I put it? That’s the question. Let me see. How do men do it? I ought to buy a few good novels and select the sort of proposal I like; but not having a novel at hand, I must invent my own. How will it be? Something like this, I fancy. (The portières are parted, and Jennie, the maid, enters. Yardsley does not observe her entrance.) I’ll get down on my knees. A man on his knees is a pitiable object, and pity, they say, is akin to love. Maybe she’ll pity me, and after that—well, perhaps pity’s cousin will arrive. (The maid advances, but Yardsley is so intent upon his proposal that he still fails to observe her. She stands back of the sofa, while he, gazing downward, kneels before it.) I’ll say: “Divine creature! At last we are alone, and I—ah—I can speak freely the words that have been in my heart to say to you for so long—oh, so long a time.” (Jennie appears surprised.) “I have never even hinted at how I feel towards you. I have concealed my love, fearing lest by too sudden a betrayal of my feelings I should lose all.” (Aside.) Now for a little allusion to the poets. Poetry, they say, is a great thing for proposals. “You know, dearest, you must know, how the poet has phrased it—‘Fain would I fall but that I fear to climb.’ But now—now I must speak. An opportunity like this may not occur again. Will you—will you be my wife?”
[Jennie gives a little scream of delight.
Jennie. Oh, Mr. Yardsley, this is so suddent like and unexpected, and me so far beneath you!
[Yardsley looks up and is covered with confusion.
Yardsley. Great Scott! What have I done?
Jennie. But of course it ain’t for the likes of me to say no to—
Yardsley (rising). For Heaven’s sake, Jennie—do be sensi—Don’t—say—Jennie, why—ah—(Aside.) Oh, confound it! What the deuce shall I say? What’s the matter with my tongue? Where’s my vocabulary? A word! a word! my kingdom for a word! (Aloud.) Now, Jen—
Jennie (coyly). I has been engaged to Mr. Hicks, the coach gentleman, sir, but—
Yardsley. Good! good! I congratulate you, Jennie. Hicks is a very fine fellow. Drives like a—like a driver, Jennie, a born driver. I’ve seen him many a time sitting like a king on his box—yes, indeed. Noticed him often. Admired him. Gad, Jennie, I’ll see him myself and tell him; and what is more, Jennie, I’ll—I’ll give Hicks a fine present.
Jennie. Yes, sir; I has no doubt as how you’ll be doin’ the square thing by Hicks, for, as I was a-sayin’, I has been engaged like to him, an’ he has some rights; but I think as how, if I puts it to him right like, and tells him what a nice gentleman you are (a ring is heard at the front door), it’ll be all right, sir. But there goes the bell, and I must run, Mr. Yardsley. (Ecstatically kissing her hand.) Bob!
Yardsley (with a convulsive gasp). Bob? Jennie! You—er—you misun—(Jennie, with a smile of joy and an ecstatic glance at Yardsley, dances from the room to attend the door. Yardsley throws himself into a chair.) Well, I’ll be teetotally—Awh! It’s too dead easy proposing to somebody you don’t know you are proposing to. What a kettle of fish this is, to be sure! Oh, pshaw! that woman can’t be serious. She must know I didn’t mean it for her. But if she doesn’t, good Lord! what becomes of me? (Rises, and paces up and down the room nervously. After a moment he pauses before the glass.) I ought to be considerably dishevelled by this. I feel as if I’d been drawn through a knot-hole—or—or dropped into a stone-crusher—that’s it, a stone-crusher—a ten million horse power stone-crusher. Let’s see how you look, you poor idiot.
[As he is stroking his hair and rearranging his tie he talks in pantomime at himself in the glass. In a moment Jennie ushers Mr. Jack Barlow into the room.
Jennie. Miss Andrews will be down in a minute, sir.
[Barlow takes arm-chair and sits gazing ahead of him. Neither he nor Yardsley perceives the other. Jennie tiptoes to one side, and, tossing a kiss at Yardsley, retires.
Barlow. Now for it. I shall leave this house to-day the happiest or the most miserable man in creation, and I rather think the odds are in my favor. Why shouldn’t they be? Egad! I can very well understand how a woman could admire me. I admire myself, rather. I confess candidly that I do not consider myself half bad, and Dorothy has always seemed to feel that way herself. In fact, the other night in the Perkinses conservatory she seemed to be quite ready for a proposal. I’d have done it then and there if it hadn’t been for that confounded Bob Yardsley—
Yardsley (turning sharply about). Eh? Somebody spoke my name. A man, too. Great heavens! I hope Jennie’s friend Hicks isn’t here. I don’t want to have a scene with Hicks. (Discovering Barlow.) Oh—ah—why—hullo, Barlow! You here?
Barlow (impatiently, aside). Hang it! Yardsley’s here too! The man’s always turning up when he’s not wanted. (Aloud.) Ah! why, Bob, how are you? What’re you doing here?
Yardsley. What do you suppose—tuning the piano? I’m here because I want to be. And you?
Barlow. For the same reason that you are.
Yardsley (aside). Gad! I hope not. (Aloud.) Indeed? The great mind act again? Run in the same channel, and all that? Glad to see you. (Aside.) May the saints forgive me that fib! But this fellow must be got rid of.
Barlow (embarrassed). So’m I. Always glad to see myself—I mean you—anywhere. Won’t you sit down?
Yardsley. Thanks. Very kind of you, I’m sure. (Aside.) He seems very much at home. Won’t I sit down?—as if he’d inherited the chairs! Humph! I’ll show him.
Barlow. What say?
Yardsley. I—ah—oh, I was merely remarking that I thought it was rather pleasant out to-day.
Barlow. Yes, almost too fine to be shut up in-doors. Why aren’t you driving, or—or playing golf, or—ah—or being out-doors somewhere? You need exercise, old man; you look a little pale. (Aside.) I must get him away from here somehow. Deuced awkward having another fellow about when you mean to propose to a woman.
Yardsley. Oh, I’m well enough!
Barlow (solicitously). You don’t look it—by Jove you don’t. (Suddenly inspired.) No, you don’t, Bob. You overestimate your strength. It’s very wrong to overestimate one’s strength. People—ah—people have died of it. Why, I’ll bet you a hat you can’t start now and walk up to Central Park and back in an hour. Come. I’ll time you. (Rises and takes out watch.) It is now four ten. I’ll wager you can’t get back here before five thirty. Eh? Let me get your hat.
[Starts for door.
Yardsley (with a laugh). Oh no; I don’t bet—after four. But I say, did you see Billie Wilkins?
Barlow (returning in despair). Nope.
Yardsley (aside). Now for a bit of strategy. (Aloud.) He was looking for you at the club. (Aside.) Splendid lie! (Aloud.) Had seats for the—ah—the Metropolitan to-night. Said he was looking for you. Wants you to go with him. (Aside.) That ought to start him along.
Barlow. I’ll go with him.
Yardsley (eagerly). Well, you’d better let him know at once, then. Better run around there and catch him while there’s time. He said if he didn’t see you before half-past four he’d get Tom Parker to go. Fine show to-night. Wouldn’t lose the opportunity if I were you. (Looking at his watch.) You’ll just about have time to do it now if you start at once.
[Grasps Barlow by arm, and tries to force him out. Barlow holds back, and is about to remonstrate, when Dorothy enters. Both men rush to greet her; Yardsley catches her left hand, Barlow her right.
Dorothy (slightly embarrassed). Why, how do you do—this is an unexpected pleasure—both of you? Excuse my left hand, Mr. Yardsley; I should have given you the other if—if you’d given me time.
Yardsley. Don’t mention it, I pray. The unexpectedness is wholly mine, Miss Andrews—I mean—ah—the pleasure is—
Barlow. Wholly mine.
Dorothy (withdrawing her hands from both and sitting down). I haven’t seen either of you since the Perkinses dance. Wasn’t it a charming affair?
Yardsley. Delightful. I—ah—I didn’t know that the Perkinses—
Barlow (interrupting). It was a good deal of a crush, though. As Mrs. Van Darling said to me, “You always meet—”
Yardsley. It’s a pity Perkins isn’t more of a society man, though, don’t you think?
Dorothy. O, I don’t know. I’ve always found him very pleasant. He is so sincere.
Barlow. Isn’t he, though? He looked bored to death all through the dance.
Yardsley. I thought so too. I was watching him while you were talking to him, Barlow, and such a look of ennui I never saw on a man’s face.
Barlow. Humph!
Dorothy. Are you going to Mrs. Van Darling’s dinner?
Barlow. Yes; I received my bid last night. You?
Dorothy. Oh yes!
Yardsley (gloomily). I can’t go very well. I’m—ah—engaged for Tuesday.
Barlow. Well, I hope you’ve let Mrs. Van Darling know. She’s a stickler for promptness in accepting or declining her invitations. If you haven’t, I’ll tell her for you. I’m to see her to-night.
Yardsley. Oh no! Never mind. I’ll—I’ll attend to it.
Barlow. Oh, of course. But it’s just as well she should know in advance. You might forget it, you know. I’ll tell her; it’s no trouble to me.
Dorothy. Of course not, and she can get some one to take your place.
Yardsley (desperately). Oh, don’t say anything about it. Fact is, she—ah—she hasn’t invited me.
Barlow. Ah! (Aside.) I knew that all along. Oh, but I’m clever!
Dorothy (hastily, to relieve Yardsley’s embarrassment). Have you seen Irving, Mr. Yardsley?
Yardsley. Yes.
Barlow (suspiciously). What in? I haven’t seen you at any of the first nights.
Yardsley (with a grin). In the grill-room at the Players.
Barlow (aside). Bah!
Dorothy (laughing). You are so bright, Mr. Yardsley.
Barlow (forcing a laugh). Ha, ha, ha! Why, yes—very clever that. It ought to have a Gibson picture over it, that joke. It would help it. Those Gibson pictures are fine, I think. Carry any kind of joke, eh?
Yardsley. Yes, they frequently do.
Dorothy. I’m so glad you both like Gibson, for I just dote on him. I have one of his originals in my portfolio. I’ll get it if you’d like to see it.
[She rises and goes to the corner of the room, where there stands a portfolio-case.
Yardsley (aside). What a bore Barlow is! Hang him! I must get rid of him somehow.
[Barlow meanwhile is assisting Dorothy.
Yardsley (looking around at the others). Jove! he’s off in the corner with her. Can’t allow that, for the fact is Barlow’s just a bit dangerous—to me.
Dorothy (rummaging through portfolio). Why, it was here—
Barlow. Maybe it’s in this other portfolio.
Yardsley (joining them). Yes, maybe it is. That’s a good idea. If it isn’t in one portfolio maybe it’s in another. Clever thought! I may be bright, Miss Andrews, but you must have observed that Barlow is thoughtful.
Dorothy (with a glance at Barlow). Yes, Mr. Yardsley, I have noticed the latter.
Barlow. Tee-hee! that’s one on you, Bob.
Yardsley (obtuse). Ha, ha! Yes. Why, of course! Ha, ha, ha! For repartee I have always said-polite repartee, of course—Miss Andrews is—(Aside.) Now what the dickens did she mean by that?
Dorothy. I can’t find it here. Let—me think. Where—can—it—be?
Barlow (striking thoughtful attitude). Yes, where can it be? Let me do your thinking for you, Miss Dorothy. (Then softly to her.) Always!
Yardsley (mocking Barlow). Yes! Let me think! (Points his finger at his forehead and assumes tragic attitude. Then stalks to the front of stage in manner of burlesque Hamlet.) Come, thought, come. Shed the glory of thy greatness full on me, and thus confound mine enemies. Where the deuce is that Gibson?
Dorothy. Oh, I remember. It’s up-stairs. I took it up with me last night. I’ll ring for Jennie, and have her get it.
Yardsley (aside, and in consternation). Jennie! Oh, thunder! I’d forgotten her. I do hope she remembers not to forget herself.
Barlow. What say?
Yardsley. Nothing; only—ah—only that I thought it was very—very pleasant out.
Barlow. That’s what you said before.
Yardsley (indignantly). Well, what of it? It’s the truth. If you don’t believe it, go outside and see for yourself.
[Jennie appears at the door in response to Dorothy’s ring. She glances demurely at Yardsley, who tries to ignore her presence.
Dorothy. Jennie, go up to my room and look on the table in the corner, and bring me down the portfolio you will find there. The large brown one that belongs in the stand over there.
Jennie (dazed). Yessum. And shall I be bringin’ lemons with it?
Dorothy. Lemons, Jennie?
Jennie. You always does have lemons with your tea, mum.
Dorothy. I didn’t mention tea. I want you to get my portfolio from up-stairs. It is on the table in the corner of my room.
[Looks at Jennie in surprise.
Jennie. Oh, excuse me, mum. I didn’t hear straight.
[She casts a languishing glance at Yardsley and disappears.
Yardsley (noting the glance, presumably aside). Confound that Jennie!
Barlow (overhearing Yardsley). What’s that? Confound that Jennie? Why say confound that Jennie? Why do you wish Jennie to be confounded?
Yardsley (nervously). I didn’t say that. I—ah—I merely said that—that Jennie appeared to be—ah—confounded.
Dorothy. She certainly is confused. I cannot understand it at all. Ordinarily I have rather envied Jennie her composure.
Yardsley. Oh, I suppose—it’s—it’s—it’s natural for a young girl—a servant—sometimes to lose her—equipoise, as it were, on occasions. If we lose ours at times, why not Jennie? Eh? Huh?
Barlow. Certainly.
Yardsley. Of course—ha—trained servants are hard to get these days, anyhow. Educated people—ah—go into other professions, such as law, and—ah—the ministry—and—
Dorothy. Well, never mind. Let’s talk of something more interesting than Jennie. Going to the Chrysanthemum Show, Mr. Barlow?
Barlow. I am; wouldn’t miss it for the world. Do you know, really now, the chrysanthemum, in my opinion, is the most human-looking flower we have. The rose is too beautiful, too perfect, for me. The chrysanthemum, on the other hand—
Yardsley (interrupting). Looks so like a football-player’s head it appeals to your sympathies? Well, perhaps you are right. I never thought of it in that light before, but—
Dorothy (smiling). Nor I; but now that you mention it, it does look that way, doesn’t it?
Barlow (not wishing to disagree with Dorothy). Very much. Droll idea, though. Just like Bob, eh? Very, very droll. Bob’s always dro—
Yardsley (interrupting). When I see a man walking down the Avenue with a chrysanthemum in his button-hole, I always think of a wild Indian wearing a scalp for decorative purposes.
[Barlow and Dorothy laugh at this, and during their mirth Jennie enters with the portfolio. She hands it to Dorothy. Dorothy rests it on the arm of her chair, and Barlow looking over one shoulder, she goes through it. Jennie in passing out throws another kiss to Yardsley.
Yardsley (under his breath, stamping his foot). Awgh!
Barlow. What say?
[Dorothy looks up, surprised.
Yardsley. I—I didn’t say anything. My—ah—my shoe had a piece of—ah—
Barlow. Oh, say lint, and be done with it.
Yardsley (relieved, and thankful for the suggestion). Why, how did you know? It did, you know. Had a piece of lint on it, and I tried to get it off by stamping, that’s all.
Dorothy. Ah, here it is.
Yardsley. What? The lint?
Barlow. Ho! Is the world nothing but lint to you? Of course not—the Gibson. Charming, isn’t it, Miss Dorothy?
Dorothy (holding the picture up). Fine. Just look at that girl. Isn’t she pretty?
Barlow. Very.
Dorothy. And such style, too.
Yardsley (looking over Dorothy’s other shoulder). Yes, very pretty, and lots of style. (Softly.) Very—like some one—some one I know.
Barlow (overhearing). I think so myself, Yardsley. It’s exactly like Josie Wilkins. By-the-way—ah—how is that little affair coming along, Bob?
Dorothy (interested). What! You don’t mean to say—Why, Mister Yardsley!
Yardsley (with a venomous glance at Barlow). Nonsense. Nothing in it. Mere invention of Barlow’s. He’s a regular Edison in his own way.
[Dorothy looks inquiringly at Barlow.
Barlow (to Yardsley). Oh, don’t be so sly about it, old fellow! Everybody knows.
Yardsley. But I tell you there’s nothing in it. I—I have different ideas entirely, and you—you know it—or, if you don’t, you will shortly.
Dorothy. Oh! Then it’s some one else, Mr. Yardsley? Well, now I am interested’. Let’s have a little confidential talk together. Tell us, Mr. Yardsley, tell Mr. Barlow and me, and maybe—I can’t say for certain, of course—but maybe we can help you.
Barlow (gleefully rubbing his hands). Yes, old man; certainly. Maybe we—we can help you.
Yardsley (desperately). You can help me, both of you—but—but I can’t very well tell you how.
Barlow. I’m willing to do all I can for you, my dear Bob. If you will only tell us her name I’ll even go so far as to call, in your behalf, and propose for you.
Yardsley. Oh, thanks. You are very kind.
Dorothy. I think so too, Mr. Barlow. You are almost too kind, it seems to me.
Yardsley. Oh no; not too kind, Miss Andrews. Barlow simply realizes that one who has proposed marriage to young girls as frequently as he has knows how the thing is done, and he wishes to give me the benefit of his experience. (Aside.) That’s a facer for Barlow.
Barlow. Ha, ha, ha! Another joke, I suppose. You see, my dear Bob, that I am duly appreciative. I laugh. Ha, ha, ha! But I must say I laugh with some uncertainty. I don’t know whether you intended that for a joke or for a staggerer. You should provide your conversation with a series of printed instructions for the listener. Get a lot of cards, and have printed on one, “Please laugh”; on another, “Please stagger”; on another, “Kindly appear confused.” Then when you mean to be jocose hand over the laughter card, and so on. Shall I stagger?
Dorothy. I think that Mr. Yardsley meant that for a joke. Didn’t you, Mr. Yardsley?
Yardsley. Why, certainly. Of course. I don’t really believe Barlow ever had sand enough to propose to any one. Did you, Jack?
Barlow (indignant). Well, I rather think I have.
Dorothy. Ho, ho! Then you are an experienced proposer, Mr. Barlow?
Barlow (confused). Why—er—well—um—I didn’t exactly mean that, you know. I meant that—ah—if it ever came to the—er—the test, I think I could—I’d have sand enough, as Yardsley puts it, to do the thing properly, and without making a—ah—a Yardsley of myself.
Yardsley (bristling up). Now what do you mean by that?
Dorothy. I think you are both of you horrid this afternoon. You are so quarrelsome. Do you two always quarrel, or is this merely a little afternoon’s diversion got up for my especial benefit?
Barlow (with dignity). I never quarrel.
Yardsley. Nor I. I simply differ sometimes, that’s all. I never had an unpleasant word with Jack in my life. Did I, Jack?
Barlow. Never. I always avoid a fracas, however great the provocation.
Dorothy (desperately). Then let us have a cup of tea together and be more sociable. I have always noticed that tea promotes sociability—haven’t you, Mr. Yardsley?
Yardsley. Always. (Aside.) Among women.
Barlow. What say?
[Dorothy rises and rings the bell for Jennie.
Yardsley. I say that I am very fond of tea.
Barlow. So am I—here. [Rises and looks at pictures. Yardsley meanwhile sits in moody silence.
Dorothy (returning). You seem to have something on your mind, Mr. Yardsley. I never knew you to be so solemn before.
Yardsley. I have something on my mind, Miss Dorothy. It’s—
Barlow (coming forward). Wise man, cold weather like this. It would be terrible if you let your mind go out in cold weather without anything on it. Might catch cold in your idea.
Dorothy. I wonder why Jennie doesn’t come? I shall have to ring again.
[Pushes electric button again.
Yardsley (with an effort at brilliance). The kitchen belle doesn’t seem to work.
Dorothy. Ordinarily she does, but she seems to be upset by something this afternoon. I’m afraid she’s in love. If you will excuse me a moment I will go and prepare the tea myself.
Barlow. Do; good! Then we shall not need the sugar.
Yardsley. You might omit the spoons too, after a remark like that, Miss Dorothy.
Dorothy. We’ll omit Mr. Barlow’s spoon. I’ll bring some for you and me. [She goes out.
Yardsley (with a laugh). That’s one on you, Barlow. But I say, old man (taking out his watch and snapping the cover to three or four times), it’s getting very late—after five now. If you want to go with Billy Wilkins you’d better take up your hat and walk. I’ll say good-bye to Miss Andrews for you.
Barlow. Thanks. Too late now. You said Billie wouldn’t wait after four thirty.
Yardsley. Did I say four thirty? I meant five thirty. Anyhow, Billie isn’t over-prompt. Better go.
Barlow. You seem mighty anxious to get rid of me.
Yardsley. I? Not at all, my dear boy—not at all. I’m very, very fond of you, but I thought you’d prefer opera to me. Don’t you see? That’s where my modesty comes in. You’re so fond of a good chat I thought you’d want to go to-night. Wilkins has a box.
Barlow. You said seats a little while ago.
Yardsley. Of course I did. And why not? There are seats in boxes. Didn’t you know that?
Barlow. Look here, Yardsley, what’s up, anyhow? You’ve been deuced queer to-day. What are you after?
Yardsley (tragically). Shall I confide in you? Can I, with a sense of confidence that you will not betray me?
Barlow (eagerly). Yes, Bob. Go on. What is it? I’ll never give you away, and I may be able to give you some good advice.
Yardsley. I am here to—to—to rob the house! Business has been bad, and one must live. [Barlow looks at him in disgust.
Yardsley (mockingly). You have my secret, John Barlow. Remember that it was wrung from me in confidence. You must not betray me. Turn your back while I surreptitiously remove the piano and the gas-fixtures, won’t you?
Barlow (looking at him thoughtfully). Yardsley, I have done you an injustice.
Yardsley. Indeed?
Barlow. Yes. Some one claimed, at the club, the other day, that you were the biggest donkey in existence, and I denied it. I was wrong, old man, I was wrong, and I apologize. You are.
Yardsley. You are too modest, Jack. You forget—yourself.
Barlow. Well, perhaps I do; but I’ve nothing to conceal, and you have. You’ve been behaving in a most incomprehensible fashion this afternoon, as if you owned the house.
Yardsley. Well, what of it? Do you own it?
Barlow. No, I don’t, but—
Yardsley. But you hope to. Well, I have no such mercenary motive. I’m not after the house.
Barlow (bristling up). After the house? Mercenary motive? I demand an explanation of those words. What do you mean?
Yardsley. I mean this, Jack Barlow: I mean that I am here for—for my own reasons; but you—you have come here for the purpose of—
Dorothy enters wish a tray, upon which are the tea things.
Barlow (about to retort to Yardsley, perceiving Dorothy). Ah! Let me assist you.
Dorothy. Thank you so much. I really believe I never needed help more. (She delivers the tray to Barlow, who sets it on the table. Dorothy, exhausted, drops into a chair.) Fan me—quick—or I shall faint. I’ve—I’ve had an awful time, and I really don’t know what to do!
Barlow and Yardsley (together). Why, what’s the matter?
Yardsley. I hope the house isn’t on fire?
Barlow. Or that you haven’t been robbed?
Dorothy. No, no; nothing like that. It’s—it’s about Jennie.
Yardsley (nervously). Jennie? Wha—wha—what’s the matter with Jennie?
Dorothy. I only wish I knew. I—
Yardsley (aside). I’m glad you don’t.
Barlow. What say?
Yardsley. I didn’t say anything. Why should I say anything? I haven’t anything to say. If people who had nothing to say would not insist upon talking, you’d be—
Dorothy. I heard the poor girl weeping down-stairs, and when I went to the dumbwaiter to ask her what was the matter, I heard—I heard a man’s voice.
Yardsley. Man’s voice?
Barlow. Man’s voice is what Miss Andrews said.
Dorothy. Yes; it was Hicks, our coachman, and he was dreadfully angry about something.
Yardsley (sinking into chair). Good Lord! Hicks! Angry! At—something!
Dorothy. He was threatening to kill somebody.
Yardsley. This grows worse and worse! Threatening to kill somebody! D-did-did you o-over-overhear huh-huh-whom he was going to kuk-kill?