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HEAVEN


A TRAVELLER’S GUIDE TO

THE UNDISCOVERED COUNTRY

PETER STANFORD


DEDICATION

To my mother, Mary Catherine Stanford (1921–1998), in the hope that the very best of what follows may now be true for her

and

To my mother-in-law, Emily Celine Cross (1934–2001), who inspired me with her trust in God to believe that it could be.

EPIGRAPH

‘The undiscovered country, from whose bourn No traveller returns …’

SHAKESPEARE: Hamlet (Act III, Scene 1)

CONTENTS

Cover

Title Page

Dedication

Epigraph

List of Illustrations

Introduction

PART ONE Knowledge of Angels

1 Dust to Dust

Traveller’s Tales: 1

2 Come Back and Finish What You Started

3 But Not Life as We Know it

4 The Compensation Culture

5 Fly Me to the Moon

PART TWO And the Soul Goes Marching On

6 Safe in My Garden

Traveller’s Tales: 2

7 Space Oddity

8 Star-Man

9 Tomorrow’s World

10 If Paradise Was Half as Nice

Traveller’s Tales: 3

11 A Delectable Death

12 Reach for the Sky

PART THREE Above Us, Only Sky

13 The Borderlands

Traveller’s Tales: 4

14 I Hear You Knocking

15 Speaking Words of Wisdom?

16 Man is What He Eats

17 The Sound of Silence

18 Through the Keyhole

19 An Indian Summer

20 A Village in Heaven

Traveller’s Tales: 5

21 But I’ve Never Been to Me

Source Notes

Index

Acknowledgements

About the Author

Praise

Other Works

Copyright

About the Publisher

LIST OF ILLUSTRATIONS

Ascent of the Prophet Muhammad to Heaven by Aqa Mirak, 16th century.

© British Library/Bridgeman Art Library

Saint Augustine of Hippo. © Mary Evans Picture Library

Saint Hildegard. © Mary Evans Picture Library

Thomas Aquinas. © Mary Evans Picture Library

Chartres Cathedral, West side. © The Bridgeman Art Library

Land of Cockaigne by Pieter Brueghel. Alte Pinakothek, Munich. © The Bridgeman Art Library

Detail from The Damned by Luca Signorelli. © Scala

Dante portrait. © Scala

Ascent into the Empyrean by Hieronymus Bosch. Palazzo Ducale, Venice. © The Bridgeman Art Library

Dante and Beatrice, from Dante’s Divine Comedy, 1480, by Sandro Botticelli. © Bibliotheque Nationale/The Bridgeman Art Library

Emmanuel Swedenborg. © Mary Evans Picture Library

Cities in the Spirit World, 18th century by Emmanuel Swedenborg. Reproduced courtesy of The Swedenborg Society

The Marriage of Heaven and Hell, As a New Heaven is Begun, c. 1790, by William Blake. © The Bridgeman Art Library

Last Judgement by William Blake. © A.C. Cooper/The National Trust Photographic Library

The Gates Ajar

Spiritualism photo

Sir Arthur Conan Doyle and Houdini. © Mary Evans Picture Library

The Resurrection: Cookham, 1924–7 by Sir Stanley Spencer. © Tate, London 2002

Illustration from The Last Battle by C.S. Lewis. © Pauline Baynes

Buddhist temple. © Ian Cumming/Tibet Images

INTRODUCTION

It is five in the morning and my five-month-old baby daughter, already settled into a pattern as an inveterate dawn riser, is shifting around in my arms, her eyes wide open, her back arching, and looking every inch a miniature version of my own mother. It is not so much the composition and arrangement of her features that bridges the generations, as a particular grimace of steely resolution that she makes, and the look she sometimes gives, with eyes guarded and slightly nervous, as she weighs you up before volunteering a broad but bashful smile. In these moments, the coincidence of her birth and my mother’s death within twelve months of each other makes me believe, without a shadow of a doubt, in reincarnation.

Bleary-eyed through lack of sleep, I see such a familiar expression that unthinkingly I latch on to it. For an instant I am as true a believer in reincarnation as if I were kneeling in saffron-coloured robes in a temple in the East: for, despite however many rules of science it violates, it seems so obvious that some essence of the life that is now over has been reborn in the new life in front of me. I even convince myself that it’s more than just the looks: they seem to share the same spirit – determined, unswerving, but cautious. As I slip back into a half-slumber, my daughter is distracted by an old watch strap, which she sucks and stretches. I add a few Christian ingredients to my Buddhist brew and fondly conjure up a scene in that mythical white tunnel which, in the standard church imagery of heaven, links this world to the next. There is, I imagine, a halfway point where those going back to the pavilion pass those going out to the crease. My mother and my daughter are both there, frozen in time, suddenly alone and utterly absorbed in each other. In my dream both can walk, though for the last twenty-five years of her life my mother was a wheelchair user. They embrace, and, as they take their leave to go in opposite directions, my mother kisses my daughter gently and hands over a parcel of her own characteristics, her legacy to the grand-daughter whom she will never know in straightforward earthly terms.

At this point in the dream my wife wakens me, and suddenly our daughter, who is still doggedly playing with the watch strap, appears in an entirely different light – her own mother’s double. As swiftly as I signed up to my own hybrid version of afterlife, I now see its absurdity. My certainty dispels so quickly that I cannot even get a grip on what it was that had, only seconds before, seemed so cosy and real. Any assurance I had is gone.

Of course, when my mind is more alert and my thoughts more earthbound, I realise that the popularly understood concept of reincarnation is the ultimate comfort-blanket with which our age soothes away all the traumas and difficult questions of life. Reincarnation focuses on this life, which we know, rather than on some other life which we can only dream of. Thus it works in the short-term to assuage any anxiety about mortality, and can even take the edge off grieving. As a long-term prospect, though, it has its drawbacks. In the sixth century BC Buddha developed the already existing idea of samsara, constant rebirth, and regarded reincarnation as something negative. He wanted to liberate his followers from the cycle of dying and being born since, far from welcoming the prospect of having another go at life, many of them were terrified by the prospect of death after death. If they had had hospices and morphine perhaps they would have thought differently, but at that time it was considered bad enough to have to go through all those final agonies once, without having to do it ad infinitum. Buddha taught of nirvana, not as a physical place akin to heaven where one might get off the treadmill, but as a psychological state of release, separate from death, that could be achieved in this life.

There is an enormous contrast, then, between the reality of Buddha’s teachings and my half-awake efforts at toying with reincarnation as something to keep grief and loss at bay when cold reason offers no relief. As a simple answer to the eternal dilemma of suffering, Buddha realised, reincarnation only works in parts. It introduces a tangible degree of justice into each individual death to replace the injustices of each individual life by teaching that sinners will return humbled and the righteous will enjoy greater favour in their next incarnation, but fundamentally it embraces earthly suffering as each individual goes on and on and on trying to achieve enlightenment.

There is another drawback, even to the caricature of reincarnation that is now embraced by many in the West as a way of avoiding their own mortality. Such a scheme of things can only reassure those who have a high opinion of their own merits. My mother, who suffered the ravages of multiple sclerosis for forty years with exemplary steadfastness, once admitted to me, devout Catholic though she was, that she had tried to imagine reincarnation, albeit distorted through the filter of Catholic guilt, but had decided that rather than get an upgrade she would come back as a cow and have to endure what for her was unendurable – flies constantly landing on her face and her having no way of shooing them away.

Flirting with reincarnation appeals only to that arrogant, selfish, self-absorbed part of us all that cannot quite believe that our own death will be the end. This is the eternal attraction of every other form of belief in an afterlife. We may act every day as though we disbelieve the inevitability of death – driving too fast along a rain-soaked motorway, hanging on to the tail lights of the car in front, popping pills which will give us a high but which may also kill us – but in the midst of our oddly ambiguous relationship with mortality, there is always the abiding thought that, even if the inevitable happens, our unique being, shaped so laboriously, must live on in some form. Surely we cannot just vanish in a split second.

Sometimes I sit at traffic lights, my foot twitching on the accelerator of the car, and try to contemplate what would happen if I shot out into the line of oncoming traffic. More specifically, what would happen if I killed myself doing it? Would it all go blank at once, as doctors tell grieving relatives, reassuring them that their loved one wouldn’t have felt a thing at the moment of death? Or would I, in best Hollywood tradition, float up out of my body and look down on the crumpled tangle of cars I had left in my wake? And, if there is an afterlife, at what stage does it kick in? Straight away, after the funeral when I have the Church’s blessing, or after a sojourn in purgatory when I have waited in a queue for a few months (or years) and people on earth have prayed for the repose of my soul? I’ve never been good at queuing, and even if I managed to stick it out, what would I get to at the end? Would I even recognise it as having any connection with what went before? Would it be a physical landscape, or an illusory one? Would it exist outside my imagination, or would it even exist at all? Would others be there too? Would they recognise me? Suddenly oblivion seems so much more straightforward. As the lights turn to green and I cautiously set off on my way, I realise that these seemingly overwhelming questions are so earthbound as to be trivial compared with what I am contemplating.

Yet what is absolutely true is that we fear death because we fear the unknown: the rich build monuments to earn immortality, the wordy write books which will sit in library catalogues forever after, and the competitive strain to get their names engraved on cups and shields and prizes. All offer a kind of life after death. For the majority, however, the choice is simpler: children and/or a belief in the afterlife are our antidotes to death, the best way of cheating what scientists in a secular age tell us is the unavoidable fact of oblivion. Children can, of course, let us down as they grow up – run away from home, never darken our doorstep, and, God forbid, even predecease us – but afterlife never will. Potentially, it is the ultimate happy ending. As, it would seem, we cannot try it out and report back any feelings of disappointment, it remains nothing more than a glorious but untried promise, utterly open to the wiles of our imagination.

Yet it is a promise that is so finely attuned to our own needs and desires that it has been with humankind from the start, predating written language and philosophy and organised religion. From the time when the first Neanderthal sat next to the lump of dead protein that had been his or her mate and realised that something had to be done about the smell, we have wondered what, if anything, comes next. People have generally assumed that there should be something. When that body was put in a cave or a ditch or on to a fire or pushed over a ledge into a ravine, the one left behind looked into the void that was left and felt an emptiness and abandonment. So arose the myths, traditions and literature, the shamans and soothsayers, the priests and popes, and the poets, writers and dramatists who would attempt to provide the answer.

And so arose, too, that intimate connection between belief in a God and the hope of reward with Him or Her in life everlasting. In many faiths – particularly Western – the two are synonymous, and the link therefore goes unquestioned, but not all the world’s great religions have signed up for the two-for-the-price-of-one package deal. Buddhism has its deity, but though highly ambiguous and elusive it is basically indifferent to the notion of afterlife, which it regards as a red herring, and as something that makes religion other-worldly, irrelevant and even pessimistic. To treat nirvana as heaven would distract one from the pursuit of enlightenment in this life. Buddhism advocates the reaching of a higher state in this life rather than letting one’s dreams of a better time to come after death take hold. So Buddhism challenges its adherents to do the right thing now, for its own sake, rather than have half an eye on what might happen after death, thereby preventing any possibility of opting out of this world, standing aloof from it as certain religious groups have done down the ages, or even, as in the case of the various gnostic sects, rejecting this world as irredeemably evil. When there is nothing to work with other than the now, you have to get on with it, engage at every level. Buddhists believe one’s fate in both the present life and forever is bound up in this engagement. Most importantly, Buddhists must work to make the earth a place of justice rather than rely on inequalities being sorted out posthumously by the deity. There is no excuse for accepting the status quo.

Put briefly and in such terms, it sounds so attractive that it suddenly becomes hard to understand why the notion of heaven ever put down such deep roots. And this conviction strengthens when Buddhism’s rejection of a theology which places a greater premium on the afterlife than it does on this life is seen in the context of similar creeds which arose in the same period, roughly from 700 BC to 200 BC, known to historians as the Axial Age. Hinduism in India and Confucianism and Taoism in the Far East all stress the importance of practical compassion and concentrate on the here and now.

Yet not all faiths at this transition point in the history of religions took the particular route that excluded any great concentration on heaven. Judaism, and thereafter by association its younger sister, Christianity, was the main exception to the Axial Age trend. Infected by Zoroastrianism during the Babylonian exile (586–536 BC), Judaism has lived ever after with a highly developed eschatology (the doctrine of the last things which revolves around death, judgement and afterlife). This eschatology came as part of a parcel of beliefs. Judaism, which had hitherto flirted with other deities, also adopted a strictly monotheistic approach from Zoroastrianism. Unusually for its time, it taught of a single, good god – Ahura Mazda, the god of light – rather than a pantheon of gods and ancestor or nature spirits. Christianity and then Islam were later to join the ranks of the monotheistic faiths and also have a strong concept of heaven.

There is then a link between extolling the virtue of a single God, responsible for everything on this earth, and belief in an afterlife. If you centre your hopes, prayers and expectations on just one God, you inevitably concentrate on the ‘personality’ of that God, so much more than you would if you have tens or hundreds of gods to choose from, and, as a consequence, you nurture a hope of making contact with that God face-to-face.

This narrow focus takes its tolls on imaginations, or at least channels them in a particular direction, and often makes for a palpable sense that God must be near at hand. This in its turn leads to an exaggerated interest in the place where God lives and to where the faithful might one day travel. But the chain of connections between monotheism and heaven goes deeper. The omnipotent God upheld by monotheistic faiths embodies good and evil in a single source, as opposed to parcelling both out across a whole range of spirits, some of them two-faced. Christianity may itself have diluted this by invoking the devil in practice at least, if not in theory, as an equal and opposing force to God, but that should not distract from the fact that the creation of such a powerful, unified divine principle inevitably brings with it a sense of humankind’s smallness and impotence before their God, and also, therefore, a turning away from each person’s individual resources (as preached in Eastern faiths) towards a greater public search for oneness with the divine which necessitates a public arena – i.e. heaven – for fulfilment.

The tension between the two radically different emphases – on this life and on the next life – is, in effect, both the argument for and against heaven. Both have their strengths. The first places great and potentially empowering emphasis on each person to cultivate an internalising spirituality. For some this burden is too much of a challenge. Putting it all off until after death with the promise of a heaven – especially one where, as in the Christian New Testament, God will roll out the red carpet for the workers who only spend the last hour of the day in His vineyard as readily as He will for those who have toiled since sun-up – is much more palatable. Death-bed repentance, in theory at least, allows for brinkmanship – a life of wonderful hedonism followed by a last minute change of heart, half an hour of piety and remorse and then a heavenly hereafter.

For some, the ‘jam tomorrow’ approach of monotheism belongs in the nursery, but to its adherents, in more mature vein, it offers consolation in the face of the inevitability and finality of death. It also requires a moral framework which can be carefully calibrated (often by clerical hierarchies) as a step-by-step guide to achieving a good afterlife. Immanuel Kant, the eighteenth-century German philosopher and religious sceptic, once remarked that without heaven no system that sought to teach, preach or impart morality could survive.

How to decide between the Eastern and the Western approach? Conventional wisdom – shared for once by scientists and clerics – is that there can be no verifiable communication with the other side as a way of assessing which has most merit. Central to Eastern ideas of rebirth is forgetting all that has gone before. There have always been, however, unconventional individuals able to service those who are too restless to wait and see. The Victorians went to spiritualists and mediums; we, in our turn, devour the literature of near-death experiences to satisfy our hankering to know if there is anything more to come. The American bestseller, Hello from Heaven (edited by Bill and Judy Guggenheim), was a collection of 353 accounts of communications from beyond the grave.

To accept absolute oblivion after death, a brain that stops functioning and a body that rots, would be to accept the polar opposite of heaven. It is increasingly popular as an option. There is even some scriptural foundation for such a stance: in the Old Testament, Job suffers endless adversity as part of a debate between Yahweh and Satan on the nature of human goodness. When he survives the ordeal, his reward is to have ‘twice as much as he had before’ in this life. There is no suggestion that there is any other.

Most of us, however, find the idea that death is the end unappealing, unthinkable or untenable – or a combination of all three. We cling fearfully and in hope to the notion, common in monotheistic religions, of the soul, that invisible but integral part of us that is above the messy business of physical death. Yet despite its enduring popularity, a heavenly hereafter for the souls of the faithful departed has been officially declared by the mainstream churches as being beyond our imagination.

The fact that it is unimaginable but nonetheless officially there is, however, just another aspect of heaven’s appeal. We can sign up for it without having to think too hard about what that means. It’s like taking out an insurance policy without ever having to study the small print.

When in 1999 Pope John Paul II pronounced that heaven was a ‘blessed community’ which was ‘neither abstraction nor physical place’, he was following the recent tendency to underplay what could be regarded as the Churches’ trump card. Clerics are curiously nervous of mentioning heaven, despite its potential as a crowd puller, especially with the elderly. When a senior English archbishop gave an address at a Roman synod the same year, in which he blandly mentioned heaven in passing, I wrote to him to ask if we might meet so he could develop what seemed an intriguing theme. He wrote back by return saying that he was busy for the foreseeable future and couldn’t really add to the words he had offered already. Yet he had said nothing.

One might almost conclude that the Western churches are, behind the scenes, realising that their Buddhist and Hindu confrères in the East have hit upon something in their lack of interest in the afterlife and so are gently repositioning their doctrines as a result. But that would be to ignore the lesson of history. For the Pope’s almost embarrassed talk of heaven is part of a long Christian tradition. There are mentions of heaven aplenty in the New Testament. Some Christian fundamentalists believe that the Book of Revelation goes so far as to provide a street plan. Saint Augustine, arguably the most influential writer and thinker in Christian history, would, however, be pleased to hear the modern-day Vatican trying to quell speculation on the hereafter. In the fifth century he insisted that heaven was ‘ineffable’ – beyond words. It was indeed Augustine who established the term ineffabilis in theology as a way of summing up one of his favourite maxims – that it is easier to say what God is not than to say what He is.

Augustine’s word, rather like John Paul II’s, has not always been law in this, nor in other matters. Sketching out their own imaginary topography of Christian heaven has been a long line of theologians, mystics, artists, writers and the builders of the great Gothic cathedrals, whose spires reached to the skies. Usually starting with Revelation, which pictured paradise as a cleaned-up version of Jerusalem without its Temple, these seers have constructed the pearly gates and enlisted harps (first heard in the New Testament Apocrypha – the early Church texts considered too unorthodox to make it into the Holy Bible).

Outside the cloister, Dante mapped out his Paradiso of the skies in the fourteenth century with Renaissance precision and with every bit the same authority as he had invested in his Inferno in the bowels of the earth, though by a quirk of human nature it is the latter that has continued to fascinate us more. The same, incidentally, is true of John Milton in the seventeenth century. His Paradise Lost has been vastly influential in shaping modern thinking on the Devil and his hellish lair, but those sections of the text which describe heaven are overlooked. Perhaps it is a desire amongst readers not to appear presumptuous as to their final destination that has traditionally allowed hell to eclipse heaven in terms of the popular imagination. Or perhaps it is just the dominance of fear in our emotional range. More practically, it may be art for once imitating the attitudes of those in power. The post-Reformation churches of Milton’s time were much keener on frightening people in to the pews with talk of hell than in enticing them with pictures of heaven.

Despite its unfathomable promise, heaven has eternally been the poor relation of hell; the quieter, paler sibling, the bland-looking friend that some attractive men and women take round with them so as to make themselves shine ever more brightly in comparison. George Bernard Shaw waspishly remarked in Man and Superman (1903): ‘Heaven, as conventionally conceived, is a place so inane, so dull, so useless, so miserable, that nobody has ever ventured to describe a whole day in heaven, though plenty of people have described a day at the seaside.’ Shaw may have correctly identified early the relative silence on heaven that took hold in the twentieth century, but he was, of course, exaggerating for effect. Down the ages, when heaven has occasionally managed to raise its subtly attractive head above the flames of the hell fires, it has gripped imaginations and produced some memorable and influential images. This is the world of Fra Angelico’s Last Judgement, Luca Signorelli’s Coronation of the Elect, William Blake’s The Meeting of a Family in Heaven and Stanley Spencer’s Resurrection: Cookham, a place of music, dancing, good health, sex, self-congratulation and plenty. It is the Elysian Fields, an image shamelessly borrowed from Virgil by the early Christians and entered symbolically through a gate, where, according to the Aeneid, those amongst the dead chosen for their heroic virtues ‘train on grassy rings, others compete in field games, others grapple on the sand; feet moving to a rhythmic beat, the dancers move in formation as they sing’. Heaven is where, according to Dante, the ‘Great Light shines in three circles’, where, the Revd Charles Kingsley wrote to his beloved wife, Fanny, ‘marital love will be without oscillation, even at the same glorious full tide of delight’, and where, in Steven Spielberg’s Always, Audrey Hepburn presides in a green glade.

Despite official urgings to the contrary, theologians, artists and writers have kept up a lively debate about the nature of heaven. There are three basic views. The first has appealed most to theologians and mystics – somewhere we spend eternal solitude with God alone. Here the traveller is in an unknown territory without landmarks, somewhere imaginable only in moments of intense prayer or spiritual introspection. All earthly relationships – spouses, parents, children – are as nothing in this place, and the body and bodily pleasures are exchanged for a vaguely defined inner peace. The imagination, a key component in any approach to heaven, is directed solely to God Himself and the backdrop is irrelevant. For the medieval mystics, God was so much the centre of their reveries that heaven was sexual fulfilment with Christ the Bridegroom.

The second view is much more tangible, familiar and easy to plot. It allows for some overlap between heaven and earth, and hence relationships outside the central bond with God. The necessary inspiration is all at hand. In the one and only conversation I ever had with my mother about death, on the occasion of my grandmother’s death, she told me that her own image of heaven was of a welcoming committee of my great aunts greeting their sister with, ‘Well, Annie, what took you so long?’ This is the flip side of Jean-Paul Sartre’s remark in Huis Clos that ‘hell is other people’. The same may be said, in more upbeat mood, of heaven.

The hopes of being reunited in death were never more poetically expressed than in the seventeenth century by Henry King, Bishop of Chichester, in his celebrated An Exequy, written in 1657 after the death of his wife, Anne:

Sleep on (my Love!) in thy cold bed

Never to be disquieted.

My last Good-night! Thou wilt not wake

Till I thy fate shall overtake;

Till age, or grief, or sickness must

Marry my body to that dust

It so much loves; and fill the room

My heart keeps empty in thy tomb.

But hark! My pulse, like a soft drum

Beats my approach, tells thee I come;

And, slow howe’er my marches be,

I shall at last sit down by thee.

The thought of this bids me go on,

And wait my dissolution

With hope and comfort.

The third and commonest approach historically is a hybrid of the first two – somewhere to be with God alone, yet also a place where the imagination inevitably wanders into providing some shape and form, usually a garden, and to other relationships which may continue from earth.

All three approaches have their appeal depending on whether it is comfort, freedom from fear, or the search for another dimension beyond the banalities of earthly life that is prompting the seeker. Opinion has vacillated between this trinity – one theocentric (or based on God), another anthropocentric (focused on the human) and the third without a grand tag, but fundamentally a cocktail of the other two. Often all three have been promoted by different groups at the same time and the Churches, for their part, have never quite made up their minds.

The New Testament, for example, talks of heavenly liturgies, bodies that are but spirit and an angelic, celibate lifestyle in the hereafter. In the same theocentric vein, St Augustine spoke of death as the ‘flight in solitude of the Solitary’. The Protestant reformers, the Puritans and the Jansenists embraced the God-centred view of heaven. Yet alongside this trend, there has been a parallel one which insists on creating heaven in the image of a spruced-up earth. In the second century, Irenaeus of Lyons, taking his lead from Revelation, held that the chosen would, for a thousand years after their death, inhabit what was in effect a renewed earth. In this plan whatever you had been denied the first time round, you received in abundance in the rerun.

Vanusepiirang:
0+
Ilmumiskuupäev Litres'is:
17 mai 2019
Objętość:
372 lk 4 illustratsiooni
ISBN:
9780007439652
Õiguste omanik:
HarperCollins
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