When Mr. George and Rollo awoke from their sleep, they found that they were coming into the environs of Rome. The country was green and beautiful, but it seemed almost uninhabited; and in every direction were to be seen immense ruins of tombs, and aqueducts, and other such structures, now gone to decay. There was an ancient road leading out of Rome in this direction, called the

Appian Way

. It was by this road that the apostle Paul travelled, in making his celebrated journey to Rome, after appealing from the Jewish jurisdiction to that of Cæsar. Indeed, the Appii Forum and the Three Taverns, places mentioned in the account of this journey contained in the Acts, were on the very road that Mr. George and Rollo had been travelling in their journey from Naples to Rome.

The remains of the Appian Way are still to be traced for many miles south of Rome. The road was paved, in ancient times, with very large blocks of an exceedingly hard kind of stone. These stones were of various shapes, but they were fitted together and flattened on the top, and thus they made a very smooth, and at the same time a very solid, pavement. In many places along the Appian Way this old pavement still remains, and is as good as ever.

At length the diligence arrived at the gate of the city. It passed through an arched gateway, leading through an ancient and very venerable wall, and then stopped at the door of a sort of office just within. There were two soldiers walking to and fro before the office.

"What are we stopping for here?" asked Rollo.

"For the passports, I suppose," said Mr. George.

The conductor of the diligence came to the door of the coupé and asked for the passports. Mr. George gave him his and Rollo's, and the conductor carried them, together with those which he had obtained from the other passengers, into the office. He then ordered the postilions to drive on.

"How shall we get our passports again?" asked Rollo.

"We must send for them to the police office, I suppose," said Mr. George.

It is very customary, in the great capitals of Europe, for the police to take the passports of travellers, on their arrival at the gates of the city, and direct them to send for them at the central police office on the following day.

After passing the gate, the diligence went on a long way, through a great many narrow streets, leading into the heart of the city. There was nothing in these streets to denote the ancient grandeur of Rome, excepting now and then an old and venerable ruin, standing neglected among the other buildings.

Rollo, however, in looking out at the windows of the coupé, saw a great many curious sights, as the diligence drove along. Among these one of the most remarkable was a procession of people dressed in a most fantastic manner, and wearing masks which entirely concealed their faces. There were two round holes in the masks for the eyes. Mr. George told Rollo that these were men doing penance. They had been condemned to walk through the streets in this way, as a punishment for some of their sins.

"Why, they treat them just as if they were children," said Rollo.

"They

are

children," said Mr. George, "in every thing but years."

Not long after this, Rollo saw a very magnificent carriage coming along. It was perfectly resplendent with crimson and gold. The horses, too, and the coachman, and the footmen, were gorgeously caparisoned and apparelled in the same manner.

Rollo pointed it out to Mr. George. Mr. George said it was a cardinal's carriage.

"I wish the cardinal was in it," said Rollo. "I would like to have seen him."

"I presume he would have looked very much like any other man," replied Mr. George.

"Yes, but he would have been dressed differently, wouldn't he?"

"Perhaps so," said Mr. George.

"Perhaps he would have had his red hat on," said Rollo. "I should like to see a cardinal wearing his red hat."

The badge of the cardinal's office is a hat and dress of a red color.

At length the diligence passed under an archway which led into a large open court, similar to the one in Naples where the journey had been commenced. The passengers got out, the horses were unharnessed, and the baggage was taken down. The trunks were all taken into an office pertaining to the custom house, to be examined by the officers there, in order to see whether there were any contraband goods in them.

Mr. George unlocked his trunk and lifted up the lid. An officer came up to the place, and patting with his hand upon the top of the clothes, as if to prevent Mr. George from lifting them up to show what was below, he said,—

"Very well; very well; it is sufficient."

So saying, he shut down the top of the trunk again, and marked it, "Passed." He then touched his hat, and asked Mr. George if he would make some small present for the benefit of the custom house officers.

That is to say, he evaded the performance of his duty as an officer of the customs, in expectation that the traveller would pay him for his delinquency. Most travellers are very willing to pay in such cases. They have various articles in their trunks which they have bought in other countries, and which, strictly speaking, are subject to duty in entering Rome, and they are willing to pay a fee rather than to have their trunks overhauled. Others, of more sturdy morality, refuse to pay these fees. They consider them as of the nature of bribes. So they say to the officers,—

"Examine the baggage as much as you please, and if you find any duties due, I will pay them. But I will not pay any bribes."

"Now, Rollo," said Mr. George, when he had got possession of his trunk, "we want a carriage to take us and the baggage to the hotel. You may go and see if you can find one, and I will stay here and look after the baggage. Engage the carriage by the hour."

So Rollo went out of the court, and soon found a carriage. Before he got into it, he said to the coachman,—

Per hora!

This means, By the hour.

At the same time Rollo held up his watch to the coachman, in order to let him see what o'clock it was.

Si, signore

," said the coachman.

Si, signore

, is the Italian for Yes, sir.

Rollo could not say in Italian where he wished the coachman to go, and so he stood up in the carriage and pointed. Following his indications, the coachman drove in through the archway to the court of the post office, where he found Mr. George waiting. The trunk and the bags were put upon the carriage, in front, and Mr. George got in with Rollo.

"Hotel d'Amerique," said Mr. George to the coachman.

Si, signore

," said the coachman, and immediately he began to drive away.

The Hotel d'Amerique was the one where Mr. George had concluded to go. He had found the name and a description of this hotel in his guide book.

"Why did you want me to take the carriage by the hour?" asked Rollo.

"Because it is very probable," said Mr. George, "that we shall not get in at the Hotel d'Amerique, and in that case we shall have to go to other hotels, and unless we take him by the hour, he would charge a course for every hotel that we go to, and the charge even for

two

courses, is more than for an hour."

The event showed that Mr. George was right in his calculations. The Hotel d'Amerique was full. The waiter, who came out, as soon as he saw the carriage stop at the door, told Mr. George this in French.

"Then please tell our coachman," said Mr. George, "to drive us to any other principal hotel that is near here, and if that is full, to another; and so on, until he finds a good place where they can take us in."

Mr. George said this, of course, in French. The waiter delivered the message to the coachman in Italian.

"Yes," said the coachman, to himself, "that I'll do. But I shall take good care that you don't find any place where you can get in this two hours, if I can help it."

The reason why the coachman did not wish that his travellers should find a hotel soon was, of course, because he wished to earn as much money as possible by driving them about.

He immediately began to think what hotels would be most likely to be full, and drove first to those. The first of all was a hotel, situated quite near one of the gates of the city, the one where the principal entrance is for all travellers coming from the north. It is called the "Gate of the People,"—or in Italian,

Porto del Popolo

. The gate opens into a large triangular space, which is called the

Piazza del Popolo

Piazza

Pronounced

Piatza

in Italian, means a public square.

This Piazza del Popolo is one of the most celebrated places in Rome. There are three streets that radiate from it directly through the heart of the town. Between the centre and the two side streets, at the corners where they come out upon the square, are two churches exactly alike. They are called sometimes the

twin churches

, on this account.

The Piazza del Popolo is a great place for public parades. On one side is a high ascent, with a broad expanse of gardens upon the top, and zigzag roads, handsomely walled up, and ornamented with statues and fountains, and with marble seats placed here and there for foot passengers to rest themselves upon, when ascending.

Every year, at the end of what they call Holy Week, they have a great celebration of fireworks from the side of this hill and from the terrace above; and then all the people assemble in the Piazza below to witness them.

But I must go back to Mr. George and Rollo. The coachman stopped at a large hotel, fronting upon this square. On inquiring at the bureau, (on the continent of Europe they call an office a bureau) Mr. George found that all the rooms were occupied except one large apartment, of four rooms. This was, of course, more than Mr. George wanted.

At the next hotel where the coachman stopped, there were no rooms at all vacant, and at the next only one small room, with a single narrow bed in it.

"If we can't find any other," said Rollo, "we will come back and take this, and I will sleep on the floor."

"O, no!" said Mr. George.

"Why, uncle George!" said Rollo, "I can make it very comfortable on the floor, by rolling up two coats or cloaks into two long rolls, and wedging them in under me, one on one side of me and the other on the other, and then putting a carpet bag under my head for a pillow. It feels just as if you were in a good bed."

Mr. George smiled, and got into the carriage again, and the coachman drove on.

After a while, he stopped at the door of a hotel which stood in rather a retired place among narrow streets, though there was an open space in front of it. Mr. George inquired for rooms here, and the waiter said that they had one left.

"Are there two beds in it?" asked Mr. George.

"No, sir," said the waiter, "but we can put two beds in. Would you like to go and see it, sir?"

"No," said Mr. George, "I will take it without going to see it. It is the best that we can do."

So the porter of the hotel took off the baggage, while Mr. George paid the coachman for an hour and a half of time. Mr. George and Rollo then followed the porter to their room. In order to reach it, they had to ascend several stories, up massive staircases of stone, and then to go out to the extreme end of a long corridor. The room, when they came to it, proved to be quite small, and there was but one bed in it. There was, however, room for another; and the waiter, who had followed them up, said that he would cause another one to be put in without any delay.

Chapter IV.

A Ramble

"And now, uncle George," said Rollo, "we'll get ready, and then the first thing that we will do, will be to go down into the dining room and get some breakfast."

"Why, we have had our breakfast already," said Mr. George. "We had it at two o'clock this morning, on the Pontine Marshes."

"O, no," said Rollo, "that was our supper for last night."

"Very well," said Mr. George, "we will have some breakfast. You may go down and order it as soon as you are ready. I will come down by the time that it is on the table."

"What shall I order?" asked Rollo.

"Whatever you please," said Mr. George.

Accordingly Rollo, as soon as he was ready, went down stairs, and looking about in the entrance hall, he saw a door with the words Table D'Hôte, in gilt letters, over it.

"Ah," said he to himself, "this is the place."

He opened the door, and found himself in a long, narrow room, which seemed, however, more like a passage way than like a room. There was a sort of rack on one side of it for hats and coats. There were several pictures in this room, with prices marked upon them, as if they were for sale, and also a number of very pretty specimens of marble, and inlaid paper weights, and models of columns, temples, and ruins of various kinds, and other such curiosities as are kept every where in Rome to sell to visitors. Rollo looked at all these things as he passed through the room, considering, as he examined them, whether his uncle George would probably wish to buy any of them.

One of them was a model of a column, with a spiral line of sculptures extending from the base to the summit. These sculptures represented figures of men and horses, sometimes in battle, sometimes crossing bridges, and sometimes in grand processions entering a town.

"This must be a model of some old column in Rome, I suppose," said Rollo to himself. "Perhaps I shall find it some time or other, when I am rambling about the streets. But now I must go and see about breakfast."

So saying, Rollo passed on to the end of the passage way, where there was a door with curtains hanging before it. He pushed these curtains aside, opened the door, and went in. He found himself ushered into a dining room, with a long table extending up and down the centre of it. There was a row of massive columns on each side of the table, which supported the vaultings of the ceiling above. In different parts of this table there were small parties of gentlemen and ladies, engaged in taking late breakfasts.

Rollo walked down on one side of the table. There was on that side a party consisting of a lady and gentleman with two children, a girl and a boy,—all dressed in such a manner as to give them a foreign air. The gentleman was speaking to the waiter in French when Rollo passed by the party. The boy was sitting next to one of the great pillars. These pillars were so near the table that each one of them took the place of a seat.

Rollo walked on and took his seat next beyond the pillar. Of course the pillar was between him and the boy.

In a few minutes a waiter came to ask what Rollo would have for breakfast. He asked in French. Rollo gave an order for breakfast for two. He said that his uncle would be down in a few minutes.

"Very well, sir," said the waiter.

As soon as the waiter had gone, Rollo looked round the other way, and he saw that the other boy was peeping at him from behind the pillar. The boy laughed when he caught Rollo's eye, and Rollo laughed too. The boy seemed to be about nine years old.

A moment afterwards the boy began to peep at Rollo from behind the pillar on the back side, and then again on the front side, thus playing a sort of bo-peep. In this way, in a few minutes the two boys began to feel quite acquainted with each other, without, however, having spoken a word. They would, perhaps, have continued this game longer, but just at this moment the breakfast for the party came in, and the boy set himself at work eating a warm roll, buttered, and drinking his coffee.

"Can you speak French?" asked Rollo,—of course speaking French himself in asking the question.

"Yes," said the boy, "but not very well."

"Then," said Rollo to himself, "he cannot be a French boy. Perhaps he is an Italian boy."

"Italian?" asked Rollo.

"No," said the boy, "not at all. All I know of Italian is

grazia

Pronounced

gratzia

"What does that mean?" asked Rollo.

"It means, Thank you," said the boy.

"He must be a German boy, I think," said Rollo to himself.

After pausing a moment, Rollo ventured to ask the boy what his name was.

"Charles Beekman," said the boy. He pronounced the name in so English a fashion, that Rollo perceived at once that he must speak English, so he changed from French to English himself, and said,—

"So you are an English boy."

"No," said Charles, "I'm an American boy."

Rollo here laughed outright, to think how much trouble they had both been taking to speak to each other in French, each supposing the other to be some outlandish foreigner, when, after all, they were both Americans, and could talk perfectly well together in their own mother tongue. Such adventures as these, however, are very frequently met with, in travelling in foreign countries.

After finding that they could both speak English, the two boys talked with each other like old friends, for some minutes; and at length finding that the pillar between them was very much in the way, Charles, with his mother's permission, moved his seat round to Rollo's side of it, Rollo himself moving to the next chair, to make room for him. Mrs. Beekman readily consented to this, having first observed that Rollo appeared to be a boy of agreeable and gentlemanly manners and demeanor.

When Mr. George at length came down, he was at first quite surprised to find that Rollo had thus obtained a companion; but before the breakfast was completed, he had become quite well acquainted with the Beekman family himself. Towards the end of the breakfast Rollo said that he was going out to take a walk, and he asked Mrs. Beekman to let Charles go with him. Mr. George was going to finish some letters in his room, and was then going to the post office and to the bankers, where Rollo did not particularly wish to go.

"It will be better for you and me to go out and take a walk by ourselves," said he to Charles, "if your mother is willing."

"Yes," said Mrs. Beekman, "I am willing. Only you must take care and not get lost."

"O, no," said Rollo; "I'll take care of that. Besides, if we should get lost, I know exactly what to do."

"What would you do?" asked Mr. Beekman.

"I would just take a carriage," replied Rollo, "and order the coachman to drive right to the hotel."

"Very good," said Mr. Beekman, "that would do very well."

Accordingly, after breakfast Mr. George went to his room to finish his letters, while Rollo and Charlie set out on their walk, to see what they could see of Rome.

Rollo's plan of taking a carriage, in case of getting lost in a strange city, and ordering the coachman to drive to the hotel, is a very excellent one; but one thing is quite essential to the success of it, and that is, that the person lost should know the name of his hotel. Unfortunately, Rollo was going out without this requisite. Neither he himself nor Mr. George had observed the name of the hotel where the coachman whom they had employed, on their arrival, had finally left them; and in going out Rollo forgot to observe what it was. He did not even take notice of the name of the street. He did observe, however, that the hotel had a small open space, like a square, before it, with a fountain on one side. The water from the fountain flowed into a small stone basin, with curious figures sculptured on the side of it.

"Let us go and look at this basin," said Charles, "and see if it would not be a good place for us to sail little boats."

The basin was in a cool and pleasant place, being overshadowed by the drooping branches of a great tree. Rollo, however, did not wish to stay by it long.

"Let us go now and see the streets of Rome," said he; "we can come out and look at this basin at any time."

So the two boys walked along, paying little attention to the direction in which they were going.

"We shall find some of the great streets pretty soon," said Rollo, "and then we will take an observation."

"What do you mean by that?" asked Charles.

"Why, we will take particular notice of some great building, or something else that is remarkable where we come out into the street, and by that means we shall be able to find our way back to the hotel."

"Yes," said Charles, "that will be an excellent plan."

So the boys went on, and presently they came out into what seemed to be quite a busy street. It was not very wide, but it was bordered with gay-looking shops on each side. These shops were for the sale of models, specimens of marbles, Etruscan vases, mosaics, cameos, and other such things which are sold to visitors in Rome. The number of mosaics and cameos was very great. They were displayed in little show cases, placed outside the shops, under the windows and before the doors, so that people could examine them as they walked along.

"O, what a quantity of mosaics and

cameos

!" exclaimed Rollo.

"What are mosaics and cameos?" asked Charles.

As perhaps some of the readers of this book may not know precisely the meaning of these words, I will here explain to them, as Rollo did to Charles, how mosaics and cameos are made.

In the first place, in respect to cameos. Imagine a small flat piece of stone, of different colors on the two sides, say white and black. We will suppose that the white extends half through the thickness of the stone, and that the remaining part of the thickness is black. Stones are often found with such a division of colors, not only white and black, but of all other hues.

Now, the artist takes such a stone as this, and marks out some design upon one side of it, say upon the white side. Perhaps the design may be the figure of a man. Then he cuts away all the white of the stone except the figure; and the result is, that he has the figure of the man, or whatever else his design may be, in white, on a black ground, and the whole in one piece of stone, all solid.

Besides stone, shell is often used for cameos; many shells being pink, or of some other such color on the inside, and white towards the outside. In such a case, the figures of the design would be pink, or whatever else the color of the stone might be, on a white ground.

The artists of Rome are celebrated for making beautiful cameos, both in shell and in stone. The figures are very nicely drawn, and are very beautifully cut, and when finished are set as pins, bracelets, and other ornaments.

The

mosaics

, on the other hand, are made in a very different way. In these, the design is represented by different colored stones or bits of glass worked in together, with great care, in an opening made in the material serving for the groundwork. Rollo and Charlie went into one of the shops, and saw a man making one of these mosaics. He was working at a table. On one side was a small painting on a card, which was his model. He was copying this painting in mosaic. The bits of glass that he was working with were in the form of slender bars, not much larger than a stiff bristle. They were of all imaginable colors—the several colors being each kept by itself, in the divisions of a box on the table. The man took up these bars, one by one, and broke off small pieces of them, of the colors that he wanted, with a pair of pincers, and set them into the work. He put them in perpendicularly, and the lower ends went into some soft composition, placed there to receive and hold them. The upper ends, of course, came together at the surface of the work.

The man who was making the mosaic told Rollo, that as soon as he had finished placing the pieces for the whole design, he should grind off the surface so as to make it smooth, and polish it. It would then have the appearance of a painted picture.

You would think that as the colors of the design are thus represented by separate pieces of glass, put in one after the other, the result would be a sort of mottled appearance, or at least that the gradations of hue would be sharp and harsh in their effect. But it is not so. The pieces are so small, and the different shades succeed each other so regularly, that when viewed from the ordinary distance, the junctions disappear altogether, and the shades mingle and blend together in the softest and most perfect manner.

The mosaic which the workman was making in the shop where Rollo and Charles went in, was a small one, intended to form part of a bracelet. There were, however, some in the same shop that were quite large. They were framed like pictures, and were hanging up against the wall. Indeed, there was nothing but the circumstance that they were in a mosaic shop, to denote that they were not pictures, beautifully painted in oil. One was a landscape; another was a portrait of a beautiful girl; another was a basket of fruit and flowers.

In some of the churches of Rome, there are mosaics of very large size, which are exact and beautiful copies of some of the most celebrated paintings in the world. Strangers coming into the churches and looking at these pictures, never imagine them to be mosaics, and when they are told that they are so, they can scarcely believe the story. But on examining them very near, or in looking at them through an opera glass,—for sometimes you cannot get very near them,—you can easily see the demarcations between the little stones.

It is a very curious circumstance that the most ancient pictures in the churches of Rome and Italy are mosaics, and not paintings. Mosaics seem to have come first in the history of art, and paintings followed, in imitation of them. Indeed, the arranging of different colored stones in a pavement, or in a floor, so as to represent some ornamental design, would naturally be the first attempt at decoration made in the construction of buildings. Then would follow casing the walls with different colored marbles, arranged in pretty ways, and finally the representation of men and animals would be attempted. This we find, from an examination of ancient monuments, was the actual course of things, and painting in oil came in at the end as an imitation of pictures in stone.

Rollo and Charles were induced to go into the mosaic shop by the invitation of the workman, whose table, as it happened, stood near the door. He saw the two boys looking in somewhat wistfully, as they went by, and he invited them to walk in. He saw at once from their appearance that they were visitors that had just arrived in town, and though he did not expect that they would buy any of his mosaics themselves, he thought that there might be ladies in their party who would come and buy, if he treated the boys politely. It was on that account that he invited them to come in. And when they had looked about the establishment as much as they wished, and were ready to go away, he gave them each one of his cards, and asked them to give the cards to the ladies of