Loe raamatut: «The Black Eagle Mystery»

FOREWORD

The following story of what has been known as "The Black Eagle Mystery" has been compiled from documents contributed by two persons thoroughly conversant with the subject. These are Molly Morgenthau Babbitts and John Reddy, whose position of inside observers and active participants makes it possible for them to give to the public a consecutive and detailed narrative of this most unusual case.

CHAPTER I
MOLLY TELLS THE STORY

"Hello!" said Babbitts from the sheets of the morning paper.

I'll call him Babbitts to you because that's the name you'll remember him by – that is if you know about the Hesketh Mystery. I generally call him "Soapy," the name the reporters gave him, and "Himself," which comes natural to me, my mother being Irish. Maybe you'll remember that too? And he calls me "Morningdew" – cute, isn't it? It's American for my last name Morgenthau – I was Molly Morgenthau before I was married.

In case you don't know about the Hesketh Mystery I'll have to give a few facts to locate us. I was the telephone girl in Longwood, New Jersey, met Babbitts there when he was a reporter for the Dispatch– he is yet – and the switchboard lost one of its brightest ornaments. It was town for us, an apartment on West Ninety-fifth Street, near the Subway, five rooms on a corner, furnished like a Belasco play. If you read the Hesketh Mystery you know how I came by that furniture, and if you didn't you'll have to stay in ignorance, for I'm too anxious to get on to stop and tell you. Every day at ten Isabella Dabney, a light-colored coon, comes in to do the heavy work and I order her round, throwing a bluff that I'm used to it and hoping Isabella isn't on.

We've been married over two years and we're still – Oh, what's the use! But we do get on like a house on fire. I guess in this vast metropolis there's not a woman got anything on me when it comes to happiness. It certainly is wonderful how you bloom out and the mean part of you fades away when someone thinks you're the perfect article, handsewn, silk-lined, made in America.

And so having taken this little run round the lot, I'll come back to Babbitts with his head in the morning paper saying "Hello!"

It was a clear, crisp morning in January – sixteenth of the month – and we were at breakfast. Himself had just got in from Cleveland, where he'd been sent to write up the Cheney graft prosecution. It took some minutes to say "How d'ye do" – he'd been away two whole days – and after we'd concluded the ceremonies I lit into the kitchen to get his breakfast while he sat down at his end of the table and dived into the papers. His egg was before him and I was setting the coffeepot down at my end when he gave that "Hello," loud and startled, with the accent on the "lo."

"What's up now?" said I, looking over the layout before me to see if I'd forgotten anything.

"Hollings Harland's committed suicide," came out of the paper.

"Lord, has he!" said I. "Isn't that awful?" I took up the cream pitcher. "Well, what do you make of that – the cream's frozen."

"Last night at half-past six. Threw himself out of his office window on the eighteenth story."

"Eighteenth story! – that's some fall. I've got to take this cream out with a spoon." I spooned up some, all white spikes and edges, wondering if it would chill his coffee which he likes piping hot. "Darling, do you mind waiting a little while I warm up the cream?"

"Darn the cream! What rotten luck that I was away. I suppose they put Eddie Saunders on it, sounds like his flat-footed style. Listen to this: 'The body struck the pavement with a violent impact.' That's the way he describes the fall of a man from the top of a skyscraper. Gee, why wasn't I here?"

"But, dearie," I said, passing him his cup, "Saunders would have done it if you had been here. You don't do suicides."

"I do this one. Hollings Harland, one of the big corporation lawyers of New York."

"Oh," I said, "he's an important person."

"Rather. A top liner in his profession."

"Why did he commit suicide?"

"Caught in the Copper Pool, they think here."

With the cup at his lips he went on reading over its edge.

"Does it taste all right?" I asked and he grunted something that would have been "A 1" if it hadn't dropped into the coffee and been drowned.

My mind at rest about him I could give it to the morning sensation.

"What's the Copper Pool?" I asked.

"A badly named weapon to jack up prices and gouge the public, young woman. Just like a corner in hats. Suppose you could buy up all the spring hats, you could pretty near name your own figure on them, couldn't you?"

"They do that now without a corner," I said sadly.

"Well, they can't in copper. The Pool means that a bunch of financiers have put up millions to corner the copper market and skyrocket the price."

"Oh, he lost all his money in it and got desperate and jumped out."

"Um – from the hall window in the Black Eagle Building."

That made it come nearer, the way things do when someone you know is on the ground.

"Why that's where Iola Barry works – in Miss Whitehall's office on the seventeenth floor."

Babbitts' eyes shifted from the paper to his loving spouse:

"That's so. I'd forgotten it. Just one story below. I wonder if Iola was there."

"I guess not, she goes home at six. It's a good thing she wasn't. She's a hysterical, timid little rat. Being round when a thing like that happened would have broke her up more than a spell of sickness."

Iola Barry was a chum of mine. Four years ago, before I was transferred to New Jersey, we'd been girls together in the same exchange, and though I didn't see much of her when I was Central in Longwood, since I'd come back we'd met up and renewed the old friendship. Having the fatality happen so close to her fanned my interest considerable and I reached across and picked up one of the papers.

The first thing my eye lit on was a picture of Hollings Harland – a fine looking, smooth-shaven man.

When I saw the two long columns about him I realized what an important person he was and why Babbitts was so mad he'd missed the detail. Besides his own picture there was one of his house – an elegant residence on Riverside Drive, full of pictures and statuary, and a library he'd taken years to collect. Then there was all about him and his life. He was forty-six years of age and though small in stature, a fine physical specimen, never showing, no matter how hard he worked, a sign of nerves or weariness. In his boyhood he'd come from a town up state, and risen from the bottom to the top, "cleaving his way up," the paper had it, "by his brilliant mind, indomitable will and tireless energy." Three years before, his wife had died and since then he'd retired from society, devoting himself entirely to business.

Toward the end of the article came a lot of stuff about the Copper Pool, and the names of the other men in it – he seemed to be in it too. There was only one of these I'd ever heard of – Johnston Barker – which didn't prove that I knew much, as everybody had heard of him. He was one of the big figures of finance, millionaire, magnate, plutocrat, the kind that one paper calls, "A malefactor of great wealth," and its rival, "One of our most distinguished and public-spirited citizens." That places him better than a font of type. He was in the Copper Pool up to his neck – the head of it as far as I could make out.

I had just got through with that part – it wasn't interesting – and was reading what had happened before the suicide when Babbitts spoke:

"Harland seems to have had a scene in his office with Johnston Barker in the afternoon."

I looked up from my sheet and said:

"I've just been reading about it here. It tells how Barker came to see him and they had some kind of row."

"Read it," said Babbitts. "I want to get the whole thing before I go downtown."

I read out:

"According to Della Franks and John Jerome, Harland's stenographer and head clerk, Johnston Barker called on Harland at half-past five that afternoon. The lawyer's offices are a suite of three rooms, one opening from the other. The last of these rooms was used as a private office and into this Harland conducted his visitor, closing the door. Miss Franks was in the middle room working at her typewriter, Mr. Jerome at his desk near-by. While so occupied they say they heard the men in the private office begin talking loudly. The sound of the typewriter drowned the words but both Miss Franks and Mr. Jerome agree that the voices were those of people in angry dispute. Presently they dropped and shortly after Mr. Harland came out. Miss Franks says the time was a few minutes after six, as she had just consulted a wrist watch she wore. Both clerks admitting that they were curious, looked at Mr. Harland and agree in describing him as pale, though otherwise giving no sign of anger or disturbance. He stopped at Jerome's desk and said quietly: 'I'll be back in a few minutes. Don't go till I come,' and left the office.

"Miss Franks and Mr. Jerome remained where they were. Miss Franks completed her work and then, having a dinner engagement with Mr. Jerome, sat on, waiting for Mr. Harland's return. In this way a half hour passed, the two clerks chatting together, impatient to be off. It was a quarter to seven and both were wondering what was delaying their employer when the desk telephone rang. Jerome answered it and heard from the janitor on the street level that Mr. Harland's body had been found on the sidewalk crushed to a shapeless mass. On hearing this, Miss Franks, uttering piercing cries, rose and rushed into the hall followed by Jerome. They rang frantically for the elevator which didn't come. There are only two cars in the building, and that afternoon the express had broken and was not running. Getting no answer to his summons Jerome dashed to the hall window and throwing it up looked down on to the street, which even from that height, he could see was black with people. Miss Franks, who when interviewed was still hysterical, stood by the elevators pressing the buttons. In their excitement both of them forgot Mr. Barker who when they left was still in the back office."

"Um," said Babbitts. "Is that all about Barker?"

I looked down the column.

"No – there's some more in another place. Here: 'Johnston Barker, whose interview with Harland is supposed to have driven the desperate lawyer to suicide, was not found in his house last night. Repeated telephone calls throughout the evening only elicited the answer that Mr. Barker was not at home and it was not known where he was.' Then there's a lot about him and his connection with the Copper Pool. Do you want to hear it?"

"No, I know all that. Pretty grisly business. But I don't see why Barker's lying low. Why the devil doesn't he show up?"

"Perhaps he doesn't like the notoriety. Does it say in your paper too that they couldn't find him?"

"About the same. Looks to me as if there was a nigger in the woodpile somewhere."

"Maybe he never expected the man would kill himself and he's prostrated with horror at what he's responsible for."

Babbitts threw down his paper with a sarcastic grin:

"I guess it takes more than that to prostrate Johnston Barker. You don't rise from nothing to be one of the plutocrats of America and keep your conscience in cotton wool."

I turned the page of my paper and there, staring at me, was a picture of the man we were talking about.

"Here he is," I said, "on the inside page," and then read: "'Johnston Barker, whose interview with Hollings Harland is thought to have precipitated the suicide and who was not to be found last evening at his home or club.'"

Babbitts came round and looked over my shoulder:

"Did you ever see a harder, more forceful mug? Look at the nose – like a beak. Men with noses like that always seem to me like birds of prey."

The picture did have that look. The face was thin, one of those narrow, lean ones with a few deep lines like folds in the skin. The nose was, as Babbitts said, a regular beak, like a curved scimitar, big and hooked. A sort of military-looking, white moustache hid the mouth, and the eyes behind glasses were keen and dark. I guess you'd have called it quite a handsome face, if it hadn't been for the grim, hard expression – like it belonged to some sort of fighter who wouldn't give you any mercy if you stood in his way.

"It takes a feller like that to make millions in these trust-busting days," said Babbitts.

"He looks as if he could corner copper and anything else that took his fancy," I answered.

"If he's really flown the coop there'll be the devil to pay in Wall Street." He gave my shoulder a pat. "Well, we'll see today and the sooner I get on the scene of action the sooner I'll know. Good-by, my Morningdew. – Kiss me and speed me on my perilous way."

After he'd gone I tidied up the place, had the morning powwow with Isabella, and then drifted into the parlor. The sun was slanting bright through the windows and as I stood looking out at the thin covering of ice, glittering here and there on the roofs – there'd been rain before the frost – I got the idea I ought to go down and see Iola. She was a frail, high-strung little body and what had happened last night in the Black Eagle Building would put a crimp in her nerves for days to come, especially as just now she had worries of her own. Clara, her sister with whom she lived, had gone into the hair business – not selling it, brushing it on ladies' heads – and hadn't done well, so Iola was the main support of the two of them. Three years ago she'd left the telephone company to better herself, studying typing and stenography, and at first she'd had a hard time, getting into offices where the men were so fierce they scared her so she couldn't work, or so affectionate they scared her so she resigned her job. Then at last she landed a good place at Miss Whitehall's – Carol Whitehall, who had a real-estate scheme – villas and cottages out in New Jersey.

Now while you think of me in my blue serge suit and squirrel furs, with a red wing in my hat and a bunch of cherries pinned on my neckpiece, flashing under the city in the subway, I'll tell you about Carol Whitehall. She's important in this story – I guess you'd call her the heroine – for though the capital "I"s are thick in it, you've got to see that letter as nothing more than a hand holding a pen.

The first I heard of Miss Whitehall was nearly two years back from the Cressets, friends of mine who live on a farm out Longwood way where I was once Central. She and her mother – a widow lady – came there from somewhere in the Middle West and bought the Azalea Woods Farm, a fine rich stretch of land, back in the hills behind Azalea village. They were going to run it themselves, having, the gossip said, independent means and liking the simple life. The neighbors, high and low, soon got acquainted with them and found them nice genteel ladies, the mother very quiet and dignified, but Miss Carol a live wire and as handsome as a picture.

They'd been in the place about a year when the railroad threw out a branch that crossed over the hills near their land. This increased its value immensely and folks were wondering if they'd sell out – they had several offers – when it was announced that they were going to start a villa site company to be called the Azalea Woods Estates. In the Autumn when I was down at the Cressets – Soapy and I go there for Sundays sometimes – the Cresset boys had been over in their new Ford car, and said what were once open fields were all laid out in roads with little spindly trees planted along the edges. There was a swell station, white with a corrugated red roof, and several houses up, some stucco like the station and others low and squatty in the bungalow style.

It was a big undertaking and there was a good deal of talk, no one supposing the Whitehalls had money enough to break out in such a roomy way, but when it came down to brass tacks, nobody had any real information about them. For all Longwood and Azalea knew they might have been cutting off coupons ever since they came.

As soon as the Azalea Woods Estates started they moved to town. Iola told me they had a nice little flat on the East Side and the offices were the swellest she'd ever been employed in. I'd never been in them, though I sometimes went to the Black Eagle Building and took Iola out to lunch. I didn't like to go up, having no business there, and used to telephone her in the morning and make the date, then hang round the entrance hall till she came down.

Besides Miss Whitehall and Iola there was a managing clerk, Anthony Ford. I'd never seen him no more than I had Miss Whitehall, but I'd heard a lot about him. After Iola'd told me what a good-looker he was and how he'd come swinging in in the morning, always jolly and full of compliments, I got a hunch that she was getting too interested in him. She said she wasn't – did you ever know a girl who didn't? – and when I asked her point blank, ruffled up like a wet hen and snapped out:

"Molly Babbitts, ain't I been in business long enough to know I got to keep my heart locked up in the office safe?"

And I couldn't help answering:

"Well, don't give away the combination till you're good and sure it's the right man that's asking for it."

CHAPTER II
MOLLY TELLS THE STORY

The Black Eagle Building is part-way downtown – not one of the skyscrapers that crowd together on the tip of the Island's tongue and not one of the advance guard squeezing in among the mansions of the rich, darkening their windows and spoiling their chimney draughts – poor, suffering dears!

As I came up the subway stairs I could see it bulking up above the roofs, a long narrow shape, with its windows shining in the sun. It stood on a corner presenting a great slab of wall to the side street and its front to Broadway. There were two entrances, the main one – with an eagle in a niche over the door – on Broadway, and a smaller one on the side street. There is only one other very high building near there – the Massasoit – facing on Fifth Avenue, its back soaring above the small houses that look like a line of children's toys.

My way was along the side street, chilled by the shadow of the building, and as I passed the small entrance I stopped and looked up. The wall rose like a rampart, story over story, the windows as similar and even as cells in a honeycomb. Way up, the cornice cut the blue with its dark line. It was from that height the suicide had jumped. I thought of him there, standing on the window ledge, making ready to leap. Ugh! it was too horrible! I shuddered and walked on, pressing my chin into my fur and putting the picture out of my mind.

When I turned the corner into Broadway it was brighter. The sun was shining on the outspread wings of the eagle in his niche and turning the icicles that hung from the window ledges into golden fringes. Near the entrance a man in a checked jumper and peaked cap was breaking away the bits of ice that stuck to the sidewalk with a long-handled thing like a spade. And all about were people, queer, mangy-looking men and some women, standing staring at the pavement and then craning their necks and squinting up through the sunlight at the top of the building.

I sized up the man in the jumper as a janitor, and for all he seemed so busy, you could see he was really hanging round for an excuse to talk. He'd pick at a tiny piece of ice and skate it over careful into the gutter when in ordinary times he'd have let it lie there, a menace to the public's bones. Every now and then one of the people standing round would ask him a question and he'd stop in his scraping and try to look weary while he was just bursting to go all over it again.

"Where did he fall?" asked a chap in a reach-me-down overcoat, fringy at the cuffs, "there?" and pointed into the middle of the street. The janitor gave him a scornful glance, let go his hoe and spat on his hand. He spoke with a brogue:

"No, not there. Nor there neither," he pointed some distance down Broadway. "But there," and that time he struck on the edge of the curb with his hoe.

A girl who was passing slowed up, her face all puckered with horror:

"Did he come down with a crash?"

The janitor drew himself up, raised his eyebrows and looked at her from under his eyelids like she was a worm:

"Is fallin' from the top of the buildin' like steppin' from a limousine on to a feather bed?" He turned wearily to his hoe and spoke to it as if it was the only thing in sight that had any sense. "Crash! What'll they be after askin' next?" Then he suddenly got quite excited, raised his voice and stuck out his chin at the girl. "Why, the glasses off his nose was nearly to the next corner. Didn't I meself find the mounts of them six feet from his body? And not a bit of glass left. There's where I got them – in the mud," he pointed out into the street and everyone looked fixedly at the place. "Crash – and the pore corpse no more than a sack of bones."

An old man with a white beard who'd been standing on the curb examining the street as if he expected to find a treasure there said:

"Struck on his head, eh?"

"He did," said the janitor in a loud voice. "An' if you'd listen to me you'd have known it without me tellin' yer."

The girl, who was sort of peeved at the way he answered her, spoke up:

"You never told it at all! You only spoke about the glasses."

The janitor gave her a look sort of enduring and patient as if, she being a woman, he'd got to treat her gentle even if she was a fool.

"Say, young lady," says he, "I'm not goin' to bandy words with you. Have it any way you like. I was here, I seen it, I seen the corpse lyin' all bunched up, I seen the crowd, I seen the amberlanch, and I seen Mr. Harland's clerk come down and identify the body – but maybe I don't know. Take it or leave it – any way you choose."

The people snickered and looked at the girl, who got red and walked off muttering. The janitor went back to picking at a piece of ice as big as a half dollar, watching out for the next one to come along.

I hadn't phoned to Iola this time and it being an unusual occasion I decided to go up. There were men in the entrance hall talking together in groups and from every group I could hear the name of Harland coming in low tones. In the elevator when the other passengers had got out, the boy looked at me and said:

"Tough what happened here last night, ain't it?"

I agreed with him and as we shot up with the floors flashing between the iron grills, he had his little say about it. One of the things that seemed to trouble him most was that he hadn't been there, as the express elevator which he ran was broken early in the afternoon and he'd gone home before the event.

The corridor of the seventeenth floor was a bare, clean place, all shining stone, not a bit of wood about it but the doors. At one end was a window looking out on the Broadway side and near it the stairs went down, concrete with a metal balustrade. I'd asked for Miss Whitehall's office and as I got out of the car the boy had said, "First door to your left, Azalea Woods Estates." There were two doors on each side, the upper halves ground glass with gold lettering. Those to the right had "The Hudson Electrical Company" on them and those to the left "Azalea Woods Estates" with under that "Anthony Ford, Manager."

As I walked toward the first of these I could see out of the window the great back of the Massasoit Building, tan color against the bright blue of the sky. Pausing before I rang the bell, I leaned against the window ledge and spied down. The street looked like a small, narrow gully, dotted with tiny black figures, and the houses that fronted on it, extending back to the Massasoit, no bigger than match boxes.

I pressed the bell and as I waited turned and looked down the corridor, stretching away in its shiny scoured cleanness between the shut doors of offices. Just beyond the elevator shafts there was a branch hall and along the polished floor I could see the white, glassy reflection of another window. That was on the side street, one of those I had looked up at, and as I was thinking that, the door opened slowly and Iola peered out, with her eyes big and scared and a sandwich in her hand.

"Good gracious, Molly!" she cried. "I'm so glad to see you. Come in."

I hesitated, almost whispering:

"Will Miss Whitehall mind?"

"She's not here. I had a phone this morning to say she was sick and wouldn't be down, and Mr. Ford's gone out to lunch." She took me by the hand and pulled me in, shutting the door. "Jerusalem, but it's good to see you. I'm that lonesome sitting here I'm ready to cry."

She didn't look very chipper. Usually she's a pretty girl, the slim, baby-eyed, delicate kind, with a dash of powder on the nose and a touch of red on the lips to help out. But today she looked sort of peaked and shriveled up, the way those frail little wisps of girls do at the least jar.

"Isn't it awful?" she said as soon as she'd got me in – "Just the floor above us!"

I didn't want her to talk about it, but she was like the janitor – only a gag would stop her. So I let her run on while I looked round and took in the place.

It was a fine, large room, two windows in the front and two more on the sides. The furniture was massive and rich-looking and the rugs on the floor as soft to your foot as the turf in the Park. On the walls were blue and white maps, criss-crossed with lines, and pictures of houses, in different styles. But the thing that got me was a little model of a cottage on a table by the window. It was the cutest thing you ever saw – all complete even to the blinds in the windows and the awning over the piazza. I was looking at it when Iola, having got away with the sandwich, said:

"Come on in to Mr. Ford's office while I finish my lunch. I got to get through with it before he comes back."

I followed her into the next room, nearly as large as the one we'd been in, with a wide window and in the center a big roll-top desk. On the edge of this stood a pasteboard box, with some crumpled wax paper in it and an orange. Iola sat down in the swivel chair and picking up the orange began to peel it.

"I hardly ever do this," she explained, "but I thought Miss Whitehall wouldn't mind today as I felt so mean I couldn't face going out to lunch. And then it was all right as she won't be down and I'll have it all cleared off before Mr. Ford comes back."

"Would he be mad?"

You ought to have seen the look she gave me.

"Mad – Tony Ford? It's easy seen you don't know him. She wouldn't say anything either. She's awful considerate. But she's so sort of grand and dignified you don't like to ask favors off her."

"Was she here when it happened last night?"

"I don't know, but I guess not. She generally leaves a little before six. Thanks be to goodness, she told me I could go home early yesterday. I was out of the building by half-past five." She broke the orange apart and held out a piece. "Have a quarter?" I shook my head and she went on. "We're all out of here soon after six. Tony Ford generally stays last and shuts up. Did you see all the papers this morning?"

"Most of them. Why?"

"I was wondering if any of them knew that Mr. Harland and Mr. Barker were both in here yesterday afternoon."

"It wasn't in any of the papers I saw."

"Well, they were – the two of them. And I didn't know but what the reporters, nosing round for anything the way they do, mightn't have heard it. Not that there was anything out of the ordinary about it. She knew them both. Mr. Harland's been in here a few times and Mr. Barker often."

"Why did he come?" I said, surprised, for Iola had never told me they'd the magnate for a customer.

"Business," she looked at me over the orange that she was sucking, her eyes sort of intent and curious. "Didn't I tell you that? He was going to buy a piece of land in the Azalea Woods Estates and build a house for his niece."

"Seems to me," I said, "that the press'll be interested to know about those two visits."

"Well, if any reporters come snooping round here Tony Ford told me to refer them to him or Miss Whitehall, and that's what I'm going to do."

"What time was Mr. Harland here?"

"A little after four. He and Miss Whitehall went into the private office and had a talk. And I'll bet a new hat that he hadn't no more idea of suicide then than you have now, sitting there before me. When he came out he was all smiles, just as natural and happy as if he was going home to a chicken dinner and a show afterward."

"All the papers think it was what Mr. Barker said that drove him to it."

"And they're right for a change – not that I'm saying anything against the press with your husband in it. But it does make more mistakes than any printed matter I ever read, except the cooking receipts on the outside of patent foods. It was Barker that put the crimp in him."

"Then Barker came in afterward?"

"Yes, just before I left. And he and she went into the private office."

I turned in my chair and looked through the open doorway into the third room of the suite.

"Is that the private office?" I asked.

"Yes," says Iola with a giggle, "that's its society name, but Mr. Ford calls it the Surgery."

Before I could ask her why Mr. Ford called it that, the bell rang and she jumped up, squashing the orange peel and bits of paper back in the box.

"Here, you go and answer it," I said, "I'll hide this." She went into the front office and as I pushed the box out of sight on a shelf I could hear her talking to a man at the door. The conversation made me stand still listening.

The man's voice asked for Miss Whitehall, Iola answering that she wasn't there.

"Where is she?" said the man, gruff and abrupt it seemed to me.

"In her own home – she hasn't come down today at all."

"Is she coming later?"

"No, she's sick in bed."

There was a slight pause and then he said:

"Well, I got to see her. I've notes here that are overdue and the endorsee's dead."

"Endorsee?" came Iola's little pipe, full of troubled surprise, "who's he?"