VERRINA (apart to the others). Now, Genoese, observe!
ROMANO (placing the picture). The light must fall upon it thus. Draw up that curtain – let fall the other, – right. (Standing on one side). It is the story of Virginia and Appius Claudius. (A long pause; all contemplate the picture.)
VERRINA (with enthusiasm). Strike, aged father! Dost thou tremble, tyrant? How pale you stand there, Romans! Imitate him, senseless Romans! The sword yet glitters! Imitate me, senseless Genoese! Down with Doria! Down with him! (Striking at the picture.)
FIESCO (to the painter, smiling). Could you desire greater applause? Your art has transformed this old man into a youthful enthusiast.
VERRINA (exhausted). Where am I! What has become of them! They vanished like bubbles. You here, Fiesco! and the tyrant living!
FIESCO. My friend, amidst this admiration you have overlooked the parts most truly beauteous. Does this Roman's head thus strike you? Look there! Observe that damsel – what soft expression! What feminine delicacy! How sweetly touched are those pale lips! How exquisite that dying look! Inimitable! Divine, Romano! And that white, dazzling breast, that heaves with the last pulse of life. Draw more such beauties, Romano, and I will give up Nature to worship thy creative fancy.
BOURGOGNINO. Is it thus, Verrina, your hopes are answered?
VERRINA. Take courage, son! The Almighty has rejected the arm of FIESCO. Upon ours he must rely.
FIESCO (to ROMANO). Well – 'tis your last work, Romano. Your powers are exhausted. Lay down your pencil. Yet, whilst I am admiring the artist, I forget to satiate on the work. I could stand gazing on it, regardless of an earthquake. Take away your picture – the wealth of Genoa would scarcely reach the value of this Virginia. Away with it.
ROMANO. Honor is the artist's noblest reward. I present it to you. (Offers to go away.)
FIESCO. Stay, Romano! (He walks majestically up and down the room, seeming to reflect on something of importance. Sometimes he casts a quick and penetrating glance at the others; at last he takes ROMANO by the hand, and leads him to the picture.) Come near, painter. (With dignified pride.) Proudly stand'st thou there because, upon the dead canvas, thou canst simulate life, and immortalize great deeds with small endeavor. Thou canst dilate with the poet's fire on the empty puppet-show of fancy, without heart and without the nerve of life-inspiring deeds; depose tyrants on canvas, and be thyself a miserable slave! Thou canst liberate Republics with a dash of the pencil, yet not break thy own chains! (In a loud and commanding tone.) Go! Thy work is a mere juggle. Let the semblance give place to reality! (With haughtiness, overturning the picture.) I have done what thou hast only painted. (All struck with astonishment; ROMANO carries away the picture in confusion.)
SCENE XVIII
The former, except ROMANO.
FIESCO. Did you suppose the lion slept because he ceased to roar? Did your vain thoughts persuade you that none but you could feel the chains of Genoa? That none but you durst break them? Before you knew their weight, Fiesco had already broken them. (He opens an escritoire, takes out a parcel of letters, and throws them on the table.) These bring soldiers from Parma; – these, French money; – these, four galleys from the Pope. What now is wanting to rouse the tyrant in his lair? Tell me, what think you wanting? (All stand silent with astonishment.) Republicans! you waste your time in curses when you should overthrow the tyrant. (All but VERRINA throw themselves at FIESCO'S feet.)
VERRINA. Fiesco, my spirit bends to thine, but my knee cannot. Thy soul is great; but – rise, Genoese! (They rise.)
FIESCO. All Genoa was indignant at the effeminate Fiesco; all Genoa cursed the profligate FIESCO. Genoese! my amours have blinded the cunning despot. My wild excesses served to guard my plans from the danger of an imprudent confidence. Concealed beneath the cloak of luxury the infant plot grew up. Enough – I'm known sufficiently to Genoa in being known to you. I have attained my utmost wish.
BOURGOGNINO (throwing himself indignantly into a chair). Am I, then, nothing?
FIESCO. But let us turn from thought to action. All the engines are prepared – I can storm the city by sea and land. Rome, France, and Parma cover me; the nobles are disaffected; the hearts of the populace are mine; I have lulled to sleep the tyrants; the state is ripe for revolution. We are no longer in the hands of Fortune. Nothing is wanting. Verrina is lost in thought.
BOURGOGNINO. Patience! I have a word to say, which will more quickly rouse him than the trumpet of the last day. (To VERRINA – calls out to him emphatically.) Father! Awake! Thy Bertha will despair.
VERRINA. Who spoke those words? Genoese, to arms!
FIESCO. Think on the means of forwarding our plan. Night has advanced upon our discourse; Genoa is wrapped in sleep; the tyrant sinks exhausted beneath the sins of the day. Let us watch o'er both.
BOURGOGNINO. Let us, before we part, consecrate our heroic union by an embrace! (They form a circle, with joined arms.) Here unite five of the bravest hearts in Genoa to decide their country's fate. (All embrace eagerly.) When the universe shall fall asunder, and the eternal sentence shall cut in twain the bonds of consanguinity and love, then may this fivefold band of heroes still remain entire! (They separate.)
VERRINA. When shall we next assemble?
FIESCO. At noon to-morrow I'll hear your sentiments.
VERRINA. 'Tis well – at noon to-morrow. Goodnight, Fiesco! Come, Bourgognino, you will hear something marvellous.
[Exeunt VERRINA and BOURGOGNINO.
FIESCO (to the others). Depart by the back gates, that Doria's spies may not suspect us.
[Exeunt SACCO and CALCAGNO.
SCENE XIX
FIESCO, alone.
FIESCO (walking up and down in meditation). What a tumult is in my breast! What a concourse of dark, uncertain images! Like guilty wretches stealing out in secret to do some horrid deed, with trembling steps and blushing faces bent toward the ground, these flattering phantoms glide athwart my soul. Stay! stay! – let me examine you more closely. A virtuous thought strengthens the heart of man, and boldly meets the day. Ha! I know you – robed in the livery of Satan – avaunt! (A pause; he continues with energy.) Fiesco, the patriot! the Duke Fiesco! Peace! On this steep precipice the boundaries of virtue terminate: here heaven and hell are separated. Here have heroes stumbled, here have they fallen, and left behind a name loaded with curses – here, too, have heroes paused, here checked their course, and risen to immortality. (More vehemently.) To know the hearts of Genoa mine! To govern with a master's hand this formidable state! Oh, artifice of sin, that masks each devil with an angel's face! Fatal ambition! Everlasting tempter! Won by thy charms, angels abandoned heaven, and death sprung from thy embraces. (Shuddering.) Thy syren voice drew angels from their celestial mansions – man thou ensnarest with beauty, riches, power. (After a pause, in a firm tone.) To gain a diadem is great – to reject it is divine! (Resolutely.) Perish the tyrant! Let Genoa be free – and I (much affected) will be its happiest citizen.
ACT III
SCENE I. —
Midnight. A dreary wilderness.
VERRINA and BOURGOGNINO entering.
BOURGOGNINO (stands still). Whither are you leading me, father. The heavy grief that hung upon your brow when first you bade me follow you still seems to labor in your panting breast. Break this dreadful silence! Speak. I will go no further.
VERRINA. This is the place.
BOURGOGNINO. You could not choose a spot more awful. Father, if the deed you purpose be like the place – father – my hair will stand on end with horror.
VERRINA. And yet 'tis cheerfulness itself to the gloom that enwraps my soul. Follow me to yon churchyard, where corruption preys on the mouldering remnants of mortality, and death holds his fearful banquet – where shrieks of damned souls delight the listening fiends, and sorrow weeps her fruitless tears into the never-filling urn. Follow me, my son, to where the condition of this world is changed; and God throws off his attributes of mercy – there will I speak to thee in agony, and thou shalt hear with despair.
BOURGOGNINO. Hear! what? I conjure you, father.
VERRINA. Youth! I fear. Youth, thy blood is warm and crimson – thy heart is soft and tender – such natures are alive to human kindness – this warmth of feeling melts my obdurate wisdom. If the frost of age or sorrow's leaden pressure had chilled the springtide vigor of thy spirits – if black congealed blood had closed the avenues of thy heart against the approaches of humanity – then would thy mind be attuned to the language of my grief, and thou wouldst look with admiration on my project.
BOURGOGNINO. I will hear it, and embrace it as my own.
VERRINA. Not so, my son – Verrina will not wound thy heart with it. O Scipio, heavy burdens lie on me. A thought more dark and horrible than night, too vast to be contained within the breast of man! Mark me – my hand alone shall execute the deed; but my mind cannot alone support the weight of it. If I were proud, Scipio, I might say greatness unshared is torture. It was a burden to the Deity himself, and he created angels to partake his counsels. Hear, Scipio!
BOURGOGNINO. My soul devours thy words.
VERRINA. Hear! But answer nothing – nothing, young man! Observe me – not a word – Fiesco must die.
BOURGOGNINO (struck with astonishment). Die! Fiesco!
VERRINA. Die – I thank thee, God, 'tis out at last – Fiesco must die. My son – die by my hand. Now, go. There are deeds too high for human judgment. They appeal alone to heaven's tribunal. Such a one is this. Go! I neither ask thy blame nor approbation. I know my inward struggles, and that's enough. But hear! These thoughts might weary out thy mind even to madness. Hear! Didst thou observe yesterday with what pride he viewed his greatness reflected from our wondering countenances? The man whose smiles deceived all Italy, will he endure equals in Genoa? Go! 'Tis certain that Fiesco will overthrow the tyrant. 'Tis as certain he will become a tyrant still more dangerous.
[Exit hastily. BOURGOGNINO looks after him with speechless surprise, then follows slowly.
SCENE II
An apartment in FIESCO'S house. In the middle of the back scene a glass door, through which is seen a view of the sea and Genoa. Daybreak.
FIESCO at the window.
FIESCO. What do I see! The moon hath hid its face. The morn is rising fiery from the sea. Wild fancies have beset my sleep, and kept my soul convulsed by one idea. Let me inhale the pure, refreshing breeze. (He opens a window; the city and ocean appear red with the tint of morning. FIESCO walking up and down the room with energy.) I the greatest man in Genoa! And should not lesser souls bow down before the greater? But is not this to trample upon virtue? (Musing.) Virtue? The elevated mind is exposed to other than ordinary temptations – shall it then be governed by the ordinary rules of virtue? Is the armor which encases the pigmy's feeble frame suited to the giant? (The sun rises over Genoa.) This majestic city mine! (Spreading out his arms as if to embrace it.) To flame above it like the god of day! To rule over it with a monarch mind! To hold in subjection all the raging passions, all the insatiable desires in this fathomless ocean! 'Tis certain, though the cunning of the thief ennoble not the theft, yet doth the prize ennoble the thief. It is base to filch a purse – daring to embezzle a million, – but it is immeasurably great to steal a diadem. As guilt extends its sphere, the infamy decreaseth. (A pause, then with energy.) To obey! or to command! A fearful dizzying gulf – that absorbs whate'er is precious in the eyes of men. The trophies of the conqueror – the immortal works of science and of art – the voluptuous pleasures of the epicure – the whole wealth encompassed by the seas. To obey! or to command! To be, or not to be! The space between is as wide as from the lowest depths of hell to the throne of the Almighty. (In an elevated tone.) From that awful height to look down securely upon the impetuous whirlpool of mankind, where blind fortune holds capricious sway! To quaff at the fountainhead unlimited draughts from the rich cup of pleasure! To hold that armed giant law beneath my feet in leading-strings, and see it struggle with fruitless efforts against the sacred power of majesty! To tame the stubborn passions of the people, and curb them with a playful rein, as a skilful horseman guides the fiery steed! With a breath – one single breath – to quell the rising pride of vassals, whilst the prince, with the motion of his sceptre, can embody even his wildest dreams of fancy! Ah! What thoughts are these which transport the astounded mind beyond its boundaries! Prince! To be for one moment prince comprises the essence of a whole existence. 'Tis not the mere stage of life – but the part we play on it that gives the value. The murmurs which compose the thunder's roar might singly lull an infant to repose – but united their crash can shake the eternal vault of heaven. I am resolved. (Walking up and down majestically.)
SCENE III
FIESCO; LEONORA, entering with a look of anxiety.
LEONORA. Pardon me, count. I fear I interrupt your morning rest.
FIESCO (steps back with astonishment). Indeed, madam, you do surprise me not a little.
LEONORA. That never happens to those who love.
FIESCO. Charming countess, you expose your beauty to the rude breath of morning.
LEONORA. I know not why I should preserve its small remains for grief to feed on.
FIESCO. Grief, my love? I thought that to be free from cares of state was happiness.
LEONORA. It may be so. Yet do I feel that my weak heart is breaking amidst this happiness. I come, sir, to trouble you with a trifling request, if you can spare a moment's time to hear me. These seven months past I have indulged the pleasing dream of being Countess of Lavagna. It now has passed away and left a painful weight upon my mind. Amid the pleasures of my innocent childhood I must seek relief to my disordered spirits. Permit me, therefore, to return to the arms of my beloved mother —
FIESCO (with astonishment). Countess!
LEONORA. My heart is a poor trembling thing which you should pity. Even the least remembrance of my visionary joy might wound my sickly fancy. I therefore restore the last memorials of your kindness to their rightful owner. (She lays some trinkets on the table.) This, too, that like a dagger struck my heart (presenting a letter). This, too (going to rush out of the door in tears), and I will retain nothing but the wound.
FIESCO (agitated, hastens after and detains her). Leonora! For God's sake, stay!
LEONORA (falls into his arms exhausted). To be your wife was more than I deserved. But she who was your wife deserved at least respect. How bitter is the tongue of calumny. How the wives and maidens of Genoa now look down upon me! "See," they say, "how droops the haughty one whose vanity aspired to Fiesco!" Cruel punishment of my pride! I triumphed over my whole sex when Fiesco led me to the altar —
FIESCO. Really, Madonna! All this is most surprising —
LEONORA (aside). Ah! he changes color – now I revive.
FIESCO. Wait only two days, countess – then judge my conduct —
LEONORA. To be sacrificed! Let me not speak it in thy chaste presence, oh, thou virgin day! To be sacrificed to a shameless wanton! Look on me, my husband! Ah, surely those eyes that make all Genoa tremble, must hide themselves before a weeping woman —
FIESCO (extremely confused). No more, signora! No more —
LEONORA (with a melancholy look of reproach). To rend the heart of a poor helpless woman! Oh, it is so worthy of the manly sex. Into his arms I threw myself, and on his strength confidingly reposed my feminine weakness. To him I trusted the heaven of my hopes. The generous man bestowed it on a —
FIESCO (interrupting her, with vehemence). No, my Leonora! No!
LEONORA. My Leonora! Heaven, I thank thee! These were the angelic sounds of love once more. I ought to hate thee, faithless man! And yet I fondly grasp the shadow of thy tenderness. Hate! said I? Hate Fiesco? Oh, believe it not! Thy perfidy may bid me die, but cannot bid me hate thee. I did not know my heart – (The MOOR is heard approaching.)
FIESCO. Leonora! grant me one trifling favor.
LEONORA. Everything, Fiesco – but indifference.
FIESCO. Well, well (significantly). Till Genoa be two days older, inquire not! condemn me not! (Leads her politely to another apartment.)
SCENE IV
FIESCO; the MOOR, entering hastily.
FIESCO. Whence come you thus out of breath?
MOOR. Quick, my lord!
FIESCO. Has anything run into the net?
MOOR. Read this letter. Am I really here? Methinks Genoa is become shorter by twelve streets, or else my legs have grown that much longer! You change color? Yes, yes – they play at cards for heads, and yours is the chief stake. How do you like it?
FIESCO (throws the letter on the table with horror). Thou woolly-pated rascal! How camest thou by that letter?
MOOR. Much in the same way as your grace will come by the republic. An express was sent with it towards Levanto. I smelt out the game; waylaid the fellow in a narrow pass, despatched the fox, and brought the poultry hither —
FIESCO. His blood be on thy head! As for the letter, 'tis not to be paid with gold.
MOOR. Yet I will be content with silver for it – (seriously, and with a look of importance). Count of Lavagna! 'twas but the other day I sought your life. To-day (pointing to the letter) I have preserved it. Now I think his lordship and the scoundrel are even. My further service is an act of friendship – (presents another letter) number two!
FIESCO (receives it with astonishment). Art thou mad?
MOOR. Number two – (with an arrogant air – his arms akimbo) the lion has not acted foolishly in pardoning the mouse. Ah! 'twas a deed of policy. Who else could e'er have gnawed the net with which he was surrounded? Now, sir, how like you that?
FIESCO. Fellow, how many devils hast thou in pay?
MOOR. But one, sir, at your service; and he is in your grace's keeping.
FIESCO. What! Doria's own signature! Whence dost thou bring this paper?
MOOR. Fresh from the hands of my Diana. I went to her last night, tempted her with your charming words, and still more charming sequins. The last prevailed. She bade me call early in the morning. Lomellino had been there as you predicted, and paid the toll to his contraband heaven with this deposit.
FIESCO (indignantly). Oh, these despicable woman-slaves! They would govern kingdoms, and cannot keep a secret from a harlot. By these papers I learn that Doria and his party have formed a plot to murder me, with eleven senators, and to place Gianettino on the throne.
MOOR. Even so – and that upon the morning of the ducal election, the third of this month.
FIESCO (vehemently). The night of our enterprise shall smother that morning in its very birth. Speed thee, Hassan. My affairs are ripe. Collect our fellows. We will take bloody lead of our adversaries. Be active, Hassan!
MOOR. I have a budget full of news beside. Two thousand soldiers are safely smuggled into the city. I've lodged them with the Capuchins, where not even a prying sunbeam can espy them. They burn with eagerness to see their leader. They are fine fellows.
FIESCO. Each head of them shall yield thee a ducat. Is there no talk about my galleys?
MOOR. Oh, I've a pleasant story of them, my lord. Above four hundred adventurers, whom the peace 'twixt France and Spain has left without employ, besought my people to recommend them to your grace to fight against the infidels. I have appointed them to meet this evening in the palace-court.
FIESCO (pleased). I could almost embrace thee, rascal. A masterly stroke! Four hundred, said'st thou? Genoa is in my power. Four hundred crowns are thine —
MOOR (with an air of confidence). Eh, Fiesco? We two will pull the state in pieces, and sweep away the laws as with a besom. You know not how many hearty fellows I have among the garrison – lads that I can reckon on as surely as on a trip to hell. Now I've so laid my plans that at each gate we have among the guard at least six of our creatures, who will be enough to overcome the others by persuasion or by wine. If you wish to risk a blow to-night, you'll find the sentinels all drenched with liquor.
FIESCO. Peace, fellow! Hitherto I have moved the vast machine alone; shall I now, at the very goal, be put to shame by the greatest rascal under the sun? Here's my hand upon it, fellow – whate'er the Count remains indebted to thee, the Duke shall pay.
MOOR. And here, too, is a note from the Countess Imperiali. She beckoned to me from her window, when I went up received me graciously, and asked me ironically if the Countess of Lavagna had not been lately troubled with the spleen. Does your grace, said I, inquire but for one person?
FIESCO (having read the letter throws it aside). Well said. What answer made she?
MOOR. She answered, that she still lamented the fate of the poor bereaved widow – that she was willing to give her satisfaction, and meant to forbid your grace's attentions.
FIESCO (with a sneer). Which of themselves may possibly cease sometime before the day of judgment. Is that all thy business, Hassan?
MOOR (ironically). My lord, the affairs of the ladies are next to those of state.
FIESCO. Without a doubt, and these especially. But for what purpose are these papers?
MOOR. To remove one plague by another. These powders the signora gave me, to mix one every day with your wife's chocolate.
FIESCO (starting). Gave thee?
MOOR. Donna Julia, Countess Imperiali.
FIESCO (snatching them from him eagerly). If thou liest, rascal, I'll hang thee up alive in irons at the weathercock of the Lorenzo tower, where the wind shall whirl thee nine times round with every blast. The powders?
MOOR (impatiently). I am to give your wife mixed with her chocolate. Such were the orders of Donna Julia Imperiali.
FIESCO (enraged). Monster! monster! This lovely creature! Is there room for so much hell within a female bosom? And I forgot to thank thee, heavenly Providence, that has rendered it abortive – abortive through a greater devil. Wondrous are thy ways! (To the MOOR.) Swear to me to obey, and keep this secret.
MOOR. Very well. The latter I can afford – she paid me ready money.
FIESCO. This note invites me to her. I'll be with you, madam! – and find means to lure you hither, too. Now haste thee, with all thy speed, and call together the conspirators.
MOOR. This order I anticipated, and therefore at my own risk appointed every one to come at ten o'clock precisely.
FIESCO. I hear the sound of footsteps. They are here. Fellow, thy villany deserves a gallows of its own, on which no son of Adam was ever yet suspended. Wait in the ante-chamber till I call for thee.
MOOR. The Moor has done his work – the Moor may go.
[Exit.
SCENE V
FIESCO, VERRINA, BOURGOGNINO, CALCAGNO, SACCO.
FIESCO (meeting them). The tempest is approaching: the clouds rash together. Advance with caution. Let all the doors be locked.
VERRINA. Eight chambers have I made fast behind. Suspicion cannot come within a hundred steps of us.
BOURGOGNINO. Here is no traitor, unless our fear become one.
FIESCO. Fear cannot pass my threshold. Welcome he whose mind remains the same as yesterday. Be seated. (They seat themselves.)
BOURGOGNINO (walking up and down). I care not to sit in cold deliberation when action calls upon me.
FIESCO. Genoese, this hour is eventful.
VERRINA. Thou hast challenged us to consider a plan for dethroning the tyrant. Demand of us – we are here to answer thee.
FIESCO. First, then, a question which, as it comes so late, you may think strange. Who is to fall? (A pause.)
BOURGOGNINO (leaning over FIESCO'S chair, with an expressive look). The tyrants.
FIESCO. Well spoken. The tyrants. I entreat you weigh well the importance of the word. Is he who threatens the overthrow of liberty – or he who has it in his power – the greater tyrant?
VERRINA. The first I hate, I fear the latter. Let Andreas Doria fall!
CALCAGNO (with emotion). Andreas? The old Andreas! who perhaps to-morrow may pay the debt of nature —
SACCO. Andreas? That mild old man!
FIESCO. Formidable is that old man's mildness, O my friend – the brutality of Gianettino only deserves contempt. "Let Andreas fall!" There spoke thy wisdom, Verrina.
BOURGOGNINO. The chain of iron, and the cord of silk, alike are bonds. Let Andreas perish!
FIESCO (going to the table). The sentence, then is passed upon the uncle and the nephew. Sign it! (They all sign.) The question who is settled. How must be next determined. Speak first, Calcagno.
CALCAGNO. We must execute it either as soldiers or assassins. The first is dangerous, because we must have many confidants. 'Tis also doubtful, because the peoples' hearts are not all with us. To act the second our five good daggers are sufficient. Two days hence high mass will be performed in the Lorenzo Church – both the Dorias will be present. In the house of God even a tyrant's cares are lulled to sleep. I have done.
FIESCO (turning away). Calcagno, your plan is politic, but 'tis detestable. Raphael Sacco, yours?
SACCO. Calcagno's reasons please me, but the means he chooses my mind revolts at. Better were it that Fiesco should invite both the uncle and nephew to a feast, where, pressed on all sides by the vengeance of the republic, they must swallow death at the dagger's point, or in a bumper of good Cyprian. This method is at least convenient.
FIESCO (with horror). Ah, Sacco! What if the wine their dying tongues shall taste become for us torments of burning pitch in hell! Away with this advice! Speak thou, Verrina.
VERRINA. An open heart shows a bold front. Assassination degrades us to banditti. The hero advances sword in hand. I propose to give aloud the signal of revolt, and boldly rouse the patriots of Genoa to vengeance. (He starts from his seat, the others do the same.)
BOURGOGNINO (embracing him). And with armed hand wrest Fortune's favors from her. This is the voice of honor, and is mine.
FIESCO. And mine. Shame on you, Genoese! (to SACCO and CALCAGNO). Fortune has already done too much for us, let something be our own. Therefore open revolt! And that, Genoese, this very night – (VERRINA and BOURGOGNINO astonished – the others terrified.)
CALCAGNO. What! To-night! The tyrants are yet too powerful, our force too small.
SACCO. To-night! And naught prepared? The day is fast declining.
FIESCO. Your doubts are reasonable, but read these papers. (He gives them GIANETTINO'S papers, and walks up and down with a look of satisfaction, whilst they read them eagerly.) Now, farewell, thou proud and haughty star of Genoa, that didst seem to fill the whole horizon with thy brightness. Knowest thou not that the majestic sun himself must quit the heavens, and yield his sceptre to the radiant moon? Farewell, Doria, beauteous star!
Patroclus to the shades is gone,
And he was more than thou.
BOURGOGNINO (after reading the papers). This is horrible.
CALCAGNO. Twelve victims at a blow!
VERRINA. To-morrow in the senate-house!
BOURGOGNINO. Give me these papers, and I will ride with them through Genoa, holding them up to view. The very stones will rise in mutiny, and even the dogs will howl against the tyrant.
ALL. Revenge! Revenge! Revenge! This very night!
FIESCO. Now you have reached the point. At sunset I will invite hither the principal malcontents – those that stand upon the bloody list of Gianettino! Besides the Sauli, the Gentili, Vivaldi, Vesodimari, all mortal enemies of the house of Doria; but whom the tyrant forgot to fear. They, doubtless, will embrace my plan with eagerness.
BOURGOGNINO. I doubt it not.
FIESCO. Above all things, we must render ourselves masters of the sea. Galleys and seamen I have ready. The twenty vessels of the Dorias are dismantled, and may be easily surprised. The entrance of the inner harbor must be blocked up, all hope of flight cut off. If we secure this point, all Genoa is in our power.
VERRINA. Doubtless.
FIESCO. Then we must seize the strongest posts in the city, especially the gate of St. Thomas, which, leading to the harbor, connects our land and naval forces. Both the Dorias must be surprised within their palaces, and killed. The bells must toll, the citizens be called upon to side with us, and vindicate the liberties of Genoa. If Fortune favor us, you shall hear the rest in the senate.
VERRINA. The plan is good. Now for the distribution of our parts.
FIESCO (significantly). Genoese, you chose me, of your own accord, as chief of the conspiracy. Will you obey my further orders?
VERRINA. As certainly as they shall be the best.
FIESCO. Verrina, dost thou know the principle of all warlike enterprise? Instruct him, Genoese. It is subordination. If your will be not subjected to mine – observe me well – if I be not the head of the conspiracy, I am no more a member.
VERRINA. A life of freedom is well worth some hours of slavery. We obey.
FIESCO. Then leave me now. Let one of you reconnoitre the city and inform me of the strength or weakness of the several posts. Let another find out the watchword. A third must see that the galleys are in readiness. A fourth conduct the two thousand soldiers into my palace-court. I myself will make all preparations here for the evening, and pass the interval perhaps in play. At nine precisely let all be at my palace to hear my final orders. (Rings the bell.)
VERRINA. I take the harbor.
BOURGOGNINO. I the soldiers.
CALCAGNO. I will learn the watchword.
SACCO. I will reconnoitre Genoa.
[Exeunt
SCENE VI
FIESCO, MOOR.
FIESCO (seated at a desk, and writing). Did they not struggle against the word subordination as the worm against the needle which transfixes it? But 'tis too late, republicans.
MOOR (entering). My lord —
FIESCO (giving him a paper). Invite all those whose names are written here to see a play this evening at my palace.
MOOR. Perhaps to act a part, and pay the admittance with their heads.