100
Learning to do Homage.– One must learn the art of homage, as well as the art of contempt. Whoever goes in new paths and has led many persons therein, discovers with astonishment how awkward and incompetent all of them are in the expression of their gratitude, and indeed how rarely gratitude is able even to express itself. It is always as if something comes into people's throats when their gratitude wants to speak so that it only hems and haws, and becomes silent again. The way in which a thinker succeeds in tracing the effect of his thoughts, and their transforming and convulsing power, is almost a comedy: it sometimes seems as if those who have been operated upon felt profoundly injured thereby, and could only assert their independence, which they suspect to be threatened, by all kinds of improprieties. It needs whole generations in order merely to devise a courteous convention of gratefulness; it is only very late that the period arrives when something of spirit and genius enters into gratitude Then there is usually some one who is the great receiver of thanks, not only for the good he himself has done, but mostly for that which has been gradually accumulated by his predecessors, as a treasure of what is highest and best.
101
Voltaire– Wherever there has been a court, it has furnished the standard of good-speaking and with this also the standard of style for writers The court language, however, is the language of the courtier who has no profession, and who even in conversations on scientific subjects avoids all convenient, technical expressions, because they smack of the profession; on that account the technical expression, and everything that betrays the specialist, is a blemish of style in countries which have a court culture. At present, when all courts have become caricatures of past and present times, one is astonished to find even Voltaire unspeakably reserved and scrupulous on this point (for example, in his judgments concerning such stylists as Fontenelle and Montesquieu), – we are now, all of us, emancipated from court taste, while Voltaire was its perfecter!
102
A Word for Philologists. —It is thought that there are books so valuable and royal that whole generations of scholars are well employed when through their efforts these books are kept genuine and intelligible, – to confirm this belief again and again is the purpose of philology. It presupposes that the rare men are not lacking (though they may not be visible), who actually know how to use such valuable books: – those men perhaps who write such books themselves, or could write them. I mean to say that philology presupposes a noble belief, – that for the benefit of some few who are always "to come," and are not there, a very great amount of painful, and even dirty labour has to be done beforehand: it is all labour in usum Delphinorum.
103
German Music.– German music, more than any other, has now become European music; because the changes which Europe experienced through the Revolution have therein alone found expression: it is only German music that knows how to express the agitation of popular masses, the tremendous artificial uproar, which does not even need to be very noisy, – while Italian opera, for example, knows only the choruses of domestics or soldiers, but not "the people." There is the additional fact that in all German music a profound bourgeois jealousy of the noblesse can be traced, especially a jealousy of esprit and élégance, as the expressions of a courtly, chivalrous, ancient, and self-confident society. It is not music like that of Goethe's musician at the gate, which was pleasing also "in the hall," and to the king as well; it is not here said: "The knights looked on with martial air; with bashful eyes the ladies." Even the Graces are not allowed in German music without a touch of remorse; it is only with Pleasantness, the country sister of the Graces that the German begins to feel morally at ease – and from this point up to his enthusiastic, learned, and often gruff "sublimity" (the Beethoven-like sublimity), he feels more and more so. If we want to imagine the man of this music, – well, let us just imagine Beethoven as he appeared beside Goethe, say, at their meeting at Teplitz: as semi-barbarism beside culture, as the masses beside the nobility, as the good-natured man beside the good and more than "good" man, as the visionary beside the artist, as the man needing comfort beside the comforted, as the man given to exaggeration and distrust beside the man of reason, as the crank and self-tormenter, as the foolishly enraptured, blessedly unfortunate, sincerely immoderate man! as the pretentious and awkward man, – and altogether as the "untamed man": it was thus that Goethe conceived and characterised him, Goethe, the exceptional German, for whom a music of equal rank has not yet been found! – Finally, let us consider whether the present continually extending contempt of melody and the stunting of the sense for melody among Germans should not be understood as a democratic impropriety and an after-effect of the Revolution? For melody has such an obvious delight in conformity to law, and such an aversion to everything evolving, unformed and arbitrary, that it sounds like a note out of the ancient European regime, and as a seduction and guidance back to it.
104
The Tone of the German Language.– We know whence the German originated which for several centuries has been the universal literary language of Germany. The Germans, with their reverence for everything that came from the court, intentionally took the chancery style as their pattern in all that they had to write, especially in their letters, records, wills, &c. To write in the chancery style, that was to write in court and government style, – that was regarded as something select, compared with the language of the city in which a person lived. People gradually drew this inference, and spoke also as they wrote, – they thus became still more select in the forms of their words, in the choice of their terms and modes of expression, and finally also in their tones: they affected a court tone when they spoke, and the affectation at last became natural. Perhaps nothing quite similar has ever happened elsewhere: – the predominance of the literary style over the talk, and the formality and affectation of an entire people becoming the basis of a common and no longer dialectical language. I believe that the sound of the German language in the Middle Ages, and especially after the Middle Ages, was extremely rustic and vulgar; it has ennobled itself somewhat during the last centuries, principally because it was found necessary to imitate so many French, Italian, and Spanish sounds, and particularly on the part of the German (and Austrian) nobility, who could not at all content themselves with their mother-tongue. But notwithstanding this practice, German must have sounded intolerably vulgar to Montaigne, and even to Racine: even at present, in the mouths of travellers among the Italian populace, it still sounds very coarse, sylvan, and hoarse, as if it had originated in smoky rooms and outlandish districts. – Now I notice that at present a similar striving after selectness of tone is spreading among the former admirers of the chancery style, and that the Germans are beginning to accommodate themselves to a peculiar "witchery of sound," which might in the long run become an actual danger to the German language, – for one may seek in vain for more execrable sounds in Europe. Something mocking, cold, indifferent and careless in the voice: that is what at present sounds "noble" to the Germans – and I hear the approval of this nobleness in the voices of young officials, teachers, women, and trades-people; indeed, even the little girls already imitate this German of the officers. For the officer, and in fact the Prussian officer is the inventor of these tones: this same officer, who as soldier and professional man possesses that admirable tact for modesty which the Germans as a whole might well imitate (German professors and musicians included!). But as soon as he speaks and moves he is the most inmodest and inelegant figure in old Europe – no doubt unconsciously to himself! And unconsciously also to the good Germans, who gaze at him as the man of the foremost and most select society, and willingly let him "give them his tone." And indeed he gives it to them! – in the first place it is the sergeant-majors and non-commissioned officers that imitate his tone and coarsen it. One should note the roars of command, with which the German cities are absolutely surrounded at present, when there is drilling at all the gates: what presumption, furious imperiousness, and mocking coldness speaks in this uproar! Could the Germans actually be a musical people? – It is certain that the Germans martialise themselves at present in the tone of their language: it is probable that, being exercised to speak martially, they will finally write martially also. For habituation to definite tones extends deeply into the character: – people soon have the words and modes of expression, and finally also the thoughts which just suit these tones! Perhaps they already write in the officers' style; perhaps I only read too little of what is at present written in Germany to know this. But one thing I know all the surer: the German public decorations which also reach places abroad, are not inspired by German music, but just by that new tone of tasteless arrogance. Almost in every speech of the foremost German statesman, and even when he makes himself heard through his imperial mouth-piece, there is an accent which the ear of a foreigner repudiates with aversion: but the Germans endure it, – they endure themselves.
105
The Germans as Artists. —When once a German actually experiences passion (and not only, as is usual, the mere inclination to it), he then behaves just as he must do in passion, and does not think further of his behaviour. The truth is, however, that he then behaves very awkwardly and uglily, and as if destitute of rhythm and melody; so that onlookers are pained or moved thereby, but nothing more —unless he elevate himself to the sublimity and enrapturedness of which certain passions are capable. Then even the German becomes beautiful. The consciousness of the height at which beauty begins to shed its charm even over Germans, forces German artists to the height and the super-height, and to the extravagances of passion: they have an actual, profound longing, therefore, to get beyond, or at least to look beyond the ugliness and awkwardness – into a better, easier, more southern, more sunny world. And thus their convulsions are often merely indications that they would like to dance: these poor bears in whom hidden nymphs and satyrs, and sometimes still higher divinities, carry on their game!
106
Music as Advocate.– "I have a longing for a master of the musical art," said an innovator to his disciple, "that he may learn from me my ideas and speak them more widely in his language: I shall thus be better able to reach men's ears and hearts. For by means of tones one can seduce men to every error and every truth: who could refute a tone?" – "You would, therefore, like to be regarded as irrefutable?" said his disciple. The innovator answered: "I should like the germ to become a tree. In order that a doctrine may become a tree, it must be believed in for a considerable period; in order that it may be believed in it must be regarded as irrefutable. Storms and doubts and worms and wickedness are necessary to the tree, that it may manifest its species and the strength of its germ; let it perish if it is not strong enough! But a germ is always merely annihilated, – not refuted!" – When he had said this, his disciple called out impetuously: "But I believe in your cause, and regard it as so strong that I will say everything against it, everything that I still have in my heart." – The innovator laughed to himself and threatened the disciple with his finger. "This kind of discipleship," said he then, "is the best, but it is dangerous, and not every kind of doctrine can stand it."
107
Our Ultimate Gratitude to Art.– If we had not approved of the Arts and invented this sort of cult of the untrue, the insight into the general untruth and falsity of things now given us by science – an insight into delusion and error as conditions of intelligent and sentient existence – would be quite unendurable. Honesty would have disgust and suicide in its train. Now, however, our honesty has a counterpoise which helps us to escape such consequences; – namely, Art, as the good-will to illusion. We do not always restrain our eyes from rounding off and perfecting in imagination: and then it is no longer the eternal imperfection that we carry over the river of Becoming – for we think we carry a goddess, and are proud and artless in rendering this service. As an æsthetic phenomenon existence is still endurable to us; and by Art, eye and hand and above all the good conscience are given to us, to be able to make such a phenomenon out of ourselves. We must rest from ourselves occasionally by contemplating and looking down upon ourselves, and by laughing or weeping over ourselves from an artistic remoteness: we must discover the hero, and likewise the fool, that is hidden in our passion for knowledge; we must now and then be joyful in our folly, that we may continue to be joyful in our wisdom! And just because we are heavy and serious men in our ultimate depth, and are rather weights than men, there is nothing that does us so much good as the fool's cap and bells: we need them in presence of ourselves – we need all arrogant, soaring, dancing, mocking, childish and blessed Art, in order not to lose the free dominion over things which our ideal demands of us. It would be backsliding for us, with our susceptible integrity, to lapse entirely into morality, and actually become virtuous monsters and scarecrows, on account of the over-strict requirements which we here lay down for ourselves. We ought also to be able to stand above morality, and not only stand with the painful stiffness of one who every moment fears to slip and fall, but we should also be able to soar and play above it! How could we dispense with Art for that purpose, how could we dispense with the fool? – And as long as you are still ashamed of yourselves in any way, you still do not belong to us!
BOOK THIRD
108
New Struggles.– After Buddha was dead people showed his shadow for centuries afterwards in a cave, – an immense frightful shadow. God is dead: – but as the human race is constituted, there will perhaps be caves for millenniums yet, in which people will show his shadow. – And we – we have still to overcome his shadow!
109
Let us be on our Guard.– Let us be on our guard against thinking that the world is a living being. Where could it extend itself? What could it nourish itself with? How could it grow and increase? We know tolerably well what the organic is; and we are to reinterpret the emphatically derivative, tardy, rare and accidental, which we only perceive on the crust of the earth, into the essential, universal and eternal, as those do who call the universe an organism? That disgusts me. Let us now be on our guard against believing that the universe is a machine; it is assuredly not constructed with a view to one end; we invest it with far too high an honour with the word "machine." Let us be on our guard against supposing that anything so methodical as the cyclic motions of our neighbouring stars obtains generally and throughout the universe; indeed a glance at the Milky Way induces doubt as to whether there are not many cruder and more contradictory motions there, and even stars with continuous, rectilinearly gravitating orbits, and the like. The astral arrangement in which we live is an exception; this arrangement, and the relatively long durability which is determined by it, has again made possible the exception of exceptions, the formation of organic life. The general character of the world, on the other hand, is to all eternity chaos; not by the absence of necessity, but in the sense of the absence of order, structure, form, beauty, wisdom, and whatever else our æsthetic humanities are called. Judged by our reason, the unlucky casts are far oftenest the rule, the exceptions are not the secret purpose; and the whole musical box repeats eternally its air, which can never be called a melody, – and finally the very expression, "unlucky cast" is already an anthropomorphising which involves blame. But how could we presume to blame or praise the universe! Let us be on our guard against ascribing to it heartlessness and unreason, or their opposites; it is neither perfect, nor beautiful, nor noble; nor does it seek to be anything of the kind, it does not at all attempt to imitate man! It is altogether unaffected by our æsthetic and moral judgments! Neither has it any self-preservative instinct, nor instinct at all; it also knows no law. Let us be on our guard against saying that there are laws in nature. There are only necessities: there is no one who commands, no one who obeys, no one who transgresses. When you know that there is no design, you know also that there is no chance: for it is only where there is a world of design that the word "chance" has a meaning. Let us be on our guard against saying that death is contrary to life. The living being is only a species of dead being, and a very rare species. – Let us be on our guard against thinking that the world eternally creates the new. There are no eternally enduring substances; matter is just another such error as the God of the Eleatics. But when shall we be at an end with our foresight and precaution! When will all these shadows of God cease to obscure us? When shall we have nature entirely undeified! When shall we be permitted to naturalise ourselves by means of the pure, newly discovered, newly redeemed nature?
110
Origin of Knowledge.– Throughout immense stretches of time the intellect produced nothing but errors; some of them proved to be useful and preservative of the species: he who fell in with them, or inherited them, waged the battle for himself and his offspring with better success. Those erroneous articles of faith which were successively transmitted by inheritance, and have finally become almost the property and stock of the human species, are, for example, the following: – that there are enduring things, that there are equal things, that there are things, substances, and bodies, that a thing is what it appears, that our will is free, that what is good for me is also good absolutely. It was only very late that the deniers and doubters of such propositions came forward, – it was only very late that truth made its appearance as the most impotent form of knowledge. It seemed as if it were impossible to get along with truth, our organism was adapted for the very opposite; all its higher functions, the perceptions of the senses, and in general every kind of sensation, co-operated with those primevally embodied, fundamental errors. Moreover, those propositions became the very standards of knowledge according to which the "true" and the "false" were determined – throughout the whole domain of pure logic. The strength of conceptions does not, therefore, depend on their degree of truth, but on their antiquity, their embodiment, their character as conditions of life. Where life and knowledge seemed to conflict, there has never been serious contention; denial and doubt have there been regarded as madness. The exceptional thinkers like the Eleatics, who, in spite of this, advanced and maintained the antitheses of the natural errors, believed that it was possible also to live these counterparts: it was they who devised the sage as the man of immutability, impersonality and universality of intuition, as one and all at the same time, with a special faculty for that reverse kind of knowledge; they were of the belief that their knowledge was at the same time the principle of life. To be able to affirm all this, however, they had to deceive themselves concerning their own condition: they had to attribute to themselves impersonality and unchanging permanence, they had to mistake the nature of the philosophic individual, deny the force of the impulses in cognition, and conceive of reason generally as an entirely free and self-originating activity; they kept their eyes shut to the fact that they also had reached their doctrines in contradiction to valid methods, or through their longing for repose or for exclusive possession or for domination. The subtler development of sincerity and of scepticism finally made these men impossible; their life also, and their judgments, turned out to be dependent on the primeval impulses and fundamental errors of all sentient being. – The subtler sincerity and scepticism arose wherever two antithetical maxims appeared to be applicable to life, because both of them were compatible with the fundamental errors; where, therefore, there could be contention concerning a higher or lower degree of utility for life; and likewise where new maxims proved to be, not necessarily useful, but at least not injurious, as expressions of an intellectual impulse to play a game that was like all games innocent and happy. The human brain was gradually filled with such judgments and convictions; and in this tangled skein there arose ferment, strife and lust for power. Not only utility and delight, but every kind of impulse took part in the struggle for "truths": the intellectual struggle became a business, an attraction, a calling, a duty, an honour – : cognizing and striving for the true finally arranged themselves as needs among other needs. From that moment, not only belief and conviction, but also examination, denial, distrust and contradiction became forces; all "evil" instincts were subordinated to knowledge, were placed in its service, and acquired the prestige of the permitted, the honoured, the useful, and finally the appearance and innocence of the good. Knowledge, thus became a portion of life itself, and as life it became a continually growing power: until finally the cognitions and those primeval, fundamental errors clashed with each other, both as life, both as power, both in the same man. The thinker is now the being in whom the impulse to truth and those life-preserving errors wage their first conflict, now that the impulse to truth has also proved itself to be a life-preserving power. In comparison with the importance of this conflict everything else is indifferent; the final question concerning the conditions of life is here raised, and the first attempt is here made to answer it by experiment. How far is truth susceptible of embodiment? – that is the question, that is the experiment.
111
Origin of the Logical.– Where has logic originated in men's heads? Undoubtedly out of the illogical, the domain of which must originally have been immense. But numberless beings who reasoned otherwise than we do at present, perished; albeit that they may have come nearer to truth than we! Whoever, for example, could not discern the "like" often enough with regard to food, and with regard to animals dangerous to him, whoever, therefore, deduced too slowly, or was too circumspect in his deductions, had smaller probability of survival than he who in all similar cases immediately divined the equality. The preponderating inclination, however, to deal with the similar as the equal – an illogical inclination, for there is nothing equal in itself – first created the whole basis of logic. It was just so (in order that the conception of substance should originate, this being indispensable to logic, although in the strictest sense nothing actual corresponds to it) that for a long period the changing process in things had to be overlooked, and remain unperceived; the beings not seeing correctly had an advantage over those who saw everything "in flux." In itself every high degree of circumspection in conclusions, every sceptical inclination, is a great danger to life. No living being might have been preserved unless the contrary inclination – to affirm rather than suspend judgment, to mistake and fabricate rather than wait, to assent rather than deny, to decide rather than be in the right – had been cultivated with extraordinary assiduity. – The course of logical thought and reasoning in our modern brain corresponds to a process and struggle of impulses, which singly and in themselves are all very illogical and unjust; we experience usually only the result of the struggle, so rapidly and secretly does this primitive mechanism now operate in us.
112
Cause and Effect.– We say it is "explanation"; but it is only in "description" that we are in advance of the older stages of knowledge and science. We describe better, – we explain just as little as our predecessors. We have discovered a manifold succession where the naïve man and investigator of older cultures saw only two things, "cause" and "effect," as it was said; we have perfected the conception of becoming, but have not got a knowledge of what is above and behind the conception. The series of "causes" stands before us much more complete in every case; we conclude that this and that must first precede in order that that other may follow – but we have not grasped anything thereby. The peculiarity, for example, in every chemical process seems a "miracle," the same as before, just like all locomotion; nobody has "explained" impulse. How could we ever explain! We operate only with things which do not exist, with lines, surfaces, bodies, atoms, divisible times, divisible spaces – how can explanation ever be possible when we first make everything a conception, our conception! It is sufficient to regard science as the exactest humanising of things that is possible; we always learn to describe ourselves more accurately by describing things and their successions. Cause and effect: there is probably never any such duality; in fact there is a continuum before us, from which we isolate a few portions; – just as we always observe a motion as isolated points, and therefore do not properly see it, but infer it. The abruptness with which many effects take place leads us into error; it is however only an abruptness for us. There is an infinite multitude of processes in that abrupt moment which escape us. An intellect which could see cause and effect as a continuum, which could see the flux of events not according to our mode of perception, as things arbitrarily separated and broken – would throw aside the conception of cause and effect, and would deny all conditionality.
113
The Theory of Poisons.– So many things have to be united in order that scientific thinking may arise, and all the necessary powers must have been devised, exercised, and fostered singly! In their isolation, however, they have very often had quite a different effect than at present, when they are confined within the limits of scientific thinking and kept mutually in check: – they have operated as poisons; for example, the doubting impulse, the denying impulse, the waiting impulse, the collecting impulse, the disintegrating impulse. Many hecatombs of men were sacrificed ere these impulses learned to understand their juxtaposition and regard themselves as functions of one organising force in one man! And how far are we still from the point at which the artistic powers and the practical wisdom of life shall co-operate with scientific thinking, so that a higher organic system may be formed, in relation to which the scholar, the physician, the artist, and the lawgiver, as we know them at present, will seem sorry antiquities!
114
The Extent of the Moral.– We construct a new picture, which we see immediately with the aid of all the old experiences which we have had, always according to the degree of our honesty and justice. The only experiences are moral experiences, even in the domain of sense-perception.
115
The Four Errors.– Man has been reared by his errors: firstly, he saw himself always imperfect; secondly, – he attributed to himself – imaginary qualities; thirdly, he felt himself in a false position in relation to the animals and nature; fourthly, he always devised new tables of values, and accepted them for a time as eternal and unconditioned, so that at one time this, and at another time that human impulse or state stood first, and was ennobled in consequence. When one has deducted the effect of these four errors, one has also deducted humanity, humaneness, and "human dignity."
116
Herd-Instinct.– Wherever we meet with a morality we find a valuation and order of rank of the human impulses and activities. These valuations and orders of rank are always the expression of the needs of a community or herd: that which is in the first place to its advantage – and in the second place and third place – is also the authoritative standard for the worth of every individual. By morality the individual is taught to become a function of the herd, and to ascribe to himself value only as a function. As the conditions for the maintenance of one community have been very different from those of another community, there have been very different moralities; and in respect to the future essential transformations of herds and communities, states and societies, one can prophesy that there will still be very divergent moralities. Morality is the herd-instinct in the individual.
117
The Herd's Sting of Conscience.– In the longest and remotest ages of the human race there was quite a different sting of conscience from that of the present day. At present one only feels responsible for what one intends and for what one does, and we have our pride in ourselves. All our professors of jurisprudence start with this sentiment of individual independence and pleasure, as if the source of right had taken its rise here from the beginning. But throughout the longest period in the life of mankind there was nothing more terrible to a person than to feel himself independent. To be alone, to feel independent, neither to obey nor to rule, to represent an individual – that was no pleasure to a person then, but a punishment; he was condemned "to be an individual." Freedom of thought was regarded as discomfort personified. While we feel law and regulation as constraint and loss, people formerly regarded egoism as a painful thing, and a veritable evil. For a person to be himself, to value himself according to his own measure and weight – that was then quite distasteful. The inclination to such a thing would have been regarded as madness; for all miseries and terrors were associated with being alone. At that time the "free will" had bad conscience in close proximity to it; and the less independently a person acted, the more the herd-instinct, and not his personal character, expressed itself in his conduct, so much the more moral did he esteem himself. All that did injury to the herd, whether the individual had intended it or not, then caused him a sting of conscience – and his neighbour likewise, indeed the whole herd! – It is in this respect that we have most changed our mode of thinking.