Paper. Pen. Pandemic.

Tekst

Raamat on inglise keeles

Arvustused

Loe katkendit

Märgi loetuks

Kuidas lugeda raamatut pärast ostmist

Nutitelefon,
tahvelarvuti Arvuti,
sülearvuti E-luger

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Veel 7

Maht: 280 lk. 421 illustratsiooni
Žanr: Kirjanduskriitika Muuda

Paper. Pen. Pandemic.

Šrift:Väiksem АаSuurem Aa

Imprint

Despite making every effort to be accurate and researching carefully, the authors respectively editor and the publisher take no responsibility and accept no liability for the content provided.

1st Printing

Distributed by gestalten.

E-mail: sales@gestalten.com, www.gestalten.com

All rights reserved, in whole or in part, especially the right of public lecture/recitation, the right to transmit by radio and television, and the translation right. No part of this publication may be reproduced in any form or by any means – graphic, electronic or mechanical (which includes but is not limited to: photocopying, recording, taping or storing information) – without the written permission of Red Bull Media House GmbH. Typeset in Georgia

Publisher and editor:

Benevento Publishing - A brand of Red Bull Media House GmbH

Oberst-Lepperdinger-Straße 11–15

5071 Wals near Salzburg, Austria

Concept, composition and design:

Team Rottensteiner Red Bull

Art direction:

Marion Bruckmeier

Project management:

Anne-Sophie Stocker

Assistance composition:

Maximilian Rottensteiner

Walter Grill

Final artwork:

Michael Höller

Cover design:

Team Rottensteiner Red Bull

Cover:

Bruce MacKinnon

Picture editors:

Eva Bauer, Markus Kucera

Translation:

Anne Fries

ISBN 978-3-7109-0130-0

eISBN 978-3-7109-5132-9

PAPER. PEN. PANDEMIC.

Viral Cartoons from around the Globe.

Inhalt

PROLOGUE.

ACKNOWLEDGMENTS

PROLOGUE.

A virus, with a diameter far smaller than one ten-thousandth of a millimeter. And yet thanks to its extremely infectious, initially unpredictable and sometimes lethal nature, it has grabbed center stage the world over.

Amidst all the sick madness are the observers, with their knack of spotting the essence of things, and their gift for reproducing it in pictures. They do not report, do not explain, and do not moralize.

Cartoonists scratch away at the surface of events with their pens to expose the underlying issues. Their perspectives bring other, unexpected facets of a subject to light, giving the beholder greater insight, and encouraging him to “think outside the box”.

As well as examining the peculiarities of the SARS-CoV-2 virus and the “new normality” in times of crisis, the artists have taken a critical look at the astonishing ways in which people have dealt both with this insidious disease itself, and with various absurd proposals on how to combat it.

What these free thinkers among the commentators on world affairs have produced is every bit as diverse as their visual languages and the senses of humor of their respective cultural groups.

Over 400 works by more than 100 cartoonists in over 50 countries on all continents are collated in this book, which surely also offers a glimmer of hope in these surreal times – because as long as we can still laugh about a threat, it certainly can’t have killed us.