The Best Short Stories of 1917, and the Yearbook of the American Short Story

"My darling—my darling mother! I'll take them back for you! I'll take them back for you!"

"We'll take them back for her—Shila."

"I'll—"

"We'll take them back for her—Shila."

"We'll take them back for you, mamma. We'll take them back for you, darling!"

THE STRANGE-LOOKING MAN ¹⁴

By FANNY KEMBLE JOHNSON

From The Pagan

A tiny village lay among the mountains of a country from which for four years the men had gone forth to fight. First the best men had gone, then the older men, then the youths, and lastly the school boys. It will be seen that no men could have been left in the village except the very aged, and the bodily incapacitated, who soon died, owing to the war policy of the Government which was to let the useless perish that there might be more food for the useful.

Now it chanced that while all the men went away, save those left to die of slow starvation, only a few returned, and these few were crippled and disfigured in various ways. One young man had only part of a face, and had to wear a painted tin mask, like a holiday-maker. Another had two legs but no arms, and another two arms but no legs. One man could scarcely be looked at by his own mother, having had his eyes burned out of his head until he stared like Death. One had neither arms nor legs, and was mad of his misery besides, and lay all day in a cradle like a baby. And there was a quite old man who strangled night and day from having sucked in poison-gas; and another, a mere boy, who shook, like a leaf in a high wind, from shell-shock, and screamed at a sound. And he too had lost a hand, and part of his face, though not enough to warrant the expense of a mask for him.

All these men, except he who had been crazed by horror of himself, had been furnished with ingenious appliances to enable them to be partly self-supporting, and to earn enough to pay their share of the taxes which burdened their defeated nation.

To go through that village after the war was something like going through a life-sized toy-village with all the mechanical figures wound up and clicking. Only instead of the figures being new, and gay, and pretty, they were battered and grotesque and inhuman.

There would be the windmill, and the smithy, and the public house. There would be the row of cottages, the village church, the sparkling waterfall, the parti-colored fields spread out like bright kerchiefs on the hillsides, the parading fowl, the goats and cows,—though not many of these last. There would be the women, and with them some children; very few, however, for the women had been getting reasonable, and were now refusing to have sons who might one day be sent back to them limbless and mad, to be rocked in cradles—for many years, perhaps.

Still the younger women, softer creatures of impulse, had borne a child or two. One of these, born the second year of the war, was a very blonde and bullet-headed rascal of three, with a bullying air, and of a roving disposition. But such traits appear engaging in children of sufficiently tender years, and he was a sort of village plaything, here, there, and everywhere, on the most familiar terms with the wrecks of the war which the Government of that country had made.

He tried on the tin mask and played with the baker's mechanical leg, so indulgent were they of his caprices; and it amused him excessively to rock the cradle of the man who had no limbs, and who was his father.

In and out he ran, and was humored to his bent. To one he seemed the son he had lost, to another the son he might have had, had the world gone differently. To others he served as a brief escape from the shadow of a future without hope; to others yet, the diversion of an hour. This last was especially true of the blind man who sat at the door of his old mother's cottage binding brooms. The presence of the child seemed to him like a warm ray of sunshine falling across his hand, and he would lure him to linger by letting him try on the great blue goggles which he found it best to wear in public. But no disfigurement or deformity appeared to frighten the little fellow. These had been his playthings from earliest infancy.

One morning, his mother, being busy washing clothes, had left him alone, confident that he would soon seek out some friendly fragment of soldier, and entertain himself till noon and hunger-time. But occasionally children have odd notions, and do the exact opposite of what one supposes.

On this brilliant summer morning the child fancied a solitary ramble along the bank of the mountain-stream. Vaguely he meant to seek a pool higher up, and to cast stones in it. He wandered slowly straying now and then into small valleys, or chasing wayside ducks. It was past ten before he gained the green-gleaming and foam-whitened pool, sunk in the shadow of a tall gray rock over whose flat top three pine-trees swayed in the fresh breeze. Under them, looking to the child like a white cloud in a green sky, stood a beautiful young man, poised on the sheer brink for a dive. A single instant he stood there, clad only in shadow and sunshine, the next he had dived so expertly that he scarcely splashed up the water around him. Then his dark, dripping head rose in sight, his glittering arm thrust up, and he swam vigorously to shore. He climbed the rock for another dive. These actions he repeated in pure sport and joy in life so often that his little spectator became dizzy with watching.

At length he had enough of it and stooped for his discarded garments. These he carried to a more sheltered spot and rapidly put on, the child still wide-eyed and wondering, for indeed he had much to occupy his attention.

He had two arms, two legs, a whole face with eyes, nose, mouth, chin, and ears, complete. He could see, for he had glanced about him as he dressed. He could speak, for he sang loudly. He could hear, for he had turned quickly at the whir of pigeon-wings behind him. His skin was smooth all over, and nowhere on it were the dark scarlet maps which the child found so interesting on the arms, face, and breast of the burned man. He did not strangle every little while, or shiver madly, and scream at a sound. It was truly inexplicable, and therefore terrifying.

The child was beginning to whimper, to tremble, to look wildly about for his mother, when the young man observed him.

"Hullo!" he cried eagerly, "if it isn't a child!"

He came forward across the foot-bridge with a most ingratiating smile, for this was the first time that day he had seen a child and he had been thinking it remarkable that there should be so few children in a valley, where, when he had travelled that way five years before, there had been so many he had scarcely been able to find pennies for them. So he cried "Hullo," quite joyously, and searched in his pockets.

But, to his amazement, the bullet-headed little blond boy screamed out in terror, and fled for protection into the arms of a hurriedly approaching young woman. She embraced him with evident relief, and was lavishing on him terms of scolding and endearment in the same breath, when the traveler came up, looking as if his feelings were hurt.

"I assure you, Madam," said he, "that I only meant to give your little boy these pennies." He examined himself with an air of wonder. "What on earth is there about me to frighten a child?" he queried plaintively.

The young peasant-woman smiled indulgently on them both, on the child now sobbing, his face buried in her skirt, and on the boyish, perplexed, and beautiful young man.

"It is because he finds the Herr Traveler so strange-looking," she said, curtsying. "He is quite small," she showed his smallness with a gesture, "and it is the first time he has even seen a whole man."

THE CALLER IN THE NIGHT ¹⁵

By BURTON KLINE

From The Stratford Journal

By the side of a road which wanders in company of a stream across a region of Pennsylvania farmland that is called "Paradise" because of its beauty, you may still mark the ruins of a small brick cabin in the depths of a grove. In summertime ivy drapes its jagged fragments and the pile might be lost to notice but that at dusk the trembling leaves of the vine have a way of whispering to the nerves of your horse and setting them too in a tremble. And the people in the village beyond have a belief that three troubled human beings lie buried under those ruins, and that at night, or in a storm, they sometimes cry aloud in their unrest.

The village is Bustlebury, and its people have a legend that on a memorable night there was once disclosed to a former inhabitant the secret of that ivied sepulchre.

All the afternoon the two young women had chattered in the parlor, cooled by the shade of the portico, and lost to the heat of the day, to the few sounds of the village, to the passing hours themselves. Then of a sudden Mrs. Pollard was recalled to herself at the necessity of closing her front windows against a gust of wind that blew the curtains, like flapping flags, into the room.

"Sallie, we're going to get it again," she said, pausing for a glance at the horizon before she lowered the sash.

"Get what?" Her visitor walked to the other front window and stooped to peer out.

Early evening clouds were drawing a black cap over the fair face of the land.

"I think we're going to have some more of Old Screamer Moll this evening. I knew we should, after this hot—"

"There! Margie, that was the expression I've been trying to remember all afternoon. You used it this morning. Where did you get such a poetic nickname for a thunder—O-oh!"

For a second, noon had returned to the two women. From their feet two long streaks of black shadow darted back into the room, and vanished. Overhead an octopus of lightning snatched the whole heavens in its grasp, shook them, and disappeared.

The two women screamed, and threw themselves on the sofa. Yet in a minute it was clear that the world still rolled on, and each looked at the other and laughed at her fright—till the prospect of an evening of storm sobered them both.

"Mercy!" Mrs. Pollard breathed in discouragement. "We're in for another night of it. We've had this sort of thing for a week. And to-night of all nights, when I wanted you to see this wonderful country under the moon!"

Mrs. Pollard, followed by her guest, Mrs. Reeves, ventured to the window timidly again, to challenge what part of the sky they could see from under the great portico outside, and learn its portent for the night.

An evil visage it wore—a swift change from a noon-day of beaming calm. Now it was curtained completely with blue-black cloud, which sent out mutterings, and then long brooding silences more ominous still in their very concealment of the night's intentions.

There was no defence against it but to draw down the blinds and shut out this angry gloom in the glow of the lamps within. And, with a half hour of such glow to cozen them, the two women were soon merry again over their reminiscences, Mrs. Pollard at her embroidery, Mrs. Reeves at the piano, strumming something from Chopin in the intervals of their chatter.

"The girl" fetched them their tea. "Five already!" Mrs. Pollard verified the punctuality of her servant with a glance at the clock. "Then John will be away for another night. I do hope he won't try to get back this time. Night before last he left his assistant with a case, and raced his horse ten miles in the dead of the night to get home," Mrs. Pollard proudly reported, "for fear I'd be afraid in the storm."

"And married four years!" Mrs. Reeves smilingly shook her head in indulgence of such long-lived romance.

In the midst of their cakes and tea the bell announced an impatient hand at the door.

"Well, 'speak of angels!'" Mrs. Pollard quoted, and flew to greet her husband. But she opened the door upon smiling old Mr. Barber, instead, from the precincts across the village street.

Mr. Barber seemed to be embarrassed. "I—I rather thought you mought be wanting something," he said in words. By intention he was making apology for the night. "I saw the doctor drive away, but I haven't seen him come back. So I—I thought I'd just run over and see—see if there wasn't something you wanted." He laughed uneasily.

Mr. Barber's transparent diplomacy having been rewarded with tea, they all came at once to direct speech. "It ain't going to amount to much," Mr. Barber insisted. "Better come out, you ladies, and have a look around. It may rain a bit, but you'll feel easier if you come and get acquainted with things, so to say." And gathering their resolution the two women followed him out on the portico.

They shuddered at what they saw.

Night was at hand, two hours before its time. Nothing stirred, not a vocal chord of hungry, puzzled, frightened chicken or cow. The whole region seemed to have caught its breath, to be smothered under a pall of stillness, unbroken except for some occasional distant earthquake of thunder from the inverted Switzerland of cloud that hung pendant from the sky.

Mr. Barber's emotions finally ordered themselves into speech as he watched. "Ain't it grand!" he said.

The two women made no reply. They sat on the steps to the portico, their arms entwined. The scene beat their more sophisticated intelligences back into silence. Some minutes they all sat there together, and then again Mr. Barber broke the spell.

"It do look fearful, like. But you needn't be afraid. It's better to be friends with it, you might say. And then go to bed and fergit it."

They thanked him for his goodness, bade him good-by, and he clinked down the flags of the walk and started across the street.

He had got midway across when they all heard a startling sound, an unearthly cry.

It came out of the distance, and struck the stillness like a blow.

"What is it? What is it, Margie?" Mrs. Reeves whispered excitedly.

Faint and quavering at its beginning, the cry grew louder and more shrill, and then died away, as the breath that made it ebbed and was spent. It seemed as if this unusual night had found at last a voice suited to its mood. Twice the cry was given, and then all was still as before.

At its first notes the muscles in Mrs. Pollard's arm had tightened. But Mr. Barber had hastened back at once with reassurance.

"I guess Mrs. Pollard knows what that is," he called to them from the gate. "It's only our old friend Moll, that lives down there in the notch. She gets lonesome, every thunderstorm, and let's it off like that. It's only her rheumatiz, I reckon. We wouldn't feel easy ourselves without them few kind words from old Moll!"

The two women applauded as they could his effort toward humor. Then, "Come on, Sallie, quick!" Mrs. Pollard cried to her guest, and the two women bolted up the steps of the portico and flew like girls through the door, which they quickly locked between themselves and the disquieting night.

Once safe within, relief from their nerves came at the simple effort of laughter, and an hour later, when it was clear that the stars still held to their courses, the two ladies were at their ease again, beneath the lamp on the table, with speech and conversation to provide an escape from thought. The night seemed to cool its high temper as the hours wore on, and gradually the storm allowed itself to be forgotten.

Together, at bed time, the two made their tour of the house, locking the windows and doors, and visiting the pantry on the way for an apple. Outside all was truly calm and still, as, with mock and exaggerated caution, they peered through one last open window. A periodic, lazy flash from the far distance was all that the sky could muster of its earlier wrath. And they tripped upstairs and to bed, with that hilarity which always attends the feminine pursuit of repose.

But in the night they were awakened.

Not for nothing, after all, had the skies marshalled that afternoon array of their forces. Now they were as terribly vociferous as they had been terrifyingly still before. Leaves, that had drooped melancholy and motionless in the afternoon, were whipped from their branches at the snatch of the wind. The rain came down in a solid cataract. The thunder was a steady bombardment, and the frolic powers above, that had toyed and practised with soundless flashes in the afternoon, had grown wanton at their sport, and hurled their electric shots at earth in appallingly accurate marksmanship. Between the flashes from the sky, the steady glare of a burning barn here and there reddened the blackness. The village dead, under the pelted sod, must have shuddered at the din. Even the moments of lull were saturate with terrors. In them rose audible the roar of waters, the clatter of frightened animals, the rattle of gates, the shouts of voices, the click of heels on the flags of the streets, as the villagers hurried to the succor of neighbors fighting fires out on the hills. For long afterward the tempest of that night was remembered. For hours while it lasted, trees were toppled over, and houses rocked to the blast.

And for as long as it would, the rain beat in through an open window and wetted the two women where they lay in their bed, afraid to stir, even to help themselves, gripped in a paralysis of terror.

Their nerves were not the more disposed to peace, either, by another token of the storm. All through the night, since their waking, in moments of stillness sufficient for it to be heard, they had caught that cry of the late afternoon. Doggedly it asserted itself against the uproar. It insisted upon being heard. It too wished to shriek relievingly, like the inanimate night, and publish its sickness abroad. They heard it far off, at first. But it moved, and came nearer. Once the two women quaked when it came to them, shrill and clear, from a point close at hand. But they bore its invasion along with the wind and the rain, and lay shameless and numb in the rude arms of the night.

They lay so till deliverance from the hideous spell came at last, in a vigorous pounding at the front door.

"It's John!" Mrs. Pollard cried in her joy. "And through such a storm!"

She slipped from the bed, threw a damp blanket about her, and groped her way out of the room and down the stair, her guest stumbling after. They scarcely could fly fast enough down the dark steps. At the bottom Mrs. Pollard turned brighter the dimly burning entry lamp, shot back the bolt with fingers barely able to grasp it in their eagerness, and threw open the door.

"John!" she cried.

But there moved into the house the tall and thin but heavily framed figure of an old woman, who peered about in confusion.

In a flash of recognition Mrs. Pollard hurled herself against the intruder to thrust her out.

"No!" the woman said. "No, you will not, on such a night!" And the apparition herself, looking with feverish curiosity at her unwilling hostesses, slowly closed the door and leaned against it.

Mrs. Pollard and her friend turned to fly, in a mad instinct to be anywhere behind a locked door. Yet before the instinct could reach their muscles, the unbidden visitor stopped them again.

"No!" she said. "I am dying. Help me!"

The two women turned, as if hypnotically obedient to her command. Their tongues lay thick and dead in their mouths. They fell into each other's arms, and their caller stood looking them over, with the same fevered curiosity. Then she turned her deliberate scrutiny to the house itself.

In a moment she almost reassured them with a first token of being human and feminine. On the table by the stairs lay a book, and she went and picked it up. "Fine!" she mused. Then her eye travelled over the pictures on the walls. "Fine!" she said. "So this is the inside of a fine house!" But suddenly, as her peering gaze returned to the two women, she was recalled to herself. "But you wanted to put me out—on a night like this! Hear it!"

For a moment she looked at them in frank hatred. And on an impulse she revenged herself upon them by sounding, in their very ears, the shrill cry they had heard in the afternoon, and through the night, that had mystified the villagers for years from the grove. The house rang with it, and with the hard peal of laughter that finished it.

All three of them stood there, for an instant, viewing each other. But at the end of it the weakest of them was the partly sibylline, partly mountebank intruder. She swayed back against the wall. Her head rolled limply to one side, and she moaned, "O God, how tired I am to-night!"

Frightened as they still were, their runaway hearts beating a tattoo that was almost audible, the two other women made a move to support her. But she waved them back with a suddenly returning air of command. "No!" she said. "You wanted to put me out!"

The creature wore some sort of thin skirt whose color had vanished in the blue-black of its wetness. Over her head and shoulders was thrown a ragged piece of shawl. From under it dangled strands of grizzled gray hair. Her dark eyes were hidden in the shadows of her impromptu hood. The hollows of her cheeks looked deeper in its shadows.

She loosed the shawl from her head, and it dropped to the floor, disclosing a face like one of the Fates. She folded her arms, and there was a rude majesty in the massive figure and its bearing as she tried to command herself and speak.

"I come here—in this storm. Hear it! Hear that! I want shelter. I want comfort. And what do you say to me!… Well, then I take comfort from you. You thought I was your husband. You called his name. Well, I saw him this afternoon. He drove out. I called to him from the roadside. 'Let me tell your fortune! Only fifty cent!' But he whipped up his horse and drove away. You are all alike. But I see him now—in Woodman's Narrows. It rains there, same as here. Thunder and lightning, same as here. Trees fall. The wind blows. The wind blows!"

The woman had tilted her head and fixed her eyes, shining and eager, as if on some invisible scene, and she half intoned her words as if in a trance.

"I see your husband now. His wagon is smashed by a tree. The horse is dead. Your husband lies very still. He does not move. There!"—she turned to them alert again to their presence—"there is the husband that you want. If you don't believe me, all I say is, wait! He is there. You will see!"

She ended in a peal of laughter, which itself ended in a weary moan. "Oh, why can't you help me!" She came toward them, her arms outstretched. "Don't be afraid of me. I want a woman to know me—to comfort me. I die to-night. It's calling me, outside. Don't you hear?…

"Listen to me, you women!" she went on, and tried to smile, to gain their favor. "I lied to you, to get even with you. You want your husband. Well, I lied. He isn't dead. For all you tried to shut me out. Do you never pity? Do you never help? O-oh—"

Her hand traveled over her brow, and her eyes wandered.

"No one knows what I need now! I got to tell it, I got to tell it! Hear that?" There had been a louder and nearer crash outside. "That's my warning. That says I got to tell it, before it's too late. No storm like this for forty years—not since one night forty years ago. My God, that night!" Another heavy rumble interrupted her. "Yes, yes!" she turned and called. "I'll tell it! I promise!"

She came toward her audience and said pleadingly, "Listen—even if it frightens you. You've got to listen. That night, forty years ago"—she peered about her cautiously—"I think—I think I hurt two people—hurt them very bad. And ever since that night—"

The two women had once again tried to fly away, but again she halted them. "Listen! You have no right to run away. You got to comfort me! You hear? Please, please, don't go."

She smiled, and so seemed less ugly. What could her two auditors do but cling to each other and hear her through, dumb and helpless beneath her spell?

"Only wait. I'll tell you quickly. Oh, I was not always like this. Once I could talk—elegant too. I've almost forgotten now. But I never looked like this then. I was not always ugly—no teeth—gray hair. Once I was beautiful too. You laugh? But yes! Ah, I was young, and tall, and had long black hair. I was Mollie, then. Mollie Morgan. That's the first time I've said my name for years. But that's who I was. Ask Bruce—he knows."

She had fallen back against the wall again, her eyes roaming as she remembered. Here she laughed. "But Bruce is dead these many years. He was my dog." A long pause. "We played together. Among the flowers—in the pretty cottage—under the vines. Not far from here. But all gone now, all gone. Even the woods are gone—the woods where Bruce and I hunted berries. And my mother!"

Again the restless hands sought the face and covered it.

"My mother! Almost as young as I. And how she could talk! A fine lady. As fine as you. And oh, we had good times together. Nearly always. Sometimes mother got angry—in a rage. She'd strike me, and say I was an idiot like my father. The next minute she'd hug me, and cry, and beg me to forgive her. It all comes back to me. Those were the days when she'd bake a cake for supper—the days when she cried, and put on a black dress. But mostly she wore the fine dresses—all bright, and soft, and full of flowers. Oh, how she would dance about in those, sometimes. And always laughed when I stared at her. And say I was Ned's girl to my finger-tips. I never understood what she meant—then."

The shrill speaker of a moment before had softened suddenly. The creature of the woods sniffed eagerly this atmosphere of the house, and faint vestiges of a former personage returned to her, summoned along with the scene she had set herself to recall.

"But oh, how good she was to me! And read to me. And taught me to read. And careful of me? Ha! Never let me go alone to the village. Said I was too good for such a place. Some day we would go back to the world—whatever she meant by that. Said people there would clap the hands when they saw me—more than they had clapped the hands for her. Once she saw a young man walk along the road with me. Oh, how she beat my head when I came home! Nearly killed me, she was so angry. Said I mustn't waste myself on such trash. My mother—I never understood her then.

"She used to tell me stories—about New York, and Phil'delph. Many big cities. There they applaud, and clap the hands, when my mother was a queen, or a beggar girl, in the theatre, and make love and kill and fight. Have grand supper in hotel afterward. And I'd ask my mother how soon I too may be a queen. And she'd give me to learn the words they say, and I'd say them. Then she'd clap me on the head again and tell me, 'Oh, you're Ned's girl. You're a blockhead, just like your father!' And I'd say, 'Where is my father? Why does he never come?' And after that my mother would always sit quiet, and never answer when I talked.

"And then she'd be kind again, and make me proud, and tell me I'm a very fine lady, and have fine blood. And she'd talk about the day when we'd go back to the world, and she'd buy me pretty things to wear. But I thought it was fine where we were—there in the cottage, I with the flowers, and Bruce. In those days, yes," the woman sighed, and left them to silence for a space,—for silent seemed the wind and rain, on the breaking of her speech.

A rumble from without started her on again.

"Yes, yes! I'm telling! I'll hurry. Then I grow big. Seventeen. My mother call me her little giantess, her handsome darling, her conceited fool, all at the same time. I never understood my mother—then.

"But then, one day, it came!"

The woman pressed her fingers against her eyes, as if to shut out the vision her mind was preparing.

"Everything changed then. Everything was different. No more nights with stories and books. No more about New York and Phil'delph. Never again.

"I was out in the yard one day, on my knees, with the flowers. It was Springtime, and I was digging and fixing. And I heard a horse's hoofs on the road. A runaway, I thought at first. I stood up to look, and—" She faltered, and then choked out, "I stood up to look, and the man came!" And with the words came a crash that rocked the house.

"Hear that!" the woman almost shrieked. "That's him—that's the man. I hear him in every storm!…

"He came," she went, more rapidly. "A tall man—fine—dressed in fine clothes—brown hair—brown eyes! Oh, I often see those brown eyes. I know what they are like. He came riding along the bye-road. When he caught sight of my mother he almost fell from his horse. The horse nearly fell, the man pulled him in so sharp. 'Good God!' the man said. 'Fanny! Is this where you are! Curse you, old girl, is this where you are!' Funny, how I remember his words. And then he came in.

"And he talked to my mother a long time. Then he looked round and said, 'So this is where you've crawled to!' And he petted Bruce. And then he came to me, and looked into my face a long time, and said, 'So this is his girl, eh? Fanny junior, down to the last eyelash! Come here, puss!' he said. And I made a face at him. And he put his hands to his sides and laughed and laughed at me. And he turned to my mother and said, 'Fanny, Fanny, what a queen!' I thought he meant be a queen in the theatre. But he meant something else. He came to me again, and squeezed me and pressed his face against mine. And my mother ran and snatched him away. And I ran behind the house.

"And by-and-by my mother came to find me, and said, 'Oho, my little giantess! So here you are! What are you trembling for!' And she kicked me. 'Take that!' she said.

"And I didn't understand—not then. But I understand now.

"Next day the man came again, and talked to my mother. But I saw him look and look at me. And by-and-by he reached for my hand. And my mother said, 'Stop that! None of that, my little George! One at a time, if you please!' And he laughed and let me go. And they went out and sat on a bench in the yard. And the man stroked my mother's hair. And I watched and listened. They talked a long time till it was night. And I heard George say, 'Well, Fanny, old girl, we did for him, all right, didn't we?' I've always remembered it. And they laughed and they laughed. Then the man said, 'God, how it does scare me, sometimes!' And my mother laughed at him for that. And George said, 'Look what I've had to give up. And you penned up here! But never mind. It will blow over. Then we'll crawl back to the old world, eh, Fanny?'"