“Very well; on one condition, that you will repay my trouble by a specimen of your own verses, not in the fashion of the present day,—something which I can construe. I defy you to construe mine.”
“Agreed.”
“Well, then, let us take it for granted that this is the Augustan age of English poetry, and that the English language is dead, like the Latin. Suppose I am writing for a prize-medal in English, as I wrote at college for a prize-medal in Latin: of course, I shall be successful in proportion as I introduce the verbal elegances peculiar to our Augustan age, and also catch the prevailing poetic characteristic of that classical epoch.
“Now I think that every observant critic will admit that the striking distinctions of the poetry most in the fashion of the present day, namely, of the Augustan age, are,—first, a selection of such verbal elegances as would have been most repulsive to the barbaric taste of the preceding century; and, secondly, a very lofty disdain of all prosaic condescensions to common-sense, and an elaborate cultivation of that element of the sublime which Mr. Burke defines under the head of obscurity.
“These premises conceded, I will only ask you to choose the metre. Blank verse is very much in fashion just now.”
“Pooh! blank verse indeed! I am not going so to free your experiment from the difficulties of rhyme.”
“It is all one to me,” said Kenelm, yawning; “rhyme be it: heroic or lyrical?”
“Heroics are old-fashioned; but the Chaucer couplet, as brought to perfection by our modern poets, I think the best adapted to dainty leaves and uncrackable nuts. I accept the modern Chaucerian. The subject?”
“Oh, never trouble yourself about that. By whatever title your Augustan verse-maker labels his poem, his genius, like Pindar’s, disdains to be cramped by the subject. Listen, and don’t suffer Max to howl, if he can help it. Here goes.”
And in an affected but emphatic sing-song Kenelm began:—
“In Attica the gentle Pythias dwelt.
Youthful he was, and passing rich: he felt
As if nor youth nor riches could suffice
For bliss. Dark-eyed Sophronia was a nice
Girl: and one summer day, when Neptune drove
His sea-car slowly, and the olive grove
That skirts Ilissus, to thy shell, Harmonia,
Rippled, he said ‘I love thee’ to Sophronia.
Crocus and iris, when they heard him, wagged
Their pretty heads in glee: the honey-bagged
Bees became altars: and the forest dove
Her plumage smoothed. Such is the charm of love.
Of this sweet story do ye long for more?
Wait till I publish it in volumes four;
Which certain critics, my good friends, will cry
Up beyond Chaucer. Take their word for ‘t. I
Say ‘Trust them, but not read,—or you’ll not buy.’”
“You have certainly kept your word,” said the minstrel, laughing; “and if this be the Augustan age, and the English were a dead language, you deserve to win the prize-medal.”
“You flatter me,” said Kenelm, modestly. “But if I, who never before strung two rhymes together, can improvise so readily in the style of the present day, why should not a practical rhymester like yourself dash off at a sitting a volume or so in the same style; disguising completely the verbal elegances borrowed, adding to the delicacies of the rhyme by the frequent introduction of a line that will not scan, and towering yet more into the sublime by becoming yet more unintelligible? Do that, and I promise you the most glowing panegyric in ‘The Londoner,’ for I will write it myself.”
“‘The Londoner’!” exclaimed the minstrel, with an angry flush on his cheek and brow, “my bitter, relentless enemy.”
“I fear, then, you have as little studied the critical press of the Augustan age as you have imbued your muse with the classical spirit of its verse. For the art of writing a man must cultivate himself. The art of being reviewed consists in cultivating the acquaintance of reviewers. In the Augustan age criticism is cliquism. Belong to a clique and you are Horace or Tibullus. Belong to no clique and, of course, you are Bavius or Maevius. ‘The Londoner’ is the enemy of no man: it holds all men in equal contempt. But as, in order to amuse, it must abuse, it compensates the praise it is compelled to bestow upon the members of its clique by heaping additional scorn upon all who are cliqueless. Hit him hard: he has no friends.”
“Ah,” said the minstrel, “I believe that there is much truth in what you say. I never had a friend among the cliques. And Heaven knows with what pertinacity those from whom I, in utter ignorance of the rules which govern so-called organs of opinion, had hoped, in my time of struggle, for a little sympathy, a kindly encouragement, have combined to crush me down. They succeeded long. But at last I venture to hope that I am beating them. Happily, Nature endowed me with a sanguine, joyous, elastic temperament. He who never despairs seldom completely fails.”
This speech rather perplexed Kenelm, for had not the minstrel declared that his singing days were over, that he had decided on the renunciation of verse-making? What other path to fame, from which the critics had not been able to exclude his steps, was he, then, now pursuing,—he whom Kenelm had assumed to belong to some commercial moneymaking firm? No doubt some less difficult prose-track, probably a novel. Everybody writes novels nowadays, and as the public will read novels without being told to do so, and will not read poetry unless they are told that they ought, possibly novels are not quite so much at the mercy of cliques as are the poems of our Augustan age.
However, Kenelm did not think of seeking for further confidence on that score. His mind at that moment, not unnaturally, wandered from books and critics to love and wedlock.
“Our talk,” said he, “has digressed into fretful courses; permit me to return to the starting-point. You are going to settle down into the peace of home. A peaceful home is like a good conscience. The rains without do not pierce its roof, the winds without do not shake its walls. If not an impertinent question, is it long since you have known your intended bride?”
“Yes, very long.”
“And always loved her?”
“Always, from her infancy. Out of all womankind, she was designed to be my life’s playmate and my soul’s purifier. I know not what might have become of me, if the thought of her had not walked beside me as my guardian angel. For, like many vagrants from the beaten high roads of the world, there is in my nature something of that lawlessness which belongs to high animal spirits, to the zest of adventure, and the warm blood that runs into song, chiefly because song is the voice of a joy. And no doubt, when I look back on the past years I must own that I have too often been led astray from the objects set before my reason, and cherished at my heart, by erring impulse or wanton fancy.”
“Petticoat interest, I presume,” interposed Kenelm, dryly.
“I wish I could honestly answer ‘No,’” said the minstrel, colouring high. “But from the worst, from all that would have permanently blasted the career to which I intrust my fortunes, all that would have rendered me unworthy of the pure love that now, I trust, awaits and crowns my dreams of happiness, I have been saved by the haunting smile in a sinless infantine face. Only once was I in great peril,—that hour of peril I recall with a shudder. It was at Luscombe.”
“At Luscombe!”
“In the temptation of a terrible crime I thought I heard a voice say, ‘Mischief! Remember the little child.’ In that supervention which is so readily accepted as a divine warning, when the imagination is morbidly excited, and when the conscience, though lulled asleep for a moment, is still asleep so lightly that the sigh of a breeze, the fall of a leaf, can awake it with a start of terror, I took the voice for that of my guardian angel. Thinking it over later, and coupling the voice with the moral of those weird lines you repeated to me so appositely the next day, I conclude that I am not mistaken when I say it was from your lips that the voice which preserved me came.”
“I confess the impertinence: you pardon it?”
The minstrel seized Kenelm’s hand and pressed it earnestly.
“Pardon it! Oh, could you but guess what cause I have to be grateful, everlastingly grateful! That sudden cry, the remorse and horror of my own self that it struck into me,—deepened by those rugged lines which the next day made me shrink in dismay from ‘the face of my darling sin’! Then came the turning-point of my life. From that day, the lawless vagabond within me was killed. I mean not, indeed, the love of Nature and of song which had first allured the vagabond, but the hatred of steadfast habits and of serious work,—that was killed. I no longer trifled with my calling: I took to it as a serious duty. And when I saw her, whom fate has reserved and reared for my bride, her face was no longer in my eyes that of the playful child; the soul of the woman was dawning into it. It is but two years since that day, to me so eventful. Yet my fortunes are now secured. And if fame be not established, I am at last in a position which warrants my saying to her I love, ‘The time has come when, without fear for thy future, I can ask thee to be mine.’”
The man spoke with so fervent a passion that Kenelm silently left him to recover his wonted self-possession,—not unwilling to be silent,—not unwilling, in the softness of the hour, passing from roseate sunset into starry twilight, to murmur to himself, “And the time, too, has come for me!”
After a few moments the minstrel resumed lightly and cheerily,—
“Sir, your turn: pray have you long known—judging by our former conversation you cannot have long loved—the lady whom you have wooed and won?”
As Kenelm had neither as yet wooed nor won the lady in question, and did not deem it necessary to enter into any details on the subject of love particular to himself, he replied by a general observation,—
“It seems to me that the coming of love is like the coming of spring: the date is not to be reckoned by the calendar. It may be slow and gradual; it may be quick and sudden. But in the morning, when we wake and recognize a change in the world without, verdure on the trees, blossoms on the sward, warmth in the sunshine, music in the air, then we say Spring has come!”
“I like your illustration. And if it be an idle question to ask a lover how long he has known the beloved one, so it is almost as idle to ask if she be not beautiful. He cannot but see in her face the beauty she has given to the world without.”
“True; and that thought is poetic enough to make me remind you that I favoured you with the maiden specimen of my verse-making on condition that you repaid me by a specimen of your own practical skill in the art. And I claim the right to suggest the theme. Let it be—”
“Of a beefsteak?”
“Tush, you have worn out that tasteless joke at my expense. The theme must be of love, and if you could improvise a stanza or two expressive of the idea you just uttered I shall listen with yet more pleased attention.”
“Alas! I am no improvisatore. Yet I will avenge myself on your former neglect of my craft by chanting to you a trifle somewhat in unison with the thought you ask me to versify, but which you would not stay to hear at Tor Hadham (though you did drop a shilling into Max’s tray); it was one of the songs I sang that evening, and it was not ill-received by my humble audience.
“THE BEAUTY OF THE MISTRESS IS IN THE LOVER’S EYE
“Is she not pretty, my Mabel May?
Nobody ever yet called her so.
Are not her lineaments faultless, say?
If I must answer you plainly, No.
“Joy to believe that the maid I love
None but myself as she is can see;
Joy that she steals from her heaven above,
And is only revealed on this earth to me!”
As soon as he had finished this very artless ditty, the minstrel rose and said,—
“Now I must bid you good-by. My way lies through those meadows, and yours no doubt along the high road.”
“Not so. Permit me to accompany you. I have a lodging not far from hence, to which the path through the fields is the shortest way.”
The minstrel turned a somewhat surprised and somewhat inquisitive look towards Kenelm. But feeling, perhaps, that having withheld from his fellow-traveller all confidence as to his own name and attributes, he had no right to ask any confidence from that gentleman not voluntarily made to him, he courteously said “that he wished the way were longer, since it would be so pleasantly halved,” and strode forth at a brisk pace.
The twilight was now closing into the brightness of a starry summer night, and the solitude of the fields was unbroken. Both these men, walking side by side, felt supremely happy. But happiness is like wine; its effect differing with the differing temperaments on which it acts. In this case garrulous and somewhat vaunting with the one man, warm-coloured, sensuous, impressionable to the influences of external Nature, as an Aeolian harp to the rise or fall of a passing wind; and, with the other man, taciturn and somewhat modestly expressed, saturnine, meditative, not indeed dull to the influences of external Nature, but deeming them of no value, save where they passed out of the domain of the sensuous into that of the intellectual, and the soul of man dictated to the soulless Nature its own questions and its own replies.
The minstrel took the talk on himself, and the talk charmed his listener. It became so really eloquent in the tones of its utterance, in the frank play of its delivery, that I could no more adequately describe it than a reporter, however faithful to every word a true orator may say, can describe that which, apart from all words, belongs to the presence of the orator himself.
Not, then, venturing to report the language of this singular itinerant, I content myself with saying that the substance of it was of the nature on which it is said most men can be eloquent: it was personal to himself. He spoke of aspirations towards the achievement of a name, dating back to the dawn of memory; of early obstacles in lowly birth, stinted fortunes; of a sudden opening to his ambition while yet in boyhood, through the generous favour of a rich man, who said, “The child has genius: I will give it the discipline of culture; one day it shall repay to the world what it owes to me;” of studies passionately begun, earnestly pursued, and mournfully suspended in early youth. He did not say how or wherefore: he rushed on to dwell upon the struggles for a livelihood for himself and those dependent on him; how in such struggles he was compelled to divert toil and energy from the systematic pursuit of the object he had once set before him; the necessities for money were too urgent to be postponed to the visions of fame. “But even,” he exclaimed, passionately, “even in such hasty and crude manifestations of what is within me, as circumstances limited my powers, I know that I ought to have found from those who profess to be authoritative judges the encouragement of praise. How much better, then, I should have done if I had found it! How a little praise warms out of a man the good that is in him, and the sneer of a contempt which he feels to be unjust chills the ardour to excel! However, I forced my way, so far as was then most essential to me, the sufficing breadmaker for those I loved; and in my holidays of song and ramble I found a delight that atoned for all the rest. But still the desire of fame, once conceived in childhood, once nourished through youth, never dies but in our grave. Foot and hoof may tread it down, bud, leaf, stalk; its root is too deep below the surface for them to reach, and year after year stalk and leaf and bud re-emerge. Love may depart from our mortal life: we console ourselves; the beloved will be reunited to us in the life to come. But if he who sets his heart on fame loses it in this life, what can console him?”
“Did you not say a little while ago that fame allowed of no grave?”
“True; but if we do not achieve it before we ourselves are in the grave, what comfort can it give to us? Love ascends to heaven, to which we hope ourselves to ascend; but fame remains on the earth, which we shall never again revisit. And it is because fame is earth-born that the desire for it is the most lasting, the regret for the want of it the most bitter, to the child of earth. But I shall achieve it now; it is already in my grasp.”
By this time the travellers had arrived at the brook, facing the wooden bridge beside Cromwell Lodge.
Here the minstrel halted; and Kenelm with a certain tremble in his voice, said, “Is it not time that we should make ourselves known to each other by name? I have no longer any cause to conceal mine, indeed I never had any cause stronger than whim,—Kenelm Chillingly, the only son of Sir Peter, of Exmundham, ——-shire.”
“I wish your father joy of so clever a son,” said the minstrel with his wonted urbanity. “You already know enough of me to be aware that I am of much humbler birth and station than you; but if you chance to have visited the exhibition of the Royal Academy this year—ah! I understand that start—you might have recognized a picture of which you have seen the rudimentary sketch, ‘The Girl with the Flower-ball,’ one of three pictures very severely handled by ‘The Londoner,’ but, in spite of that potent enemy, insuring fortune and promising fame to the wandering minstrel, whose name, if the sight of the pictures had induced you to inquire into that, you would have found to be Walter Melville. Next January I hope, thanks to that picture, to add, ‘Associate of the Royal Academy.’ The public will not let them keep me out of it, in spite of ‘The Londoner.’ You are probably an expected guest at one of the more imposing villas from which we see the distant lights. I am going to a very humble cottage, in which henceforth I hope to find my established home. I am there now only for a few days, but pray let me welcome you there before I leave. The cottage is called Grasmere.”
CHAPTER VI
THE minstrel gave a cordial parting shake of the hand to the fellow-traveller whom he had advised to settle down, not noticing how very cold had become the hand in his own genial grasp. Lightly he passed over the wooden bridge, preceded by Max, and merrily, when he had gained the other side of the bridge, came upon Kenelm’s ear, through the hush of the luminous night, the verse of the uncompleted love-song,—
“Singing, singing,
Lustily singing,
Down the road, with his dogs before,
Came the Ritter of Nierestein.”
Love-song, uncompleted; why uncompleted? It was not given to Kenelm to divine the why. It was a love-song versifying one of the prettiest fairy tales in the world, which was a great favourite with Lily, and which Lion had promised Lily to versify, but only to complete it in her presence and to her perfect satisfaction.
CHAPTER VII
IF I could not venture to place upon paper the exact words of an eloquent coveter of fame, the earth-born, still less can I dare to place upon paper all that passed through the voiceless heart of a coveter of love, the heaven-born.
From the hour in which Kenelm Chillingly had parted from Walter Melville until somewhere between sunrise and noon the next day, the summer joyousness of that external Nature which does now and then, though, for the most part, deceitfully, address to the soul of man questions and answers all her soulless own, laughed away the gloom of his misgivings.
No doubt this Walter Melville was the beloved guardian of Lily; no doubt it was Lily whom he designated as reserved and reared to become his bride. But on that question Lily herself had the sovereign voice. It remained yet to be seen whether Kenelm had deceived himself in the belief that had made the world so beautiful to him since the hour of their last parting. At all events it was due to her, due even to his rival, to assert his own claim to her choice. And the more he recalled all that Lily had ever said to him of her guardian, so openly, so frankly, proclaiming affection, admiration, gratitude, the more convincingly his reasonings allayed his fears, whispering, “So might a child speak of a parent: not so does the maiden speak of the man she loves; she can scarcely trust herself to praise.”
In fine, it was not in despondent mood, nor with dejected looks, that, a little before noon, Kenelm crossed the bridge and re-entered the enchanted land of Grasmere. In answer to his inquiries, the servant who opened the door said that neither Mr. Melville nor Miss Mordaunt were at home; they had but just gone out together for a walk. He was about to turn back, when Mrs. Cameron came into the hall, and, rather by gesture than words, invited him to enter. Kenelm followed her into the drawing-room, taking his seat beside her. He was about to speak, when she interrupted him in a tone of voice so unlike its usual languor, so keen, so sharp, that it sounded like a cry of distress.
“I was just about to come to you. Happily, however, you find me alone, and what may pass between us will be soon over. But first tell me: you have seen your parents; you have asked their consent to wed a girl such as I described; tell me, oh tell me that that consent is refused!”
“On the contrary, I am here with their full permission to ask the hand of your niece.”
Mrs. Cameron sank back in her chair, rocking herself to and fro in the posture of a person in great pain.
“I feared that. Walter said he had met you last evening; that you, like himself, entertained the thought of marriage. You, of course when you learned his name, must have known with whom his thought was connected. Happily, he could not divine what was the choice to which your youthful fancy had been so blindly led.”
“My dear Mrs. Cameron,” said Kenelm, very mildly, but very firmly, “you were aware of the purpose for which I left Moleswich a few days ago, and it seems to me that you might have forestalled my intention, the intention which brings me; thus early to your house. I come to say to Miss Mordaunt’s guardian, ‘I ask the hand of your ward. If you also woo her, I have a very noble rival. With both of us no consideration for our own happiness can be comparable to the duty of consulting hers. Let her choose between the two.’”
“Impossible!” exclaimed Mrs. Cameron; “impossible. You know not what you say; know not, guess not, how sacred are the claims of Walter Melville to all that the orphan whom he has protected from her very birth can give him in return. She has no right to a preference for another: her heart is too grateful to admit of one. If the choice were given to her between him and you, it is he whom she would choose. Solemnly I assure you of this. Do not, then, subject her to the pain of such a choice. Suppose, if you will, that you had attracted her fancy, and that now you proclaimed your love and urged your suit, she would not, must not, the less reject your hand, but you might cloud her happiness in accepting Melville’s. Be generous. Conquer your own fancy; it can be but a passing one. Speak not to her, nor to Mr. Melville, of a wish which can never be realized. Go hence, silently, and at once.”
The words and the manner of the pale imploring woman struck a vague awe into the heart of her listener. But he did not the less resolutely answer, “I cannot obey you. It seems to me that my honour commands me to prove to your niece that, if I mistook the nature of her feelings towards me, I did not, by word or look, lead her to believe mine towards herself were less in earnest than they are; and it seems scarcely less honourable towards my worthy rival to endanger his own future happiness, should he discover later that his bride would have been happier with another. Why be so mysteriously apprehensive? If, as you say, with such apparent conviction, there is no doubt of your niece’s preference for another, at a word from her own lips I depart, and you will see me no more. But that word must be said by her; and if you will not permit me to ask for it in your own house, I will take my chance of finding her now, on her walk with Mr. Melville; and, could he deny me the right to speak to her alone, that which I would say can be said in his presence. Ah! madam, have you no mercy for the heart that you so needlessly torture? If I must bear the worst, let me learn it, and at once.”
“Learn it, then, from my lips,” said Mrs. Cameron, speaking with voice unnaturally calm, and features rigidly set into stern composure. “And I place the secret you wring from me under the seal of that honour which you so vauntingly make your excuse for imperilling the peace of the home I ought never to have suffered you to enter. An honest couple, of humble station and narrow means, had an only son, who evinced in early childhood talents so remarkable that they attracted the notice of the father’s employer, a rich man of very benevolent heart and very cultivated taste. He sent the child, at his expense, to a first-rate commercial school, meaning to provide for him later in his own firm. The rich man was the head partner of an eminent bank; but very infirm health, and tastes much estranged from business, had induced him to retire from all active share in the firm, the management of which was confined to a son whom he idolized. But the talents of the protege he had sent to school took there so passionate a direction towards art and estranged from trade, and his designs in drawing when shown to connoisseurs were deemed so promising of future excellence, that the patron changed his original intention, entered him as a pupil in the studio of a distinguished French painter, and afterwards bade him perfect his taste by the study of Italian and Flemish masterpieces.
“He was still abroad, when—” here Mrs. Cameron stopped, with visible effort, suppressed a sob, and went on, whisperingly, through teeth clenched together—“when a thunderbolt fell on the house of the patron, shattering his fortunes, blasting his name. The son, unknown to the father, had been decoyed into speculations which proved unfortunate: the loss might have been easily retrieved in the first instance; unhappily he took the wrong course to retrieve it, and launched into new hazards. I must be brief. One day the world was startled by the news that a firm, famed for its supposed wealth and solidity, was bankrupt. Dishonesty was alleged, was proved, not against the father,—he went forth from the trial, censured indeed for neglect, not condemned for fraud, but a penniless pauper. The—son, the son, the idolized son, was removed from the prisoner’s dock, a convicted felon, sentenced to penal servitude; escaped that sentence by—by—you guess—you guess. How could he escape except through death?—death by his own guilty deed?”
Almost as much overpowered by emotion as Mrs. Cameron herself, Kenelm covered his bended face with one hand, stretching out the other blindly to clasp her own, but she would not take it.
A dreary foreboding. Again before his eyes rose the old gray tower,—again in his ears thrilled the tragic tale of the Fletwodes. What was yet left untold held the young man in spell-bound silence. Mrs. Cameron resumed,—
“I said the father was a penniless pauper; he died lingeringly bedridden. But one faithful friend did not desert that bed,—the youth to whose genius his wealth had ministered. He had come from abroad with some modest savings from the sale of copies or sketches made in Florence. These savings kept a roof over the heads of the old man and the two helpless, broken-hearted women,—paupers like himself,—his own daughter and his son’s widow. When the savings were gone, the young man stooped from his destined calling, found employment somehow, no matter how alien to his tastes, and these three whom his toil supported never wanted a home or food. Well, a few weeks after her husband’s terrible death, his young widow (they had not been a year married) gave birth to a child,—a girl. She did not survive the exhaustion of her confinement many days. The shock of her death snapped the feeble thread of the poor father’s life. Both were borne to the grave on the same day. Before they died, both made the same prayer to their sole two mourners, the felon’s sister, the old man’s young benefactor. The prayer was this, that the new-born infant should be reared, however humbly, in ignorance of her birth, of a father’s guilt and shame. She was not to pass a suppliant for charity to rich and high-born kinsfolk, who had vouchsafed no word even of pity to the felon’s guiltless father and as guiltless wife. That promise has been kept till now. I am that daughter. The name I bear, and the name which I gave to my niece, are not ours, save as we may indirectly claim them through alliances centuries ago. I have never married. I was to have been a bride, bringing to the representative of no ignoble house what was to have been a princely dower; the wedding day was fixed, when the bolt fell. I have never again seen my betrothed. He went abroad and died there. I think he loved me; he knew I loved him. Who can blame him for deserting me? Who could marry the felon’s sister? Who would marry the felon’s child? Who but one? The man who knows her secret, and will guard it; the man who, caring little for other education, has helped to instil into her spotless childhood so steadfast a love of truth, so exquisite a pride of honour, that did she know such ignominy rested on her birth she would pine herself away.”