Loe raamatut: «Master of the Vineyard»

Dedication

To

All Who Have Loved in Vain

I
The Hill of the Muses

From the Top of the Hill

The girl paused among the birches and drew a long breath of relief. It was good to be outdoors after the countless annoyances of the day; to feel the earth springing beneath her step, the keen, crisp air bringing the colour to her cheeks, and the silence of the woods ministering to her soul.

From the top of the hill she surveyed her little world. Where the small white houses clustered in the valley, far below her, she had spent her five-and-twenty years, shut in by the hills, and, more surely, by the iron bars of circumstance. To her the heights had always meant escape, for in the upper air and in solitude she found detachment – a sort of heavenly perspective upon the affairs of the common day.

Down in the bare, brown valley the river lay asleep. Grey patches of melting snow still filled the crevices along its banks, and fragments of broken crystal moved slowly toward the ultimate sea. The late afternoon sun touched the sharp edges, here and there to a faint iridescence. "The river-god dreams of rainbows," thought Rosemary, with a smile.

The Valley

Only one house was near the river; the others were set farther back. The one upon the shore was the oldest and largest house in the valley, severely simple in line and with a certain air of stateliness. The broad, Colonial porch looked out upon the river and the hills beyond it, while all around, upon the southern slope between the opposite hills and the valley, were the great vineyards of the Marshs', that had descended from father to son during the century that had elapsed since the house was built.

The gnarled and twisted vines scarcely showed now, upon the grey-brown background of the soil, but in a few places, where the snow had not yet melted, the tangled black threads were visible. Like the frame surrounding a tapestry, great pines bordered the vineyard save on the side nearest the valley, for the first of the Marshs, who had planted the vineyard and built the house, had taken care to protect his vines from the north-east storms.

The clanging notes of a bell, mellowed by distance, came faintly from the valley below. Rosemary took out the thin, old watch that had been her mother's and her mother's mother's before her, and set the hands at four upon the pale gold dial. Then she drew up the worn gold chain that hung around her neck, under her gown, and, with the key that dangled from it, wound the watch. In an hour or so, probably, it would stop, but it was pleasant to hear the cheerful little tick while she waited.

The Red Ribbon

The doors of the white schoolhouse in the valley burst open and the tide of exuberant youth rushed forth. Like so many ants, the children swarmed and scattered, their shrill voices sounding afar. Rosemary went to a hollow tree, took out a small wooden box, opened it, and unwound carefully a wide ribbon of flaming scarlet, a yard or more in length. Digging her heels into the soft earth, she went down to the lowest of the group of birches, on the side of the hill that overlooked the valley, and tied the ribbon to a drooping bough. Then she went back to the top of the hill, where a huge log, rolled against two trees, made a comfortable seat for two people.

Five minutes of the allotted twenty had passed since Rosemary had set her watch. At twenty minutes past four, or, at the most, twenty-five, he would come. For three years and more he had never failed to answer the signal, nor, indeed, to look for it when he brushed the chalk from his clothes and locked the door of the schoolhouse behind him.

A kindly wind, in passing, took the ribbon and made merry with it. In and out among the bare boughs of the birches it fluttered like a living thing, and Rosemary laughed aloud, as she had not done for many days. The hill, the scarlet signal, and the man who was coming symbolised, to her, the mysterious world of Romance.

World of Romance

Sometimes the birches were shy dryads, fleeing before the wrath of some unknown god. At other times, they were the Muses, for, as it happened, there were nine in the group and no others upon the hill. The vineyard across the valley was a tapestry, where, from earliest Spring until the grapes were gathered colour and light were caught and imprisoned within the web. At the bend in the river, where the rushes grew thickly, the river-god kept his harp, which answered with shy, musical murmurings to every vagrant wind.

Again, the hill was a tower, and she a captive princess, who had refused to marry except for love, and Love tarried strangely upon the way. Or, sometimes, she was the Elaine of an unknown Launcelot, safely guarding his shield. She placed in the woods all the dear people of the books, held forever between the covers and bound to the printed page, wondering if they, too, did not long for freedom.

The path up the hill wound in and out among the trees, and so it happened that Rosemary heard muffled footsteps before she saw him coming. A wayfaring squirrel, the first of his family to venture out, scampered madly up a tree and looked down upon the girl with questioning, fearful eyes. She rose from the log and looked up, with her hands outstretched in unconscious pleading.

He Comes

"Oh," she murmured, "don't be afraid of me!"

"I'm not," answered a man's voice. "I assure you I'm not."

"I wasn't speaking to you," she laughed, as she went to meet him.

"No?" he queried, flushed and breathless from the climb. "I wonder if there is anyone else for whom you wave red ribbons from your fortress!"

"Take it down, will you please?"

"Wait until I get three full breaths – then I will."

She went back to the log while he awkwardly untied the ribbon, rolled it up, in clumsy masculine fashion, and restored it to the wooden box in the hollow tree. "Aren't you cold?" he asked, as he sat down beside her.

"No – I'm too vividly alive to be cold, ever."

"But what's the use of being alive unless you can live?" he inquired, discontentedly.

She sighed and turned her face away. The colour vanished from her cheeks, the youth from her figure. Pensively, she gazed across the valley to the vineyard, where the black, knotted vines were blurred against the soil in the fast-gathering twilight. His eyes followed hers.

Rosemary

"I hate them," he said, passionately. "I wish I'd never seen a grape!"

"Were the children bad to-day?" she asked, irrelevantly.

"Of course. Aren't they always bad? What's the use of caging up fifty little imps and making 'em learn the multiplication table when they don't even aspire to the alphabet? Why should I have to teach 'em to read and write when they're determined not to learn? Why do I have to grow grapes when it would be the greatest joy of my life to know that I'd never have to see, touch, taste, or even smell another grape in this world or the next?"

She turned toward him. A late Winter sunset shimmered in the west like some pale, transparent cloth of gold hung from the walls of heaven, but the kindly light lent no beauty to her face. Rosemary's eyes were grey and lustreless, her hair ashen, and almost without colour. Her features were irregular and her skin dull and lifeless. She had not even the indefinable freshness that is the divine right of youth. Her mouth drooped wistfully at the corners, and even the half-discouraged dimple in her chin looked like a dent or a scar.

The bare hands that lay listlessly in her lap were rough and red from much uncongenial toil. He looked at her for a moment, still absorbed in himself, then, as he noted the pathos in every line of her face and figure, the expression of his face subtly changed. His hand closed quickly over hers.

Their Moods

"Forgive me, Rosemary – I'm a brute. I have no right to inflict my moods upon you."

"Why not? Don't I bring mine to you?"

"Sometimes – not often."

"Let's get them out where we can look them over," she suggested, practically. "What do you hate most?"

"Grapes," he replied, readily, "and then children who aren't interested in the alphabet. All day I've been saying: 'See the cat. Can the cat run? Yes, the cat can run.' Of course they could repeat it after me, but they couldn't connect it in any way with the printed page. I sympathised strongly with an unwashed child of philosophical German lineage who inquired, earnestly: 'Teacher, what's the good of dat?'"

"What else do you hate?"

"Being tied up. Set down in one little corner of the world and being obliged to stay in it. I know to a certainty just what's going to happen to-morrow and next day and the day after that. Point out any day on the calendar, months ahead, and I can tell you just what I'll be doing. Nothing is uncertain but the weather."

His Looks

"Some people pray for anchorage," she said.

"I never have," he flashed back. "I want the open sea – tide and tempest and grey surges, with the wind in my face and the thrill of danger in my heart! I want my blood to race through my body; I want to be hungry, cold, despairing, afraid – everything! God, how I want to live!"

He paced back and forth restlessly, his hands in his pockets. Rosemary watched him, half afraid, though his mood was far from strange to her. He was taller than the average man, clean-shaven, and superbly built, with every muscle ready and even eager for use. His thirty years sat lightly upon him, though his dark hair was already slightly grey at the temples, for his great brown eyes were boyish and always would be. In the half-light, his clean-cut profile was outlined against the sky, and his mouth trembled perceptibly. He had neither the thin, colourless lips that would have made men distrust him, nor the thick lips that would have warned women to go slowly with him and to watch every step.

With obvious effort, he shook himself partially free of his mood. "What do you hate?" he asked, gently.

"Brown alpaca, sassafras tea, the eternal dishes, the scrubbing, the endless looking for dust where dust would never dare to stay, and – " She paused, and bit her lips.

Always Fighting

"Might as well go on," he urged, with a smile.

"I can't. It isn't nice of me."

"But it's true. I don't know why you shouldn't hate your Grandmother and your Aunt Matilda. I do. It's better to be truthful than nice."

"Is it?"

"Sincerity always has a charm of its own. Even when two men are fighting, you are compelled to admire their earnestness and singleness of purpose."

"I wish you lived where you could admire Grandmother and Aunt Matilda. They're always fighting."

"No doubt. Isn't it a little early for sassafras tea?"

"I thought so, but Grandmother said Spring was coming early this year. She feels it in her bones and she intends to be ready for it."

"She should know the signs of the seasons, if anyone does. How old is she now?"

"Something past eighty."

"Suffering Moses! Eighty Springs and Summers and Autumns! Let me see – I was only twenty when I began with the grapes. If I live to be eighty, that means I've got to go to town sixty times to buy baskets, sell the crop, and hire help – go through the whole process from Spring to frost sixty times, and I've only done it ten times. Fifty more! And when the imps who unwillingly learned their multiplication table from me are grandparents on their own account, I'll still be saying: 'See the cat! Can the cat run? Yes, the cat can run.'"

Slaves of the Vineyard

"Why don't you sell the vineyard?" she asked, though her heart sank at the mere suggestion.

"Sell it? Why didn't the Ancient Mariner sell his albatross and take a nice little trip around the world on the proceeds? Mother would die of a broken heart if I mentioned it to her. The Marsh family have been the slaves of that vineyard since the first mistaken ancestor went into the grape business. We've fertilised it, pruned it, protected it, tied it up, sat up nights with it, fanned the insects away from it, hired people to pick the fruit and pack it, fed the people, entertained them, sent presents to their wives and children – we've done everything! And what have we had for it? Only a very moderate living, all the grapes we could eat, and a few bottles of musty old wine.

"Mother, of course, has very little to do with it, and, to her, it has come to represent some sort of entailed possession that becomes more sacred every year. It's a family heirloom, like a title, or some very old and valuable piece of jewelry. Other people have family plate and family traditions, but we've got a vineyard, or, to speak more truthfully, it has us."

Happy Muses

"Look at the Muses," said Rosemary, after a silence. "Do you think they've gone to sleep?"

The nine slender birches, that had apparently paused in their flight down the hillside, were, indeed, very still. Not a twig stirred, and the white trunks were ghostly in the twilight. Seemingly they leaned toward each other for protection and support; for comfort in the loneliness of the night.

"Happy Muses," he responded. "No vineyard to look after and no school to teach."

"And no Grandmother," continued Rosemary, "and no Aunt. Nor any dishes or brooms or scrubbing-brushes, or stoves that are possessed by evil spirits."

Star-like, a single light appeared in the front window of the big white house on the shore of the river. It was answered almost immediately by another, far across the stream.

"I like to watch the lights," the girl went on. "The first one is always in your house."

"Yes, I know. Mother dislikes twilight."

"Ours is the last – on account of the price of oil."

"Here," he said. "I almost forgot your book. And I brought you two candles this time. You mustn't read by the light of one – you'll spoil your eyes."

Saying Good-Night

"Oh, Mr. Marsh! Thank you so much!"

"You're very welcome, Miss Starr."

"Please don't. I like to have you call me Rosemary."

"Then you must call me Alden. I've been telling you that for almost two years."

"I know, but I can't make myself say it, somehow. You're so much older and wiser than I."

"Don't be vain of your youth. I'm only five years ahead of you, and, as for wisdom, anybody could teach a country school in Winter and grow grapes the rest of the time."

"I'm not so sure of that. Come, it's getting late."

They went down the hill together, hand in hand like two children. The young man's mood had changed for the better and he was whistling cheerfully. They stopped at the corner where she must turn to go home.

"Good-night," she said.

"Good-night, Rosemary. I wish I could come to see you sometimes."

"So do I, but it's better that you shouldn't."

"I don't see why you can't come over in the evenings occasionally. I always read to Mother and you might as well listen, too. I'd gladly take you home."

"It would be lovely," she sighed, "but I can't."

"You know best," he answered, shivering. "It's pretty cold up there most of the time."

Lonely Heights

"The heights are always cold, aren't they?"

"Yes, and they're supposed to be lonely, too. Good-night again. Let me know how you like the book."

Woman-like, she watched him as he went down the street. She liked the way his head was set upon his broad shoulders; she admired his long, swinging stride. When his figure was lost in the gathering darkness she turned, regretfully, and went home.

II
Brown Alpaca

A Cheerless Room

At seven o'clock, precisely, Grandmother Starr limped into the dining-room. It was one of her "lame" days, though sometimes she forgot which was her lame side, and limped irregularly and impartially with either foot, as chanced to please her erratic fancy.

A small lamp cast a feeble, unshaded light from the middle of the table, for the morning was dark, and the room smelled abominably of oil. The flickering rays picked out here and there a bit of tarnished gold from the wall paper, and, as though purposely, made the worn spots in the carpet unusually distinct. Meaningless china ornaments crowded the mantel, but there was no saving grace of firelight in the small black cavern beneath. A little stove, in one corner of the room, smoked industriously and refused to give out any heat.

"Rosemary," said Grandmother Starr, fretfully, "I don't see why you can't never learn to build a fire. Get me my shoulder shawl."

Cold and Cross

The girl compressed her pale lips into a thin, tight line. She was tired and her head ached, but she said nothing. She found the shawl, of red-and-black plaid, and spread it over the old lady's shoulders.

"I didn't say for you to put it on," remarked Grandmother, sourly. "If I'd wanted you to put it on me, I'd have said so. Guess I ain't so old yet but what I can put on my own shawl. What I want it for is to wrap up my hands in."

"Where's my shawl?" demanded Aunt Matilda, entering the room at that moment.

Rosemary found the other shawl, of blue-and-brown plaid, and silently offered it to the owner.

Aunt Matilda inclined her grey head toward Rosemary. "You can put it on me if you like. I ain't ashamed to say I'm cold when I am, and if I wanted to wrap up my hands, I'd get my mittens – I wouldn't take a whole shawl."

"You ain't got no reason to be cold, as I see," remarked Grandmother, sharply. "Folks what lays abed till almost seven o'clock ought to be nice and warm unless they're lazy. P'r'aps if you moved around more, your blood would warm you."

"Better try it," Matilda suggested, pointedly.

An angry flush mounted to Grandmother's temples, where the thin white hair was drawn back so tightly that it must have hurt. "I've moved around some in my day," she responded, shrilly, "but I never got any thanks for it. What with sweepin' and dustin' and scrubbin' and washin' and ironin' and bringin' up children and feedin' pigs and cows and chickens and churnin' and waitin' on your father, it's no wonder I'm a helpless cripple with the misery in my back."

Head of the House

"Dried peaches again," Matilda observed, scornfully, as Rosemary put a small saucer of fruit before her. "Who told you to get dried peaches?"

"I did, if you want to know," Grandmother snorted. "This is my house, ain't it?"

"I've heard tell that it was," Matilda answered, "and I'm beginnin' to believe it."

Miss Matilda was forty-six, but, in the pitiless glare of the odorous lamp, she looked much older. Her hair was grey and of uneven length, so that short, straight hair continually hung about her face, without even the saving grace of fluffiness. Her eyes were steel-blue and cold, her nose large and her mouth large also. Her lips drooped at the corners and there was a wart upon her chin.

Grandmother also had a wart, but it was upon her nose. Being a friendly and capable sort of wart, it held her steel-bowed spectacles at the proper angle for reading or knitting. During conversation, she peered over her spectacles, and sometimes, to the discomfort of a sensitive observer, the steel frame appeared to divide her eyes horizontally.

All Wrong

They were very dark, beady eyes, set close together. At times they gleamed with the joy of conflict, but they always expressed a certain malicious cunning. With a single glance, she could make Rosemary feel mentally undressed. Had the girl's forehead been transparent, like the crystal of a watch, with the machinery of thought and emotion fully exposed to the eye of a master-mechanic, her sensation could not have differed from the helpless awe her grandmother so easily inspired.

Of course the breakfast was not right – it never was. The dried peaches were too sweet for one and not sweet enough for the other. Grandmother wanted her oatmeal cooked to a paste, but Aunt Matilda, whose teeth were better, desired something that must be chewed before it was swallowed, and unhesitatingly said so. The coffee was fated to please neither, though, as Rosemary found courage to say, you couldn't expect good coffee on Friday when the same grounds had been used ever since Sunday morning.

"I'd like to know what makes you so high and mighty all of a sudden," said Grandmother. "Coffee's just like tea – as long as colour comes into it when it's boiled, it's good. My mother always used the same grounds for a week for a family of eight, and she didn't hear no complaints, neither. You ain't boiled this long enough – that's what's the matter."

The Common Task

Aunt Matilda muttered something about "beggars being choosers," and Rosemary pushed her plate away wearily. She had not tasted her breakfast.

Grandmother arose and noisily blew out the lamp, regardless of the fact that Matilda had not finished eating. "Now, Rosemary," she said, briskly, "after you get the dishes done and the kitchen cleaned up, I want you should go to the post-office and get my paper. When you come back, you can do the sweepin' and dustin' down here and I can set in the kitchen while you're doin' it. Then you can make the beds and do the up-stairs work and then go to the store. By the time you're ready to go to the store, I'll have decided what you're to get."

"And," continued Aunt Matilda, pushing back her chair, "this afternoon you can help me cut out some underclothes and get 'em basted together." She never attempted any sort of housework, being pathetically vain of her one beauty – her small, white hands. Even the family sewing she did under protest.

"Is the alpaca all gone?" asked Grandmother.

"Yes," Matilda replied. "I used the last of it patchin' Rosemary's dress under the arms. It beats all how hard she is on her clothes."

A Question of Colour

"I'll have to order more," sighed the old lady. "I suppose the price has gone up again."

Rosemary's breath came and went quickly; her heart fluttered with a sudden wildness. "Grandmother," she pleaded, hesitatingly, "oh, Aunt Matilda – just for this once, couldn't I have grey alpaca instead of brown? I hate brown so!"

Both women stared at her as though she had all at once gone mad. The silence became intense, painful.

"I mean," faltered the girl, "if it's the same price. I wouldn't ask you to pay any more. Perhaps grey might be cheaper now – even cheaper than brown!"

"I was married in brown alpaca," said Grandmother. She used the tone in which royalty may possibly allude to coronation.

"I was wearing brown alpaca," observed Aunt Matilda, "the night the minister came to call."

"Made just like this," they said, together.

"If brown alpaca's good enough for weddin's and ministers, I reckon it'll do for orphans that don't half earn their keep," resumed Grandmother, with her keen eyes fixed upon Rosemary.

"What put the notion into your head?" queried Aunt Matilda, with the air of one athirst for knowledge.

A Surprise Party

"Why – nothing," the girl stammered, "except that – when I was looking at mother's things the other day, up in the attic, I found some pink ribbon, and I thought it would be pretty with grey, and if I had a grey dress – "

The other two exchanged glances. "Ain't it wonderful," asked Matilda of her mother, "how blood will tell?"

"It certainly is," responded Grandmother, polishing her spectacles vigorously with a corner of the plaid shawl. "Your ma," she went on, to Rosemary, "was wearin' grey when your pa brought her here to visit us. They was a surprise party – both of 'em. We didn't even know he was plannin' marriage and I don't believe he was, either. We've always thought your ma roped him into it, somehow."

Rosemary's eyes filled with mist and she bit her lips.

"She was wearin' grey," continued Aunt Matilda; "light grey that would show every spot. I told her it wasn't a very serviceable colour and she had the impudence to laugh at me. 'It'll clean, won't it?' she says, just like that, and Frank says, right after her, 'Yes, it'll clean.' He knew a lot about it, he did. She had psychologised him."

"You mean hypnotised," interrupted Grandmother. "There ain't no such word as 'psychologised.'"

Resentment

"Well, if there ain't, there ought to be."

"The pink has come out in the blood, too," Grandmother remarked, adjusting her spectacles firmly upon the ever-useful and unfailing wart. "She was wearin' pink roses on her bonnet and pink ribbon strings. It wouldn't surprise me if it was the very strings what Rosemary has found in the trunk and is layin' out to wear."

"Me neither," Matilda chimed in.

"She was wearin' lace on her petticoats and high-heeled shoes, and all her handkerchiefs was fine linen," Grandmother continued. "Maybe you'd like some lace ruffles under your grey alpaca, wouldn't you, Rosemary?"

The girl got to her feet blindly. She gathered up the dishes with cold hands that trembled, took them out into the kitchen, and noiselessly closed the door. Her heart was hot with resentment, even though she had heard the story, with variations, ever since she was old enough to understand it.

"Poor little mother," said Rosemary, to herself. "Dear little mother! Why couldn't you have taken me with you!"

As Grandmother had said, for the hundredth time and more, Frank Starr had brought home his young wife unexpectedly. The surprise, in itself, was a shock from which she and Matilda had never recovered. Even now, they were fond of alluding to the years of ill-health directly caused by it, and of subtly blaming Rosemary for it.

An Orphan

At the end of the third day, the young couple had departed hastily, the bride in tears. A year or so afterward, when Rosemary was born, the little mother died, having lived only long enough to ask that the baby be named "Rosemary" – Rose for her own mother and Mary for Grandmother Starr.

Stern, white-faced, and broken-hearted, Frank Starr brought his child to his mother and sister, and almost immediately went West. Intermittently he wrote briefly, sent money, gave insufficient addresses, or none at all, and, at length, disappeared. At the time his last letter was written, he had expected to take a certain steamer plying along the Western coast. As the ship was wrecked and he was never heard from again, it seemed that Rosemary was an orphan, dependent upon her grandmother and aunt.

In their way, they were kind to her. She was sent to school regularly, and had plenty to eat and wear, of a certain sort. Every Spring, Aunt Matilda made the year's supply of underclothing, using for the purpose coarse, unbleached muslin, thriftily purchased by the bolt. The brown alpaca and brown gingham, in which she and her grandmother and aunt had been dressed ever since she could remember, were also bought by the piece. The fashion of the garments had not changed, for one way of making a gown was held to be as good as another, and a great deal easier, if the maker were accustomed to doing it.

Year after Year

So, year after year, Rosemary wore full skirts of brown alpaca, gathered into a band, and tight-fitting waists, boned and lined, buttoning down the front with a row of small jet buttons. The sleeves were always long, plain, and tight, no matter what other people were wearing. A bit of cheap lace gathered at the top of the collar was the only attempt at adornment.

The brown ginghams were made in the same way, except that the waists were not boned. The cheap white muslin, which served as Rosemary's best Summer gown, was made like the ginghams. Her Winter hat was brown felt, trimmed with brown ribbon, her Summer hat was brown straw, trimmed with brown ribbon, and her Winter coat was also brown, of some heavy material which wore surpassingly well.

For years her beauty-loving soul had been in revolt, but never before had she dared to suggest a change. The lump in her throat choked her as she washed the dishes, heedless of the tears that fell into the dish-pan. But activity is a sovereign remedy for the blues, and by the time the kitchen was made spotless, she had recovered her composure. She washed her face in cold water, dusted her red eyes with a bit of corn-starch, and put the cups and plates in their proper places.

Toiling Cheerfully

She listened half-fearfully for a moment before she opened the door, dreading to hear the dear memory of her mother still under discussion, but Grandmother and Aunt Matilda were wrangling happily over the hair-wreath in the parlour. This was a fruitful source of argument when all other subjects had failed, for Grandmother insisted that the yellow rose in the centre was made from the golden curls of Uncle Henry Underwood's oldest boy, while Aunt Matilda was equally certain that it had come from Sarah Starr's second daughter by her first husband.

Throughout the day Rosemary toiled cheerfully. She swept, dusted, scrubbed, cooked, did errands, mailed the letter which made certain another bolt of brown alpaca, built fires, and, in the afternoon, brought down the heavy roll of unbleached muslin from the attic. Aunt Matilda cleared off the dining-room table, got out the worn newspaper patterns, and had sent Rosemary out for a paper of pins before she remembered that it was Friday, and that no new task begun on a Friday could ever be a success.

So, while Rosemary set the table for supper, the other two harked back to the fateful day when Frank Starr brought his wife home. They were in the next room, but their shrill voices carried well and Rosemary heard every word, though she earnestly wished that she need not.

A Lucky Friday

"It was Friday, too, if you'll remember, when Frank brought her," said Aunt Matilda, indicating Rosemary by an inclination of her untidy head.

"Then you can't say Friday's always unlucky," commented Grandmother. "It may have been bad for us but it was good for her. Supposin' that butterfly had had her to bring up – what'd she have been by now?"

"She resembles her ma some," answered Matilda, irrelevantly; "at least she would if she was pretty. She's got the same look about her, somehow."

"I never thought her ma was pretty. It was always a mystery to me what Frank saw in her."

"Come to supper," called Rosemary, abruptly. She was unable to bear more.

The meal was unexpectedly enlivened by Grandmother's discovery of a well-soaked milk ticket in the pitcher. From the weekly issue of The Household Guardian, which had reached her that day, she had absorbed a vast amount of knowledge pertaining to the manners and customs of germs, and began to fear for her life. At first, it was thought to be Rosemary's fault, but upon recalling that for many years the ticket had always been left in the pitcher, the blame was shifted to the hapless milkman.