CHAPTER XIII
"But if a little exercise you choose,
Some zest for ease, 'tis not forbidden here;
Amid the groves you may indulge the Muse,
Or tend the blooms and deck the vernal year."
/Castle of Indolence/.
THE house of Mr. Cleveland was an Italian villa adapted to an English climate. Through an Ionic arch you entered a domain of some eighty or a hundred acres in extent, but so well planted and so artfully disposed, that you could not have supposed the unseen boundaries inclosed no ampler a space. The road wound through the greenest sward, in which trees of venerable growth were relieved by a profusion of shrubs, and flowers gathered into baskets intertwined with creepers, or blooming from classic vases, placed with a tasteful care in such spots as required the /filling up/, and harmonised well with the object chosen. Not an old ivy-grown pollard, not a modest and bending willow, but was brought out, as it were, into a peculiar feature by the art of the owner. Without being overloaded, or too minutely elaborate (the common fault of the rich man's villa), the whole place seemed one diversified and cultivated garden; even the air almost took a different odour from different vegetation, with each winding of the road; and the colours of the flowers and foliage varied with every view.
At length, when, on a lawn sloping towards a glassy lake overhung by limes and chestnuts, and backed by a hanging wood, the house itself came in sight, the whole prospect seemed suddenly to receive its finishing and crowning feature. The house was long and low. A deep peristyle that supported the roof extended the whole length, and being raised above the basement had the appearance of a covered terrace; broad flights of steps, with massive balustrades, supporting vases of aloes and orange-trees, led to the lawn; and under the peristyle were ranged statues, Roman antiquities and rare exotics. On this side the lake another terrace, very broad, and adorned, at long intervals, with urns and sculpture, contrasted the shadowy and sloping bank beyond; and commanded, through unexpected openings in the trees, extensive views of the distant landscape, with the stately Thames winding through the midst. The interior of the house corresponded with the taste without. All the principal rooms, even those appropriated to sleep, were on the same floor. A small but lofty and octagonal hall conducted to a suite of four rooms. At one extremity was a moderately-sized dining-room with a ceiling copied from the rich and gay colours of Guido's "Hours;" and landscapes painted by Cleveland himself, with no despicable skill, were let into the walls. A single piece of sculpture copied from the Piping Faun, and tinged with a flesh-like glow by purple and orange draperies behind it, relieved without darkening the broad and arched window which formed its niche. This communicated with a small picture-room, not indeed rich with those immortal gems for which princes are candidates; for Cleveland's fortune was but that of a private gentleman, though, managed with a discreet if liberal economy, it sufficed for all his elegant desires. But the pictures had an interest beyond that of art, and their subjects were within the reach of a collector of ordinary opulence. They made a series of portraits—some originals, some copies (and the copies were often the best) of Cleveland's favourite authors. And it was characteristic of the man, that Pope's worn and thoughtful countenance looked down from the central place of honour. Appropriately enough, this room led into the library, the largest room in the house, the only one indeed that was noticeable from its size, as well as its embellishments. It was nearly sixty feet in length. The bookcases were crowned with bronze busts, while at intervals statues, placed in open arches, backed with mirrors, gave the appearance of galleries, opening from the book-lined walls, and introduced an inconceivable air of classic lightness and repose into the apartment; with these arches the windows harmonised so well, opening on the peristyle, and bringing into delightful view the sculpture, the flowers, the terraces, and the lake without, that the actual prospects half seduced you into the belief that they were designs by some master-hand of the poetical gardens that yet crown the hills of Rome. Even the colouring of the prospects on a sunny day favoured the delusion, owing to the deep, rich hues of the simple draperies, and the stained glass of which the upper panes of the windows were composed. Cleveland was especially fond of sculpture; he was sensible, too, of the mighty impulse which that art has received in Europe within the last half century. He was even capable of asserting the doctrine, not yet sufficiently acknowledged in this country, that Flaxman surpassed Canova. He loved sculpture, too, not only for its own beauty, but for the beautifying and intellectual effect that it produces wherever it is admitted. It is a great mistake, he was wont to say, in collectors of statues, to arrange them /pele mele/ in one long monotonous gallery. The single relief, or statue, or bust, or simple urn, introduced appropriately in the smallest apartment we inhabit, charms us infinitely more than those gigantic museums, crowded into rooms never entered but for show, and without a chill, uncomfortable shiver. Besides, this practice of galleries, which the herd consider orthodox, places sculpture out of the patronage of the public. There are not a dozen people who can afford galleries. But very moderately affluent gentlemen can afford a statue or a bust. The influence, too, upon a man's mind and taste, created by the constant and habitual view of monuments of the only imperishable art which resorts to physical materials, is unspeakable. Looking upon the Greek marble, we become acquainted, almost insensibly, with the character of the Greek life and literature. That Aristides, that Genius of Death, that fragment of the unrivalled Psyche, are worth a thousand Scaligers!
"Do you ever look at the Latin translation when you read Aeschylus?" said a schoolboy once to Cleveland.
"That is my Latin translation," said Cleveland, pointing to the Laocoon.
The library opened at the extreme end to a small cabinet for curiosities and medals, which, still in a straight line, conducted to a long belvidere, terminating in a little circular summer-house, that, by a sudden wind of the lake below, hung perpendicularly over its transparent tide, and, seen from the distance, appeared almost suspended on air, so light were its slender columns and arching dome. Another door from the library opened upon a corridor which conducted to the principal sleeping-chambers; the nearest door was that of Cleveland's private study communicating with his bedroom and dressing-closet. The other rooms were appropriated to, and named after, his several friends.
Mr. Cleveland had been advised by a hasty line of the movements of his ward, and he received the young man with a smile of welcome, though his eyes were moist and his lips trembled—for the boy was like his father!—a new generation had commenced for Cleveland!
"Welcome, my dear Ernest," said he; "I am so glad to see you, that I will not scold you for your mysterious absence. This is your room, you see your name over the door; it is a larger one than you used to have, for you are a man now; and there is your German sanctum adjoining—for Schiller and the meerschaum!—a bad habit that, the meerschaum! but not worse than the Schiller, perhaps. You see you are in the peristyle immediately. The meerschaum is good for flowers, I fancy, so have no scruple. Why, my dear boy, how pale you are! Be cheered—be cheered. Well, I must go myself, or you will infect me."
Cleveland hurried away; he thought of his lost friend. Ernest sank upon the first chair, and buried his face in his hands. Cleveland's valet entered, and bustled about and unpacked the portmanteau, and arranged the evening dress. But Ernest did not look up nor speak; the first bell sounded; the second tolled unheard upon his ear. He was thoroughly overcome by his emotions. The first notes of Cleveland's kind voice had touched upon a soft chord, that months of anxiety and excitement had strained to anguish, but had never woke to tears. His nerves were shattered—those strong young nerves! He thought of his dead father when he first saw Cleveland; but when he glanced round the room prepared for him, and observed the care for his comfort, and the tender recollection of his most trifling peculiarities everywhere visible, Alice, the watchful, the humble, the loving, the lost Alice rose before him. Surprised at his ward's delay, Cleveland entered the room; there sat Ernest still, his face buried in his hands. Cleveland drew them gently away, and Maltravers sobbed like an infant. It was an easy matter to bring tears to the eyes of that young man: a generous or a tender thought, an old song, the simplest air of music, sufficed for that touch of the mother's nature. But the vehement and awful passion which belongs to manhood when thoroughly unmanned—this was the first time in which the relief of that stormy bitterness was known to him!
CHAPTER XIV
"Musing full sadly in his sullen mind."—SPENSER.
"There forth issued from under the altar-smoke
A dreadful fiend."
—/Ibid. on Superstition/.
NINE times out of ten it is over the Bridge of Sighs that we pass the narrow gulf from Youth to Manhood. That interval is usually occupied by an ill-placed or disappointed affection. We recover, and we find ourselves a new being. The intellect has been hardened by the fire through which it has passed. The mind profits by the wrecks of every passion, and we may measure our road to wisdom by the sorrows we have undergone.
But Maltravers was yet on the bridge, and, for a time, both mind and body were prostrate and enfeebled. Cleveland had the sagacity to discover that the affections had their share in the change that he grieved to witness, but he had also the delicacy not to force himself into the young man's confidence. But by little and little his kindness so completely penetrated the heart of his ward, that Ernest one evening told his whole tale. As a man of the world, Cleveland perhaps rejoiced that it was no worse, for he had feared some existing entanglement perhaps with a married woman. But as a man who was better than the world in general, he sympathised with the unfortunate girl whom Ernest pictured to him in faithful and unflattered colours, and he long forbore consolations which he foresaw would be unavailing. He felt, indeed, that Ernest was not a man "to betray the noon of manhood to a myrtle-shade:"—that with so sanguine, buoyant, and hardy a temperament, he would at length recover from a depression which, if it could bequeath a warning, might as well not be wholly divested of remorse. And he also knew that few become either great authors or great men (and he fancied Ernest was born to be one or the other) without the fierce emotions and passionate struggles, through which the Wilhelm Meister of real life must work out his apprenticeship, and attain the Master Rank. But at last he had serious misgivings about the health of his ward. A constant and spectral gloom seemed bearing the young man to the grave. It was in vain that Cleveland, who secretly desired him to thirst for a public career, endeavoured to arouse his ambition—the boy's spirit seemed quite broken—and the visit of a political character, the mention of a political work, drove him at once into his solitary chamber. At length his mental disease took a new turn. He became, of a sudden, most morbidly and fanatically—I was about to say religious: but that is not the word; let me call it pseudo-religious. His strong sense and cultivated taste did not allow him to delight in the raving tracts of illiterate fanatics—and yet out of the benign and simple elements of the Scripture he conjured up for himself a fanaticism quite as gloomy and intense. He lost sight of God the Father, and night and day dreamed only of God the Avenger. His vivid imagination was perverted to raise out of its own abyss phantoms of colossal terror. He shuddered aghast at his own creations, and earth and heaven alike seemed black with the everlasting wrath. These symptoms completely baffled and perplexed Cleveland. He knew not what remedy to administer—and to his unspeakable grief and surprise he found that Ernest, in the true spirit of his strange bigotry, began to regard Cleveland—the amiable, the benevolent Cleveland—as one no less out of the pale of grace than himself. His elegant pursuits, his cheerful studies, were considered by the young but stern enthusiast as the miserable recreations of Mammon and the world. There seemed every probability that Ernest Maltravers would die in a madhouse or, at best, succeed to the delusions without the cheerful intervals of Cowper.
CHAPTER XV
"Sagacious, bold, and turbulent of wit,
Restless—unfixed in principles and place."
—DRYDEN.
"Whoever acquires a very great number of ideas interesting to the society in which he lives, will be regarded in that society as a man of abilities."—HELVETIUS.
IT was just when Ernest Maltravers was so bad that he could not be worse that a young man visited Temple Grove. The name of this young man was Lumley Ferrers, his age was about twenty-six, his fortune about eight hundred a year—he followed no profession. Lumley Ferrers had not what is usually called genius; that is, he had no enthusiasm; and if the word talent be properly interpreted as meaning the talent of doing something better than others, Ferrers had not much to boast of on that score. He had no talent for writing, nor for music, nor painting, nor the ordinary round of accomplishments; neither at present had he displayed much of the hard and useful talent for action and business. But Ferrers had what is often better than either genius or talent; he had a powerful and most acute mind.
He had, moreover, great animation of manner, high physical spirits, a witty, odd, racy vein of conversation, determined assurance, and profound confidence in his own resources. He was fond of schemes, stratagems, and plots—they amused and excited him—his power of sarcasm, and of argument, too, was great, and he usually obtained an astonishing influence over those with whom he was brought in contact. His high spirits and a most happy frankness of bearing carried off and disguised his leading vices of character, which were callousness to whatever was affectionate and insensibility to whatever was moral. Though less learned than Maltravers, he was on the whole a very instructed man. He mastered the surfaces of many sciences, became satisfied of their general principles, and threw the study aside never to be forgotten (for his memory was like a vice), but never to be prosecuted any further. To this he added a general acquaintance with whatever is most generally acknowledged as standard in ancient or modern literature. What is admired only by a few, Lumley never took the trouble to read. Living amongst trifles, he made them interesting and novel by his mode of viewing and treating them. And here indeed was /a/ talent—it was the talent of social life—the talent of enjoyment to the utmost with the least degree of trouble to himself. Lumley Ferrers was thus exactly one of those men whom everybody calls exceedingly clever, and yet it would puzzle one to say in what he was so clever. It was, indeed, that nameless power which belongs to ability, and which makes one man superior, on the whole, to another, though in many details by no means remarkable. I think it is Goethe who says somewhere that, in reading the life of the greatest genius, we always find that he was acquainted with some men superior to himself, who yet never attained to general distinction. To the class of these mystical superior men Lumley Ferrers might have belonged; for though an ordinary journalist would have beaten him in the arts of composition, few men of genius, however eminent, could have felt themselves above Ferrers in the ready grasp and plastic vigour of natural intellect. It only remains to be said of this singular young man, whose character as yet was but half developed, that he had seen a great deal of the world, and could live at ease and in content with all tempers and ranks; fox-hunters or scholars, lawyers or poets, patricians or /parvenus/, it was all one to Lumley Ferrers.
Ernest was, as usual, in his own room, when he heard, along the corridor without, all that indefinable bustling noise which announces an arrival. Next came a most ringing laugh, and then a sharp, clear, vigorous voice, that ran through his ears like a dagger. Ernest was immediately aroused to all the majesty of indignant sullenness. He walked out on the terrace of the portico, to avoid the repetition of the disturbance: and once more settled back into his broken and hypochondriacal reveries. Pacing to and fro that part of the peristyle which occupied the more retired wing of the house, with his arms folded, his eyes downcast, his brows knit, and all the angel darkened on that countenance which formerly looked as if, like truth, it could shame the devil and defy the world, Ernest followed the evil thought that mastered him, through the Valley of the Shadow. Suddenly he was aware of something—some obstacle which he had not previously encountered. He started, and saw before him a young man, of plain dress, gentlemanlike appearance, and striking countenance.
"Mr. Maltravers, I think," said the stranger, and Ernest recognised the voice that had so disturbed him: "this is lucky; we can now introduce ourselves, for I find Cleveland means us to be intimate. Mr. Lumley Ferrers, Mr. Ernest Maltravers. There now, I am the elder, so I first offer my hand, and grin properly. People always grin when they make a new acquaintance! Well, that's settled. Which way are you walking?"
Maltravers could, when he chose it, be as stately as if he had never been out of England. He now drew himself up in displeased astonishment; extricated his hand from the gripe of Ferrers, and saying, very coldly, "Excuse me, sir, I am busy," stalked back to his chamber. He threw himself into his chair, and was presently forgetful of his late annoyance, when, to his inexpressible amazement and wrath, he heard again the sharp, clear voice close at his elbow.
Ferrers had followed him through the French casement into the room. "You are busy, you say, my dear fellow. I want to write some letters: we sha'n't interrupt each other—don't disturb yourself:" and Ferrers seated himself at the writing-table, dipped a pen into the ink, arranged blotting-book and paper before him in due order, and was soon employed in covering page after page with the most rapid and hieroglyphical scrawl that ever engrossed a mistress or perplexed a dun.
"The presuming puppy!" growled Maltravers, half audibly, but effectually roused from himself; and examining with some curiosity so cool an intruder, he was forced to own that the countenance of Ferrers was not that of a puppy.
A forehead compact and solid as a block of granite, overhung small, bright, intelligent eyes of a light hazel; the features were handsome, yet rather too sharp and fox-like; the complexion, though not highly coloured, was of that hardy, healthy hue which generally betokens a robust constitution, and high animal spirits; the jaw was massive, and, to a physiognomist, betokened firmness and strength of character; but the lips, full and large, were those of a sensualist, and their restless play, an habitual half smile, spoke of gaiety and humour, though when in repose there was in them something furtive and sinister.
Maltravers looked at him in grave silence; but when Ferrers, concluding his fourth letter before another man would have got through his first page, threw down the pen, and looked full at Maltravers, with a good-humoured but penetrating stare, there was something so whimsical in the intruder's expression of face, and indeed in the whole scene, that Maltravers bit his lip to restrain a smile, the first he had known for weeks.
"I see you read, Maltravers," said Ferrers, carelessly turning over the volumes on the table. "All very right: we should begin life with books; they multiply the sources of employment; so does capital;—but capital is of no use, unless we live on the interest,—books are waste paper, unless we spend in action the wisdom we get from thought. Action, Maltravers, action; that is the life for us. At our age we have passion, fancy, sentiment; we can't read them away, or scribble them away;—we must live upon them generously, but economically."
Maltravers was struck; the intruder was not the empty bore he had chosen to fancy him. He roused himself languidly to reply. "Life, /Mr./ Ferrers—"
"Stop, /mon cher/, stop; don't call me Mister; we are to be friends; I hate delaying that which /must be/, even by a superfluous dissyllable; you are Maltravers, I am Ferrers. But you were going to talk about life. Suppose we /live/ a little while, instead of talking about it? It wants an hour to dinner; let us stroll into the grounds; I want to get an appetite;—besides, I like nature when there are no Swiss mountains to climb before one can arrive at a prospect. /Allons/!"
"Excuse—" again began Maltravers, half interested, half annoyed.
"I'll be shot if I do. Come."
Ferrers gave Maltravers his hat, wound his arm into that of his new acquaintance, and they were on the broad terrace by the lake before Ernest was aware of it.
How animated, how eccentric, how easy was Ferrers' talk (for talk it was, rather than conversation, since he had the ball to himself); books, and men, and things; he tossed them about and played with them like shuttlecocks; and then his egotistical narrative of half a hundred adventures, in which he had been the hero, told so, that you laughed at him and laughed with him.