Loe raamatut: «Double Threat Christmas»
“Megan. Gently lower the painting
to the floor and back away.”
“Back away?” she repeated, her voice reedy.
He took her by the shoulders. “Lower the painting.”
Slowly, she let it fall, and the painting came to a rest on the floor of her closet. She stepped back, allowing him to propel her toward the front door. He captured her outstretched hand before she could touch the knob.
“We’ve contaminated the scene enough,” he said, and pulled out a pair of rubber gloves. He slipped one on and opened the door.
When they cleared the threshold, he used his cell phone to call dispatch.
Megan looked so small and vulnerable. He resisted the urge to take her in his arms. He had to stay objective. “We’ll wait for the CSI team.”
“And then?”
Regret lay heavy across his shoulders. “Then I have to take you in.”
MILLS & BOON
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TERRI REED
At an early age Terri Reed discovered the wonderful world of fiction and declared she would one day write a book. Now she is fulfilling that dream and enjoys writing for Steeple Hill Books. Her second book, A Sheltering Love, was a 2006 RITA® Award Finalist and a 2005 National Readers’ Choice Award Finalist. Her book Strictly Confidential, book five of the Faith at the Crossroads continuity series, took third place in the 2007 American Christian Fiction Writers Book of the Year Award. She is an active member of both Romance Writers of America and American Christian Fiction Writers. She resides in the Pacific Northwest with her college-sweetheart husband, two wonderful children and an array of critters. When not writing, she enjoys spending time with her family and friends, gardening and playing with her dogs.
You can write to Terri at P.O. Box 19555, Portland, OR 97280, visit her on the Web at www.loveinspiredauthors.com, or leave comments on her blog at http://ladiesofsuspense.blogspot.com/.
Terri Reed
DOUBLE THREAT Christmas
Every good thing bestowed and every perfect gift
is from above, coming down from the Father of
lights, with whom there is no variation,
or shifting shadows.
—James 1:17
To my family, for putting up with the long hours
at the keyboard. I love you all.
CONTENTS
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
EPILOGUE
DISCUSSION QUESTIONS
ONE
“I didn’t kill those men!”
The declaration so angrily delivered by the petite curator of New York City’s Sinclair Art Gallery held more sincerity than most perps’.
Even so, homicide detective Paul Wallace barely managed to contain his scoff. He’d heard those exact words way too many times during the course of his law-enforcement career.
And denial was the fallback in every situation for most suspects.
Even suspects as lovely as Megan McClain.
Upscale all the way in her well-fitting, short-sleeved red dress and intricately patterned black pumps. Not exactly attire suited for the December snowstorm raging outside. She probably had a change of clothes stashed for the trek home—a planner.
Paul gauged her height at five feet five without the two-inch heels. She was about a hundred and ten pounds of slopes and angles. Raven-black hair fell past her shoulders, and her vivid blue eyes, the pupils dilated slightly, were set symmetrically within her pale, heart-shaped face.
The rapid beat of her heart was evident at the carotid pulse point on her graceful neck. Was she experiencing shock or remorse?
Paul glanced around, quickly assessing and cataloging the crime scene. Beyond the faintest trace of spent gunpowder and the coppery odor of blood, he detected a citruslike scent. On the yellow walls of the room they stood in, painted works of art were hung, and little display lights threw a glow on the framed pieces, creating a half circle of light on the floor beneath the bodies.
He noted that across the top threshold of each doorway, leading to other rooms full of artwork, a black seam hid a gate that would drop down if the security system was activated. Those gates were up. No alarm had been sounded. High in the corner of the room was a security monitor.
Pulling his focus back to Ms. McClain, he shrugged out of his overcoat and laid it across the crook of one arm.
“Did you hear me, Detective…?” she demanded, all spitfire and ready to explode. “Why would I call 911 if I’d killed them?”
Paul ignored her question as irrelevant, because too often the perpetrator of a crime was also the one to call 911 in an attempt to deflect the police from looking too closely at themselves. He would consider Megan McClain a suspect/potential witness, until he knew more.
“Detective Wallace,” he supplied, and flipped open his notebook to reread what he’d already learned from the responding officer. “You were read your Miranda rights. Do you fully understand these rights?”
She waved an impatient hand. “Yes, of course.”
“Good. So you were working here alone. Is that correct?”
“Yes. I mean no. I thought my boss was upstairs. I already went through all this with the other officer,” she huffed, and pushed a lock of hair back behind her ear to reveal sparkling stones. “And then again with those other people who practically strip-searched me.” A shudder rippled over her.
The CSI team had performed a routine exam of her person for trace evidence, checking her hands for gunpowder residue, taking any out-of-place fibers off her clothing and looking for blood droplets that would match the victims. The team had done their job.
Now it was his turn. Interviewing the suspects and witnesses was a vital aspect of any investigation, especially done as closely to the crime as possible while the person’s memory was fresh and they hadn’t had time to embellish or minimize any details.
“I understand that, ma’am. Nevertheless, I need you to go through it again with me,” Paul explained.
He’d look for inconsistencies in her account of the events and for ways to dig deeper and sift truth from lies.
She blinked her long lashes. “Fine. My assistant had an appointment, so she’d left early. I was alone in the workroom preparing the Wahlberer painting for transport when Mr. Drake—” She gestured to one of the two dead men lying on the floor to the right.
Ms. McClain seemed momentarily frozen as she stared at the dark-haired man sprawled on the shining cherrywood floor. A pair of long-handled sheers protruded from the man’s gut, and blood spilled out to stain the floor a deep crimson. The click and flash of the CSI tech’s camera documenting the death echoed in the room along with the hushed whispers of those working the scene.
A stabbing indicated a crime of passion.
“Mr. Drake came in…” Paul prompted, wondering if there was enough fire in her blood to make her commit murder.
She turned sharply back to him, visibly refocusing, her breathing a bit irregular. “Mr. Drake arrived early. He wasn’t due for another fifteen minutes. I wasn’t ready. I asked him to wait in the red room.”
Paul arched an eyebrow. “The red room?”
She made a sweeping gesture with one elegant hand toward the doorways. “The different art collections are housed in separate rooms. Each room is color-coded.”
“I see. So Mr. Drake went into the red room.”
“No.” She pointed to the other vic lying a few feet away. “He—Mr. Vanderpool—stormed in even before Mr. Drake had taken five steps.”
Vanderpool was as Nordic as they came with his white-blond hair and large features. His wounds were consistent with a gunshot wound. But they wouldn’t know for certain until the medical examiner did the autopsy.
“You say he stormed in? Why do you say it like that?” Paul watched her closely, gauging her response.
Would her gaze dart upward and to the right, searching for a fabrication, or would her eyes go up and to the left, recalling events and words of description?
She stared straight at him with those eerily blue, sharply intelligent eyes, no shifting, no blinking. “Mr. Vanderpool and Mr. Drake both wanted the Wahlberer painting. At the auction last night both men created quite a stir when they tried to outbid each other. Mr. Vanderpool stormed in claiming the painting was supposed to be his.”
She gave a look that spoke volumes of how dumbfounded she was by the men’s behavior. “I thought it strange that either would find the painting that valuable since Wahlberer is so new to the art world.” She gave a delicate shrug of her slim shoulders. “People who are passionate about art are an eclectic breed.”
Paul wouldn’t know since he wasn’t much interested in art. His focus was on contributing to society by getting the job done and putting away the bad guys. “And where is this Wahlberer now?”
The painting had not been found in the workroom as she’d claimed it should be.
Her mouth pressed into a thin line. “I don’t know. I last saw it in the workroom on the table, wrapped in brown packaging. I hadn’t yet put the string across to secure it before I was interrupted.”
“By Mr. Drake?”
“Yes. By Mr. Drake.” Frustration clearly marked her words.
“What was your relationship with Mr. Drake?”
She stared at him aghast. “There was no relationship. He bought art through the gallery. That’s it.”
Her denial rang true. “How much is the painting worth?”
“Mr. Drake bought the painting for a hundred thousand dollars.”
Ah. Motivation enough for someone to kill and steal. Even an art curator. He made a note to check into Megan’s finances. “Who knew that Mr. Drake was coming to pick up the painting?”
“The staff. But none of them would do this,” she protested, her lip quivering.
That remained to be seen. “You left the painting on the table.”
“Yes.”
He noticed she didn’t fidget or hedge.
When she remained silent he pressed, “And then?”
“I went to find my boss, Lester Sinclair. I thought he was in his office upstairs. But he wasn’t.”
“Did you knock or just go in?” He’d have the CSI team check out the second floor and hall for any trace evidence.
She folded her hands together in front of her. He noted her nails were short and her skin red and dry. As if she’d scrubbed at them. Possibly washing away blood? He made a note of his observation on his notepad.
“I knocked first and then I went in. His office was empty,” she stated, her voice curiously flat.
“Is there a back way from the offices upstairs to the gallery floor?”
Two little lines appeared between her black arched eyebrows. “Yes. There’s another staircase that leads to the back of the gallery, near the restrooms.” Horror filled her expression. “But you can’t think Mr. Sinclair could have done this. He’s nearly seventy years old. Why would he commit such a heinous crime?” She tugged her bottom lip between her white, straight teeth.
He arched his eyebrow. “If you’re sure he wasn’t in the building, then why’d you go looking for him?”
“I didn’t know he wasn’t in the building at the time,” she replied, her eyes widening, expressing her agitation. “Only now I know.”
“And you didn’t hear anything?”
“I heard the gunshots.” She blinked rapidly as if to hold back tears. “I ran back downstairs and found them. My scissors were in Mr. Drake’s stomach.” She shuddered.
Practiced at not being moved by displays of emotion, he consulted his notes again. “Gunshots? As in more than one?”
She nodded with certainty. “Yes. Two.”
He made a note to tell the crime-scene techs to look for a stray bullet since they had only one GSW. “And your assistant, Lacy Knight, had an appointment. Where?”
She shook her head; her dark hair swayed slightly. “I don’t know. I don’t keep tabs on her or the other employees.”
“How many employees were here today and when did they leave?” he probed.
Without hesitation, she answered, “Joanie, the receptionist, left at five as always. Donny and George are the daytime security guards. They both left at six.”
The call came in to 911 at five minutes to seven. “There was no night-shift guard?”
“Usually there is.” She frowned, her pert little nose crinkling slightly. “But Mack didn’t show. Lacy said he called in sick. Mr. Sinclair was going to get a temp from the security company we use but I didn’t hear what happened with that.”
“We’ll need the names and numbers for all the employees.”
“You’ll have to talk to Mr. Sinclair,” she stated as her gaze fixated on the men from the coroner’s office as they began to remove the two bodies from the gallery floor.
Paul positioned himself in her line of vision. He wanted to keep her focused. “Is there an exit through the workroom to the outside?”
Giving herself a little shake, she shifted her bright blue gaze to him. “Yes. But it’s locked. If anyone had come in or out, the alarm would have gone off. And the security camera would record it.”
“We’ll need the video feed on the camera from the time of the murders,” Paul said.
“You’ll have to talk to Mr. Sinclair about that.”
“Hey, Wallace,” Andy Howell, Paul’s partner for the past six months, called from the doorway to the workroom. He’d also taken off his overcoat to reveal his navy suit, one most detectives couldn’t afford, but Andy’s wife owned a clothing shop and liked her husband to dress well.
More than six feet tall, Andy had once been a college basketball player until he blew out a knee. He still had a slight limp, but Paul wouldn’t trust his back to anyone else. In the short time they’d been partnered, Paul had come to admire and respect Andy.
“We found the other murder weapon,” Andy stated as he approached.
Paul’s gaze jumped to Megan to see her reaction. She showed no effects of Andy’s announcement. Innocence? Or confidence?
Paul nodded to a uniformed officer standing close by. “Take Ms. McClain to the station.”
Her blue eyes widened with panic, her body stiffened, her arms straight and held tight against her sides, her knees and feet pressed together. “You want me to go to the station.”
“Yes,” he replied, forcing patience into his tone. That’s usually what happened to murder suspects, but he refrained from pointing that out. “We’ll need a formal statement.”
“How?”
He frowned. “How what?”
She seemed to have trouble finding her voice. “How…how are we going to the station?”
“By car. I certainly don’t plan on making you walk ten blocks in a snowstorm.” His trousers were still damp from when he’d walked the short distance from the car to the gallery entrance.
“Car,” she repeated. “Cars are safe.”
His curiosity piqued by her odd behavior, Paul said, “Officer Johnson will escort you to find your coat and then he’ll take you to the station. I’ll see you again there.”
“Can I change? My shoes at least?” she asked, her expression nearing panic.
Paul hid a smile at having pegged her correctly and sought for a soothing tone. “Of course you may.”
She moved stiffly to a panel of wall behind the reception desk. With a little push the panel opened, revealing a closet.
Paul exchanged a curious glance with his partner.
“I’ll tell Sims,” Andy stated and retreated back to the workroom to inform the lead CSI of the secret hole in the wall.
Megan retrieved a pair of tall, black snow boots. Methodically, she unzipped each boot then grabbed an aerosol can from a shelf inside the closet and sprayed the insides of each one. The scent of lemon filled the air.
Then Megan slipped one foot out of a pump, while balancing on the other heeled shoe while she carefully placed her stocking foot into the boot. She repeated the process with the other foot then bent to zip up each boot.
Figuring she was done, Paul started to turn away, but stopped to watch in rapt fascination as she once again reached for something on the shelf inside the closet. This time she pulled out a moist square sheet, which she used to thoroughly wipe each pump down before putting the shoes in the closet where the boots once had been.
Then using the same moistened wipe, she ran the cloth over the door panel where she’d touched the wall before pressing the wood back into place. Using the tips of two fingers, she dropped the cloth into the wastebasket.
With a tenuous smile, she announced to Officer Johnson, “I’m ready.”
That was some routine. The woman became more interesting each passing second. And by the time he was done he’d get to know her a whole lot better.
Paul noted the stiff way she held herself as Johnson helped her don her long woolen coat. Johnson took her elbow to lead her out and she shied away. Like someone once abused? Or did she just not like being touched?
The officer shrugged, dropped his hand and opened the gallery’s front door for her to pass through. At the last moment, before stepping outside, she turned her head and met Paul’s gaze.
There was panic in her eyes. Fear, maybe. But also something else, something vulnerable, that slammed into his gut.
Hating that he’d let his guard slip even a fraction, Paul shook himself and dispensed with any softening toward Ms. McClain.
Obviously, if he saw fear in her eyes it was only because she was guilty.
Fifty-two steps.
That’s how many footsteps Megan counted as she was led to the waiting police vehicle at the curb. She shivered as flakes of snow covered her hair and landed on her face. Her heart thudded in her chest, making breathing difficult. Horror nearly choked her. She fought for control, but any semblance of control had been taken away from her.
By a murderer.
Two men had been killed, and she was the number one suspect.
With a father who had been a cop on the Boston police force and a brother who was a sheriff, she knew the law would shield her. The maxim “innocent until proven guilty” would hold, but it wouldn’t save her from accusations and assumptions. Her only real protection would come from God.
Just as her psychologist, Dr. Miller, had suggested she do when she was confronted by any source of fear, she whispered the mantra over and over, “When I’m afraid, I’ll trust in the Lord. When I’m afraid, I’ll trust in the Lord.”
She took comfort in her faith even as disbelief and terror that this whole nightmare was happening took hold of her stomach and twisted her insides into tight knots.
Officer Johnson, twentysomething with a clean-shaven jaw and a lump at the bridge of his nose, opened the back door of the white cruiser with the blue lettering of the NYPD across the side.
Her gaze strayed to the ten-story building a half a block away. She counted the windows up three floors and across six to her apartment. She just wanted to go home and cocoon herself inside the four walls where everything was neat and orderly. Where there were no dead men, and no police detective who looked at her with accusation in his jade-colored eyes, making her feel like she were scum on the bottom of his shoe.
“Ma’am,” Officer Johnson prodded with a gesture to the interior of the car.
Swallowing back her panic, she told herself, Cars are safe. She’d be safe. Nothing bad was going to happen to her in the car. Only in a car she wasn’t in control. Walking, she could control. She could control her steps, her pace and her path.
She slid onto the seat in the back of the cruiser, the cracked leather creaking beneath her. The car smelled like stale coffee and greasy food, making her stomach riot with nausea. She shuddered, wishing she had her lemon-scented air freshener handy.
Officer Johnson slid into the driver’s seat and soon they were sloshing their way through the late evening traffic.
She stared straight ahead and briefly met the officer’s gaze in the rearview mirror. Did he, too, think she killed those men?
Quickly she averted her eyes to watch the neighborhood go by. She counted how many people she saw wearing brimmed hats, beanie caps and how many were braving the elements with bare heads. But she kept losing count as the frightening picture of the two dead men crept into her mind.
The image of her scissors embedded deep into the stomach of Mr. Drake would forever be imprinted on her brain.
She gagged, fighting to control her body’s need to lose the salad she’d had for dinner.
She replayed the whole evening over and over again, looking for some way to make the outcome different. But that was an impossibility.
The past could not be undone.
A lesson she’d learned long ago but still struggled to come to terms with. She so wanted to be able to turn the clock back, to force events to be redone so that her father wouldn’t have been murdered and her life shattered by grief and illness.
Stop it, she commanded herself. She wouldn’t go down that road. Not now. Now, she had to think about tonight and the two men who had died in the gallery.
She’d been in the workroom tending to the Wahlberer, a lovely landscape of the Mexican Riviera, with lots of color and bold strokes that were softened by featherlight shading that inspired, giving the onlooker a sense of place that only the masters usually accomplished.
But she’d met the artist Wahlberer, a talented young upstart out of Canada who’d flirted shamelessly and hadn’t really taken seriously his good fortune at having his work displayed at the Sinclair Gallery. His flippant attitude about his art and the gallery had grated on her nerves.
As she’d told Detective Wallace, she couldn’t understand the compulsion of either of the two dead men to buy the painting. The amount had been way above the value, and, yes, a boon for the gallery and the artist, but a poor investment in her mind.
Then when Mr. Vanderpool had shown up, saying he’d been told that he could have the painting, the yelling had started. Overwhelmed by the feral angriness of the two men, Megan had retreated in search of her boss.
Why hadn’t Sinclair been in his office? He always worked until eight. A shiver hit her flesh as possibilities of what could have happened ran rampant through her brain.
There had been another person in the gallery. But who? And why murder the two men?
A thought clamped on to her mind and wouldn’t let go. If she hadn’t gone in search of her boss, would she, too, have been killed?
Tasuta katkend on lõppenud.
