"I wish I was as sure of most things as I am of my own feeling on that point," says Guy, with considerable warmth, holding out his hand.
She slips her cool, slim fingers into his, and smiles frankly. There they lie like little snow-flakes on his broad palm, and as he gazes on them a great and most natural desire to kiss them presents itself to his mind.
"I think we ought to ratify our vow of good-fellowship," says he, artfully, looking at her as though to gain permission for the theft, and seeing no rebuff in her friendly eyes, stoops and steals a little sweetness from the white hand he holds.
They are almost at the house by this time, and presently, gaining the drawing-room, find Lady Chetwoode sitting there awaiting them.
"Ah, Guy, you have returned," cries she, well pleased.
"Yes, I found my guardian straying aimlessly in a great big wood, so I brought him home in triumph," says Lilian's gay voice, who is in high good humor. "Is luncheon ready? Dear Lady Chetwoode, do not say I am late for the second time to-day."
"Not more than five minutes, and you know we do not profess to live by rule. Run away, and take off your hat, child, and come back to me again."
So Lilian does as she is desired, and runs away up the broad stairs in haste, to reduce her rebellious locks to order; yet so pleased is she with her rencontre with her guardian, and the want of ferocity he has displayed, and the general desirableness of his face and figure, that she cannot refrain from pausing midway in her career to apostrophize a dark-browed warrior who glowers down upon her from one of the walls.
"By my halidame, and by my troth, and by all the wonderful oaths of your period, Sir Knight," says she, smiling saucily, and dropping him a wicked curtsey, "you have good reason to be proud of your kinsman. For, by Cupid, he is a monstrous handsome man, and vastly agreeable!"
After this astounding sally she continues her flight, and presently finds herself in her bedroom and almost in nurse's arms.
"Lawks-amussy!" says that good old lady, with a gasp, putting her hand to her side, "what a turn you did give me! Will the child never learn to walk?"
"I have seen him!" says Lilian, without preamble, only pausing to give nurse a naughty little poke in the other side with a view to restoring her lost equilibrium.
"Sir Guy?" anxiously.
"Even so. The veritable and awful Sir Guy! And he isn't a bit awful, in spite of all we heard; isn't that good news? and he is very handsome, and quite nice, and apparently can enjoy the world as well as another, and can do a naughty thing at a pinch; and I know he likes me by the expression of his eyes, and he actually unbended so far as to stoop to kiss my hand! There!" All this without stop or comma.
"Kissed your hand, my lamb! So soon! he did not lose much time. How the world does wag nowadays!" says nurse, holding aloft her hands in pious protest. "Only to know you an hour or so, and to have the face to kiss your hand! Eh, but it's dreadful, it's brazen! I do hope this Sir Guy is not a wolf in sheep's clothing."
"It was very good clothing, anyhow. There is consolation in that. I could never like a man whose coat was badly cut. And his hands, – I particularly noticed them, – they are long, and well shaped, and quite brown."
"You seem mightily pleased with him on so short an acquaintance," says nurse, shrewdly. "Brown hand, forsooth, – and a shapely coat! Eh, child, but there's more wanting than that. Maybe it's thinking of being my Lady Guy you'll be, one of these days?"
"Nurse, I never met so brilliant a goose as you! And would you throw away your lovely nursling upon a paltry baronet? Oh! shame! And yet" – teasingly – "one might do worse."
"I'll tell you that, when I see him," says cautious nurse, and having given one last finishing touch to her darling's golden head, dismisses her to her luncheon and the pernicious attentions of the daring wolf.
CHAPTER VI
"Claud: 'In mine eye, she is the sweetest lady that ever I looked on.'" —Much Ado About Nothing.
It is that most satisfactory hour of all the twenty-four, – dinner-hour. Even yet the busy garish day has not quite vanished, but peeps in upon them curiously through the open windows, – upon Lady Chetwoode mild and gracious, upon the two young men, upon airy Lilian looking her bravest and bonniest in some transparent gown of sombre black, through which her fair young neck and arms gleam delicately.
Her only ornaments are roses, – rich, soft white roses, gathered from the gardens outside: one, sweeter and happier than its fellows, slumbers cozily in her golden hair.
Cyril and she, sitting opposite to each other, smile and jest and converse across the huge bowl of scented flowers that stands in the centre of the table, while Guy, who is a little silent, keeps wondering secretly whether any other woman has skin so dazzlingly fair, or eyes so blue, or hair so richly gilded.
"I have seen the widow," he says at length, rousing himself to a sense of his own taciturnity. "On my way home this morning, before I met you," – turning to Lilian, – "I thought it my duty to look her up, and say I hoped she was comfortable, and all that."
"And you saw her?" asks Cyril, regarding Guy attentively.
"Yes; she is extremely pretty, and extremely coy, – cold I ought to say, as there didn't seem to be even the smallest spice of coquetry about her."
"That's the safest beginning of all," says Cyril confidentially to his mother, "and no doubt the latest. I dare say she looked as though she thought he would never leave."
"She did," says Guy, laughing, "and, what is more unflattering, I am sure she meant it."
"Clever woman!"
"However, if she intended what you think, she rather defeated her object; as I shan't trouble her again in a hurry. Can't bear feeling myself in the way."
"Is she really pretty?" Cyril asks, curiously, though idly.
"Really; almost lovely."
"Evidently a handsome family," thinks Cyril. "I wonder if he saw my friend the sister, or step-sister, or companion."
"She looks sad, too," goes on Guy, "and as though she had a melancholy story attached to her."
"I do hope not, my dear," interrupts his mother, uneasily. "There is nothing so objectionable as a woman with a story. Later on one is sure to hear something wrong about her."
"I agree with you," Cyril says, promptly. "I can't bear mysterious people. When in their society, I invariably find myself putting a check on my conversation, and blushing whenever I get on the topic of forgeries, burglaries, murders, elopements, and so forth. I never can keep myself from studying their faces when such subjects are mentioned, to see which it was had ruffled the peace of their existence. It is absurd, I know, but I can't help it, and it makes me uncomfortable."
"Does this lady live in the wood, where I met you?" asks Lilian, addressing Guy, and apparently deeply interested.
"Yes, about a mile from that particular spot. She is a new tenant we took to oblige a friend, but we know nothing about her."
"How very romantic!" says Lilian; "it is just like a story."
"Yes; the image of the 'Children of the Abbey,' or 'The Castle of Otranto,'" says Cyril. "Has she any one living with her, Guy?" carelessly.
"Yes, two servants, and a small ill-tempered terrier."
"I mean any friends. It must be dull to be by one's self."
"I don't know. I saw no one. She don't seem ambitious about making acquaintances, as, when I said I hoped she would not find it lonely, and that my mother would have much pleasure in calling on her, she blushed painfully, and said she was never lonely, and that she would esteem it a kindness if we would try to forget she was at the cottage."
"That was rather rude, my dear, wasn't it?" says Lady Chetwoode mildly.
"It sounds so, but, as she said it, it wasn't rude. She appeared nervous, I thought, and as though she had but lately recovered from a severe illness. When the blush died away, she was as white as death."
"Well, I shan't distress her by calling," says Lady Chetwoode, who is naturally a little offended by the unknown's remark. Unconsciously she has been viewing her coming with distrust, and now this unpleasing message – for as a message directly addressed to herself she regards it – has had the effect of changing a smouldering doubt into an acknowledged dislike.
"I wonder how she means to employ her time down here," says Cyril. "Scenery abounds, but lovely views don't go a long way with most people. After a while they are apt to pall."
"Is there pretty scenery round Truston?" asks Lilian.
"Any amount of it. Like 'Auburn,' it is the 'loveliest village of the plain.' But I can't say we are a very enterprising people. Sometimes it occurs to one of us to give a dinner-party, but no sooner do we issue the invitations than we sit down and repent bitterly; and on rare occasions we may have a ball, which means a drive of fourteen miles on a freezing night, and universal depression and sneezing for a week afterward. Perhaps the widow is wise in declining to have anything to do with our festive gatherings. I begin to think there is method in her madness."
"Miss Chesney doesn't agree with you," says Guy, casting a quick glance at Lilian: "she would go any distance to a ball, and dance from night till morning, and never know depression next day."
"Is that true, Miss Chesney?"
"Sir Guy says it is," replies Lilian, demurely.
"When I was young," says Lady Chetwoode, "I felt just like that. So long as the band played, so long I could dance, and without ever feeling fatigue. And provided he was of a good figure, and could dance well, I never much cared who my partner was, until I met your father. Dear me! how long ago it seems!"
"Not at all," says Cyril; "a mere reminiscence of yesterday. When I am an old gentleman, I shall make a point of never remembering anything that happened long ago, no matter how good it may have been."
"Perhaps you won't have anything good to remember," says Miss Lilian, provokingly.
"Guy, give Miss Chesney another glass of wine," says Cyril, promptly: "she is evidently feeling low."
"Sir Guy," says Miss Chesney, with equal promptitude, and a treacherous display of innocent curiosity, "when you were at Belmont last evening did you hear Miss Bellair say anything of a rather rude attack made upon her yesterday at the station by an ill-bred young man?"
"No," says Sir Guy, rather amazed.
"Did she not speak of it? How strange! Why, I fancied – "
"Miss Chesney," interposes Cyril, "if you have any regard for your personal safety, you will refrain from further speech."
"But why?" – opening her great eyes in affected surprise. "Why may I not tell Sir Guy about it? Poor Miss Bellair! although a stranger to me, I felt most genuine pity for her. Just fancy, Sir Guy, a poor girl alone upon a platform, without a soul to take care of her, what she must have endured, when a young man —apparently a gentleman – walked up to her, and taking advantage of her isolated position, bowed to her, simpered impertinently, and was actually on the very point of addressing her, when fortunately her cousin came up and rescued her from her unhappy situation. Was it not shameful? Now, what do you think that rude young man deserved?"
"Extinction," replies Guy, without hesitation.
"I think so too. Don't you, Lady Chetwoode?"
Lady Chetwoode laughs.
"Now, I shall give my version of the story," says Cyril. "I too was present – "
"And didn't fly to her assistance? Oh, fie!" says Lilian.
"There was once an unhappy young man, who was sent to a station to meet a young woman, without having been told beforehand whether she was like Juno, tall enough to 'snuff the moon,' or whether she was so insignificant as to require a strong binocular to enable you to see her at all."
"I am not insignificant," says Lilian, her indignation getting the better of her judgment.
"Am I speaking of you, Miss Chesney?"
"Well, go on."
"Now, it came to pass that as this wretched young man was glaring wildly round to see where his charge might be, he espied a tall young woman, apparently in the last stage of exhaustion, looking about for some one to assist her, and seeing no one else, for the one he sought had meanly, and with a view to his discomfiture, crept silently behind his back – "
"Oh, Cyril!"
"Yes, I maintain it; she crept silently behind his back, and bribed her maid to keep silence. So this wretched young man walked up to Juno, and pulled his forelock, and made his very best Sunday bow, and generally put his foot in it. Juno was so frightened by the best bow that she gave way to a stifled scream, and instantly sank back unconscious into the arms of her betrothed, who just then ran frantically upon the scene. Upon this the deluded young man – "
"That will do," interrupts Lilian, severely. "I am certain I have read it somewhere before; and – people should always tell the truth."
"By the bye," says Guy, "I believe Miss Bellair did say something last night about an unpleasant adventure at the station, – something about a very low person who had got himself up like a gentleman, but was without doubt one of the swell mob, and who – "
"You needn't go any further. I feel my position keenly. Nevertheless, Miss Bellair made a mistake when she rejected my proffered services. She little knows what a delightful companion I can be. Can't I, Miss Chesney?"
"Can he, Lady Chetwoode? I am not in a position to judge."
"If a perpetual, never-ceasing flow of conversation has anything to do with it, I believe he must be acknowledged the most charming of his sex," says his mother, laughing, and rising, bears away Lilian with her to the drawing-room.
CHAPTER VII
"A dancing shape, an image gay,
To haunt, to startle, and waylay."
– Wordsworth.
When seven long uneventful days have passed away, every one at Chetwoode is ready to acknowledge that the coming of Lilian Chesney is an occurrence for which they ought to be devoutly thankful. She is a boon, a blessing, a merry sunbeam, darting hither and thither about the old place, lighting up the shadows, dancing through the dark rooms, casting a little of her own inborn joyousness upon all that comes within her reach.
To Lady Chetwoode, who is fond of young life, she is especially grateful, and creeps into her kind heart in an incredibly short time, finding no impediment to check her progress.
Once a day, armed with huge gloves and a gigantic scissors, Lady Chetwoode makes a tour of her gardens, snipping, and plucking, and giving superfluous orders to the attentive gardeners all the time. After her trots Lilian, supplied with a basket and a restless tongue that seldom wearies, but is always ready to suggest, or help the thought that sometimes comes slowly to her hostess.
"As you were saying last night, my dear Lilian – " says Lady Chetwoode, vaguely, coming to a full stop before the head gardener, and gazing at Lilian for further inspiration; she had evidently remembered only the smallest outline of what she wants to say.
"About the ivy on the north wall? You wanted it thinned. You thought it a degree too straggling."
"Yes, – yes; of course. You hear, Michael, I want it clipped and thinned, and – There was something else about the ivy, my child, wasn't there?"
"You wished it mixed with the variegated kind, did you not?"
"Ah, of course. I wonder how I ever got on without Lilian," says the old lady, gently pinching the girl's soft peach-like cheek. "Florence, without doubt, is a comfort, – but – she is not fond of gardening. Shall we come and take a peep at the grapes, dear?" And so on.
Occasionally, too, – being fond of living out of doors in the summer, and being a capital farmeress, – Lady Chetwoode takes a quiet walk down to the home farm, to inspect all the latest arrivals. And here, too, Miss Lilian must needs follow.
There are twelve merry, showy little calves in one field, that run all together in their ungainly, jolting fashion up to the high gate that guards their domain, the moment Lady Chetwoode and her visitor arrive, under the mistaken impression that she and Lilian are a pair of dairy-maids coming to solace them with unlimited pans of milk.
Lilian cries "Shoo!" at the top of her gay young voice, and instantly all the handsome, foolish things scamper away as though destruction were at their heels, leaving Miss Chesney delighted at the success of her own performance.
Then in the paddock there are four mad little colts to be admired, whose chief joy in life seems to consist in kicking their hind legs wildly into space, while their more sedate mothers stand apart and compare notes upon their darlings' merit.
This paddock is Lilian's special delight, and all the way there, and all the way back she chatters unceasingly, making the old lady's heart grow young again, as she listens to, and laughs at, all the merry stories Miss Chesney tells her of her former life.
To-day – although the morning has been threatening – is now quite fine. Tired of sulking, it cleared up half an hour ago, and is now throwing out a double portion of heat, as though to make up for its early deficiencies.
The and, casting his million beams abroad, enlivens the whole earth.
"King of the East, … girt
With song and flame and fragrance, slowly lifts
His golden feet on those empurpled stairs
That climb into the windy halls of heaven,"
It is a day when one might saunter but not walk, when one might dream though wide awake, when one is perforce amiable because argument or contradiction would be too great an exertion.
Sir Guy – who has been making a secret though exhaustive search through the house for Miss Chesney – now turns his steps toward the orchard, where already instinct has taught him she is usually to be found.
He is not looking quite so insouciant, or carelessly happy, as when first we saw him, now two weeks ago; there is a little gnawing, dissatisfied feeling at his heart, for which he dare not account even to himself.
He thinks a good deal of his ward, and his ward thinks a good deal of him; but unfortunately their thoughts do not amalgamate harmoniously.
Toward Sir Guy Miss Chesney's actions have not been altogether just. Cyril she treats with affection, and the utmost bonhommie, but toward his brother – in spite of her civility on that first day of meeting – she maintains a strict and irritating reserve.
He is her guardian (detestable, thankless office), and she takes good care that neither he or she shall ever forget that fact. Secretly she resents it, and openly gratifies that resentment by denying his authority in all things, and being specially willful and wayward when occasion offers; as though to prove to him that she, for one, does not acknowledge his power over her.
Not that this ill-treated young man has the faintest desire to assert any authority whatever. On the contrary, he is most desirous of being all there is of the most submissive when in her presence; but Miss Chesney declines to see his humility, and chooses instead to imagine him capable of oppressing her with all sorts of tyrannical commands at a moment's notice.
There is a little cloud on his brow as he reaches the garden and walks moodily along its principal path. This cloud, however, lightens and disappears, as upon the southern border he hears voices that tell him his search is at an end.
Miss Chesney's clear notes, rather raised and evidently excited, blend with those of old Michael Ronaldson, whose quavering bass is also uplifted, suggesting unwonted agitation on the part of this easy-going though ancient gentleman.
Lilian is standing on tip-toe, opposite a plum-tree, with the long tail of her black gown caught firmly in one hand, while with the other she points frantically in a direction high above her head.
"Don't you see him?" she says, reproachfully, – "there – in that corner."
"No, that I don't," says Michael, blankly, sheltering his forehead with both hands from the sun's rays, while straining his gaze anxiously toward the spot named.
"Not see him! Why, he is a big one, a monster! Michael," says Lilian, reproachfully, "you are growing either stupid or short-sighted, and I didn't expect it from you. Now follow the tip of my finger; look right along it now – now" – with growing excitement, "don't you see it?"
"I do, I do," says the old man, enthusiastically; "wait till I get 'en – won't I pay him off!"
"Is it a plum you want?" asks Guy, who has come up behind her, and is lost in wonder at what he considers is her excitement about the fruit. "Shall I get it for you?"
"A plum! no, it is a snail I want," says Lilian eagerly, "but I can't get at it. Oh, that I had been born five inches taller! Ronaldson, you are not tall enough; Sir Guy will catch him."
Sir Guy, having brought a huge snail to the ground, presents him gravely to Lilian.
"That is the twenty-third we have caught to-day," says she, "and twenty-nine yesterday, – in all forty-eight. Isn't it, Michael?"
"I think it makes fifty-two," suggests Sir Guy, deferentially.
"Does it? Well, it makes no difference," says Miss Chesney, with a fine disregard of arithmetic; "at all events, either way, it is a tremendous number. I'm sure I don't know where they come from," – despairingly, – "unless they all walk back again during the night."
"And I wouldn't wonder too," says Michael, sotto voce.
"Walk back again!" repeats Guy, amazed. "Don't you kill them?"
"Miss Chesney won't hear of 'en being killed, Sir Guy," says old Ronaldson, sheepishly; "she says as 'ow the cracklin' of 'en do make her feel sick all over."
"Oh, yes," says Lilian, making a little wry face, "I hate to think of it. He used to crunch them under his heel, so," with a shudder, and a small stamp upon the ground, "and it used to make me absolutely faint. So we gave it up, and now we just throw them over the wall, so," – suiting the action to the word, and flinging the slimy creature she holds with dainty disgust, between her first finger and thumb, over the garden boundary.
Guy laughs, and, thus encouraged, so does old Michael.
"Well, at all events, it must take them a long time to get back," says Lilian, apologetically.
"On your head be it if we have no vegetables or fruit this year," says Chetwoode, who understands as much about gardening as the man in the moon, but thinks it right to say something. "Come for a walk, Lilian, will you? It is a pity to lose this charming day." He speaks with marked diffidence (his lady's moods being uncertain), which so far gains upon Miss Chesney that in return she deigns to be gracious.
"I don't mind if I do," she replies, with much civility. "Good-morning, Michael;" and with a pretty little nod, and a still prettier smile in answer to the old man's low salutation, she walks away beside her guardian.
Far into the woods they roam, the teeming woods all green and bronze and copper-colored, content and happy in that no actual grief disturbs them.
"The branches cross above their eyes,
The skies are in a net;"
the fond gay birds are warbling their tenderest strains. "Along the grass sweet airs are blown," and all the myriad flowers, the "little wildings" of the forest, "earth's cultureless buds," are expanding and glowing, and exhaling the perfumed life that their mother, Nature, has given them.
Chetwoode is looking its best and brightest, and Sir Guy might well be proud of his possessions; but no thought of them enters his mind just now, which is filled to overflowing with the image of this petulant, pretty, saucy, lovable ward, that fate has thrown into his path.
"Yes, it is a lovely place!" says Lilian, after a pause spent in admiration. She has been looking around her, and has fallen into honest though silent raptures over all the undulating parks and uplands that stretch before her, far as the eye can see. "Lovely! – So," with a sigh, "was my old home."
"Yes. I think quite as lovely as this."
"What!" turning to him with a start, while the rich, warm, eager flush of youth springs to her cheeks and mantles there, "you have been there? You have seen the Park?"
"Yes, very often, though not for years past. I spent many a day there when I was younger. I thought you knew it."
"No, indeed. It makes me glad to think some one here can remember its beauties with me. But you cannot know it all as I do: you never saw my own particular bit of wood?" – with earnest questioning, as though seeking to deny the hope that strongly exists. "It lies behind the orchard, and one can get to it by passing through a little gate in the wall, that leads into the very centre of it. There at first, in the heart of the trees one sees a tangled mass with giant branches overhanging it, and straggling blackberry bushes protecting it with their angry arms, and just inside, the coolest, greenest, freshest bit of grass in all the world, – my fairy nook I used to call it. But you – of course you never saw it."
"It has a huge horse-chestnut at its head, and a silver fir at its feet."
"Yes, – yes!"
"I know it well," says Chetwoode, smiling at her eagerness. "It was your mother's favorite spot. You know she and my mother were fast friends, and she was very fond of me. When first she was married, before you were born, I was constantly at the Park, and afterward too. She used to read in the spot you name, and I – I was a delicate little fellow at that time, obliged to lie a good deal, and I used to read there beside her with my head in her lap, by the hour together."
"Why, you know more about my mother than I do," says Lilian, with some faint envy in her tones.
"Yes," – hastily, having already learned how little a thing can cause an outbreak, when one party is bent on war, – "but you must not blame me for that. I could not help it."
"No," – regretfully, – "I suppose not. Before I was born, you say. How old that seems to make you!"
"Why?" – laughing. "Because I was able to read eighteen years ago? I was only nine, or perhaps ten, then."
"I never could do my sums," says Lilian: "I only know it sounds as though you were the Ancient Mariner or Methuselah, or anybody in the last stage of decay."
"And yet I am not so very old, Lilian. I am not yet thirty."
"Well, that's old enough. When I am thirty I shall take to caps with borders, and spectacles, and long black mittens, like nurse. Ha, ha!" laughs Lilian, delighted at the portrait of herself she has drawn, "shan't I look nice then?"
"I dare say you will," says Guy, quite seriously. "But I would advise you to put off the wearing of them for a while longer. I don't think thirty old. I am not quite that."
"A month or two don't signify," – provokingly; "and as you have had apparently a very good life I don't think it manly of you to fret because you are drawing to the close of it. Some people would call it mean. There, never mind your age: tell me something more about my mother. Did you love her?"
"One could not help loving her, she was so gentle, so thoroughly kind-hearted."
"Ah! what a pity it is I don't resemble her!" says Lilian, with a suspiciously deep sigh, accepting the reproach, and shaking her head mournfully. "Was she like that picture at home in the drawing-room? I hope not. It is very lovely, but it lacks expression, and has no tenderness about it."
"Then the artist must have done her great injustice. She was all tenderness both in face and disposition as I remember her, and children are very correct in their impressions. She was extremely beautiful. You are very like her."
"Am I, Sir Guy? Oh, thank you. I didn't hope for so much praise. Then in one thing at least I do resemble my mother. Am I more beautiful or less so?"
"That is quite a matter of opinion."
"And what is yours?" saucily.
"What can it matter to you?" he says, quickly, almost angrily. "Besides, I dare say you know it."
"I don't, indeed. Never mind, I shall find out for myself. I am so glad" – amiably – "you knew my mother, and the dear Park! It sounds horrible, does it not, but the Park is even more dear to me than – than her memory."
"You can scarcely call it a 'memory'; she died when you were so young, – hardly old enough to have an idea. I recollect you so well, a little toddling thing of two."
"The plot thickens. You knew me also? And pray, Sir Guardian, what was I like?"
"You had blue eyes, and a fair skin, a very imperious will, and the yellowest hair I ever saw."
"A graphic description! It would be madness on the part of any one to steal me, as I should infallibly be discovered by it. Well, I have not altered much. I have still my eyes and my hair, and my will, only perhaps rather more of the latter. Go on: you are very unusually interesting to-day: I had no idea you possessed such a fund of information. Were you very fond of me?"
"Very," says Chetwoode, laughing in spite of himself. "I was your slave, as long as I was with you. Your lightest wish was my law. I used even – "
A pause.
"Yes, do go on: I am all attention. 'I used even – '"
"I was going to say I used to carry you about in my arms, and kiss you into good humor when you were angry, which was pretty often," replies Guy, with a rather forced laugh, and a decided accession of color; "but I feared such a very grown-up young lady as you might be offended."
"Not in the least," – with a gay, perfectly unembarrassed enjoyment at his confusion. "I never heard anything so amusing. Fancy you being my nurse once on a time. I feel immensely flattered when I think such an austere individual actually condescended to hold me in his arms and kiss me into good humor. It is more than I have any right to expect. I am positively overwhelmed. By the bye, had your remedy the desired effect? Did I subdue my naughty passion under your treatment?"
"As far as I can recollect, yes," rather stiffly. Nobody likes being laughed at.
"How odd!" says Miss Chesney.
"Not very," retorts he: "at that time you were very fond of me."
"That is even odder," says Miss Chesney, who takes an insane delight in teasing him. "What a pity it is you cannot invent some plan for reducing me to order now!"
"There are some tasks too great for a mere mortal to undertake," replies Sir Guy, calmly.