Loe raamatut: «The Belief in Immortality and the Worship of the Dead, Volume 2 (of 3)», lehekülg 19

§ 3. The Religion of the Society Islanders

If religion consists essentially in a fear of gods, the natives of the Society Islands were a very religious people, for they believed in a multitude of gods and stood in constant dread of them. "Whatever attention," says Ellis, "the Tahitians paid to their occupations or amusements, and whatever energies have been devoted to the prosecution of their barbarous wars, the claims of all were regarded as inferior to those of their religion. On this every other was dependent, while each was alike made subservient to its support."⁶³⁷ "No people in the world, in ancient or modern times, appear to have been more superstitious than the South Sea Islanders, or to have been more entirely under the influence of dread from imaginary demons, or supernatural beings. They had not only their major, but their minor demons, or spirits, and all the minute ramifications of idolatry."⁶³⁸ "Religious rites were connected with almost every act of their lives. An ubu or prayer was offered before they ate their food, when they tilled their ground, planted their gardens, built their houses, launched their canoes, cast their nets, and commenced or concluded a journey. The first fish taken periodically on their shores, together with a number of kinds regarded as sacred, were conveyed to the altar. The first-fruits of their orchards and gardens were also taumaha, or offered, with a portion of their live-stock, which consisted of pigs, dogs, and fowls, as it was supposed death would be inflicted on the owner or the occupant of the land, from which the god should not receive such acknowledgment."⁶³⁹

Different gods were worshipped in different islands, and even in different parts of the same island,⁶⁴⁰ and if a deity failed to answer the expectations of his worshippers, they did not scruple to change him for another. In Captain Cook's time the people of Tiaraboo (Tairaboo), the southern peninsula of Tahiti, discarded their two old divinities and adopted in their place Oraa, the god of the island of Bolabola (Borabora), apparently because the people of Bolabola had lately been victorious in war; and as, after this change of deity, they themselves proved very successful in their operations against their enemies, they imputed the success entirely to their new god, who, they literally said, fought their battles.⁶⁴¹ Again, when the prayers and offerings for the recovery of a sick chief were unavailing, the god was regarded as inexorable, and was usually banished from the temple, and his image destroyed.⁶⁴²

The pantheon and mythology of the Society Islands were of the usual Polynesian type; some of their chief gods were recognised and worshipped under the same names, with dialectical differences, in other islands of the Pacific. In the beginning they say that all things were in a state of chaos or darkness, from which the principal deities, including Taaroa, Oro, and Tane, at last emerged. Hence these high gods were said to be born of Night or the primaeval darkness (Po). Among them all the first place in time and dignity was generally assigned to Taaroa, who appears in other parts of Polynesia as Tanaroa, Tangaroa, Tagaloa, and so on. By some he was spoken of as the progenitor of the other gods and as the creator of the heavens, the earth, and sea, as well as of men, beasts, birds, and fishes; but others were of opinion that the land or the world had existed before the gods. Oro, the great national god of Tahiti, Raiatea, and other islands, was believed to be a son of Taaroa.⁶⁴³ To these three great gods, Oro, Tane, and Taaroa, the people sacrificed in great emergencies, when the deities were thought to be angry. At such times the wrath of the god was revealed to a priest, who, wrapt up like a ball in a bundle of cloth, spoke in a sharp, shrill, squeaky voice, saying, "I am angry; bring me hogs, kill a man, and my anger will be appeased."⁶⁴⁴

Oro is sometimes described as the war-god.⁶⁴⁵ The great seat of his worship was at Opoa in the island of Raiatea: his principal image was worshipped there "with the most bloody and detestable rites"; and thither human victims, ready slain, were sent from every shore to be offered on his altar.⁶⁴⁶ Sometimes, instead of the bodies of the slain, only their jaw-bones were sent to decorate the temple of Oro at Opoa; long strings of these relics might be seen hanging about the sacred edifice.⁶⁴⁷ In the small island of Tahaa, off Raiatea, there was a temple (marae) dedicated to Oro and his two daughters. It belonged to the king and "was upheld for the convenience of finding a pretext to get rid, from time to time, of obnoxious persons, of both sexes; the men slain by assassination, or in war, being presented to the male idol, and the women to his female progeny, who were held to be as cruelly delighted with blood as their parent. But the human sacrifices brought hither were not allowed to remain and infect the atmosphere. When they had lain upon the altar till they became offensive, the carcases were transported to Oro's metropolitan temple at Opoa, in Raiatea, which was the common Golgotha of his victims."⁶⁴⁸

Oro was said to have instituted the notorious Society of the Areois, a licentious fraternity of strolling players and mountebanks, who roamed about in troupes from island to island, everywhere entertaining the populace by their shows, which comprised recitations, songs, dramatic performances, wrestling matches, and especially dances, which were often of a lascivious character.⁶⁴⁹ These exhibitions, which were witnessed by crowds and appear to have been the most popular amusement of the islanders, were given in large, substantial, sometimes highly ornamented, houses, which were erected chiefly for the purpose of lodging these itinerant performers, and providing them with suitable places for their performances.⁶⁵⁰ The first missionaries describe how, in a long native house where they lodged for the night, they saw the Areois men and women dancing and singing till near midnight: so great were their numbers that they made the house appear like a village.⁶⁵¹ Sometimes, apparently, the performances took place in front of the house, the musicians, singers, and reciters occupying a sort of stage, while the actors or dancers performed on a place marked out for them on the ground or on the floor.⁶⁵² The subject of their songs or recitations was often a legend of the gods, or of some distinguished member of the Society, which was chanted or recited by the performers in chorus seated in a circle on the ground, while the leader stood in the centre and introduced the recitation with a sort of prologue, accompanied by antic gestures and attitudes.⁶⁵³ In these recitals the tales often turned on romantic and diverting episodes in the lives of ancestors or of deities. "Many of these were very long, and regularly composed, so as to be repeated verbatim, or with such illustrations only as the wit or fancy of the narrator might have the skill to introduce. Their captain on public occasions, was placed cross-legged on a stool seven feet high, with a fan in his hand, in the midst of the circle of laughing or admiring auditors, whom he delighted with his drollery, or transported with his grimaces, being, in fact, the merry-andrew of the corps, who, like a wise fool, well knew how to turn his folly to the best account."⁶⁵⁴

The Society of the Areois was wealthy and highly esteemed; members were drawn from all social ranks and greatly prided themselves on belonging to it.⁶⁵⁵ Indeed, they were regarded as a sort of superhuman beings, closely allied to the gods, and were treated with a corresponding degree of veneration by many of the vulgar and ignorant.⁶⁵⁶ They were divided into seven ranks or classes, the members of which were distinguished from each other by their tattoo marks; the greater the amount of the tattooing, the higher the rank of the person.⁶⁵⁷ Admission to the Society was attended by a variety of ceremonies; a protracted noviciate followed, and it was only by progressive advancement that any were promoted to the higher dignities. It was imagined that those who became Areois were prompted or inspired by the gods to take this step. A candidate for admission, therefore, repaired to one of the public exhibitions in that apparent state of frenzy which is commonly supposed to indicate divine inspiration. His face was dyed scarlet; his hair was perfumed and adorned with flowers, and he wore a girdle of yellow plantain leaves. Thus arrayed, he rushed through the crowd assembled round the house in which the actors or dancers were performing, and, leaping into the circle, joined with seeming frantic wildness in the dance or pantomime. If the Society approved of him, they appointed him to wait as a servant on the principal Areois, and after a period of probation he might be inducted into the Society as a full-fledged member. At his induction, which took place in a great assembly of the body, the candidate received a new name, by which he was thenceforth known in the Society.⁶⁵⁸ When a member was advanced from a lower to a higher grade, the ceremony was performed at a public festival which all the members of the Society in the island were expected to attend. The candidate was then taken to a temple, where he was solemnly anointed with fragrant oil on the forehead, and offered a pig to the god.⁶⁵⁹

When a member of the Society died his body was conveyed by the Areois to the grand temple, where the bones of the kings were deposited. There the priest of Oro, standing over the corpse, offered a long prayer to his god. This prayer, and the ceremonies accompanying it, were designed to divest the body of all the sacred and mysterious influence which the deceased was thought to have received from the god at the moment when, in the presence of the idol, the perfumed oil had been sprinkled on him, and he had been raised to the order or rank in which he died. By this act they supposed that the sacred influence was restored to Oro, by whom it had been imparted. The body was then buried, like that of a common man, within the precincts of the temple, in which the mortal remains of chiefs were interred.⁶⁶⁰ But if for any reason the corpse were buried in unconsecrated ground, the ghost would appear to a survivor next day and remonstrate with him, saying, "You have buried me in common earth, and so long as I lie there, I cannot go to heaven. You must bury me with ceremonies, and in holy ground." After that the corpse was disinterred, and having been doubled up by tying the arms to the shoulders and the knees to the trunk, it was buried in a sitting posture in a hole so shallow that the earth barely covered the head. This was esteemed the most honourable form of sepulture, and was principally confined to personages of high rank.⁶⁶¹

The Areoi Society comprised women as well as men,⁶⁶² but the accounts given of the proportion of the sexes and their relations to each other are conflicting. According to one account, the male members outnumbered the women as five to one.⁶⁶³ The first missionaries reported that the Areois were said to have each two or three wives, whom they exchanged with each other.⁶⁶⁴ According to Cook, every woman was common to every man⁶⁶⁵; and Turnbull affirmed that the community of women was the very principle of their union.⁶⁶⁶ On the other hand, the naturalist George Forster, who accompanied Captain Cook, observes: "We have been told a wanton tale of promiscuous embraces, where every woman is common to every man: but when we enquired for a confirmation of this story from the natives, we were soon convinced that it must, like many others, be considered as the groundless invention of a traveller's gay fancy."⁶⁶⁷ Again, Ellis observes that, "although addicted to every kind of licentiousness themselves, each Areoi had his own wife, who was also a member of the Society; and so jealous were they in this respect, that improper conduct towards the wife of one of their own number, was sometimes punished with death."⁶⁶⁸ Yet the same writer speaks of "the mysteries of iniquity, and acts of more than bestial degradation" to which the Areois were at times addicted; and he says that "in some of their meetings, they appear to have placed their invention on the rack, to discover the worst pollutions of which it was possible for man to be guilty, and to have striven to outdo each other in the most revolting practices."⁶⁶⁹

It was a rule of the Society that no member should have any children; hence the first injunction given to a new member was to murder his offspring. Any infant that might afterwards be born to him was strangled at birth.⁶⁷⁰ If a woman spared her child and could induce a man to father it, "both the man and the woman, being deemed by this act to have appropriated each other, are ejected from the community, and forfeit all claim to the privileges and pleasures of Arreoy for the future; the woman from that time being distinguished by the term whannow-now, 'bearer of children,' which is here a term of reproach."⁶⁷¹ The pretext alleged by the Areois for this cruel practice was that, on the institution of the Society by the god Oro, the first two members, Orotetefa and Urutetefa, brothers of the god, had been celibate and childless, and that therefore the members of the Society were bound to imitate them by being also without offspring.⁶⁷²

In the constant repetition of their often obscene exhibitions the Areois passed their lives, sailing from island to island or strolling from one chief's house to that of another, where they renewed the same round of dances, wrestlings, and pantomimic performances.⁶⁷³ But the labour and drudgery of dancing and performing for the amusement of the spectators devolved chiefly on the lowest members of the Society, who were the principal actors in all their shows, while the higher orders, though they plastered themselves with charcoal and stained themselves scarlet like their humbler brethren, were generally careful not to contribute to the public hilarity by any exhausting efforts of their own. Thus they led a life of dissipation and luxurious indolence.⁶⁷⁴

They seem to have moved about in great troupes. As many as seventy canoes, with more than seven hundred of these vagabonds on board, have been seen steering from island to island.⁶⁷⁵ The approach of such a fleet to the shore with drums beating, flutes playing, and streamers floating on the wind, was a picturesque sight, and as the canoes neared the land the dancers might be seen jigging it on stages erected on board, while the voices of the singers mingled with the roll of the drums, the shrill music of the flutes, and the roar of the surf on the beach in a confused but not unmelodious babel of sound.⁶⁷⁶

On landing in an island their first business was to take a small sucking-pig to the temple and present it to the god as a thank-offering to him for having brought them safe to shore. This, we are told, was the only sacrifice ever offered in token of gratitude by any of the South Sea Islanders to their imaginary divinities.⁶⁷⁷ While they were everywhere welcomed by the vulgar for the merriment they carried with them, and were everywhere countenanced and liberally entertained by the kings and chiefs, who found them convenient tools of fraud and oppression, they were not received with equal enthusiasm by the farmers, who had to furnish them with provisions, and who durst not refuse them anything, however unreasonable and extortionate their demands. For the Areois lived on the fat of the land. When they alighted, like a swarm of locusts, on a rich district, they would send out their henchmen to scour the neighbourhood and plunder the miserable inhabitants; and when they moved on to their next halting-place, the gardens which they left behind them often presented a scene of desolation and ruin.⁶⁷⁸ Such havoc, indeed, did they spread by their feastings and carousings on even a short visit of a few days, that in some parts of Tahiti the natives were compelled to abandon the fertile lowlands and retreat up the mountains, submitting to the trouble of clambering up almost inaccessible slopes and cultivating a less fruitful soil rather than expose much of the produce of their labour to the ravages of these privileged robbers.⁶⁷⁹

Not the least of the privileges, real or imaginary, enjoyed by the Areois was that after death their spirits were believed to pass without difficulty to that paradise of delights to which otherwise none but the noble and wealthy could hope to attain.⁶⁸⁰

In spite of the profligate life which the Areoi led and their addiction to a round of frivolous amusements and entertainments, it seems likely that the Society was originally founded for some serious purpose, though the accounts which have come down to us hardly enable us to determine, or even to conjecture with a fair degree of probability, what that purpose was. That its aim was religious might be inferred on general grounds, and is confirmed by the close relation in which the Society stood to the national god Oro. Not only is Oro said to have founded the Society, but before a troop of Areois set out on their peregrinations they were obliged to kill many pigs in sacrifice to him and to offer large quantities of plantains, bananas, and other fruits on his altars. Moreover, temporary shrines were erected in their canoes for the worship of Oro's two divine brothers, Orotetefa and Urutetefa, who were traditionally said to have been the first members of the Society and were regarded as its tutelary deities. In these shrines the principal symbols were a stone for each of the brothers taken from Oro's temple, and a few red feathers from the inside of his sacred image. Into these symbols the gods were supposed to enter when the priest pronounced a short prayer immediately before the sailing of the fleet.⁶⁸¹

We might be better able to understand the purpose and the functions of the Areoi Society if we were acquainted with the nature and meaning which the natives ascribed to the god Oro, the reputed founder of the Society; but on this subject our authorities shed little light. He is described as the war-god⁶⁸² and as "the great national idol of Raiatea, Tahiti, Eimeo, and some of the other islands," and he was said to be a son of the creator Taaroa, who at first dwelt alone up aloft, but who afterwards, with the help of his daughter Hina, created the heavens, the earth, and the sea.⁶⁸³ By European writers Oro has been variously interpreted as a god of the dead or of the sun; and accordingly the Society of the Areois has been variously explained as devoted either to a cult of the Lord of the Dead for the sake of securing eternal happiness in a world beyond the grave, or to a worship of the sun-god; but the grounds alleged for either interpretation appear to be extremely slight.⁶⁸⁴

Perhaps a faint gleam of light may fall on the mystery of the Areois from an examination of their traditionary first members and guardian deities, the two divine brothers, Orotetefai and Urutetefai. The similarity of the names of the brothers suggests that they may have been twins; for it is a common custom to bestow either the same or a similar name on each of a pair of twins in order to indicate their close relationship to each other.⁶⁸⁵ If they were twins, there are some grounds for thinking that they were Heavenly Twins; for their father or creator, Taaroa, seems certainly to have been a sky-god, and their mother, Hina, is by some authorities regarded as the moon; moreover, the two brothers are said to have first descended from the sky to the earth on a rainbow.⁶⁸⁶ If the twinship of the divine brothers could be made out, it might perhaps explain some of the peculiar features of the Areoi Society. For example, their remarkable custom of not allowing any of their offspring to live; for it has been a common custom in many parts of the world to put twins to death.⁶⁸⁷ Further, the superhuman rank accorded to the Areois becomes more intelligible on this hypothesis. For among many savage peoples twins are credited with the possession of powers superior to those of ordinary humanity; in particular, they are thought to be able to influence the weather for good or evil, as by causing rain or drought and the wind to blow or be still.⁶⁸⁸ Among the Baronga of South-Eastern Africa the supposed relation of twins to the sky is very clearly marked. They call the mother of twins by a name which means "Heaven" (Tilo), and consistently they style the twins themselves "Children of Heaven" (Bana ba Tilo).⁶⁸⁹ The mother is even said to have "made Heaven," to have "carried Heaven," and to have "ascended to Heaven."⁶⁹⁰ The connexion which is believed to exist between her and the twins on the one side and the sky on the other is brought out plainly in the customs which the Baronga observe for the purpose of procuring rain in time of drought. Thus they will take a mother of twins, put her in a hole, and pour on her water which they have drawn from all the wells, till the hole is half full, and the water comes up to her breast. This is thought to make the rain fall.⁶⁹¹ Or again, in order to get rain, the women will strip themselves naked except for a girdle and head-dress of grass, and thus attired will go in procession, headed by a mother of twins, and pour water on the graves of twins. And if the body of a twin has been buried in dry ground, they will dig it up and bury it again near a river; for the grave of a twin, in their opinion, should always be wet. Thus they hope to draw down rain on the thirsty ground.⁶⁹² Again, when a thunderstorm is raging and lightning threatens to strike a village, the Baronga will say to a twin, "Help us! you are a Child of Heaven! You can therefore cope with Heaven; it will hear you when you speak." So the child goes out of the hut and prays to Heaven as follows: "Go away! Do not annoy us! We are afraid. Go and roar far away." When the thunderstorm is over, the child is thanked for its services. The mother of twins is also supposed to be able to help in the same way, for has she not, as the natives express it, ascended to Heaven? They say that she can speak with Heaven, and that she is at it or in it.⁶⁹³ Among the Kpelle, a negro tribe of Liberia, twins are regarded as born magicians, and as such are treated with respect, and people sometimes make them presents in order to ensure their goodwill; in doing so they are careful never to make a present to the one twin without the other, and the twin who was born last gets his present first, for he is regarded as the first-born. Twins are thought by the Kpelle to do wonders; they even say that "a twin surpasses every medicine-man."⁶⁹⁴ Among the Fan or Fang, a tribe of the Cameroons in West Africa, there is a curious superstition that a twin ought not to see a rainbow. Should he by accident have caught sight of one, he must shave his eyebrows and dye the place of the one black and the place of the other red.⁶⁹⁵ This superstition seems to imply a special relation between twins and the sky, and it reminds us of the Tahitian tradition that the two divine brothers, the first members of the Areoi Society, descended to earth on a rainbow.⁶⁹⁶

Another notion about twins which may possibly help to throw light on some of the practices of the Areoi Society, is that they or their parents or both are endowed with a fertilising or prolific virtue, which enables them to multiply animals or plants and thereby to increase the food supply. Thus, for example, some tribes of Northern Rhodesia keep pigeons in their villages, and in erecting a pigeon-cote they take care that the first stakes "are driven in by a woman who has borne twins, in order, they say, that the pigeons may multiply."⁶⁹⁷ Some Bantu tribes of this region ascribe a similar virtue to both the father and the mother of twins. They think that such parents exert a beneficial or prolific influence at laying the foundations of pigeon-cotes, chicken-houses, goat-pens, or any other building used for the purposes of breeding; a certain woman who had borne twins thrice was lately in great request at these functions.⁶⁹⁸ The Zulus think that all goats belonging to a twin bring forth young in couples.⁶⁹⁹

In the Central District of Busoga, Central Africa, when a woman has given birth to twins, the people of her clan do not sow any seed until the twins have been brought to the field. A pot of cooked grain is set before the children with a cake of sesame and all the seed that is to be sown. The food is eaten by the assembled people, and afterwards the field is sown in presence of the twins; the plot is then said to be the field of the twins. The mother of twins must sow her seed before any person of the clan will sow his or hers.⁷⁰⁰ These customs seem clearly to imply a belief that twins and their mother possess a special power of fertilising the seed. Among the Baganda of Central Africa twins were supposed to be sent by Mukasa, the great god whose blessing on the crops and on the people was ensured at an annual festival. The twins were thought to be under the protection of the god, and they bore his name, the boys being called Mukasa and the girls Namukasa. And a series of customs observed by the parents of twins among the Baganda indicates in the plainest manner a belief that they were endowed with a fertilising virtue which extended, not only to the crops and the cattle, but also to human beings. Thus the parents of twins were supposed to make people fruitful by sprinkling them with a mixture of water and clay from pots, of which each of the parents had one. Again, some time after the birth the parents used to make a round of visits to relations and friends, taking the twins with them. At every house they danced, the father wearing a crown made from a certain creeper, and the mother wearing a girdle of the same material. At these dances offerings were made to the twins. These dances were most popular "because the people believed that thereby they obtained a special blessing from the god Mukasa, who favoured the parents of twins, and through them dispensed blessing wherever they went." The persons whom the twins and their parents honoured with a visit "thought that, not only they themselves would be blessed and given children, but that their herds and crops also would be multiplied." A ceremony performed by the father and mother of twins over a flower of the plantain indicated in the plainest, if the grossest, fashion the belief of the Baganda that parents of twins could magically fertilise the plantains which form the staple food of the people. No wonder, then, that among them a mother of twins is deemed a source of blessing to the whole community, and that for some time after the birth both she and the father were sacred and wore a distinctive dress to prevent any one from touching them. The father, in particular, "could do what he liked, because he was under the protection of the god"; for example, he was free to enter anybody's garden and to take the produce at will. Special drums, too, were made for the parents, one for the father and one for the mother; and for some time after the birth these were beaten continually both by day and by night.⁷⁰¹

Among the Hos of Togo, in West Africa, in like manner, special drums are beaten for the parents of twins, and the parents dance publicly to the music in the main street of the village, after going nine times round it. Some days later the parents go the round of all the Ho towns, everywhere executing the same dance to the same music at noon; but should one of the twins have died in the meantime, the parents dance at night. It is believed that, if the customary rites were not performed at the birth of twins, the parents of the twins would be crippled. Curiously enough, the drums, to the music of which the parents dance, may not be beaten by any one without special reason; and no one else may dance to their music except such as have slain either a man or a leopard. Among these people the birth of twins is the occasion of very great rejoicing. They say that "the road which the mother of twins goes is better than the road which the rich man goes."⁷⁰² The saying suggests that the Hos, like the Baganda, regard a mother of twins as diffusing fertility wherever she goes; and, on the analogy of the dances of parents of twins among the Baganda, we may conjecture that in like manner among the Hos the parents of twins are supposed to confer the blessing of fruitfulness on all the towns where they dance.

Among the Barundi of East Africa the birth of twins is celebrated with rites, songs, and ritual dances, which last for days and even for weeks. As soon as the news spreads, the neighbours, friends, and relations flock to the house to sing, bringing with them presents for the parents or offerings to the spirits. The amount of provisions thus accumulated is enormous, but the parents of the twins benefit little by it; the great bulk disappears as by magic among the self-invited guests. Festivity, dancing, and singing are now the order of the day. Dancers, male and female, their faces painted red and white or yellow, dance like furies in a circle for hours together, singing ritual hymns at the top of their voices, while an old sorceress besprinkles the troop with lustral water. It is commonly believed that if these rites were omitted, the twins and their parents would die. At the birth of twins it is customary to buy two black sheep or lambs and to dedicate them to the twins, one to each. These sheep are then left at liberty to run about as they like by day and night, and to enter the fields and browse at will. If one of them dies it is replaced by another. The animals are described as the guardians of the children, the receptacle or symbol of their spirits, in short, as their fetish.⁷⁰³ To some extent, they are analogous to the pig which an Areoi used to offer to the god at the ceremony of his consecration; for, though sometimes the animal was killed, at other times it was liberated, and, being regarded as sacred or belonging to the god to whom it had been offered, was allowed to range the district uncontrolled till it died.⁷⁰⁴ Among the Baluba, a tribe of the Belgian Congo, there is great joy at the birth of twins, and special ceremonies are observed on the occasion. The twins are invariably named Kyunga and Kahya, after the spirits of two ancient kings, and to these spirits the twins are consecrated. After being washed and decorated they are placed side by side in a winnowing-basket and carried by the women of the family in procession through the village, headed by the proud father. Dancing and singing they go to the ash-heap of the village. There they all rub themselves with ashes and perform another dance. After that, still led by the father of the twins, they go to the houses of the chief people, and in front of each house the father dances, while the women beat time with their hands. Wherever the procession halts, the householder is expected to come and admire the twins, to compliment the father, and to deposit a small present in the winnowing-basket.⁷⁰⁵ Among the Herero of South-West Africa the parents of twins are looked on as sacred, and for a time they may not speak to any one, and no one may speak to them. But after the lapse of some days the family goes the round of the village, visiting three or four huts every day. The father of the twins sits down on the right side of the hut, and the inmates make him offerings of beads, oxen, and so forth. When he has thus gone the round of the village, he repairs to the neighbouring villages, where the same ceremonies are repeated. It is often a year before he returns to his own village, and when he does so he brings back with him a great quantity of offerings. Henceforth the father of the twins enjoys all the privileges of a priestly chief; he may sacrifice at the holy fire, and he may represent and even succeed the chief in the office of priest for the village. The twins themselves are eligible for the same office. If a chief dies a natural death, he is succeeded in his priestly function by his twin son; whereas the chieftainship passes to the chief's legal heir, who is properly the son of his eldest sister, and who thenceforth assumes the name of the twin. A twin is bound by no taboo; he may eat of all flesh offered in sacrifice; he may drink of the milk of every holy cow, just like the chief and the priest themselves.⁷⁰⁶