There is something very pleasant in a summer suburban ride in the valley of the Thames. London transforms itself into bustling Knightsbridge, and airy Brompton, brightly and gracefully, lingers cheerfully in the long, miscellaneous, well-watered King’s-road, and only says farewell when you come to an abounding river and a picturesque bridge. The boats were bright upon the waters when Lothair crossed it, and his dark chestnut barb, proud of its resplendent form, curveted with joy when it reached a green common, studded occasionally with a group of pines and well bedecked with gorse. After this he pursued the public road for a couple of miles until he observed on his left hand a gate on which was written “private road,” and here he stopped. The gate was locked, but, when Lothair assured the keeper that he was about to visit Belmont, he was permitted to enter.

He entered a green and winding lane, fringed with tall elms, and dim with fragrant shade, and, after proceeding about half a mile, came to a long, low-built lodge, with a thatched and shelving roof, and surrounded by a rustic colonnade covered with honeysuckle. Passing through the gate at hand, he found himself in a road winding through gently-undulating banks of exquisite turf, studded with rare shrubs, and, occasionally, rarer trees. Suddenly the confined scene expanded; wide lawns spread out before him, shadowed with the dark forms of many huge cedars, and blazing with flower-beds of every hue. The house was also apparent, a stately mansion of hewn stone, with wings and a portico of Corinthian columns, and backed by deep woods.

This was Belmont, built by a favorite minister of state, to whom a grateful and gracious sovereign had granted a slice of a royal park whereon to raise a palace and a garden, and find occasionally Tusculan repose.

The lady of the mansion was at home, and, though Lothair was quite prepared for this, his heart beat. The inner hall was of noble proportion, and there were ranged in it many Roman busts, and some ancient slabs and altars of marble. These had been collected some century ago by the minister; but what immediately struck the eye of Lothair were two statues by an American artist, and both of fame, the Sybil and the Cleopatra. He had heard of these, but had never seen them, and could not refrain from lingering a moment to gaze upon their mystical and fascinating beauty.

He proceeded through two spacious and lofty chambers, of which it was evident the furniture was new. It was luxurious and rich, and full of taste; but there was no attempt to recall the past in the details; no cabinets and clocks of French kings, or tables of French queens, no chairs of Venetian senators, no candelabra, that had illumined Doges of Genoa, no ancient porcelain of rare schools, and ivory carvings and choice enamels. The walls were hung with master-pieces of modern art, chiefly of the French school, Ingres and Delaroche and Scheffer.

The last saloon led into a room of smaller dimensions, opening on the garden, and which Lothair at first thought must be a fernery, it seemed so full of choice and expanding specimens of that beautiful and multiform plant; but, when his eye had become a little accustomed to the scene and to the order of the groups, he perceived they were only the refreshing and profuse ornaments of a regularly furnished and inhabited apartment. In its centre was a table covered with writing-materials and books and some music. There was a chair before the table, so placed as if some one had only recently quitted it; a book was open, but turned upon its face, with an ivory cutter by its side. It would seem that the dweller in the chamber might not be far distant. The servant invited Lothair to be seated, and, saying that Mrs. Campian must be in the garden, proceeded to inform his mistress of the arrival of a guest.

The room opened on a terrace adorned with statues and orange-trees, and descending gently into a garden in the Italian style, in the centre of which was a marble fountain of many figures. The grounds were not extensive, but they were only separated from the royal park by a wire fence, so that the scene seemed alike rich and illimitable. On the boundary was a summer-house in the shape of a classic temple, one of those pavilions of pleasure which nobles loved to raise in the last century.

As Lothair beheld the scene with gratification, the servant reappeared on the step of the terrace and invited him to descend. Guiding him through the garden, the servant retired as Lothair recognized Mrs. Campian approaching them.

She gave her hand to Lothair and welcomed him cordially but with serenity. They mutually exchanged hopes that their return to town had been agreeable. Lothair could not refrain from expressing how pleased he was with Belmont.

“I am glad you approve of our hired home,” said Theodora; “I think we were fortunate in finding one that suits our tastes and habits. We love pictures and statues and trees and flowers, and yet we love our friends, and our friends are people who live in cities.”

“I think I saw two statues to-day of which I have often heard,” said Lothair.

“The Sibyl and Cleopatra! Yes Colonel Campian is rather proud of possessing them. He collects only modern art, for which I believe there is a great future, though some of our friends think it is yet in its cradle.”

“I am very sorry to say,” said Lothair, “that I know very little about art, or indeed any thing else, but I admire what is beautiful. I know something about architecture, at least church architecture.”

“Well, religion has produced some of our finest buildings,” said Theodora; “there is no question of that; and as long as they are adapted to what takes place in them they are admirable. The fault I find in modern churches in this country is, that there is little relation between the ceremonies and the structure. Nobody seems now conscious that every true architectural form has a purpose. But I think the climax of confused ideas is capped when dissenting chapels are built like cathedrals.”

“Ah! to build a cathedral!” exclaimed Lothair, “that is a great enterprise. I wish I might show you some day some drawings I have of a projected cathedral.”

“A projected cathedral!” said Theodora. “Well, I must confess to you I never could comprehend the idea of a Protestant cathedral.”

“But I am not quite sure,” said Lothair, blushing and agitated, “that it will be a Protestant cathedral. I have not made up my mind about that.”

Theodora glanced at him, unobserved, with her wonderful gray eyes; a sort of supernatural light seemed to shoot from beneath their long dark lashes and read his inmost nature. They were all this time returning, as she had suggested, to the house. Rather suddenly she said, “By-the-by, as you are so fond of art, I ought to have asked you whether you would like to see a work by the sculptor of Cleopatra, which arrived when we were at Oxford. We have placed it on a pedestal in the temple. It is the Genius of Freedom. I may say I was assisting at its inauguration when your name was announced to me.”

Lothair caught at this proposal, and they turned and approached the temple. Some workmen were leaving the building as they entered, and one or two lingered.

Upon a pedestal of porphyry rose the statue of a female in marble. Though veiled with drapery which might have become the Goddess of Modesty, admirable art permitted the contour of the perfect form to be traced. The feet were without sandals, and the undulating breadth of one shoulder, where the drapery was festooned, remained uncovered. One expected with such a shape some divine visage. That was not wanting; but humanity was asserted in the transcendent brow, which beamed with sublime thought and profound enthusiasm.

Some would have sighed that such beings could only be pictured in a poet’s or an artist’s dream, but Lothair felt that what he beheld with rapture was no ideal creation, and that he was in the presence of the inspiring original.

“It is too like!” he murmured.

“It is the most successful recurrence to the true principles of art in modern sculpture,” said a gentleman on his right hand.

This person was a young man, though more than ten years older than Lothair. His appearance was striking. Above the middle height, his form, athletic though lithe and symmetrical, was crowned by a countenance aquiline but delicate, and from many circumstances of a remarkable radiancy. The lustre of his complexion, the fire of his eye, and his chestnut hair in profuse curls, contributed much to this dazzling effect. A thick but small mustache did not conceal his curved lip or the scornful pride of his distended nostril, and his beard, close but not long, did not veil the singular beauty of his mouth. It was an arrogant face, daring and vivacious, yet weighted with an expression of deep and haughty thought.

The costume of this gentleman was rich and picturesque. Such extravagance of form and color is sometimes encountered in the adventurous toilet of a country house, but rarely experienced in what might still be looked upon as a morning visit in the metropolis.

“You know Mr. Phoebus?” asked a low, clear voice, and turning round Lothair was presented to a person so famous that even Lothair had heard of him.

Mr. Phoebus was the most successful, not to say the most eminent, painter of the age. He was the descendant of a noble family of Gascony that had emigrated to England from France in the reign of Louis XIV. Unquestionably they had mixed their blood frequently during the interval and the vicissitudes of their various life; but, in Gaston Phoebus, Nature, as is sometimes her wont, had chosen to reproduce exactly the original type. He was the Gascon noble of the sixteenth century, with all his brilliancy, bravery, and boastfulness, equally vain, arrogant, and eccentric, accomplished in all the daring or the graceful pursuits of man, yet nursed in the philosophy of our times.

“It is presumption in my talking about such things,” said Lothair; “but might I venture to ask what you may consider the true principles of art?”

“ARYAN principles,” said Mr. Phoebus; “not merely the study of Nature, but of beautiful Nature; the art of design in a country inhabited by a first-rate race, and where the laws, the manners, the customs, are calculated to maintain the health and beauty of a first-rate race. In a greater or less degree, these conditions obtained from the age of Pericles to the age of Hadrian in pure Aryan communities, but Semitism began then to prevail, and ultimately triumphed. Semitism has destroyed art; it taught man to despise his own body, and the essence of art is to honor the human frame.”

“I am afraid I ought not to talk about such things,” said Lothair; “but, if by Semitism you mean religion, surely the Italian painters inspired by Semitism did something.”

“Great things,” said Mr. Phoebus—“some of the greatest. Semitism gave them subjects, but the Renaissance gave them Aryan art, and it gave that art to a purely Aryan race. But Semitism rallied in the shape of the Reformation, and swept all away. When Leo the Tenth was pope, popery was pagan; popery is now Christian, and art is extinct.”

“I cannot enter into such controversies,” said Lothair. “Every day I feel more and more I am extremely ignorant.”

“Do not regret it,” said Mr. Phoebus. “What you call ignorance is your strength. By ignorance you mean a want of knowledge of books. Books are fatal; they are the curse of the human race. Nine-tenths of existing books are nonsense, and the clever books are the refutation of that nonsense. The greatest misfortune that ever befell man was the invention of printing. Printing has destroyed education. Art is a great thing, and Science is a great thing; but all that art and science can reveal can be taught by man and by his attributes—his voice, his hand, his eye. The essence of education is the education of the body. Beauty and health are the chief sources of happiness. Men should live in the air; their exercises should be regular, varied, scientific. To render his body strong and supple is the first duty of man. He should develop and completely master the whole muscular system. What I admire in the order to which you belong is that they do live in the air; that they excel in athletic sports; that they can only speak one language; and that they never read. This is not a complete education, but it is the highest education since the Greek.”

“What you say I feel encouraging,” said Lothair, repressing a smile, “for I myself live very much in the air, and am fond of all sports; but I confess I am often ashamed of being so poor a linguist, and was seriously thinking that I ought to read.”

“No doubt every man should combine an intellectual with a physical training,” replied Mr. Phoebus; “but the popular conception of the means is radically wrong. Youth should attend lectures on art and science by the most illustrious professors, and should converse together afterward on what they have heard. They should learn to talk; it is a rare accomplishment, and extremely healthy. They should have music always at their meals. The theatre, entirely remodelled and reformed, and, under a minister of state, should be an important element of education. I should not object to the recitation of lyric poetry. That is enough. I would not have a book in the house, or even see a newspaper.”

“These are Aryan principles?” said Lothair.

“They are,” said Mr. Phoebus; “and of such principles, I believe, a great revival is at hand. We shall both live to see another Renaissance.”

“And our artist here,” said Lothair, pointing to the statue, “you are of opinion that he is asserting these principles?”

“Yes; because he has produced the Aryan form by studying the Aryan form. Phidias never had a finer model, and he has not been unequal to it.”

“I fancied,” said Lothair, in a lower and inquiring tone, though Mrs. Campian had some time before glided out of the pavilion, and was giving directions to the workmen—“I fancied I had heard that Mrs. Campian was a Roman.”

“The Romans were Greeks,” said Mr. Phoebus, “and in this instance the Phidian type came out. It has not been thrown away. I believe Theodora has inspired as many painters and sculptors as any Aryan goddess. I look upon her as such, for I know nothing more divine.”

“I fear the Phidian type is very rare,” said Lothair.

“In nature and in art there must always be surpassing instances,” said Mr. Phoebus. “It is a law, and a wise one; but, depend upon it, so strong and perfect a type as the original Aryan must be yet abundant among the millions, and may be developed. But for this you want great changes in your laws. It is the first duty of a state to attend to the frame and health of the subject. The Spartans understood this. They permitted no marriage the probable consequences of which might be a feeble progeny; they even took measures to secure a vigorous one. The Romans doomed the deformed to immediate destruction. The union of the races concerns the welfare of the commonwealth much too nearly to be intrusted to individual arrangement. The fate of a nation will ultimately depend upon the strength and health of the population. Both France and England should look to this; they have cause. As for our mighty engines of war in the hands of a puny race, it will be the old story of the lower empire and the Greek fire. Laws should be passed to secure all this, and some day they will be. But nothing can be done until the Aryan races are extricated from Semitism.”

CHAPTER 30

Lothair returned to town in a not altogether satisfactory state of mind. He was not serene or content. On the contrary, he was rather agitated and perplexed. He could not say he regretted his visit. He had seen her, and he had seen her to great advantage. He had seen much too that was pleasing, and had heard also many things that, if not pleasing, were certainly full of interest. And yet, when he cantered back over the common, the world somehow did not seem to him so bright and exhilarating as in the ambling morn. Was it because she was not alone? And yet why should he expect she should be alone? She had many friends, and she was as accessible to them as to himself. And yet a conversation with her, as in the gardens of Blenheim, would have been delightful, and he had rather counted on it. Nevertheless, it was a great thing to know men like Mr. Phoebus, and hear their views on the nature of things. Lothair was very young, and was more thoughtful than studious. His education hitherto had been, according to Mr. Phoebus, on the right principle, and chiefly in the open air; but he was intelligent and susceptible, and in the atmosphere of Oxford, now stirred with many thoughts, he had imbibed some particles of knowledge respecting the primeval races which had permitted him to follow the conversation of Mr. Phoebus not absolutely in a state of hopeless perplexity. He determined to confer with Father Coleman on the Aryan race and the genius of Semitism. As he returned through the park, he observed the duchess, and Lady Corisande in their barouche, resting for a moment in the shade, with Lord Carisbrooke on one side and the Duke of Brecon on the other.

As he was dressing for dinner, constantly brooding on one thought, the cause of his feeling of disappointment occurred to him. He had hoped in this visit to have established some basis of intimacy, and to have ascertained his prospect and his means of occasionally seeing her. But he had done nothing of the kind. He could not well call again at Belmont under a week, but even then Mr. Phoebus or some one else might be there. The world seemed dark. He wished he had never gone to Oxford. However a man may plan his life, he is the creature of circumstances. The unforeseen happens and upsets every thing. We are mere puppets.

He sat next to an agreeable woman at dinner, who gave him an interesting account of a new singer she had heard the night before at the opera—a fair Scandinavian, fresh as a lily and sweet as a nightingale.

“I was resolved to go and hear her,” said the lady; “my sister Feodore, at Paris, had written to me so much about her. Do you know, I have never been to the opera for an age! That alone was quite a treat to me. I never go to the opera, nor to the play, nor to any thing else. Society has become so large and so exacting, that I have found out one never gets any amusement.”

“Do you know, I never was at the opera?” said Lothair.

“I am not at all surprised; and when you go—which I suppose you will some day—what will most strike you is, that you will not see a single person you ever saw in your life.”

“Strange!”

“Yes; it shows what a mass of wealth and taste and refinement there is in this wonderful metropolis of ours, quite irrespective of the circles in which we move, and which we once thought entirely engrossed them.”

After the ladies had retired, Bertram, who dined at the same house, moved up to him; and Hugo Bohun came over and took the vacant seat on his other side.

“What have you been doing with yourself?” said Hugo. “We have not seen you for a week.”

“I went down to Oxford about some horses,” said Lothair.

“Fancy going down to Oxford about some horses in the heart of the season,” said Hugo. “I believe you are selling us, and that, as the Scorpion announces, you are going to be married.”

“To whom?” said Lothair.

“Ah! that is the point. It is a dark horse at present, and we want you to tell us.”

“Why do not you marry, Hugo?” said Bertram.

“I respect the institution,” said Hugo, “which is admitting something in these days; and I have always thought that every woman should marry, and no man.”

“It makes a woman and it mars a man, you think?” said Lothair.

“But I do not exactly see how your view would work practically,” said Bertram.

“Well my view is a social problem,” said Hugo, “and social problems are the fashion at present. It would be solved through the exceptions, which prove the principle. In the first place, there are your swells who cannot avoid the halter—you are booked when you are born; and then there are moderate men like myself, who have their weak moments. I would not answer for myself if I could find an affectionate family with good shooting and first-rate claret.”

“There must be many families with such conditions,” said Lothair.

Hugo shook his head. “You try. Sometimes the wine is good and the shooting bad; sometimes the reverse; sometimes both are excellent, but then the tempers and the manners are equally bad.”

“I vote we three do something to-morrow,” said Bertram.

“What shall it be?” said Hugo.

“I vote we row down to Richmond at sunset and dine, and then drive our teams up by moonlight. What say you, Lothair?”

“I cannot, I am engaged. I am engaged to go to the opera.”

“Fancy going to the opera in this sweltering weather!” exclaimed Bertram.

“He must be going to be married,” said Hugo.

And yet on the following evening, though the weather was quite as sultry and he was not going to be married, to the opera Lothair went. While the agreeable lady the day before was dilating at dinner on this once famous entertainment, Lothair remembered that a certain person went there every Saturday evening, and he resolved that he should at least have the satisfaction of seeing her.

It was altogether a new scene for Lothair, and, being much affected by music, he found the general influence so fascinating that some little time elapsed before he was sufficiently master of himself to recur to the principal purpose of his presence. His box was on the first tier, where he could observe very generally and yet himself be sufficiently screened. As an astronomer surveys the starry heavens until his searching sight reaches the desired planet, so Lothair’s scrutinizing vision wandered till his eye at length lighted on the wished-for orb. In the circle above his own, opposite to him but nearer the stage, he recognized the Campians. She had a star upon her forehead, as when he first met her some six months ago; it seemed an age.

Now what should he do? He was quite unlearned in the social habits of an opera-house. He was not aware that he had the privilege of paying the lady a visit in her box, and, had he been so, he was really so shy in little things that he never could have summoned resolution to open the door of his own box and request an attendant to show him that of Mrs. Campian. He had contrived to get to the opera for the first time in his life, and the effort seemed to have exhausted his social enterprise. So h remained still, with his glass fixed very constantly on Mrs. Campian, and occasionally giving himself up to the scene. The performance did not sustain the first impression. There were rival prima-donnas, and they indulged in competitive screams; the choruses were coarse, and the orchestra much too noisy. But the audience were absorbed or enthusiastic. We may be a musical nation, but our taste would seem to require some refinement.

There was a stir in Mrs. Campian’s box: a gentleman entered and seated himself. Lothair concluded he was an invited guest, and envied him. In about a quarter of an hour the gentleman bowed and retired, and another person came in, and one whom Lothair recognized as a young man who had been sitting during the first act in a stall beneath him. The system of paying visits at the opera then flashed upon his intelligence, as some discovery in science upon a painful observer. Why should he not pay a visit too? But how to do it? At last he was bold enough to open the door of his own box and go forth, but he could find no attendant, and some persons passing his open door, and nearly appropriating his lodge, in a fit of that nervous embarrassment which attends inexperience in little things, he secured his rights by returning baffled to his post.

There had been a change in Mrs. Campian’s box in the interval. Colonel Campian had quitted it, and Mr. Phoebus occupied his place. Whether it were disappointment at his own failure or some other cause, Lothair felt annoyed. He was hot and cold by turns; felt awkward and blundering; fancied people were looking at him; that in some inexplicable sense he was ridiculous; wished he had never gone to the opera.

As time, and considerable time, elapsed, he became even miserable. Mr. Phoebus never moved, and Mrs. Campian frequently conversed with him. More than one visitor had in the interval paid their respects to the lady, but Mr. Phoebus never moved. They did not stay, perhaps because Mr. Phoebus never moved.

Lothair never liked that fellow from the first. Sympathy and antipathy share our being as day and darkness share our lives. Lothair had felt an antipathy for Mr. Phoebus the moment he saw him. He had arrived at Belmont yesterday before Lothair, and he had outstayed him. These might be Arian principles, but they were not the principles of good-breeding.

Lothair determined to go home, and never to come to the opera again. He opened the door of his box with firmness, and slammed it with courage; he had quite lost his shyness, was indeed ready to run a muck with any one who crossed him. The slamming of the door summoned a scudding attendant from a distant post, who with breathless devotion inquired whether Lothair wanted any thing.

“Yes, I want you to show me the way to Mrs. Campian’s box.”

“Tier above, No. 22,” said the box-keeper.

“Ay, ay; but conduct me to it,” said Lothair, and he presented the man with an overpowering honorarium.

“Certainly, my lord,” said the attendant.

“He knows me,” thought Lothair; but it was not so. When the British nation is at once grateful and enthusiastic, they always call you “my lord.”

But in his progress, to “No. 22, tier above,” all his valor evaporated, and when the box-door was opened he felt very much like a convict on the verge of execution; he changed color, his legs tottered, his heart beat, and he made his bow with a confused vision. The serenity of Theodora somewhat reassured him, and he seated himself, and even saluted Mr. Phoebus.

The conversation was vapid and conventional—remarks about the opera and its performers—even the heat of the weather was mentioned. Lothair had come, and he had nothing to say. Mrs. Campian seemed much interested in the performance; so, if he had had any thing to say, there was no opportunity of expressing it. She had not appeared to be so engrossed with the music before his arrival. In the mean time that Phoebus would not move; a quarter of an hour elapsed, and that Phoebus would not move. Lothair could not stand it any longer; he rose and bowed.

“Are you going?” said Theodora. “Colonel Campian will be here in a moment; he will be quite grieved not to see you.”

But Lothair was inflexible. “Perhaps,” she added, “we may see you to-morrow night?”

“Never,” said Lothair to himself, as he clinched his teeth; “my visit to Belmont was my first and my last. The dream is over.”

He hurried to a club in which he had been recently Initiated, and of which the chief purpose is to prove to mankind that night to a wise man has its resources as well as gaudy day. Here striplings mature their minds in the mysteries of whist, and stimulate their intelligence by playing at stakes which would make their seniors look pale; here matches are made; and odds are settled, and the cares or enterprises of life are soothed or stimulated by fragrant cheroots or beakers of Badminton. Here, in the society of the listless and freakish St. Aldegonde, and Hugo Bohun, and Bertram, and other congenial spirits, Lothair consigned to oblivion the rival churches of Christendom, the Aryan race, and the genius of Semitism.

It was an hour past dawn when he strolled home. London is often beautiful in summer at that hour, the architectural lines clear and defined in the smokeless atmosphere, and ever and anon a fragrant gale from gardened balconies wafted in the blue air. Nothing is stirring except wagons of strawberries and asparagus, and no one visible except a policeman or a member of Parliament returning from a late division, where they have settled some great question that need never have been asked. Eve has its spell of calmness and consolation, but dawn brings hope and joy.

But not to Lothair. Young, sanguine, and susceptible, he had, for a moment, yielded to the excitement of the recent scene, but with his senses stilled by the morning air, and free from the influence of Bertram’s ready sympathy, and Hugo Bohun’s gay comments on human life, and all the wild and amusing caprice, and daring wilfulness, and grand affectation, that distinguish and inspire a circle of patrician youth, there came over him the consciousness that to him something dark had occurred, something bitter and disappointing and humiliating, and that the breaking morn would not bring to him a day so bright and hopeful as his former ones.

At first he fell into profound slumber: it was the inevitable result of the Badminton and the late hour. There was a certain degree of physical exhaustion which commanded repose. But the slumber was not long, and his first feeling, for it could not be called thought, was that some great misfortune had occurred to him; and then the thought following the feeling brought up the form of the hated Phoebus. After that he had no real sleep, but a sort of occasional and feverish doze with intervals of infinite distress, waking always to a consciousness of inexpressible mortification and despair.

About one o’clock, relinquishing all hope of real and refreshing slumber, he rang his bell, and his valet appearing informed him that Father Coleman had called, and the monsignore had called, and that now the cardinal’s secretary had just called, but the valet had announced that his lord was indisposed. There was also a letter from Lady St. Jerome. This news brought a new train of feeling. Lothair remembered that this was the day of the great ecclesiastical function, under the personal auspices of the cardinal, at which indeed Lothair hid never positively promised to assist, his presence at which he had sometimes thought they pressed unreasonably, not to say even indelicately, but at which he had perhaps led them, not without cause, to believe that he would be present. Of late the monsignore had assumed that Lothair had promised to attend it.