The deacon’s cowhide cut deep; but the thrashing didn’t last long: and after it was all over, Hiram wandered out aimlessly by himself, down the snowclad valley of Muddy Creek, and along to the wooded wilds and cranberry marshes near the Ontario debouchure, to forget his troubles and the lasting smart of the weals in watching the beasts and birds among the frozen lowlands. He had never been so far from home before, but the weather and the ice were in his favour, enabling him to get over an amount of ground he wouldn’t have tried to cover in the dry summer time. He had his skates with him, and he skated where possible, taking them off to walk over the intervening land necks or drifted snow-sheets. The ice was glare in many places, so that one could skate on it gloriously; and before he had got half-way down to Nine-Mile Bottom he had almost forgotten all about the deacon, and the sermon, and the beating, and the threatened ten chapters of St. John (the Gospel of Love the deacon called it) to be learned by heart before next Lord’s day, in expiation of the heinous crime of having read that pernicious work the ‘Vicar of Wakefield.’ It was the loveliest spot he had ever seen in all his poor unlovely little existence.

Close under the cranberry trees, by a big pool where the catfish would be sure to live in summer, Hiram heard men’s voices, whispering low and quiet to one another. A great joy filled his soul. He could see at once by their dress and big fur caps what they were. They were trappers! One piece of romance still survived in Geauga County, among the cranberry swamps and rush beds where the flooded creek flowed sluggishly into the bosom of Ontario; and on that one piece of romance he had luckily lighted by pure accident. Trappers! Yes, not a doubt of it! He struck out on his skates swiftly but noiselessly toward them, and joined the three men without a word as they stood taking counsel together below their breath on the ice-bound marshland.

‘Hello, sonny!’ one of the men said in a low undertone. ‘Say whar did you drop from? What air you comin’ spyin’ out a few peaceable surveyors for, eh? Tell me.’

‘I didn’t think you was surveyors,’ Hiram answered, a little disappointed. ‘I thought you was trappers.’ And at the same time he glanced suspiciously at the peculiar little gins that the surveyors held in their great gauntleted hands, for all the world like Oneida traps for musk-rats.

The man noticed the glance and laughed to himself a smothered laugh – the laugh of a person accustomed always to keep very quiet. ‘The young un has spotted us, an’ no mistake, boys,’ he said, laughing, to the others. ‘He’s a bit too ‘cute to be took in with the surveyor gammon. What do you call this ‘ere, sonny?’

‘I calc’late that’s somewhar near a mink trap,’ Hiram answered, breathless with delight.

‘Wal, it is a mink trap,’ the trapper said slowly, looking deep into the boy’s truthful eyes. ‘Now, who sent you down here to track us out and peach upon us; eh, Bob?’

‘Nobody sent me,’ Hiram replied, with his blue eyes looking deep back into the trapper’s keen restless grey pair. ‘I kem out all o’ my own accord, ‘cos father gave me a lickin’ this mornin’, an’ I’ve kem out jest to get away for a bit alone somewhar.’

‘Who’s your father?’ asked the man still suspiciously.

‘Deacon Winthrop, down to Muddy Creek Deepo.’

‘Deacon Winthrop! Oh, I know him, ruther. A tall, skinny, dried-up kind of fellow, ain’t he, who looks as if most of his milk was turned sour, an’ the Hopkinsite Confession was a settin’ orful heavy on his digestion?’

Hiram nodded several times successively, in acknowledgment of the general accuracy of this brief description. ‘That’s him, you bet,’ he answered with unfilial promptitude. ‘I guess you’ve seed him somwhar, for that’s him as like as a portrait. Look here, say, I’ll draw him for you.’ And the boy, taking his pencil from his pocket, drew as quickly as he was able on a scrap of birch-bark a humorous caricature of his respected parent, as he appeared in the very act of offering an unctuous exhortation to the Hopkinsite assembly at Muddy Creek meeting-house. It was very wrong and wicked, of course – a clear breach of the Fifth Commandment – but the deacon hadn’t done much on his own account to merit honour or love at the hands of Hiram Winthrop.

The man took the rough sketch and laughed at it inwardly, with a suppressed chuckle. There was no denying, he saw, that it was the perfect moral of that thar freezed-up old customer down to the Deepo. He handed it with a smile to his two companions. They both recognised the likeness and the little additions which gave it point, and one of them, a Canadian as Hiram conjectured (for he spoke with a dreadful English accent – so stuck-up), said in the same soft undertone: ‘Do you know where any mink live anywhere hereabouts?’

‘A little higher up stream,’ Hiram answered, overjoyed, ‘I know every spot whar ther’s any mink stirrin’ for five miles round, anyhow.’

The Canadian turned to the others.

‘Boys,’ he said, ‘you can trust the youngster. He won’t peach on us. He’s game, you may be sure. Now, youngster, we’re trappers, as you guessed correctly. But you see, farmers don’t love trappers, because they go trespassing, and overrunning the fields: and so we don’t want you to say a word about us to this father of yours. Do you understand?’

Hiram nodded.

‘You promise not to tell him or anybody?’

‘Yes, I promise.’

‘Well, then, if you like, you can come with us. We’re going to set our traps now. You don’t seem a bad sort of little chap, and you can see the fun out if you’ve a mind to.’

Hiram’s heart bounded with excitement. What a magnificent prospect! He promised to show the trappers every spot he knew about the place where any fur-bearing animal, from ermine to musk-rat, was likely to be found. In ten minutes, all four were started off upon their skates once more, striking up the river in the direction of the deacon’s, and setting traps by Hiram’s advice as they went along, at every likely run or corner.

‘You drew that picture real well,’ the Canadian said, as they skated side by side: ‘I could see it was the old man at a glance.’

Hiram’s face shone with pleasure at this sincere compliment to his artistic merit. ‘I could hev done it a long sight better,’ he said simply, ‘ef my hands hadn’t been numbed a bit with the cold, so’s I could hardly hold the pencil.’

It was a grand day, that day with the trappers – the gipsies of half-settled America; the grandest day Hiram had ever spent in his whole lifetime. How many musk-rats’ burrows he pointed out to his new acquaintance along the bank of the creek; how many spots where the mink, that strange water-haunting weasel, lurks unseen among the frozen sedges! Here and there, too, he showed them the points where he had noticed the faint track of the ermine on the lightly fallen snow, and where they might place their traps across the path worn by the ‘coons on their way to and from the Indian corn patch. It was cruel work, to be sure, setting those murderous snapping iron jaws, and perhaps if Hiram had thought more about the beasts themselves (whom after all he loved in his heart) he wouldn’t have been so ready to aid their natural enemies in thus catching and exterminating them: but what boy is free from the aboriginal love of hunting something? Certainly not Hiram Winthrop, at least, to whom this one glimpse of a delightful wandering life among the woods and marshes – a life that wasn’t all made up of bare fields and fall wheat and snake fences and cross-ploughing – seemed like a stray snatch of that impossible paradise he had read about in ‘Peter Simple’ and the ‘Buccaneers of the Caribbean Sea.’

‘Say, Bob,’ the Canadian muttered to him as they were half-way through their work (in Northern New York every boy unknown is ex officio addressed as Bob), ‘we shall be back in these diggings in the spring again, looking after the summer furs, you see. Now, don’t you go and tell any other trappers about these places we’ve set, because trappers gener’ly (present company always excepted) is a pretty dishonest lot, and they’ll poach on other trappers’ grounds and even steal their furs and traps as soon as look at ‘em. You stand by us and we’ll stand by you, and take care you don’t suffer by it.’

‘When’ll you come?’ Hiram asked in the thrilling delight of anticipation.

‘When the first spring days are on,’ the Canadian answered. ‘I’ll tell you the best sign: it’s no use going by days o’ the month – we don’t remember ‘em mostly; – but it’ll be about the time when the skunk cabbage begins to flower.’

Hiram made a note of the date mentally, and treasured it up in safety on the lasting tablets of his memory.

At about one o’clock the trappers sat down upon the frozen bank and ate their dinner. It would have been cold work to men less actively engaged; but skating and trapping warms your blood well. ‘Got any grub?’ one of the men asked Hiram, still softly. Your trapper seems almost to have lost the power of speaking above a whisper, and he moves stealthily as if he thought a spectral farmer was always dogging his steps close behind him.

‘No, I ain’t,’ Hiram answered.

‘Then, thunder, pitch into the basket,’ his new friend said encouragingly.

Hiram obeyed, and made an excellent lunch off cold hare and lake ship-biscuit.

‘Are you through?’ the men asked at last.

‘Yes,’ Hiram replied.

‘Then come along and see the fun out.’

They skated on, still upward, in the general direction of the blackberry bottom. When they got there, Hiram, now quite at home, pointed out even more accurately than ever the exact homes of each individual mink and ermine. So the men worked away eagerly at their task till the evening began to come over. Then Hiram, all aglow with excitement and wholly oblivious of all earthly considerations, became suddenly aware of a gaunt figure moving about among the dusky brushwood and making in the direction of his friends the trappers. ‘Hello,’ he cried to his new acquaintances in a frightened tone, ‘you’d best cut it. Thar’s the deacon.’

The Canadian laughed a short little laugh. ‘All right, Bob,’ he said coolly; ‘we ain’t afraid of him. If he touches you to hurt you, I surmise he’ll find himself measuring his own height horizontally rather quicker than he expected.’ The deacon overheard the alarming prediction, and, being a wise man in his generation, prudently abstained from making any hostile demonstration to Hiram in the presence of his self-constituted protectors. ‘Good evenin’, gents all,’ he said, advancing blandly.

‘I’d lost my son, d’ye see, an’ I’d kem out right here to look after him. Hiram, you come along home, sonny; your mother’s most out of her mind about you, I kin tell you.’

‘Good evening, Colonel,’ the Canadian answered in a determined fashion. ‘We’re sorry business has compelled us to trespass on your property; but the fur trade, Colonel, the fur trade is a pretty exacting profession. The Lord Chief Justice of England insists upon his ermine, you see, Colonel, and the demand compels the supply. We’re all instruments, sir, instruments merely. Your boy’s a pretty smart lad, and if he concentrates his mind upon the subject, I surmise that he’ll grow up to be a pretty accomplished trapper.’ (The deacon’s disgust spoke out volubly at this suggestion even upon his lantern-jawed impassive countenance.) ‘Well, sir, he’s been very useful to us, and we particularly request that you won’t lick him for it. We don’t wish him to be hurt. We’re law-abiding citizens, Colonel, but we won’t let that boy be hurt. You understand, sir – pre-cisely so. Bob, we’ll clear them traps on Saturday morning. You come then and report proceedings.’

‘All right,’ Hiram answered defiantly; ‘I’ll be along.’

‘Good evenin’, Colonel,’ the three men said.

‘Good evenin’, gents all,’ the deacon answered, boiling over with wrath, but smothering his rage till they were well off the premises.

Hiram turned and walked home in perfect silence by the side of his father. They had got inside the house before the deacon ventured to utter a single word, then he closed the door firmly, cuffed Hiram half a dozen times over about the head, and cried angrily, ‘I was afeard, sonny, you’d got drownded in the creek, reely: I was afeard you was cut off in your sin this time; I was afeard of a judgment, I was: for I’ve reproved you often, sonny; you can’t blame it agin me that I hain’t reproved you often: and he that bein’ often reproved hardeneth his neck shall suddenly be destroyed.’

‘Wal,’ Hiram cried through his tears (he was a stubborn un, some), ‘it’s you that hardens it, ain’t it? What do you go allus hittin’ it for?’

‘’Tain’t that neck, you scoffin’ sinner,’ the deacon answered savagely, dealing him another cuff or two about the head. ‘Tain’t that neck, you know as well as I do: it’s the sperritooal neck the prophet is alloodin’ to. But you shall have some cow-hide, again, Hiram; don’t you be afeard about it: you shan’t go to reprobation unhindered ef I kin help it. ‘The rod an’ reproof give wisdom: but a child left to himself bringeth his mother to shame. Mis’ Winthrop, I’m afeard this son o’ yours’ull bring you to shame yet, marm, with his sinful onregenerate practices. What’s he bin doin’?

Now, you jest guess: why, bringin’ a whole crowd of disrepootable trappers a-settin’ mink-traps an’ ermine-springes on his own father’s blackberry lot. He ain’t satisfied with the improvin’ company he kin get to home, he ain’t, but he must go consortin’ and associatin’ with a lot of no-account, skulkin’, profane trappers – a mean crowd, a mob, a set of low fellers I wouldn’t hold no intercourse with, anyhow. Hiram Winthrop, it’s my belief you hev got no sense of the dignity of your persition.’

‘I beg pardon, Colonel,’ the Canadian interposed, lifting the latch of the front door lightly (it opened into the living room), ‘but I wish gently to protest against them opprobrious epithets being out of thoughtlessness applied to the exacting perfession of the fur trade. The fur trade, sir, is a most noble perfession. The honourable Hudson Bay Company, for whose deepo at Kingston I trade, is a recognised public body, holding a charter from Queen Victoria, and reckoning among its officials several prominent gentlemen of the strictest probity. I should be sorry, Colonel, and my mates’ud be sorry, to cause any unpleasantness as a sequel to this little excursion: but we can’t stand by and hear them opprobrious epithets applied to the noble per-fession of the fur trade, or to ourselves as its representatives in Geauga County. I’ll trouble you, Colonel, to withdraw them words, right away, with a candid apology, and to give us your word of honour that you ain’t going to thrash this little chap for the exertions he has made to-day on behalf of the noble perfession which me and my mates has the pleasure and honour of representing. Otherwise, I don’t hesitate to say, Colonel, I surmise there’ll be a little unpleasantness somewhere between us.’

CHAPTER V. EMANCIPATION

Churchill,’ said the vicar, pulling up his cob opposite the gate of the little market garden, ‘I want to speak to you a minute about that boy of yours. He’s twelve years old and more, I should say, by the look of him, and he’s hanging about the village all his time, doing nothing. Do you want a place to put him to? What are you going to do with him?’

‘Wull, passon,’ Sam Churchill answered, touching his hat in a semi-deferential manner (as a liberal politician, Sam was constitooshionally agin the passon), ‘Us did think o’ zendin’ un to school a bit longer, and tryin’ vor to prentice un to zum trade zumwhere; but if a good place at sarvice was goin’ a beggin’, wy, me an’ ‘is mother wouldn’t stand in the way of ‘is takin’ it, sartinly, noways.’

‘Don’t send the boy to school any more, Churchill,’ the vicar said decisively. ‘This education business is being overdone. You allowed your other boy – Sam I think you called him – to read a pack of nonsensical books about going to sea and so forth, and what’s the result? He’s gone off to America and left you alone, just as he was beginning to be fitted for a useful assistant. Depend upon it, Churchill, over-education’s a great error.’

‘That’s just what my missus do zay, zur,’ Sam chimed in respectfully. ‘If us ‘adn’t let Sam read them Cap’n Marryat books, ‘ur do zay,’ e ‘ouldn’t never ‘ave gone off a-zeekin’ ‘is fortune awver yander to ‘Murrica. Howsom-dever, what place ‘ave ‘ee got in yer eye vor our Colin, passon?’

‘Let him come to the vicarage,’ the parson said, ‘and I’ll train him to be my own servant. Then he can get to be a gentleman’s valet, and take a good place by-and-by in London. The boy’s got good manners and good appearance, and would make a capital servant in time, I don’t doubt it.’

‘Wull, I’ll talk it awver wi’ the missus,’ old Sam replied dubiously.

When Colin was asked whether he would like to go to the vicarage or not, he answered, with the true west-country insouciance, that he didn’t much care where he went, so long as the place was good and the work was aisy: and so, before the week was out, he had been duly installed as the vicar’s buttons and body-servant, and initiated into the work of brushing clothes, opening doors, announcing visitors, and all the other mysteries of his joint appointment.

The vicar of Wootton was a very great person indeed. He was second cousin to the Earl of Beaminster, the greatest landowner in that part of Dorset; and he never for a moment forgot that he was a Howard-Russell, the inheritor of two of the noblest names in England, and of nothing else on earth except a remarkably narrow and retreating forehead. The vicar was not clever; to that he had no pretensions: but he was a high-minded, honourable, well-meaning English gentleman and clergyman of the old school; not much interested in their new-fangled questions of High Church, and Low Church, and Broad Church, and all the rest of it, yet doing his parochial duty as he conceived of it in a certain honest, straightforward, perfunctory, official fashion. ‘In my young days, my dear,’ he used to say to his nieces (for he was a bachelor), ‘we didn’t have all these high churches, and low churches, and mediumsized churches, that people have nowadays.

We had only one church, the Church of England. That’s the only church that I for my part can ever consent to live and die in.’

In the vicar’s opinion, a clergyman was an officer charged with the maintenance of spiritual decorum in the recognised and organised system of this realm of England. His chief duty was to dispense a decorous hospitality to his friends and equals, to display a decorous pattern of refined life to his various inferiors, to inculcate a decorous morality on all his parishioners, and to take part in a decorous religious service (with the assistance of his curates) twice every Sunday. The march of events had latterly compelled him to add morning prayer on Wednesdays and Fridays in Lent to this simple list of functions; but further than that the vicar resolutely refused to go. When anyone talked to him about matins and evensong, or discussed the Athanasian Creed, or even spoke of the doings of Convocation, the vicar sniffed a little with his aristocratic nose, and remarked stiffly that people didn’t go in for those things in his young days, thank goodness. So far as his opinion went, he hated innovations; the creeds were very good creeds indeed, and people had got along very well with them, and without matins or convocations, ever since he could remember.

Still, the vicar was a man of taste. A cousin of Lord Beaminster’s and a vicar of Wootton Mandeville ought, he felt, in virtue of his position, to be a man of taste. Not an admirer of new fads and fancies in art: oh, no, no; by no means: not a partisan of realism, or idealism, or romanticism, or classicism, or impressionism, or any other of their fashionable isms; certainly not: but in a grand, old-fashioned, unemotional, dignified sort of way, a man of taste. The vicar had two Romneys hanging in his dining-room; graceful ancestresses with large straw-hats and exquisitely highborn eighteenth-century Howard faces (the Russell connection hadn’t then got into the family); and he had good engravings from originals in the Vatican and the Pitti Palace well displayed in his drawingroom: and he had even a single small Thorwaldsen, a Thetis rising from the sea, which fronted him as he sat in the oak-wainscoted study, and inspired his literary efforts while engaged on the composition of his three annual new sermons. It was impossible to enter the vicarage, indeed, without feeling at once the exact artistic position of its excellent occupant. He was decorously æsthetic, just as he was decorously religious and decorously obedient to the usages of society. The Reverend Philip Howard-Russell, in fact, hated enthusiasm in every form. He hated earnest dissent most of all, of course; it was an irregular, indecorous, unauthorised way of trying to get to heaven on one’s own account, without the aid of the duly constituted ecclesiastical order: but he hated all nonsense about art almost equally. He believed firmly in Raffael and Michael Angelo, as he believed in church and state: he thought Correggio and Guido almost equally fine; but he had a low opinion of the early Italian masters, and would have looked askance at Botticelli or Era Angelico, wherever he found them, even in a ducal mansion. He didn’t live (as good fortune would have it) to see the extremely ill-balanced proceedings of Mr. Burne Jones and his school: indeed the vicar could never have consented to prolong his life into such an epoch of ‘movements’ and ‘earnestness’ as our own: but he distinctly recollected, with a thrill of horror, that when he was a tutor at Christ Church there were two or three young men who got up something they called a Preraphaelite Brotherhood, which ultimately came to no good. ‘One of them, by name Millais,’ he used to say, ‘got rid of all that nonsense at last, and has become a really very promising young painter: but as to the others, that fellow Hunt, and a half-Italian man they call Rossetti – well, you know the things they paint are really and truly quite too ridiculous.’

On the whole, Colin Churchill liked his place at the vicarage fairly well. To be sure, passon was exacting sometimes; he had a will of his own, the Reverend Philip, and knew what was becoming from the lower classes towards their natural superiors – but, for all that, Colin liked it. The work wasn’t very hard; there was plenty of time to get out into the fields still and play with Minna at odd minutes; the vicarage was pretty and prettily furnished; and above all, it was full of works of art such as Colin had never before even imagined. He didn’t know why, of course, but the Romneys and the Thorwaldsen in particular took his fancy immensely from the very first moment he saw them. The Thetis was his special adoration: its curves and lines never ceased to delight and surprise him. An instinctive germ of art which was born in all the Churchill family was beginning to quicken into full life in little Colin. Though the boy knew it not, nor suspected it himself, he was in fact an artistic genius. All the family shared his gifts more or less: but in Colin those gifts were either greater by original endowment, or were more highly developed by the accidents of place and time – who shall say which? Perhaps Sam, put where Colin was, might have become a great sculptor: perhaps Colin, put where Sam was, might have become a respectable American citizen. And perhaps not. These are mysteries which no man yet can solve, least of all the present biographer.

The vicar had a large collection of prints in his study; and when visitors came who were also men of taste with no nonsense about them, it was his custom to show them his collection on a little frame made for the purpose. On such occasions, Colin had to perform the duty of placing the prints one after another upon the frame: and while the vicar and his guests looked at them critically, the boy, too, would gaze from behind them, and listen open-mouthed to their appreciative comments. There was one picture in particular that Colin especially admired – a mezzotint from a fresco of the Four Seasons, by a nameless Renaissance artist, in an out-of-the-way church at Bologna. Perhaps it was the classical bas-relief air of the picture that struck the boy’s fancy so much; for the native bent of Colin Churchill’s genius was always rather sculpturesque than pictorial: but at any rate he loved that picture dearly, and more than once the vicar noticed that when they came to it, his little page lingered behind abstractedly, and didn’t go on to the next in order as soon as he was told to.

‘Churchill,’ the vicar once said to him sharply on such an occasion, ‘why don’t you mind when you’re spoken to? I said “Next!” Didn’t you hear me?’

‘I beg your pardon, zur – sir, I mean,’ Colin answered, relapsing for the moment into his original barbarism: ‘I heer’d you, but – but I was a-lookin’ at it and forgot, sir.’

The vicar gazed at the boy for a moment in mute astonishment. ‘Looking at it!’ he murmured at last, half to himself, with a curious curl about the corner of his mouth; ‘goodness gracious, what are we coming to next, I wonder! He was looking at my mezzotints! Extraordinary. Young Churchill looking at my mezzotints! – The next, you see, Colonel, is a very rare print by Cornelius Bloemart after Mieris. Exquisitely delicate engraving, as you observe; very remarkable purity and softness. A capital conjunction in fact: no burin but Bloemart’s could render so finely the delicate finish of Frans Mieris. The original is almost worthy of Gerard Douw; you’ve seen it, I dare say, at Leyden. Next, boy: next. – Looking at it! Well, I declare! He says he was looking at it! That man Churchill always was an ill-mannered, independent, upstanding sort of fellow, and after all what can you expect from his children?

In spite of occasional little episodes like this, however, Colin and the parson got on fairly well together in the long-run. The parson’s first task had been, of course, to take care that that boy’s language should be reduced to something like the queen’s English: and to that effect, Capel, the butler (better known in Wootton as the Dook, on account of his distinguished and haughtily aristocratic manners) had been instructed to point out to Colin the difference in pronunciation between the letters hess and zud, the grammatical niceties of this, these, those, they and them, and the formalities necessary to be used by men of low estate in humbly addressing their duly constituted pastors and masters. Colin, being naturally a quick boy, had soon picked up as much of all this as the Dook was able to teach him; and if there was still a considerable laxity in the matter of aspiration, and a certain irregularity in the matter of moods and tenses, that was really more the fault of the teacher than of the pupil. The Dook had been to London and even to Rome, and had picked up the elegant language of the best footmen in west-end society. Colin learnt just what the Dook taught him; he had left behind the crude West-Saxon of the court of King Alfred, on which he had been nurtured as his mother-tongue, and had almost progressed to the comparatively cultivated and cosmopolitan dialect of an ordinary modern English man-servant.

At first, little Minna was in no small degree contemptuous of Colin’s ‘vine new-vangled talkin’.’ ‘“Don’t you,” indeed,’ she cried one day in her supremely sarcastic little manner, when Colin had ventured to use that piece of superfine English in her very ears, instead of his native West-Saxon ‘don’t ‘ee;’ ‘vine things we’re comin’ to nowadays, Colin, wen the likes o’ thee goes sayin’ “don’t you.” I s’pose ‘ee want to grow up an’ be like the Dook, some o’ these vine days. Want to be a butler, an’ ‘old theeself so stiff, and talk that vine that plain volk can’t ‘ardly tell what thee’s talkin’ about. Gurt stoopid, I do call ‘ee.’ But Colin, in spite of ridicule, continued on his own way, and Minna, who had her pride and her little day-dreams on her own account, too, at last began to think that perhaps after all Colin might be in the right of it.

So, being a west-country girl with a mind of her own (like most of them), Minna set to work on her part also to correct and get rid of her pretty, melting native dialect. She went to school at the British National School (the vicar had carefully warded off that last disgrace of the age, the blatant board school, from his own village ); and even as Colin set himself to attain the lofty standard of excellence afforded him by the Dook, so did Minna do her best to follow minutely the voice and accent of the head pupil-teacher, who had actually been for three terms at the Normal College in London. There she had picked up a very noble vulgar London twang, learnt to pronounce ‘no’ as ‘na-o,’ and acquired the habit of invariably slurring over or dropping all her short unaccented syllables.

In all these splendid characteristics of the English language as currently spoken in the great metropolis, Minna endeavoured to the best of her ability to follow her leader; and at the end of a year she had so far succeeded that Colin himself complimented her on the immense advance she had lately made in her new linguistic studies.

Colin’s greatest delight, however, was still to go down in the afternoon, when the vicar was out, to the brook in the meadow, and there mix up as of yore a good big batch of plastic clay with which to model what he used to call his little images. The Dook complained greatly of the clay, ‘a nasty dirty mess, indeed, to go an’ acshally bring into any gentleman’s house, let alone the vicar’s, and him no more nor a page neither!’ but Colin managed generally to appease his anger, and to gain a grudging consent at last for the clay to be imported into the house under the most stringent sumptuary conditions. The vicar must never see it coming or going; he mustn’t be allowed to know that the Dook permitted such goings-on in the house where he was major-domo. On that point Mr. Capel was severity itself. So when the images were fairly finished, Colin used to take them out surreptitiously at night, and then hand them over to Minna Wroe, who had quite a little museum of the young sculptor’s earliest efforts in her own bedroom. She had alike the Thetis after Thorwaldsen (a heathenish, scarce half-clad huzzy, who shocked poor Mrs. Churchill’s sense of propriety immensely, until she was solemnly assured that the original stood in the vicar’s study), and the Infant Samuel after the plaster cast on the cottage mantelpiece; as well as the bust of Miss Eva, the vicar’s favourite niece, studied from life as Colin stood behind her chair at night, or handed her the potatoes at dinner. If Miss Eva hadn’t been eighteen, and such a very grand young lady, little Minna might almost have been jealous of her. But as it was – why, Colin was only the page boy, and so really, after all, what did it matter?