She couldn’t see him…
But the bedroom air stirred. Then she felt his kiss, a butterfly kiss, on her lips. A caress that tantalized her senses, that made her capable of nothing else but returning his kiss.
It was as though he knew her, how to tease her, how to please her. “Troy?” Bree whispered. But he remained silent, never stopping, drawing her into his sensual spell.
Deep inside she felt doubt stirring. Whether this man was Troy or not, he had come to her without announcing his name or his intentions. He’d come to her bed like a phantom lover.
Her eyes flew open. She couldn’t see him, but she pushed him away. For a millisecond she felt the resistance of warm flesh, of muscle and bone. Then her hands pressed upward through chilled, empty air.
He was gone. Vanished, as silently and as swiftly as he had come to her.
Dear Harlequin Intrigue Reader,
This month Harlequin Intrigue has a healthy dose of breathtaking romantic suspense to reignite you after the cold winter days. Kicking things off, Susan Kearney delivers the first title in her brand-new trilogy HEROES INC., based on a specially trained team of sexy agents taking on impossible missions. In Daddy to the Rescue, an operative is dispatched to safeguard his ex-wife from the danger that threatens her. Only, now he also has to find the child she claims is his!
Rebecca York returns with the latest installment in her hugely popular 43 LIGHT STREET series. Phantom Lover is a supersexy gothic tale of suspense guaranteed to give you all kinds of fantasies…. Also appearing this month is another veteran Harlequin Intrigue author, Patricia Rosemoor, with the next title in her CLUB UNDERCOVER miniseries. In VIP Protector, a bodyguard must defend a prominent attorney from a crazed stalker. But can he protect her from long-buried secrets best left hidden?
Finally rounding out the month is the companion title in our MEN ON A MISSION theme promotion, Tough as Nails, from debut author Jackie Manning. Here an estranged couple must join forces to solve a deadly mystery, but will their close proximity fuel the flames of passion smoldering between them?
So pick up all four of these thrilling, action-packed stories for a full course of unbelievable excitement!
Sincerely,
Denise O’Sullivan
Senior Editor
Harlequin Intrigue
Phantom Lover
Rebecca York
Ruth Glick Writing as Rebecca York
www.millsandboon.co.uk
ABOUT THE AUTHOR
Award-winning, bestselling novelist Ruth Glick, who writes as Rebecca York, is the author of close to eighty books, including her popular 43 LIGHT STREET series for Harlequin Intrigue. Ruth says she has the best job in the world. Not only does she get paid for telling stories; she’s also the author of twelve cookbooks. Ruth and her husband, Norman, travel frequently, researching locales for her novels and searching out new dishes for her cookbooks.
Dear Reader,
In Phantom Lover I wanted to write a novel with all the classic gothic trappings. You know how a gothic tale starts. A naive young woman comes to an isolated estate to be the governess of a young child. She’s immediately immersed in a world of secrets and intrigue, a world where nothing is as it seems—and the master of the house is a dark, brooding man with deep emotional wounds. Yet his sexual attraction for the heroine is powerful. Can she trust him? Should she surrender to him? Can her love save his soul?
I had a wonderful time playing with these themes, and I pushed them to their limits. My isolated estate is called Ravencrest. In my story that dark, brooding hero, Troy London, may be a ghost. Or is he? That’s something you’ll have to decide for yourself.
There are a couple of the classic elements that I did bend in my story. I love to write a sensual book, and this one is no exception. Troy London wants Bree, and he uses all his considerable skill as a lover to get what he wants. And then there’s my heroine. She’s smart enough to bring a gun along with her to Ravencrest. But she simply couldn’t calculate the risks she’d be taking by setting foot on the estate.
Enjoy!
Ruth Glick writing as Rebecca York
CAST OF CHARACTERS
Troy London—Was he dead or alive? Desperate or calculating?
Bree Brennan—Could she save the man she loved? Was he worth saving?
Helen London—She was sending Bree into a dangerous situation.
Dinah London—Had Troy’s daughter seen her father recently, or was she telling stories?
Nola Sterling—Why was she giving Bree a hard time?
Abner Sterling—Was Nola’s husband dangerous or deranged? Or both?
Foster Graves—Was he just the handyman—or a major player in the drama unfolding at Ravencrest?
Edith Martindale—Was she an ally or an enemy?
Miss Carpenter—Did the former schoolteacher get fired, or was she scared into quitting?
Contents
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Prologue
Troy London squinted against the wind blowing salt spray into his face and matting the dark hair to his forehead. Tipping back his head, he looked up to the cliffs at the great house towering above the ocean.
Ravencrest. The estate his great-grandfather had built. For the first time in months he felt the joy of coming home to this place. Well, a muted joy, with the present problems hanging over him. But he would solve them— one way or the other. And then he’d get his life back on track again.
Deftly he maneuvered the small craft through the swells, finding the calm channel between the towering rocks.
He had sailed these waters since he was a boy. For sport and for the challenge of pitting his mind and body against the elements.
He found the ring anchored to the rock and tied up the boat, then waited for a swell to crest before stepping off onto the landing platform, slippery with ocean water. Using the familiar handholds, he climbed the rough-hewn steps toward the top of the cliff.
He could have approached the house from the headlands. But then he would be visible from the west-facing windows. Instead, he stopped at the entrance to one of the secret tunnels carved into the stone. Opening the door, he slipped into a dark passage.
A flashlight was hanging from the wall, and he used it to guide his way up a steep slope and then more stairs.
At breakfast he’d announced his intention to go sailing. He’d made sure they saw him heading out into the ocean. But he’d come back sooner than they expected, hugging the coast to keep from being spotted.
And now perhaps he could get the evidence he needed, because he wouldn’t act without proof.
A sick feeling overtook him. It was tinged with his own guilt—over what he’d done and what he hadn’t done, if the truth be told.
Still, he’d expected better than this, and he’d thought long and hard about what to do. He was still hoping he was mistaken. Hoping against hope that he’d read all the signals wrong.
Stopping at a fork in the passage, he listened intently, then moved silent as a panther toward one of the rooms.
He’d laid a trap there the day before. Now he would see what he had caught.
He set down the flashlight, then pressed on a hidden panel and stepped into the back of a closet. Slowly he opened the door, just enough to see into the room. The man was there, just as he’d suspected, just as he’d feared.
“What are you doing?” he asked, keeping his voice low and steady as he walked into the room.
The man’s eyes widened. “Where did you come from?”
“That’s not important. Answer my question.” He walked forward, his gaze focused on the interloper, so that he didn’t see that another person was standing in the bathroom.
At the last second a flash of movement caught the corner of his eye and he realized his mistake. But it was too late. The blow came crashing down on his head. And then there was only blackness.
Chapter One
Fog rolled in from the west, obscuring the rugged coastline north of San Francisco. There was no guardrail, the narrow stretch of road was slick, and Bree Brennan slowed her rental car, thinking that if she plunged into the ocean, it would be her own damn fault.
She’d been acting recklessly when she’d taken a leave of absence from the Light Street Detective Agency. She was still acting recklessly. The new Bree Brennan, she thought with a mental shake of her head. When she’d joined the agency two years ago, she’d been Bonnie. Now she was Bree—a different person. More daring. More in charge of her life. At least in her own eyes.
Only the farther she’d come along California Highway One, the more second thoughts she’d had. Her old persona whispered in her head that she should turn around and go home. But she simply couldn’t do it. She’d be letting down a lot of people, including the new Bree Brennan. And her friend Helen London.
When a shaft of lightning shattered the darkening sky, Bree responded with a quavery laugh. If she’d been the director of a horror movie, she couldn’t have done a better job of setting the scene: the naive young woman driving through the storm toward a spooky old mansion. Except this was no movie. It was real life.
Helen’s distraught phone call from Macedonia echoed in her mind.
“I’m so scared. I’m afraid Troy is dead. I haven’t talked to him in two weeks. And his e-mails are really strange—like somebody else is writing them for him.”
She was talking about her older brother, Troy London, both of them named by an eccentric father with a passion for Greek literature.
Bree had gotten to know Troy seven years earlier when she’d been visiting the Londons’ summer place—their ranch in Montana. She’d been attracted to him, and she’d thought the attraction was mutual. Then she’d been called away abruptly to take care of problems at home. Once she was back in her own environment, she’d told herself a relationship with Troy wouldn’t have worked anyway. He came from a world of wealth and privilege, so different from her own background.
Still, she’d never let go of the memories of a virile, vibrant young man with dark hair, warm hazel eyes and a ready smile.
Like his sister, he didn’t need to work, but both siblings had wanted meaningful jobs. Helen was a Foreign Service Officer. Troy had specialized in taking failing companies, turning them around and selling them at a profit. He’d had exactly the life he wanted, until a year ago when his wife had been killed in a car accident and he had shut himself away at Ravencrest, his estate on the northern California coast.
Bree slammed on her brakes as another fork of lightning split the sky directly in front of her, illuminating the entrance to the property. Great timing, she thought as she turned in at the access road. Ravencrest was one of the few large tracts of property left along the coast. Most of the big estates had been subdivided or turned into parks and other public access areas. But Ravencrest was a throwback to another era.
In a fast and furious exchange of e-mail, after their initial phone conversation, she and Helen had cooked up a plan to get Bree into the house—a plan that would keep her here while she found out what was going on. It had made sense back in Baltimore. Now…
Now she was dead tired and full of doubts. She’d gotten up at the crack of dawn, changed planes twice and driven a hundred and fifty miles along these winding, narrow roads. She was in no shape to sound brilliant. But there was no way to avoid the coming confrontation.
Pulling up in front of the iron gate, she rolled down her window, pressed the button on the intercom and looked up toward the television camera focused on her window.
Long, nerve-racking seconds passed before a woman’s voice asked, “Yes? Who is it?”
It sounded like an older woman. Probably the housekeeper, Edith Martindale, whom Helen had described to Bree. Good. Mrs. Martindale probably wasn’t going to be as tough a gatekeeper as one of the Sterlings, the distant relatives who had moved in with Troy two months ago.
“I’m Bree Brennan,” she answered, exaggerating her native North Carolina accent so that her name came out as a thick, honeyed drawl. “I’m Dinah London’s new teacher,” she added, very glad that she’d taught first grade for the Baltimore County schools before joining the Light Street Detective Agency.
There was a hesitation on the other end of the line. “I didn’t know Mrs. Sterling hired a teacher for Dinah.”
Mrs. Sterling was Nola Sterling. She and her husband, Abner, were supposed to be down on their luck, which was why Troy had allowed them to move into Ravencrest. According to Helen, they’d taken over the place.
Bree dragged a deep breath and held it for a second before answering with a complete non sequitur. “I’ve driven all the way up here from San Francisco, and I can’t go back tonight.”
“Well…”
Bree went on quickly. “I was hired by Helen London when she learned that her niece’s previous instructor, Miss Carpenter, had been dismissed.”
“Ms. London is out of the country. How could she hire you?”
“Didn’t she send you a message?”
Again there was that slight hesitation. “No. I don’t think so.”
Probably the housekeeper was wondering if Nola Sterling had neglected to inform her of the new arrangement. That would make sense, but in fact, Bree and Helen had decided that making her arrival a surprise was the best plan. And Helen had arranged not to be available.
Following their script she said, “She interviewed me by e-mail. And she sent me an authorization by fax.” As she spoke, she pulled out the paper and held it up to the camera.
After half a minute she lowered the fax and stared into the camera again, her blue eyes wide and naive. “Whom am I speaking to?” she asked politely.
“Mrs. Martindale,” the woman confirmed.
“Is Mr. London there?”
“He’s not available at the moment.”
Through the television camera, she felt herself being scrutinized and kept her own gaze steady. Her appearance was a plus, she knew.
Around the Light Street office, she always looked businesslike. But it didn’t take much effort to transform herself into the classic subject of a dumb blond joke. She’d combed her shoulder-length wheat-colored hair to frame her face in soft waves and carefully outlined her bow-shaped lips. And now she kept her blue eyes wide, as though she’d just walked off the farm.
“Come up to the house.” As the woman spoke, the gate creaked open.
With a sigh that was part relief and part trepidation, Bree drove through. As the barrier clanked shut behind her, she couldn’t help feeling like an inmate arriving at prison.
Hands clamped to the wheel, she steered the car up the winding drive, past pine trees dripping with green moss that fluttered in the wind blowing off the ocean.
Now that she was here, it was hard to catch her breath, and she knew she had good reason to be edgy. When Helen had first contacted her, Bree had proposed that one of the men from the Light Street Detective Agency or Randolph Security, which worked closely with them, should find out what was wrong at Ravencrest.
Her friend had argued against that plan. “The Sterlings are up to something bad. I just know it. If they think they’re being attacked or investigated, they could take Dinah hostage. Maybe they’ve already done it—to keep Troy in line. They could have him locked up somewhere. Or maybe they have him drugged. Or he might already be dead. And if they’ve killed him, what would stop them from killing his daughter?”
Helen had always had a flair for the dramatic.
“Those are pretty serious accusations,” Bree had said carefully. “You think your cousins are capable of something like that? What would their motive be?”
“I don’t know. I’ve never even met them. I don’t think Troy had, either, before they showed up.” She sighed. “Probably I sound hysterical. But I’m so frightened. Before Grace died, I never worried about Troy. But he turned so spacy.” She sighed. “If I could take care of this myself, I would.”
If the plea for help had come from anybody else, Bree wouldn’t be here now. But five years ago, when her mother had needed a kidney transplant, Helen had loaned her the money for the operation. They’d worked out a payment plan, but when Bree had sent the first check, Helen had refused to accept it. Mom had lived three more years after that. And Bree knew that Helen had given her those years. Which was why Bree had gone off to Northern California, without giving anybody at the Light Street Detective Agency a chance to point out all the flaws in her plan.
The impending storm had darkened the sky so that it might as well have been midnight. As she rounded a curve in the drive, lightning illuminated the outline of what looked like a stone fortress. It was almost as though some supernatural force was directing her attention to the house.
Helen had described it as a cross between a medieval castle and a Disney fantasy, built by a great-grandfather, Cecil London, who had made his money in some undisclosed business. Designed as a grand statement of his wealth, it had always given Helen the creeps. But Troy had been charmed by the place. When the estate had been passed to them, Troy had enthusiastically moved in with his wife, Grace, and together they’d started the monumental job of remodeling.
Then Grace had died and Troy had lost interest in life. Well, not everything in life, Helen had said. He’d still been devoted to his six-year-old daughter.
Mist swirled over the road, adding to the sense that Bree was driving into a scene from a horror movie. The old house rose out of the fog, a man-made chunk of rock dominating the darkening skyline.
The long lane was hemmed in by overgrown shrubbery. As she reached the circular drive, the rain finally broke, a burst like machine gun bullets hitting the car roof.
Pulling forward, she was relieved to discover that she could find shelter under a large covered porch. After releasing the trunk latch, she stepped out onto paving bricks, hearing the rain drumming on the roof and feeling a blast of cold air whipping at her hair.
Resolutely, she tried to keep her gaze within the lighted area under the porch, but the foliage swaying in the wind teased the edges of her vision and prickled the hairs on the back of her neck.
“You’re spooked by this place, and you’re not even inside yet,” she muttered, just to hear the sound of her own voice.
Walking to the trunk, she leaned in to retrieve the suitcase. As she pulled it out, she felt a large, warm hand press down on her shoulder.
The touch was so totally unexpected that she screamed. When she whirled to confront the jerk who had snuck up in back of her, there was nobody in sight.
Blinking, she stared into empty space. She was sure she wasn’t mistaken. Somebody had cupped his hand possessively over her shoulder. A man, judging by the weight and size of the touch. Then, before she could turn around, he’d disappeared into the swaying shrubbery. And she was left with the faint scent of spicy aftershave dissipating on the wind.
The shiver that had started at the back of her neck worked its way down her spine as she tried to probe the darkness beyond the lighted entrance.
For several moments she stood beside the open trunk, taking shallow, even breaths, wondering if her imagination was running away with her and thinking she should pull out the jack handle to use as a weapon.
Finally she picked up her suitcase, slammed the trunk shut and marched toward the massive stone facade of the building. She had lifted her hand to knock on the wide wooden door when it suddenly opened, throwing her off balance.
The doorway was broad, and her hand missed the jamb as she made a frantic grab to steady herself. Despite her best efforts to stop her forward motion, she stumbled several paces across a marble floor into a rectangular reception area.
The ploy had been deliberate and nasty, to make her land on her face. But she kept her footing, set down her suitcase with a thunk and straightened. As she lifted her head she found herself facing a tall, thin woman wearing black slacks and a black blouse. She was standing with her arms folded tightly in front of her.
She appeared to be in her mid-forties, with short brown hair threaded with gray strands. Her face was long and angular, and her dark eyes focused on Bree as though she were studying an insect that had crawled under the door.
“Mrs. Martindale told me you were on your way up here, of all things! What took you so long getting from the gate to the house?”
“In this weather I was driving cautiously,” Bree responded. Then she asked, “Are you Mrs. Sterling?”
“Yes. Did you see anything strange?”
Bree waited a beat then asked, “What do you mean, exactly?”
Mrs. Sterling shrugged. “I simply want your impressions.”
“Well, the drive is kind of spooky in the dark, with the fog rolling in.”
The woman gave a curt nod, her lips pressed together, her eyes unnerving as they remained pinned on her unexpected guest.
Trying to ignore the unpleasant sensation, Bree deliberately changed the focus of her gaze, looking around at the antique furniture, then craned her neck upward so she could take in the crystal chandelier.
“Oh, it’s so good to get inside. This place is so lovely,” she gushed, drawling out the syllables like Scarlett O’Hara on her best behavior.
“Before you make yourself at home, let me see that fax from Helen London,” Mrs. Sterling snapped, still not bothering with polite pleasantries such as, “Hello. How are you?”
Pretending not to notice the rudeness, Bree bent, hiding her face as she opened her purse and produced the paper. She was badly off balance, but she was determined not to let it show.
Her unwilling hostess took the fax to an elaborately carved side table and thrust the paper under the light cast by a small Tiffany lamp.
After reading through the authorization she demanded, “And your ID. I’d like to make sure you’re who you say you are.”
Bree’s heart was still thumping in her chest, but she calmly pulled out her wallet and extracted her driver’s license, which got the same treatment as the fax.
With a scowl, Mrs. Sterling handed them both back. “So is your name Bonnie or Bree?”
“Bree is my legal name now. I haven’t gotten around to changing my license.”
“Why the switch?”
“Bonnie is so old-fashioned,” she drawled. “Bree is so much more charming.”
“If you want to sound like a piece of French cheese.”
Bree blinked, wondering how to respond. But Mrs. Sterling was still speaking.
“Yes, well, it’s inconvenient that I can’t pick up the phone and call Ms. London. As I understand it, she’s off on a special assignment and out of contact with the civilized world. Did she say why she has the authorization to hire a teacher?”
Bree put on her best innocent face. “I’m so sorry if I’ve stepped into an awkward situation. I just hate to be a bother.” She stopped and fluttered her hands. “She mentioned that Dinah has always been home-schooled. And since her mother died—” She stopped and gestured helplessly again. “Since her mother died, teachers have taken over the job. But Ms. London seemed concerned about her niece. I mean, she said that her brother had been, uh, wallowing in grief over his wife’s death, and he hadn’t been paying adequate attention to his daughter’s welfare. So if he wasn’t going to hire a new teacher, she was going to do it for him.” She stopped abruptly, looking like she was surprised to have delivered such a long speech.
“This is highly irregular.”
Bree’s only reply was a helpless look. She was relieved of the obligation to answer when Mrs. Sterling’s gaze suddenly shot to the hallway on the left. “Dinah, come out here!” the woman demanded. “How many times have I told you not to sneak around?”
Several seconds passed before a little girl stepped out from behind a display case and walked slowly into the entrance hall, stopping several paces from the adults.
Helen had told her Dinah was six. She looked younger, small and fragile with huge, pale eyes, pale skin and a riot of unruly chestnut curls falling around her shoulders.
It wasn’t difficult for Bree to imagine her in a long Edwardian dress, but the girl was wearing more prosaic blue jeans and a light yellow T-shirt. One arm was held stiffly at her side. The other cradled a fuzzy stuffed animal, its identity hidden by the girl’s close embrace.
Lifting her head, she looked toward Bree, her expression expectant. “You’re my new teacher,” she said in a low voice.
“Yes. How did you know?”
“Daddy told me you were coming. So I’ve been waiting for you.” The small, wistful voice made Bree’s heart squeeze.
Mrs. Sterling’s face contorted. “He couldn’t have said that! I didn’t even know she was coming.”
Dinah gave a small, dismissive shrug. “He’s smart. He knows things you don’t.”
The woman in black stared at the child, apparently struggling for a response. Then she imitated Dinah’s shrug. “Have it your way,” she snapped. “I think you’re lying. I think you heard us talking just now.”
Bree tried to work her way through the exchange, the spoken part and the subtext. Helen had told her that Dinah was a very clever, very imaginative child. Was she making up the conversation with her father? Or was Troy London being held captive somewhere and Nola Sterling was angry that Dinah had managed to talk to him?
Putting her own questions aside, Bree knelt so that she was at the little girl’s eye level.