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THE SANDMAN
LARS KEPLER

Translated from the Swedish by Neil Smith


Copyright

HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollinsPublishers 2014

Copyright © Lars Kepler 2012

Translation copyright © Neil Smith 2014

All rights reserved

Originally published in 2012 by Albert Bonniers Förlag, Sweden, as Sandmannen

Lars Kepler asserts the moral right to be identified as the author of this work

Cover design © Claire Ward HarperCollinsPublishers Ltd 2018

Cover photography © Henry Steadman/Arcangel Images

This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Source ISBN: 9780008241841

Ebook Edition © APRIL 2018 ISBN: 9780007467808

Version: 2019-03-01

International Praise for Lars Kepler:

‘A terrifying and original read’

Sun

‘A rollercoaster ride of a thriller full of striking twists’

Mail on Sunday

‘Sensational’

Lee Child

‘An international book written for an international audience’

Huffington Post

‘Ferocious, visceral storytelling that wraps you in a cloak of darkness. It’s stunning’

Daily Mail

‘One of the best – if not the best – Scandinavian crime thrillers I’ve read’

Sam Baker, Red

‘A creepy and compulsive crime thriller’

Mo Hayder

‘Intelligent, original and chilling’

Simon Beckett

‘Mesmerizing … a bad dream that takes hold and won’t let go’

Wall Street Journal

‘One of the most hair-raising crime novels published this year’

Sunday Times

‘Grips you round the throat until the final twist’

Woman & Home

‘A serious, disturbing, highly readable novel that is finally a meditation on evil’

Washington Post

‘A genuine chiller … deeply scarifying stuff’

Independent

‘Far above your average thriller … you’ll be terrified’

Evening Standard

‘A pulse-pounding debut that is already a native smash’

Financial Times

‘The cracking pace and absorbing story mean it cannot be missed’

Courier Mail

‘Utterly outstanding’

Morgenavisen Jyllands-Posten , Denmark

‘Disturbing, dark and twisted’

Easy Living

‘Creepy and addictive’

She

‘Brilliant, well written and very satisfying. A superb thriller’

De Telegraaf , Netherlands

Contents

Cover

Title Page

Copyright

International Praise for Lars Kepler

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

Chapter 75

Chapter 76

Chapter 77

Chapter 78

Chapter 79

Chapter 80

Chapter 81

Chapter 82

Chapter 83

Chapter 84

Chapter 85

Chapter 86

Chapter 87

Chapter 88

Chapter 89

Chapter 90

Chapter 91

Chapter 92

Chapter 93

Chapter 94

Chapter 95

Chapter 96

Chapter 97

Chapter 98

Chapter 99

Chapter 100

Chapter 101

Chapter 102

Chapter 103

Chapter 104

Chapter 105

Chapter 106

Chapter 107

Chapter 108

Chapter 109

Chapter 110

Chapter 111

Chapter 112

Chapter 113

Chapter 114

Chapter 115

Chapter 116

Chapter 117

Chapter 118

Chapter 119

Chapter 120

Chapter 121

Chapter 122

Chapter 123

Chapter 124

Chapter 125

Chapter 126

Chapter 127

Chapter 128

Chapter 129

Chapter 130

Chapter 131

Chapter 132

Chapter 133

Chapter 134

Chapter 135

Chapter 136

Chapter 137

Chapter 138

Chapter 139

Chapter 140

Chapter 141

Chapter 142

Chapter 143

Chapter 144

Chapter 145

Chapter 146

Chapter 147

Chapter 148

Chapter 149

Chapter 150

Chapter 151

Chapter 152

Chapter 153

Chapter 154

Chapter 155

Chapter 156

Chapter 157

Chapter 158

Chapter 159

Chapter 160

Chapter 161

Chapter 162

Chapter 163

Chapter 164

Chapter 165

Chapter 166

Chapter 167

Chapter 168

Chapter 169

Chapter 170

Chapter 171

Chapter 172

Chapter 173

Chapter 174

Chapter 175

Chapter 176

Chapter 177

Chapter 178

Chapter 179

Chapter 180

Chapter 181

Chapter 182

Chapter 183

Epilogue

Read on for an exclusive extract from the next Joona Linna thriller, Stalker

About the Author

Also by Lars Kepler

About the Publisher

It’s the middle of the night, and snow is blowing in from the sea. A young man is walking across a high railway bridge, towards Stockholm. His face is as pale as misted glass. His jeans are stiff with frozen blood. He is walking between the rails, stepping over the sleepers. Fifty metres below him the ice on the water is just visible, like a strip of cloth. A blanket of snow covers the trees and oil tanks in the harbour are barely visible; the snow is swirling in the glow from the container crane far below.

Warm blood is trickling down the man’s lower left arm, into his hand and dripping from his fingertips.

The rails start to sing and whistle as a night-train approaches the two-kilometre-long bridge.

The young man sways and sits down on the rail, then gets to his feet again and carries on walking.

The air is buffeted in front of the train, and the view is obscured by the billowing snow. The Traxx train has already reached the middle of the bridge when the driver catches sight of the man on the track. He blows his horn, and sees the figure almost fall, then it takes a long step to the left, onto the oncoming track, and grabs hold of the flimsy railing.

The man’s clothes are flapping around his body. The bridge is shaking heavily under his feet. He is standing still with his eyes wide open, his hands on the railing.

Everything is swirling snow and tumbling darkness.

His bloody hand has started to freeze as he carries on walking.

His name is Mikael Kohler-Frost. He has been missing for thirteen years, and was declared dead seven years ago.

1

Secure Criminal Psychology Unit

Löwenströmska Hospital

The steel gate closes behind the new doctor with a heavy clang. The metallic echo pushes past him and continues down the spiral staircase.

Anders Rönn feels a shiver run down his spine when everything suddenly goes quiet.

As of today, he is going to be working in the secure criminal psychology unit.

For the past thirteen years, the strictly isolated bunker has been home to the ageing Jurek Walter. He was sentenced to psychiatric care with specific probation requirements.

The young doctor doesn’t know much about his patient, except that he has been diagnosed with: ‘Schizophrenia, non-specific. Chaotic thinking. Recurrent acute psychosis, with erratic and extremely violent episodes’.

Anders Rönn shows his ID at level zero, removes his mobile and hangs the key to the gate in his locker before the guard opens the first door of the airlock. He goes in and waits for the door to close before walking over to the next door. When a signal sounds, the guard opens that one too. Anders turns round and waves before carrying on along the corridor towards the isolation ward’s staffroom.

Senior Consultant Roland Brolin is a thickset man in his fifties, with sloping shoulders and cropped hair. He is standing smoking under the extractor fan in the kitchen, leafing through an article on the pay gap between men and women in the health-workers’ magazine.

‘Jurek Walter must never be alone with any member of staff,’ the consultant says. ‘He must never meet other patients, he never has any visitors, and he’s never allowed out into the exercise yard. Nor is he …’

‘Never?’ Anders asks. ‘Surely it isn’t permitted to keep someone …’

‘No, it isn’t,’ Roland Brolin says sharply.

‘So what’s he actually done?’

‘Nothing but nice things,’ Roland says, heading towards the corridor.

Even though Jurek Walter is Sweden’s worst-ever serial killer, he is completely unknown to the public. The proceedings against him in the Central Courthouse and at the Court of Appeal in the Wrangelska Palace were held behind closed doors, and all the files are still strictly confidential.

Anders Rönn and Senior Consultant Roland Brolin pass through another security door and a young woman with tattooed arms and pierced cheeks winks at them.

‘Come back in one piece,’ she says breezily.

‘There’s no need to worry,’ Roland says to Anders in a low voice. ‘Jurek Walter is a quiet, elderly man. He doesn’t fight and he doesn’t raise his voice. Our cardinal rule is that we never go into his cell. But Leffe, who was on the night-shift last night, noticed that he had made some sort of knife that he’s got hidden under his mattress, so obviously we have to confiscate it.’

‘How do we do that?’ Anders asks.

‘We break the rules.’

‘We’re going into Jurek’s cell?’

‘You’re going in … to ask nicely for the knife.’

‘I’m going in …?’

Roland Brolin laughs loudly and explains that they’re going to pretend to give the patient his normal injection of Risperidone, but will actually be giving him an overdose of Zypadhera.

The Senior Consultant runs his card through yet another reader and taps in a code. There’s a bleep, and the lock of the security door whirrs.

‘Hang on,’ Roland says, holding out a little box of yellow earplugs.

‘You said he doesn’t shout.’

Roland smiles weakly, looks at his new colleague with weary eyes, and sighs heavily before he starts to explain.

‘Jurek Walter will talk to you, quite calmly, probably perfectly reasonably,’ he says in a grave voice. ‘But later this evening, when you’re driving home, you’ll swerve into oncoming traffic and smash into an articulated lorry … or you’ll stop off at the DIY store to buy an axe before you pick the kids up from preschool.’

‘Should I be scared now?’ Anders smiles.

‘No, but hopefully careful,’ Roland says.

Anders doesn’t usually have much luck, but when he read the advert in the Doctors’ Journal for a full-time, temporary but long-term position in the secure unit of the Löwenströmska Hospital, his heart had started to beat faster.

It’s only a twenty-minute drive from home, and it could well lead to a permanent appointment.

Since working as an intern at Skaraborg Hospital and in a health centre in Huddinge, he has had to get by on temporary contracts at the regional clinic of Sankt Sigfrid’s Hospital.

The long drives to Växjö and the irregular hours proved impossible to combine with Petra’s job in the council’s recreational administration and Agnes’s autism.

Only two weeks ago Anders and Petra had been sitting at the kitchen table trying to work out what on earth they were going to do.

‘We can’t go on like this,’ he had said, perfectly calmly.

‘But what alternative do we have?’ she had whispered.

‘I don’t know,’ Anders had replied, wiping the tears from her cheeks.

Agnes’s teaching assistant at her preschool had told them that Agnes had had a difficult day. She had refused to let go of her milk-glass, and the other children had laughed. She hadn’t been able to accept that break-time was over, because Anders hadn’t come to pick her up like he usually did. He had driven straight back from Växjö, but hadn’t reached the preschool until six o’clock. Agnes was still sitting in the dining room with her hands round the glass.

When they got home, Agnes had stood in her room, staring at the wall beside the doll’s house, clapping her hands in that introverted way she had. They don’t know what she can see there, but she says that grey sticks keep appearing, and she has to count them, and stop them. She does that when she’s feeling particularly anxious. Sometimes ten minutes is enough, but that evening she had to stand there for more than four hours before they could get her into bed.

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