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The Sword of Damocles: A Story of New York Life

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"I have lost mine, that may very possibly be it."

The janitor held it towards him; his eyes did not leave the floor. "The responsibility of my position here is sometimes felt by me to be very heavy," muttered the man in a low, unmodulated tone. It was his duty in those days previous to the Manhattan Bank robbery, to open the vault in the morning, procure the books that were needed, and lay them about on the various desks in readiness for the clerks upon their arrival. He had also the charge of the boxes of the various customers of the bank who chose to entrust their valuables to its safe keeping; which boxes were kept, together with the books, in that portion of the vault to which he had access. "I should regret my comfortable situation here, but if it was necessary, I would go without a murmur, trusting that God would take care of my poor little lamb."

"Hopgood, what do you mean?" asked Mr. Sylvester somewhat sternly. "Who talks about dismissing you?"

"No one," responded the other, turning aside to attend to some trivial matter. "But if ever you think a younger or a fresher man would be preferable in my place, do not hesitate to make the change your own necessities or that of the Bank may seem to require."

Mr. Sylvester's eye which was fixed upon the janitor's face, slowly darkened.

"There is something underlying all this," said he, "what is it?"

At once and as if he had taken his resolution, the janitor turned. "I beg your pardon," said he, "I ought to have told you in the first place. When I opened the vaults as usual on the morning of which I speak, I found the boxes displaced; that was nothing if you had been to them, sir; but what did alarm me and make me feel as if I had held my position too long was to find that one of them was unlocked."

Mr. Sylvester fell back a step.

"It was Mr. Stuyvesant's box, sir, and I remember distinctly seeing him lock it the previous afternoon before putting it back on the shelf."

The arms which Mr. Sylvester had crossed upon his breast tightened spasmodically. "And it has been in that condition ever since?" asked he.

The janitor shook his head. "No," said he, taking his little girl up in his arms, possibly to hide his countenance. "As you did not come down again on that day, I took the liberty of locking it with a key of my own when I went to put away the books and shut the vault for the night." And he quietly buried his face in his baby's floating curls, who feeling his cheek against her own put up her hand and stroked it lovingly, crying in her caressing infantile tones,

"Poor papa! poor tired papa."

Mr. Sylvester's stern brow contracted painfully. The look with which his eye sought the sky without, would have made Paula's young heart ache. Taking the child from her father's clasp, he laid her on the bed. When he again confronted the janitor his face was like a mask.

"Hopgood," said he, "you are an honest man and a faithful one; I appreciate your worth and have had confidence in your judgment. Whom have you told of this occurrence beside myself?"

"No one, sir."

"Another question; if Mr. Stuyvesant had required his box that day and had found it in the condition you describe, what would you have replied to his inquiries?"

The janitor colored to the roots of his hair in an agony of shame Mr. Sylvester may or may not have appreciated, but replied with the straightforward earnestness of a man driven to bay, "I should have been obliged to tell him the truth sir; that whereas I had no personal knowledge of any one but myself, having been to the vaults since the evening before, I was called upon early that morning to open the outside door to you, sir, and that you came into the bank," (he did not say looking very pale, agitated and unnatural, but he could not help remembering it) "and finding no one on duty but myself, – the watchman having gone up stairs to take his usual cup of coffee before going home for the day – you sent me out of the room on an errand, which delayed me some little time, and that when I came back I found you gone, and every thing as I had left it except that small pick lying on the floor."

The last words were nearly inaudible but they must have been heard by Mr. Sylvester, for immediately upon their utterance, the hand which unconsciously had kept its hold upon the tooth-pick, opened and with an uncontrollable gesture flung the miserable tell-tale into the stove near by.

"Hopgood," said the stately gentleman, coming nearer and holding him with his eyes till the poor man turned pale and cold as a stone, "has Mr. Stuyvesant had occasion to open his box since you locked it?"

"Yes sir, he called for it yesterday afternoon."

"And who gave it to him?"

"I sir."

"Did he appear to miss anything from it?"

"No, sir."

"Do you believe, Hopgood, that there was anything missing from it?"

The janitor shrank like a man subjected to the torture. He fixed his glance on Mr. Sylvester's face and his own gradually lightened.

"No sir!" said he at last, with a gasp that made the little one lift her curly head from her pillow and shake it with a slow and wistful motion strange to see in a child of only two years.

The proud man bowed, not with the severity however that might have been expected; indeed his manner was strangely shadowed, and though his lip betrayed no uneasiness and his eye neither faltered or fell, there was a vague expression of awe upon his countenance, which it would take more than the simple understanding of the worthy but not over subtle man before him, to detect much less to comprehend.

"You may be sure that Mr. Stuyvesant will never complain of any one having tampered with his effects while you are the guardian of the vaults," exclaimed Mr. Sylvester in clear ringing tones. "As for his box being open, it is right that I should explain that it was the result of a mistake. I had occasion to go to a box of my own in a hurry that morning, and misled by the darkness and my own nervousness perhaps, took up his instead of my own. Not till I had opened it – with the tooth-pick, Hopgood, for I had been to a reception and did not have my keys with me – did I notice my mistake. I had intended to explain the matter to Mr. Stuyvesant, but you know what happened that day, and since then I have thought nothing of it."

The janitor's face cleared to its natural expression. "You are very kind, sir, to explain yourself to me," said he; "it was not necessary." But his lightened face spoke volumes. "I have been on the police force and I know how to hold my tongue when it is my duty, but it is very hard work when the duty is on the other side. Have you any commands for me?"

Mr. Sylvester shook his head, and his eye roamed over the humble furniture and scanty comforts of this poor man's domicile. Hopgood thought he might be going to offer him some gift or guerdon, and in a low distressed tone spoke up:

"I shall not try to ask your pardon, sir, for anything I have said. Honesty that is afraid to show itself, is no honesty for me. I could not meet your eye, knowing that I was aware of any circumstance of which you supposed me ignorant. What I know, you must know, as long as I remain in the position you were once kind enough to procure for me. And now that is all I believe, sir."

Mr. Sylvester dropped his eyes from the bare walls over which they had been restlessly wandering, and fixed them for a passing moment on the countenance of the man before him. Then with a grave action he lifted his hat from his head, and bowed with the deference he might have shown to one of his proudest colleagues, and without another look or word, quietly left the room.

Hopgood in his surprise stared after him somewhat awe-struck. But when the door had quite closed, he caught up his child almost passionately in his arms, and crushing her against his breast, asked, while his eye roamed round the humble room that in its warmth and comfort was a palace to him, "Will he take the first opportunity to have me dismissed, or will his heart forgive the expression of my momentary doubts, for the sake of this poor wee one that he so tenderly fancies?"

The question did not answer itself, and indeed it was one to which time alone could reply.

BOOK III
THE JAPHA MYSTERY

XXIII
THE POEM

 
"I've shot my arrow o'er the house
And hurt my brother." – Hamlet.
 

When Miss Belinda first saw Paula, she did not, like her sister, remark upon the elegance of her appearance, the growth of her beauty, or the evidences of increased refinement in the expression of her countenance and the carriage of her form, but with her usual penetration noted simply, the sadness in her eye and the tremulous motion of her lip.

"You had then become fond of your cousin?" queried she with characteristic bluntness.

Paula not understanding the motive of this remark, questioned her with a look.

"Young faces do not grow pale or bright eyes become troubled without a cause. Grief for your cousin might explain it, but if you have suffered from no grief – "

"My cousin was very kind to me," hurriedly interrupted Paula. "Her death was very sudden and very heart-rending."

"So it was;" returned Miss Belinda, "and I expected to see you look worn and sad but not restless and feverish. You have a living grief, Paula, what is it?"

The young girl started and looked down. For the first time in her life she wished to avoid that penetrating glance. "If I have, I cannot talk of it," she murmured. "I have experienced so much this past week; my coming away was so unexpected, that I hardly understand my own feelings, or realize just what it is that troubles me most. All that I know is, that I am very tired and so sad, it seems as if the sun would never shine again."

 

"There is then something you have not written me?" inquired the inexorable Miss Belinda.

"The experiences of this last week could never be written, – or told," returned Paula with a droop of her head. "Upon some things our better wisdom places a stone which only the angels can roll away. The future lies all open before us; do not let us disturb the past."

And Miss Belinda was forced to be content lest she should seem to be over anxious.

Not so the various neighbors and friends to whom the lengthened sojourn of one of their number in an atmosphere of such wealth and splendor, possessed something of the charm of a forbidden romance. For months Paula was obliged to endure questions, that it required all her self-control to answer with calmness and propriety. But at length the most insatiable gossip amongst them was satisfied; Paula's figure was no longer a novelty in their streets; curiosity languished and the young girl was allowed to rest.

And now could those who loved her, discern that with the lapse of time and the daily breathings of her native air, the sad white look had faded from her face, leaving it a marvel of freshness and positive, if somewhat spiritualized, beauty. The print of deeper thoughts and holier yearnings was there, but no sign of blighted hopes or uncomprehended passions. A passing wind had blown the froth from off the cup, but had not disturbed the sparkle of the wine. She had looked in the face of grief, but had not as yet been clasped in her relentless arms. Only two things could vitally disturb her; a letter from Cicely, or a sudden meeting in the village streets with that elderly lady who haunted the Japha mansion. The former because it recalled a life around which her fancies still played with dangerous persistency, and the latter because it aroused vain and inexplicable conjectures as to that person's strange and lingering look in her direction. Otherwise she was happy; finding in this simple village-life a meaning and a purpose which her short but passionate outlook on a broader field, had taught her, perhaps, both to detect and comprehend. She no longer walked solitary with nature. The woods, the mountains with all their varying panoply of exuberant verdure, had acquired a human significance. At her side went the memories of beloved faces, the thoughts of trusted friends. From the clouds looked forth a living eye, and in the sound of rustling leaf and singing streamlet, spake the voices of human longing and human joy.

Her aunts had explained their position to Paula and she had responded by expressing her determination to be a teacher. But they would not hear of that at present, and while she waited their pleasure in the matter, she did what she could to assist them in their simple home-life and daily duties, lending her beauty to tasks that would have made the eyes of some of her quondam admirers open with surprise, if only they could have followed the action of her hands, after having once caught a glimpse of the face that brightened above them. And so the summer months went by and September came.

There was to be an entertainment in the village and Paula was to assist. The idea had come from her aunt and was not to be rejected. In one of the strange incomprehensible moods which sometimes came upon her at this time, she had written a poem, and nothing would do but that she mast read it before the assembled company of neighbors and friends, that were to be gathered at the Squire's house on this gala evening. She did not wish to do it. The sacred sense of possession passes when we uncover our treasure to another's eyes, giving way to a lower feeling not to be courted by one of Paula's sensitive nature. Besides she would rather have poured this first outburst of secret enthusiasm into other ears than these; but she had given her word and the ordeal must be submitted to. There are many who remember how she looked on that night. She had arrayed herself for the occasion, in the prettiest of her dresses, and mindful of Ona's injunction, did not mar the effect of its soft and uniform gray with any hint of extraneous color. The result was that they saw only her beauty; and what beauty! A very old man, an early settler in the village, who had tottered out to enjoy a last glimpse of life before turning his aged face to the wall, said it made the thought of heaven a little more real. "I can go home and think how the angels look," said he in his simple, half-childish way. And no one contradicted him, for there was a still light on her face that was less of earth than heaven, though why it should rest there to-night she least of all could have told, for her poem had to do with earth and its deepest passions and its wildest unrest. It was a clarion blast, not a dreaming rhapsody, that lay coiled up in the paper she held in her hand.

My readers must pardon me if I give them Paula's poem, for without it they would not understand its effect and consequent result. It was called, "The Defence of the Bride," and was of the old ballad order. As she rose to read, many of the younger ones in the audience began cautiously to move to one side, but at the first words, young as well as old paused and listened where they stood, for her voice was round and full, and the memory of clashing spears and whirling battle-axes that informed the war-song which she had heard Bertram play, was with her, to give color to her tones and fire to her glance.

THE DEFENCE OF THE BRIDE
 
He was coming from the altar when the tocsin rang alarm,
With his fair young wife beside him, lovely in her bridal charm;
But he was not one to palter with a duty, or to slight
The trumpet-call of honor for his vantage or delight.
 
 
Turning from the bride beside him to his stern and martial train,
From their midst he summoned to him the brothers of Germain;
At the word they stepped before him, nine strong warriors brave and true,
From the youngest to the eldest, Enguerrand to mighty Hugh.
 
 
"Sons of Germain, to your keeping do I yield my bride to-day.
Guard her well as you do love me; guard her well and holily.
Dearer than mine own soul to me, you will hold her as your life,
'Gainst the guile of seeming friendship and the force of open strife."
 
 
"We will guard her," cried they firmly; and with just another glance
On the yearning and despairing in his young wife's countenance,
Gallant Beaufort strode before them down the aisle and through the door,
And a shadow came and lingered where the sunlight stood before.
 
 
Eight long months the young wife waited, watching from her bridal room
For the coming of her husband up the valley forest's gloom.
Eight long months the sons of Germain paced the ramparts and the wall,
With their hands upon their halberds ready for the battle-call.
 
 
Then there came a sound of trumpets pealing up the vale below,
And a dozen floating banners lit the forest with their glow,
And the bride arose like morning when it feels the sunlight nigh,
And her smile was like a rainbow flashing from a misty sky.
 
 
But the eldest son of Germain lifting voice from off the wall,
Cried aloud, "It is a stranger's and not Sir Beaufort's call;
Have you ne'er a slighted lover or a kinsman with a heart
Base enough to seek his vengeance at the sharp end of the dart?"
 
 
"There is Sassard of the Mountains," answered she without guile,
"While I wedded at the chancel, he stood mocking in the aisle;
And my maidens say he swore there that for all my plighted vow,
They would see me in his castle yet upon Morency's brow."
 
 
"It is Sassard and no other then," her noble guardian cried;
"There is craft in yonder summons," and he rung his sword beside.
"To the walls, ye sons of Germain! and as each would hold his life
From the bitter shame of falsehood, let us hold our master's wife."
 
 
"Can you hold her, can you shield her from the breezes that await?"
Cried the stinging voice of Sassard from his stand beside the gate.
"If you have the power to shield her from the sunlight and the wind,
You may shield her from stern Sassard when his falchion is untwined."
 
 
"We can hold her, we can shield her," leaped like fire from off the wall,
And young Enguerrand the valiant, sprang out before them all.
"And if breezes bring dishonor, we will guard her from their breath,
Though we yield her to the keeping of the sacred arms of Death."
 
 
And with force that never faltered, did they guard her all that day,
Though the strength of triple armies seemed to battle in the fray,
The old castle's rugged ramparts holding firm against the foe,
As a goodly dyke resisteth the whelming billow's flow.
 
 
But next morning as the sunlight rose in splendor over all,
Hugh the mighty, sank heart-wounded in his station on the wall,
At the noon the valiant Raoul of the merry eye and heart,
Gave his beauty and his jestings to the foeman's jealous dart.
 
 
Gallant Maurice next sank faltering with a death wound 'neath his hair,
But still fighting on till Sassard pressed across him up the stair.
Generous Clement followed after, crying as his spirit passed,
"Sons of Germain to the rescue, and be loyal to the last!"
 
 
Gentle Jaspar, lordly Clarence, Sessamine the doughty brand,
Even Henri who had yielded ne'er before to mortal hand;
One by one they fall and perish, while the vaunting foemen pour
Through the breach and up the courtway to the very turret's door.
 
 
Enguerrand and Stephen only now were left of all that nine,
To protect the single stairway from the traitor's fell design;
But with might as 'twere of thirty, did they wield the axe and brand,
Striving in their desperation the fierce onslaught to withstand.
 
 
But what man of power so godlike he can stay the billow's wrack,
Or with single-handed weapon hold an hundred foemen back!
As the sun turned sadly westward, with a wild despairing cry,
Stephen bowed his noble forehead and sank down on earth to die.
 
 
"Ah ha!" then cried cruel Sassard with his foot upon the stair,
"Have I come to thee, my boaster?" and he whirled his sword in air.
"Thou who pratest of thy power to protect her to the death,
What think'st thou now of Sassard and the wind's aspiring breath?"
 
 
"What I think let this same show you," answered fiery Enguerrand,
And he poised his lofty battle-ax with sure and steady hand;
"Now as Heaven loveth justice, may this deathly weapon fall
On the murderer of my brothers and th' undoer of us all."
 
 
With one mighty whirl he sent it; flashing from his hand it came,
Like the lightning from the heavens in a whirl of awful flame,
And betwixt the brows of Sassard and his two false eyeballs passed,
And the murderer sank before it, like a tree before the blast.
 
 
"Now ye minions of a traitor if you look for vengeance, come!"
And his voice was like a trumpet when it clangs a victor home.
But a cry from far below him rose like thunder upward, "Nay!
Let them turn and meet the husband if they hunger for the fray."
 
 
O the yell that sprang to heaven as that voice swept up the stair,
And the slaughter dire that followed in another moment there!
From the least unto the greatest, from the henchman to the lord,
Not a man on all that stairway lived to sheath again his sword.
 
 
At the top that flame-bound forehead, at the base that blade of fire —
'Twas the meeting of two tempests in their potency and ire.
Ere the moon could falter inward with its pity and its woe,
Beaufort saw the path before him unencumbered of the foe.
 
 
Saw his pathway unencumbered and strode up and o'er the floor,
Even to the very threshold of his lovely lady's door,
And already in his fancy did he see the golden beam
Of her locks upon his shoulder and her sweet eyes' happy gleam:
 
 
When behold a form upstarting from the shadows at his side.
That with naked sword uplifted barred the passage to his bride;
It was Enguerrand the dauntless, but with staring eyes and hair
Blowing wild about a forehead pale as snow in moonlit glare.
 
 
"Ah my master, we have held her, we have guarded her," he said,
"Not a shadow of dishonor has so much as touched her head.
Twenty wretches lie below there with the brothers of Germain,
Twenty foemen of her honor that I, Enguerrand, have slain.
 
 
"But one other foe remaineth, one remaineth yet," he cried,
"Which it fits this hand to punish ere you cross unto your bride.
It is I, Enguerrand!" shrieked he; "and as I have slain the rest,
So I smite this foeman also!" – and his sword plunged through his breast.
 
 
O the horror of that moment! "Art thou mad my Enguerrand?"
Cried his master, striving wildly to withdraw the fatal brand.
But the stern youth smiling sadly, started back from his embrace,
While a flash like summer lightning, flickered direful on his face.
 
 
"Yes, a traitor worse than Sassard;" and he pointed down the stair,
"For my heart has dared to love her whom my hand defended there.
While the others fought for honor, I by passion was made strong,
Set your heel upon my bosom for my soul has done you wrong.
 
 
"But," and here he swayed and faltered till his knee sank on the floor,
Yet in falling turned his forehead ever toward that silent door;
"But your warrior hand my master, may take mine without a stain,
For my hand has e'er been loyal, and your enemy is slain."
 

A short silence followed the last word, then a burst of applause testified to the appreciation of her audience, and Paula crept away to hide her blushing cheeks in the comparative darkness of a little vine-covered balcony that jutted out from the ante-room. What were her thoughts as she leaned there! In the subsidence of any great emotion – and Paula had felt every word she uttered – there is more or less of shock and tumult. She did not think, she only felt. Suddenly a hand was laid on her arm and a low voice whispered in her ear,

 

"Did you write that poem yourself?"

Turning, she encountered the shadowy form of a woman leaning close at her side and appearing in the dim light that shone on her from the lamps beyond, an eager image of expectancy.

"Yes," returned Paula, "why do you ask?"

The woman, whoever she was, did not answer. "And you believe in such devotion as that!" she murmured. "You can understand a man, aye, or a woman either, risking happiness and fame, life and death, for the sake of a trust! Such things are not folly to you! You could see a heart spill itself drop by drop through a longer vigil than the eight months watching on the ramparts, and not sneer at a fidelity that could not falter because it had given its word? Speak; you write of faithfulness with a pen of fire, is your heart faithful too?"

There was something in these words, spoken as they were in a tone of suppressed passion, that startled and aroused Paula. Leaning forward, she endeavored to see the face of the woman who thus forcibly addressed her, but the light was too dim. The outline of a brow covered by some close headgear was all she could detect.

"You speak earnestly," said Paula, "but that is what I like. Fidelity to a cause, or fidelity to a trust, demands the sympathy and admiration of all honest and generous hearts. If I am ever called upon to maintain either, I hope that my enthusiasm will not have all been expended in words."

"You please me," murmured the woman, "you please me; will you come and see me and let me tell you a story to mate the poem you have given us to-night?"

The trembling eagerness of her tone it would be impossible to describe. Paula was thrilled by it. "If you will tell me who you are," said Paula, "I certainly will try and come. I should be glad to hear anything you have to relate to me."

"I thought every one knew who I was," returned the woman; and drawing Paula back into the ante-room, she turned her face upon her. "Any one will tell you where Margery Hamlin lives," said she. "Do not disappoint me, and do not keep me waiting long." And with a nod and a deep strange smile that made her aged face almost youthful, she entered the crowd and disappeared from Paula's sight.

It was the woman whose nightly visits to the deserted home of the Japhas had once been the talk and was still the unsolved mystery of the town.