First, I must tell you how I intend to relate my story. Having never before undertaken to write a long narrative, I have considered and laid down a few rules which I shall observe. Some of these are unquestionably good; others, I daresay, offend against the canons of composition; but I adopt them, because they will enable me to tell my story better than, with my imperfect experience, better rules possibly would. In the first place, I shall represent the people with whom I had to deal quite fairly. I have met some bad people, some indifferent, and some who at this distance of time seem to me like angels in the unchanging light of heaven.

My narrative shall be arranged in the order of the events; I shall not recapitulate or anticipate.

What I have learned from others, and did not witness, that which I narrate, in part, from the hints of living witnesses, and, in part, conjecturally, I shall record in the historic third person; and I shall write it down with as much confidence and particularity as if I had actually seen it; in that respect imitating, I believe, all great historians, modern and ancient. But the scenes in which I have been an actor, that which my eyes have seen, and my ears heard, I will relate accordingly. If I can be clear and true, my clumsiness and irregularity, I hope, will be forgiven me.

My name is Ethel Ware.

I am not an interesting person by any means. You shall judge. I shall be forty-two my next birthday. That anniversary will occur on the first of May, 1873; and I am unmarried.

I don't look quite the old maid I am, they tell me. They say I don't look five-and-thirty, and I am conscious, sitting before the glass, that there is nothing sour or peevish in my features. What does it matter, even to me? I shall, of course, never marry; and, honestly, I don't care to please any one. If I cared twopence how I looked, I should probably look worse than I do.

I wish to be honest. I have looked in the glass since I wrote that sentence. I have just seen the faded picture of what may have been a pretty, at least what is called a piquant face; a forehead broad and well-formed, over which the still dark-brown hair grows low; large and rather good grey eyes and features, with nothing tragic, nothing classic – just fairly good.

I think there was always energy in my face! I think I remember, long ago, something at times comic; at times, also, something sad and tender, and even dreamy, as I fixed flowers in my hair or talked to my image in the glass. All that has been knocked out of me pretty well. What I do see there now is resolution.

There are processes of artificial hatching in use, if I remember rightly, in Egypt, by which you may, at your discretion, make the bird all beak, or all claw, all head, or all drumstick, as you please to develope it, before the shell breaks, by a special application of heat. It is a chick, no doubt, but a monstrous chick; and something like such a chick was I. Circumstances, in my very early days, hatched my character altogether out of equilibrium.

The caloric had been applied quite different in my mother's case, and produced a prodigy of quite another sort.

I loved my mother with a very warm, but, I am now conscious, with a somewhat contemptuous affection. It never was an angry nor an arrogant contempt; a very tender one, on the contrary. She loved me, I am sure, as well as she was capable of loving a child – better than she ever loved my sister – and I would have laid down my life for her; but, with all my love, I looked down upon her, although I did not know it, till I thought my life over in the melancholy honesty of solitude.

I am not romantic. If I ever was it is time I should be cured of all that. I can laugh heartily, but I think I sigh more than most people.

I am not a bit shy, but I like solitude; partly because I regard my kind with not unjust suspicion.

I am speaking very frankly. I enjoy, perhaps you think cynically, this hard-featured self-delineation. I don't spare myself; I need not spare any one else. But I am not a cynic. There is vacillation and timidity in that ironical egotism. It is something deeper with me. I don't delight in that sordid philosophy. I have encountered magnanimity and self-devotion on earth. It is not true that there is neither nobility nor beauty in human nature, that is not also more or less shabby and grotesque.

I have an odd story to tell. On my father's side I am the grand-daughter of a viscount; on my mother's, the grand-daughter of a baronet. I have had my early glimpses of the great world, and a wondrous long stare round the dark world beneath it.

When I lower my hand, and in one of the momentary reveries that tempt a desultory writer tickle my cheek slowly with the feathered end of my pen – for I don't incise my sentences with a point of steel, but, in the old fashion, wing my words with a possibly too appropriate grey-goose plume – I look through a tall window in an old house on the scenery I have loved best and earliest in the world. The noble Welsh mountains are on my right, the purple headlands stooping grandly into the waves; I look upon the sea, the enchanted element, my first love and my last! How often I lean upon my hand and smile back upon the waters that silently smile on me, rejoicing under the summer heavens; and in wintry moonlights, when the north wind drives the awful waves upon the rocks, and I see the foam shooting cloud after cloud into the air, I have found myself, after long hours, still gazing, as if my breath were frozen, on the one peaked black rock, thinking what the storm and foam once gave me up there, until, with a sudden terror, and a gasp, I wake from the spell, and recoil from the white image, as if a spirit had been talking with me all the time.

From this same window, in the fore-ground, I see, in morning light or melancholy sunset, with very perfect and friendly trust, the shadowy old churchyard, where I have arranged my narrow bed shall be. There my mother-earth, at last, shall hold me in her bosom, and I shall find my anodyne and rest. There over me shall hover through the old church windows faintly the sweet hymns and the voices in prayer I heard long ago; there the shadow of tower and tree shall slowly move over the grass above me, from dawn till night, and there, within the fresh and solemn sound of its waves, I shall lie near the ceaseless fall and flow of the sea I loved so well.

I am not sorry, as I sit here, with my vain recollections and my direful knowledge, that my life has been what it was.

A member of the upper ten thousand, I should have known nothing. I have bought my knowledge dear. But truth is a priceless jewel. Would you part with it, fellow-mourner, and return to the simplicities and illusions of early days? Consider the question truly; be honest; and you will answer "No." In the volume of memory, every page of which, like "Cornelius Agrippa's bloody book," has power to evoke a spectre, would you yet erase a line? We can willingly part with nothing that ever was part of mind, or memory, or self. The lamentable past is our own for ever.

Thank Heaven, my childhood was passed in a tranquil nook, where the roar of the world's traffic is not so much as heard; among scenery, where there lurks little capital, and no enterprise; where the good people are asleep; and where, therefore, the irreparable improvements that in other places carry on their pitiless work of obliteration are undreamed of. I am looking out on scenes that remain unchanged as heaven itself. The summer comes and goes; the autumn drifts of leaves, and winter snows; and all things here remain as my round childish eyes beheld them in stupid wonder and delight when first the world was opening upon them. The trees, the tower, the stile, the very gravestones, are my earliest friends; I stretch my arms to the mountains, as if I could fold them to my heart. And in the opening through the ancient trees, the great estuary stretches northward, wider and wider, into the grey horizon of the open sea.

The sinking sun askance,

Spreads a dull glare,

Through evening air;

And, in a happy trance,

Forest and wave, and white cliff stand,

Like an enchanted sea and land.

The sea-breeze wakens clear and cold,

Over the azure wide;

Before whose breath, in threads of gold,

The ruddy ripples glide,

And chasing, break and mingle;

While clear as bells,

Each wavelet tells,

O'er the stones on the hollow shingle.

The rising of winds and the fall of the waves!

I love the music of shingle and caves.

And the billows that travel so far to die,

In foam, on the loved shore where they lie.

I lean my cold cheek on my hand;

And as a child, with open eyes,

Listens, in a dim surprise,

To some high story

Of grief and glory,

It cannot understand;

So, like that child,

To meanings of a music wild,

I listen, in a rapture lonely,

Not understanding, listening only,

To a story not for me;

And let my fancies come and go,

And fall and flow,

With the eternal sea.

And so, to leave rhyme, and return to prose, I end my preface, and begin my story here.

CHAPTER I

an arrival

One of the earliest scenes I can remember with perfect distinctness is this. My sister and I, still denizens of the nursery, had come down to take our tea with good old Rebecca Torkill, the Malory housekeeper, in the room we called the cedar parlour. It is a long and rather sombre room, with two tall windows looking out upon the shadowy court-yard. There are on the wall some dingy portraits, whose pale faces peep out, as it were, through a background of black fog, from the canvas; and there is one, in better order than the others, of a grave man in the stately costume of James the First, which hangs over the mantel-piece. As a child I loved this room; I loved the half-decipherable pictures; it was solemn and even gloomy, but it was with the delightful gloom and solemnity of one of Rebecca Torkill's stories of castles, giants, and goblins.

It was evening now, with a stormy, red sky in the west. Rebecca and we two children were seated round the table, sipping our tea, eating hot cake, and listening to her oft-told tale, entitled the Knight of the Black Castle.

This knight, habited in black, lived in his black castle, in the centre of a dark wood, and being a giant, and an ogre, and something of a magician besides, he used to ride out at nightfall with a couple of great black bags, to stow his prey in, at his saddle-bow, for the purpose of visiting such houses as had their nurseries well-stocked with children. His tall black horse, when he dismounted, waited at the hall-door, which, however mighty its bars and bolts, could not resist certain magical words which he uttered in a sepulchral voice —

"Yoke, yoke,

Iron and oak;

One, two, and three,

Open to me."

At this charmed summons the door turned instantly on its hinges, without warning of creak or rattle, and the black knight mounted the stairs to the nursery, and was drawing the children softly out of their beds, by their feet, before any one knew he was near.

As this story, which with childish love of iteration we were listening to now for the fiftieth time, went on, I, whose chair faced the window, saw a tall man on a tall horse – both looked black enough against the red sky – ride by at a walk.

I thought it was the gaunt old vicar, who used to ride up now and then to visit our gardener's mother, who was sick and weak, and troubling my head no more about him, was instantly as much absorbed as ever in the predatory prowlings of the Knight of the Black Castle.

It was not until I saw Rebecca's face, in which I was staring with the steadiness of an eager interest, undergo a sudden and uncomfortable change, that I discovered my error. She stopped in the middle of a sentence, and her eyes were fixed on the door. Mine followed hers thither. I was more than startled. In the very crisis of a tale of terror, ready to believe any horror, I thought, for a moment, that I actually beheld the Black Knight, and felt that his horse, no doubt, and his saddle-bags, were waiting at the hall-door to receive me and my sister.

What I did see was a man who looked to me gigantic. He seemed to fill the tall door-case. His dress was dark, and he had a pair of leather overalls, I believe they called them, which had very much the effect of jack-boots, and he had a low-crowned hat on. His hair was long and black, his prominent black eyes were fixed on us, his face was long, but handsome, and deadly pale, as it seemed to me, from intense anger. A child's instinctive reading of countenance is seldom at fault. The ideas of power and mystery surround grown persons in the eyes of children. A gloomy or forbidding face upon a person of great stature inspires something like panic; and if that person is a stranger, and evidently transported with anger, his mere appearance in the same room will, I can answer for it, frighten a child half into hysterics. This alarming face, with its black knit brows, and very blue shorn chin, was to me all the more fearful that it was that of a man no longer young. He advanced to the table with two strides, and said, in resonant, deep tones, to which my very heart seemed to vibrate:

"Mr. Ware's not here, but he will be, soon enough; you give him that;" and he hammered down a letter on the table, with a thump of his huge fist. "That's my answer; and tell him, moreover, that I took his letter," – and he plucked an open letter deliberately from his great-coat pocket – "and tore it, this way and that way, across and across," and he suited the action fiercely to the words, "and left it for him, there!"

So saying, he slapped down the pieces with his big hand, and made our tea-spoons jump and jingle in our cups, and turned and strode again to the door.

"And tell him this," he added, in a tone of calmer hatred, turning his awful face on us again, "that there's a God above us, who judges righteously."

The door shut, and we saw him no more. I and my sister burst into clamorous tears, and roared and cried for a full half hour, from sheer fright – a demonstration which, for a time, gave Rebecca Torkill ample occupation for all her energies and adroitness.

This recollection remains, with all the colouring and exaggeration of a horrible impression received in childhood, fixed in my imagination. I and dear Nelly long remembered the apparition, and in our plays used to call him, after the goblin hero of the romance to which we had been listening when he entered, the Knight of the Black Castle.

The adventure made, indeed, a profound impression upon our nerves, and I have related it, with more detail than it seems to deserve, because it was, in truth, connected with my story; and I afterwards, unexpectedly, saw a good deal more of the awful man in whose presence my heart had quaked, and after whose visit I and my sister seemed for days to have drunk of "the cup of trembling."

I must take up my story now at a point a great many years later.

Let the reader fancy me and my sister Helen; I dark-haired, and a few months past sixteen; she, with flaxen, or rather golden hair and large blue eyes, and only fifteen, standing in the hall at Malory, lighted with two candles; one in the old-fashioned glass bell that swings by three chains from the ceiling, the other carried out hastily from the housekeeper's room, and flaming on the table, in the foggy puffs of the February night air that entered at the wide-open hall-door.

Old Rebecca Torkill stood on the steps, with her broad hand shading her eyes, as if the moon dazzled them.

"There's nothing, dear; no, Miss Helen, it mustn't a' bin the gate. There's no sign o' nothin' comin' up, and no sound nor nothing at all; come in, dear; you shouldn't a' come out to the open door, with your cough in this fog."

So in she stumped, and shut the door; and we saw no more of the dark trunks and boughs of the elms at the other side of the courtyard, with the smoky mist between; and we three trooped together to the housekeeper's room, where we had taken up our temporary quarters.

This was the second false alarm that night, sounded, in Helen's fancy, by the quavering scream of the old iron gate. We had to wait and watch in the fever of expectation for some time longer.

Our old house of Malory was, at the best, in the forlorn condition of a ship of war out of commission. Old Rebecca and two rustic maids, and Thomas Jones, who was boots, gardener, hen-wife, and farmer, were all the hands we could boast; and at least three-fourths of the rooms were locked up, with shutters closed; and many of them, from year to year, never saw the light, and lay in perennial dust.

The truth is, my father and mother seldom visited Malory. They had a house in London, and led a very gay life; were very "good people," immensely in request, and everywhere. Their rural life was not at Malory, but spent in making visits at one country-house after another. Helen and I, their only children, saw very little of them. We sometimes were summoned up to town for a month or two for lessons in dancing, music, and other things, but there we saw little more of them than at home. The being in society, judging by its effects upon them, appeared to me a very harassing and laborious profession. I always felt that we were half in the way and half out of sight in town, and was immensely relieved when we were dismissed again to our holland frocks, and to the beloved solitudes of Malory.

This was a momentous night. We were expecting the arrival of a new governess, or rather companion.

Laura Grey – we knew no more than her name, for in his hurried note we could not read whether she was Miss or Mrs. – my father had told us, was to arrive this night at about nine o'clock. I had asked him, when he paid his last visit of a day here, and announced the coming event, whether she was a married lady; to which he answered, laughing:

"You wise little woman! That's a very pertinent question, though I never thought of it, and I have been addressing her as Miss Grey all this time. She certainly is old enough to be married."

"Is she cross, papa, I wonder?" I further inquired.

"Not cross – perhaps a little severe. 'She whipped two female 'prentices to death, and hid them in the coal-hole,' or something of that kind, but she has a very cool temper;" and so he amused himself with my curiosity.

Now, although we knew that all this, including the quotation, was spoken in jest, it left an uncomfortable suspicion. Was this woman old and ill-tempered? A great deal was in the power of a governess here. An artful woman, who liked power, and did not like us, might make us very miserable.

At length the little party in the housekeeper's room did hear sounds at which we all started up with one consent. They were the trot of a horse's hoofs and the roll of wheels, and before we reached the hall-door the bell was ringing.

Rebecca swung open the door, and we saw in the shadow of the house, with the wheels touching the steps, a one-horse conveyance, with some luggage on top, dimly lighted by the candles in the hall.

A little bonnet was turned towards us from the windows; we could not see what the face was like; a slender hand turned the handle, and a lady, whose figure, though enveloped in a tweed cloak, looked very slight and pretty, came down, and ran up the steps, and hesitated, and being greeted encouragingly by Rebecca Torkill, entered the hall smiling, and showed a very pretty and modest face, rather pale, and very young.

"My name is Grey; I am the new governess," she said, in a pleasant voice, which, with her pretty looks, was very engaging; "and these are the young ladies?" she continued, glancing at Rebecca and back again at us; "you are Ethel, and you Helen Ware?" and a little timidly she offered her hand to each.

I liked her already.

"Shall I go with you to your room," I asked, "while Rebecca is making tea for us in the housekeeper's room? We thought we should be more comfortable there to-night."

"I'm so glad – I shall feel quite at home. It is the very thing I should have liked," she said; and talked on as I led her to her room, which, though very old-fashioned, looked extremely cosy, with a good fire flickering abroad and above on walls and ceiling.

I remember everything about that evening so well. I have reason to remember Miss Laura Grey. Some people would have said that there was not a regular feature in her face, except her eyes, which were very fine; but she had beautiful little teeth, and a skin wonderfully smooth and clear, and there was refinement and energy in her face, which was pale and spiritual, and indescribably engaging. To my mind, whether according to rule or not, she was nothing short of beautiful.

I have reason to remember that pale, pretty young face. The picture is clear and living before me this moment, as it was then in the firelight. Standing there, she smiled on me very kindly – she looked as if she would have kissed me – and then, suddenly thoughtful, she stretched her slender hands to the fire, and, in a momentary reverie, sighed very deeply.

I left her, softly, with her trunks and boxes, which Thomas Jones had already carried up, and ran downstairs.

I remember the pictures of that night with supernatural distinctness; for at that point of time fate changed my life, and with pretty Miss Grey another pale figure entered, draped in black, and calamity was my mate for many a day after.

Our tea-party, however, this night in Mrs. Torkill's room, was very happy. I don't remember what we talked about, but we were in high good-humour with our young lady-superioress, and she seemed to like us.

I am going to tell you very shortly my impressions of this lady. I never met any one in my life who had the same influence over me; and, for a time, it puzzled me. When we were not at French, German, music – our studies, in fact – she was exactly like one of ourselves, always ready to do whatever we liked best, always pleasant, gentle, and, in her way, even merry. When she was alone, or thinking, she was sad. That seemed the habit of her mind; but she was naturally gay and sympathetic, as ready as we for a walk on the strand to pick up shells, for a ride on the donkeys to Penruthyn Priory, to take a sail or a row on the estuary, or a drive in our little pony-carriage anywhere. Sometimes on our rambles we would cross the stile and go into the pretty little churchyard that lies to the left of Malory, near the sea, and if it was a sunny day we would read the old inscriptions and loiter away half an hour among the tombstones.

And when we came home to tea we would sit round the fire and tell stories, of which she had ever so many, German, French, Scotch, Irish, Icelandic, and I know not what; and sometimes we went to the housekeeper's room, and, with Rebecca Torkill's leave, made a hot cake, and baked it on the griddle there, with great delight.

The secret of Laura Grey's power was in her gentle temper, her inflexible conscience, and her angelic firmness in all matters of duty. I never saw her excited, or for a moment impatient; and at idle times, as I said, she was one of ourselves. The only threat she ever used was to tell us that she could not stay at