Loe raamatut: «How Shall I Know You?»

Contents

Cover

Title Page

Copyright

How Shall I Know You?

A Note on the Author

Read On

Also by Hilary Mantel

About the Publisher

How Shall I Know You?

One summer at the fag-end of the nineties, I had to go out of London to talk to a literary society, of the sort that must have been old-fashioned when the previous century closed. When the day came, I wondered why I’d agreed to it; but yes is easier than no, and of course when you make a promise you think the time will never arrive: that there will be a nuclear holocaust, or something else diverting. Besides, I had a sentimental yearning for the days of self-improvement; they were founded, these reading clubs, by master drapers and their shop-girl wives; by poetasting engineers, and uxorious physicians with long winter evenings to pass. Who keeps them going these days?

I was leading at the time an itinerant life, struggling with the biography of a subject I’d come to dislike. For two or three years I’d been trapped into a thankless cycle of picking up after myself, gathering in what I’d already gathered, feeding it on to computer disks which periodically erased themselves in the night. And I was for ever on the move with my card indexes and my paperclips, and my cheap notebooks with their porous, blotchy pages. It was easy to lose these books, and I left them in black cabs or in the overhead racks of trains, or swept them away with bundles of unread newspapers from the weekends. Sometimes it seemed I’d be for ever compelled to retrace my own steps, between Euston Road and the newspaper collections, which in those days were still in Colindale; between the rain-soaked Dublin suburb where my subject had first seen the light and the northern manufacturing town where – ten years after he ceased to be use or ornament – he cut his throat in a bathroom of a railway hotel. ‘Accident’, the coroner said, but there’s a strong suspicion of a cover-up; for a man with a full beard, he must have been shaving very energetically.

I was lost and drifting that year, I don’t deny it. And as my bag was always packed, there was no reason to turn down the literary society. They would ask me, they said, to give their members a snappy summary of my researches, to refer briefly to my three short early novels, and then answer questions from the floor: after which, they said, there would be a Vote of Thanks. (I found the capitals unsettling.) They would offer a modest fee – they said it – and lodge me for bed and breakfast at Rosemount, which was quietly situated, and of which, they said enticingly, I would find a photograph enclosed.

This photograph came in the secretary’s first letter, double-spaced on small blue paper, produced by a typewriter with a jumping ‘h’. I took Rosemount to the light and looked at it. There was a suspicion of a Tudor gable, a bay window, a Virginia creeper – but the overall impression was of blurring, a running of pigment and a greasiness at the edges, as if Rosemount might be one of those ghost-houses which sometimes appear at a bend in the road, only to melt away as the traveller limps up the path.

So I was not surprised when another blue letter came, hiccupping in the same way, to say that Rosemount was closing for refurbishments and they would be obliged to use Eccles House, convenient for the venue and they understood quite reputable. Again, they enclosed a photograph: Eccles House was part of a long white terrace, four storeys high, with two surprised attic windows. I was touched that they felt they ought to illustrate the accommodation in this way. I never cared where I stayed as long as it was clean and warm. I had often, of course, stayed in places that were neither. The winter before there had been a guesthouse in a suburb of Leicester, with a smell so repellent that when I woke at dawn I was unable to stay in my room for longer than it took me to dress, and I found myself, long before anyone else was awake, setting my booted feet on the slick wet pavements, tramping mile after mile down rows of semi-detached houses of blackening pebbledash, where the dustbins had wheels but the cars were stacked on bricks; where I turned at the end of each street, and crossed, and retrod my tracks, while behind thin curtains East Midlanders turned and muttered in their sleep, a hundred and a hundred then a hundred couples more.

In Madrid, by contrast, my publishers had put me in a hotel suite, which consisted of four small dark panelled rooms. They had sent me an opulent, unwieldy, scented bouquet, great wheels of flowers with woody stems. The concierge brought me heavy vases of a greyish glass, slippery in my hands, and I edged them freighted with blooms on to every polished surface; I stumbled from room to room, coffined against the brown panelling, forlorn, strange, under a pall of pollen, like a person trying to break out from her own funeral. And in Berlin, the desk clerk had handed me a key with the words ‘I hope your nerves are strong.’

The week before the engagement, my health was not good. There was a continuous airy shimmer in my field of vision, just to the left of my head, as if an angel were trying to appear. My appetite failed, and my dreams took me to strange waterfronts and ships’ bridges, on queasy currents and strange washes of the tide. As a biographer I was more than usually inefficient; in untangling my subject’s accursed genealogy I mixed up Aunt Virginie with the one who married the Mexican, and spent a whole hour with a churning stomach, thinking that all my dates were wrong and believing that my whole Chapter Two would have to be reworked. The day before I was due to travel east I simply gave up on the whole enterprise, and lay on my bed with my eyes shut tight. I felt – not so much a melancholy, as a kind of general insufficiency. I seemed to be pining for those three short early novels, and their brittle personnel. I felt a wish to be fictionalised.