Loe raamatut: «Mearing Stones: Leaves from My Note-Book on Tramp in Donegal»
IN THE MOUNTAINS
“In the mountains,” says Nietzsche, “the shortest way is from summit to summit.” That is the way I covered Donegal. Instead of descending into the valleys (a tedious and destroying process at all times), I crossed, like the king of the fairies, on a bridge of wonder:
With a bridge of white mist
Columcille he crosses,
On his stately journeys
From Slieve League to Rosses.
What seems in places in this book a fathomless madhm is in reality bridged over with wonder – dark to the senses here and there, I grant you, but steady and treadable in proportion to the amount of vision one brings to the passage of it. All, I know, will not follow me (the fairies withhold knowledge from the many and bestow it on the few), but if blame is to be given let the fairies get it, and not me. And I may as well warn the reader here that it is unlucky to curse the fairies. Rosses is but a storm’s cry, and – the curse always comes home to roost!
With regard to the pictures illustrating the book, several people who have seen them in the original have criticised their darkness, as if they were all drawn “in twilight and eclipse.” But the darkness of Donegal was the first thing that struck me when I crossed the frontier at Lifford, and the forty miles’ journey through the hills to Ardara bit the impression still more deeply into me. And if I were asked now after a year’s exile what I remember most vividly of the county, I should say its gloom. I can see nothing now but a wilderness of black hills, with black shadows chasing one another over them, a gleam of water here and there, and just the tiniest little patch of sunlight – extraordinarily brilliant by contrast with the general darkness – on half a field, say, with its mearing-stones, to relieve the sense of tragedy that one feels on looking at the landscape.
THE WANDER-LUST
Sea-ribbons have I cut, and gathered ling; talked with fairies; heard Lia Fail moaning in the centre, and seen Tonn Tuaidh white in the north; slept on hearth-flags odd times, and under bushes other times; passed the mill with the scoop-wheels and the house with the golden door; following the roads – the heart always hot in me, the lights on the hills always beckoning me on!
THE DARK WOMAN
We were talking together the other morning – the publican and myself – outside the inn door at Barra, when a dark woman passed. “God look to that poor creature,” says he; “she hasn’t as much on her as would stuff a crutch.” “Stuff a what?” says I, for I didn’t quite understand him. “The bolster of a crutch,” says he. “And she knows nobody. Her eye-strings is broke.”
BY LOCHROS BEAG
A waste of blown sand. The Atlantic breakers white upon its extremest verge. A patch of sea-bog before, exhaling its own peculiar fragrance – part fibre, part earth, part salt. Ricks of black turf stacked over it here and there, ready to be creeled inland against the winter firing. The dark green bulk of Slieve a-Tooey rising like a wall behind, a wisp of cloud lying lightly upon its carn. The village of Maghery, a mere clachan of unmortared stone and rain-beaten straw, huddling at its foot. A shepherd’s whistle, a cry in torrential Gaelic, or the bleat of a sheep coming from it now and again, only to accentuate the elemental quiet and wonder of the place. The defile of Maum opening beyond, scarped and precipitous, barely wide enough to hold the road and bog-stream that tumble through it to the sea. The rainbow air of our western seaboard enfolding all, heavy with rain and the fragrance of salt and peat fires.
COACHING BY THE STARS
Coaching by the stars, night-walking – all my best thoughts, I find, come to me that way. Poetry, like devilry, loves darkness.
A RAINBOW
I was watching a rainbow this afternoon – a shimmering ring in the sky between the fort at the mouth of the Owentocker river and Slieve a-Tooey beyond. “That’s a beautiful sight, now,” said a beggar, stopping on the road to have a word with me – the sort of person one meets everywhere in Ireland, friendly, garrulous, inquisitive, very proud of his knowledge of half-secret or hidden things, and anxious at all times to air it before strangers. “We do have a power of them this speckled weather.” He looked into the sky with a queer look, then started humming over the names of the colours to himself in Irish. “And they say, sir, it’s unlucky to pass through a rainbow. Did you ever hear that?”
CHANGE
My heart goes out to the playing and singing folk, the folk who are forever on the roads. Life is change; and to be seeing new wonders every day – the thrown sea, the silver rush of the meadow, the lights in distant towns – is to be living, and not merely existing. I pity the man who is content to stay always in the place where his mother dropped him; that is, unless his thoughts wander. For one might sit on a midden and dream stars!
PROPHET’S FOOD
A man hailed me on the road, and we were talking… “If one had nothing but fraochans to eat and water to drink, sure one would have to be satisfied. And remember,” says he, “that a prophet lived on as little.” “Who was that?” says I. “John the Baptist,” says he. “You’ll read that in the books.”
THE TRANSIENT
Only the transient is beautiful, said Schiller; and Nature, in the incessant play of her rising, vanishing forms, is not averse to beauty. Beauty, said Turgenev, needs not to live for ever to be eternal – one instant is enough for her.
WOMEN AND HARES
It’s curious in Donegal sometimes, when going along the road, or crossing a footpath through the fields, to see a shawled woman, a perch or so off, dropping over the edge of a hill, and then when you get up to the edge there is no sign of her at all. And, maybe, a pace further on you will start a hare out of the hollow where you think the woman should have been, and you begin to wonder is there any truth in the story about women – that have to do with magic and charms and old freets, and the like – changing into hares, after all! I have had many experiences like that in my travels through the county, and in not a few instances have I been puzzled how a figure – silhouetted sharply against the skyline, and only a few yards off – could disappear so quickly out of view.
THE SMELL OF THE TOWN
A woman said to me to-day: “You’ll get the smell o’ the town blowed off you in the Donegal hills!”
GLENGESH
Darkness and austerity – those are the notes I carry away from this wild glen. Its lines have something of the splendid bareness of early architecture; its colour suggests time-stained walls, with quiet aisles and mouldering altars where one might kneel and dream away an existence. When you meet a stranger going the road that winds through it, like a coil of incense suspended in mid-air, you expect him to look at you out of eyes full of wonder, and to speak to you in half-chanted and serious words, stopping not, turning neither to left nor to right, but faring on, a symbol of pilgrimage:
Le solus a chroidhe,
Fann agus tuirseach
Go deireadh a shlighe.
CLOG-SEED
“What are you sowing?” “Oh, clog-seed, clog-seed. The childer about here is all running barefoot, and I thought I might help them against the winter day!”
HERBS AND FLOWERS
Lusmór, lus-na-méarachán, sian sléibhe, foxglove, or fairy-thimble – whatever you like best to call it – it, I think, is the commonest herb of all. One sees it everywhere with its tall carmine spray, growing on ditches in the sun, in dark, shady places by the side of rivers, and under arches. Then the king-fern, the splendid osmunda regalis; the delicate maidenhair and hart’s-tongue, rooted in the crannies of walls; bog-mint and bog-myrtle, deliciously fragrant after rain, and the white tossing ceanabhán; brier-roses and woodbine; the drooping convolvulus; blue-bough; Fairies’ cabbage, or London Pride; pignuts and anemones; amber water-lilies, curiously scented; orchises, purple and white; wild daffodils and marigolds, gilding the wet meadows between hills; crotal, a moss rather than a herb, but beautiful to look at and most serviceable to the dyer; eyebright and purple mountain saxifrage; crested ling; tufts of sea-holly, with their green, fleshy, spiked leaves; and lake-sedge and sand-grass, blown through by soft winds and murmurous with the hum of bees. Donegal, wild though it be in other respects, is surely a paradise of herbs and flowers.
A YOUNG GIRL
A young girl, in the purr and swell of youth. Her shawl is thrown loosely back, showing a neck and breast beautifully modelled. She is barefooted, and jumps from point to point on the wet road. At a stream which crosses the road near the gallán she lifts her dress to her knees and leaps over. She does not see me where I am perched sunning myself, so I can watch her to my heart’s content.
THE GENERAL LIGHT AND DARK
“The words of the maker of poems are the general light and dark.” One feels the truth of this saying of Walt Whitman’s in a place like the Pass of Glengesh, or the White Strand outside Maghery. Chanting a fragment of the “Leaves” one night in the Pass, when everything was quiet and the smells were beginning to rise out of the wet meadows below, I felt how supremely true it was, and how much it belonged to the time and place – the darkness, the silence, the vibrant stars, the earth smells, the bat that came out of the shadow of a fuchsia-bush and fluttered across a white streak in the sky beyond. And I have tried Wordsworth’s sonnet beginning, “The world is too much with us,” by a criterion no less than that of the Atlantic itself, tumbling in foam on the foreshore of Maghery when daylight was deepening into twilight, and the moon was low over the hills, touching the rock-pools and the sand-pools with flakes of carmine light. When I said the sonnet aloud to myself it seemed to rise out of the landscape and to incorporate itself with it again as my voice rose and fell in the wandering cadences of the verse. Nature, after all, is the final touchstone of art. Tried by it, the counterfeit fails and the unmixed gold is justified.
