Loe raamatut: «Two plays for dancers»

PREFACE

In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future. I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.)

W. B. Yeats. October 11th. 1918

P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

THE DREAMING OF THE BONES

The stage is any bare place in a room close to the wall. A screen with a pattern of mountain and sky can stand against the wall, or a curtain with a like pattern hang upon it, but the pattern must only symbolize or suggest. One musician enters and then two others, the first stands singing while the others take their places. Then all three sit down against the wall by their instruments, which are already there – a drum, a zither, and a flute. Or they unfold a cloth as in 'The Hawk's Well,' while the instruments are carried in.

FIRST MUSICIAN

(or all three musicians, singing)

 
Why does my heart beat so?
Did not a shadow pass?
It passed but a moment ago.
Who can have trod in the grass?
What rogue is night-wandering?
Have not old writers said
That dizzy dreams can spring
From the dry bones of the dead?
And many a night it seems
That all the valley fills
With those fantastic dreams.
They overflow the hills,
So passionate is a shade,
Like wine that fills to the top
A grey-green cup of jade,
Or maybe an agate cup.
(speaking) The hour before dawn and the moon covered up.
The little village of Abbey is covered up;
The little narrow trodden way that runs
From the white road to the Abbey of Corcomroe
Is covered up; and all about the hills
Are like a circle of Agate or of Jade.
Somewhere among great rocks on the scarce grass
Birds cry, they cry their loneliness.
Even the sunlight can be lonely here,
Even hot noon is lonely. I hear a footfall —
A young man with a lantern comes this way.
He seems an Aran fisher, for he wears
The flannel bawneen and the cow-hide shoe.
He stumbles wearily, and stumbling prays.
 
 
(A young man enters, praying in Irish)
 
 
Once more the birds cry in their loneliness,
But now they wheel about our heads; and now
They have dropped on the grey stone to the north-east.
 
 
(A man and a girl both in the costume of a past time, come in. They wear heroic masks)
 

YOUNG MAN

 
(raising his lantern)
Who is there? I cannot see what you are like,
Come to the light.
 

STRANGER

 
But what have you to fear?
 

YOUNG MAN

 
And why have you come creeping through the dark.
 
 
(The Girl blows out lantern)
 
 
The wind has blown my lantern out. Where are you?
I saw a pair of heads against the sky
And lost them after, but you are in the right
I should not be afraid in County Clare;
And should be or should not be have no choice,
I have to put myself into your hands,
Now that my candle's out.
 

STRANGER

 
You have fought in Dublin?
 

YOUNG MAN

 
I was in the Post Office, and if taken
I shall be put against a wall and shot.
 

STRANGER

 
You know some place of refuge, have some plan
Or friend who will come to meet you?
 

YOUNG MAN

 
I am to lie
At daybreak on the mountain and keep watch
Until an Aran coracle puts in
At Muckanish or at the rocky shore
Under Finvarra, but would break my neck
If I went stumbling there alone in the dark.
 

STRANGER

 
We know the pathways that the sheep tread out,
And all the hiding-places of the hills,
And that they had better hiding-places once.
 

YOUNG MAN

 
You'd say they had better before English robbers
Cut down the trees or set them upon fire
For fear their owners might find shelter there.
What is that sound?
 

STRANGER

 
An old horse gone astray
He has been wandering on the road all night.
 

YOUNG MAN

 
I took him for a man and horse. Police
Are out upon the roads. In the late Rising
I think there was no man of us but hated
To fire at soldiers who but did their duty
And were not of our race, but when a man
Is born in Ireland and of Irish stock
When he takes part against us —
 

STRANGER

 
I will put you safe,
No living man shall set his eyes upon you.
I will not answer for the dead.
 

YOUNG MAN

 
The dead?
 

STRANGER

 
For certain days the stones where you must lie
Have in the hour before the break of day
Been haunted.
 

YOUNG MAN

 
But I was not born at midnight.
 

STRANGER

 
Many a man born in the full daylight
Can see them plain, will pass them on the high-road
Or in the crowded market-place of the town,
And never know that they have passed.
 

YOUNG MAN

 
My Grandam
Would have it they did penance everywhere
Or lived through their old lives again.
 

STRANGER

 
In a dream;
And some for an old scruple must hang spitted
Upon the swaying tops of lofty trees;
Some are consumed in fire, some withered up
By hail and sleet out of the wintry North,
And some but live through their old lives again.
 

YOUNG MAN

 
Well, let them dream into what shape they please
And fill waste mountains with the invisible tumult
Of the fantastic conscience. I have no dread;
They cannot put me into jail or shoot me,
And seeing that their blood has returned to fields
That have grown red from drinking blood like mine
They would not if they could betray.
 

STRANGER

 
This pathway
Runs to the ruined Abbey of Corcomroe;
The Abbey passed, we are soon among the stone
And shall be at the ridge before the cocks
Of Aughanish or Bailevlehan
Or grey Aughtmana shake their wings and cry.
 
 
(They go round the stage once)
 

FIRST MUSICIAN

 
(speaking) They've passed the shallow well and the flat stone
Fouled by the drinking cattle, the narrow lane
Where mourners for five centuries have carried
Noble or peasant to his burial.
An owl is crying out above their heads.
(singing) Why should the heart take fright
What sets it beating so?
The bitter sweetness of the night
Has made it but a lonely thing.
Red bird of March, begin to crow,
Up with the neck and clap the wing,
Red cock, and crow.
 
 
(They go once round the stage. The first musician speaks.)
 
 
And now they have climbed through the long grassy field
And passed the ragged thorn trees and the gap
In the ancient hedge; and the tomb-nested owl
At the foot's level beats with a vague wing.
(singing) My head is in a cloud;
I'd let the whole world go.
My rascal heart is proud
Remembering and remembering.
Red bird of March, begin to crow,
Up with the neck and clap the wing
Red cock and crow.
 
 
(They go round the stage. The first musician speaks.)
 
 
They are among the stones above the ash
Above the briar and thorn and the scarce grass;
Hidden amid the shadow far below them
The cat-headed bird is crying out.
(singing) The dreaming bones cry out
Because the night winds blow