The Golden Bowl - Complete

Maggie indeed would always have had for such moments, had they oftener occurred, the impression made on her by a word of Mrs. Assingham's, a word referring precisely to that appetite in Amerigo for the explanatory which we have just found in our path. It wasn't that the Princess could be indebted to another person, even to so clever a one as this friend, for seeing anything in her husband that she mightn't see unaided; but she had ever, hitherto, been of a nature to accept with modest gratitude any better description of a felt truth than her little limits—terribly marked, she knew, in the direction of saying the right things—enabled her to make. Thus it was, at any rate, that she was able to live more or less in the light of the fact expressed so lucidly by their common comforter—the fact that the Prince was saving up, for some very mysterious but very fine eventual purpose, all the wisdom, all the answers to his questions, all the impressions and generalisations, he gathered; putting them away and packing them down because he wanted his great gun to be loaded to the brim on the day he should decide to let it off. He wanted first to make sure of the whole of the subject that was unrolling itself before him; after which the innumerable facts he had collected would find their use. He knew what he was about—-trust him at last therefore to make, and to some effect, his big noise. And Mrs. Assingham had repeated that he knew what he was about. It was the happy form of this assurance that had remained with Maggie; it could always come in for her that Amerigo knew what he was about. He might at moments seem vague, seem absent, seem even bored: this when, away from her father, with whom it was impossible for him to appear anything but respectfully occupied, he let his native gaiety go in outbreaks of song, or even of quite whimsical senseless sound, either expressive of intimate relaxation or else fantastically plaintive. He might at times reflect with the frankest lucidity on the circumstance that the case was for a good while yet absolutely settled in regard to what he still had left, at home, of his very own; in regard to the main seat of his affection, the house in Rome, the big black palace, the Palazzo Nero, as he was fond of naming it, and also on the question of the villa in the Sabine hills, which she had, at the time of their engagement, seen and yearned over, and the Castello proper, described by him always as the "perched" place, that had, as she knew, formerly stood up, on the pedestal of its mountain-slope, showing beautifully blue from afar, as the head and front of the princedom. He might rejoice in certain moods over the so long-estranged state of these properties, not indeed all irreclaimably alienated, but encumbered with unending leases and charges, with obstinate occupants, with impossibilities of use—all without counting the cloud of mortgages that had, from far back, buried them beneath the ashes of rage and remorse, a shroud as thick as the layer once resting on the towns at the foot of Vesuvius, and actually making of any present restorative effort a process much akin to slow excavation. Just so he might with another turn of his humour almost wail for these brightest spots of his lost paradise, declaring that he was an idiot not to be able to bring himself to face the sacrifices—sacrifices resting, if definitely anywhere, with Mr. Verver—necessary for winning them back.

One of the most comfortable things between the husband and the wife meanwhile—one of those easy certitudes they could be merely gay about—was that she never admired him so much, or so found him heartbreakingly handsome, clever, irresistible, in the very degree in which he had originally and fatally dawned upon her, as when she saw other women reduced to the same passive pulp that had then begun, once for all, to constitute HER substance. There was really nothing they had talked of together with more intimate and familiar pleasantry than of the license and privilege, the boundless happy margin, thus established for each: she going so far as to put it that, even should he some day get drunk and beat her, the spectacle of him with hated rivals would, after no matter what extremity, always, for the sovereign charm of it, charm of it in itself and as the exhibition of him that most deeply moved her, suffice to bring her round. What would therefore be more open to him than to keep her in love with him? He agreed, with all his heart, at these light moments, that his course wouldn't then be difficult, inasmuch as, so simply constituted as he was on all the precious question—and why should he be ashamed of it?—he knew but one way with the fair. They had to be fair—and he was fastidious and particular, his standard was high; but when once this was the case what relation with them was conceivable, what relation was decent, rudimentary, properly human, but that of a plain interest in the fairness? His interest, she always answered, happened not to be "plain," and plainness, all round, had little to do with the matter, which was marked, on the contrary, by the richest variety of colour; but the working basis, at all events, had been settled—the Miss Maddocks of life been assured of their importance for him. How conveniently assured Maggie—to take him too into the joke—had more than once gone so far as to mention to her father; since it fell in easily with the tenderness of her disposition to remember she might occasionally make him happy by an intimate confidence. This was one of her rules-full as she was of little rules, considerations, provisions. There were things she of course couldn't tell him, in so many words, about Amerigo and herself, and about their happiness and their union and their deepest depths—and there were other things she needn't; but there were also those that were both true and amusing, both communicable and real, and of these, with her so conscious, so delicately cultivated scheme of conduct as a daughter, she could make her profit at will. A pleasant hush, for that matter, had fallen on most of the elements while she lingered apart with her companion; it involved, this serenity, innumerable complete assumptions: since so ordered and so splendid a rest, all the tokens, spreading about them, of confidence solidly supported, might have suggested for persons of poorer pitch the very insolence of facility. Still, they weren't insolent—THEY weren't, our pair could reflect; they were only blissful and grateful and personally modest, not ashamed of knowing, with competence, when great things were great, when good things were good, and when safe things were safe, and not, therefore, placed below their fortune by timidity which would have been as bad as being below it by impudence. Worthy of it as they were, and as each appears, under our last possible analysis, to have wished to make the other feel that they were, what they most finally exhaled into the evening air as their eyes mildly met may well have been a kind of helplessness in their felicity. Their rightness, the justification of everything—something they so felt the pulse of—sat there with them; but they might have been asking themselves a little blankly to what further use they could put anything so perfect. They had created and nursed and established it; they had housed it here in dignity and crowned it with comfort; but mightn't the moment possibly count for them—or count at least for us while we watch them with their fate all before them—as the dawn of the discovery that it doesn't always meet ALL contingencies to be right? Otherwise why should Maggie have found a word of definite doubt—the expression of the fine pang determined in her a few hours before—rise after a time to her lips? She took so for granted moreover her companion's intelligence of her doubt that the mere vagueness of her question could say it all. "What is it, after all, that they want to do to you?" "They" were for the Princess too the hovering forces of which Mrs. Rance was the symbol, and her father, only smiling back now, at his ease, took no trouble to appear not to know what she meant. What she meant—when once she had spoken—could come out well enough; though indeed it was nothing, after they had come to the point, that could serve as ground for a great defensive campaign. The waters of talk spread a little, and Maggie presently contributed an idea in saying: "What has really happened is that the proportions, for us, are altered." He accepted equally, for the time, this somewhat cryptic remark; he still failed to challenge her even when she added that it wouldn't so much matter if he hadn't been so terribly young. He uttered a sound of protest only when she went to declare that she ought as a daughter, in common decency, to have waited. Yet by that time she was already herself admitting that she should have had to wait long—if she waited, that is, till he was old. But there was a way. "Since you ARE an irresistible youth, we've got to face it. That, somehow, is what that woman has made me feel. There'll be others."

To talk of it thus appeared at last a positive relief to him. "Yes, there'll be others. But you'll see me through."

She hesitated. "Do you mean if you give in?"

"Oh no. Through my holding out."

Maggie waited again, but when she spoke it had an effect of abruptness. "Why SHOULD you hold out forever?"

He gave, none the less, no start—and this as from the habit of taking anything, taking everything, from her as harmonious. But it was quite written upon him too, for that matter, that holding out wouldn't be, so very completely, his natural, or at any rate his acquired, form. His appearance would have testified that he might have to do so a long time—for a man so greatly beset. This appearance, that is, spoke but little, as yet, of short remainders and simplified senses—and all in spite of his being a small, spare, slightly stale person, deprived of the general prerogative of presence. It was not by mass or weight or vulgar immediate quantity that he would in the future, any more than he had done in the past, insist or resist or prevail. There was even something in him that made his position, on any occasion, made his relation to any scene or to any group, a matter of the back of the stage, of an almost visibly conscious want of affinity with the footlights. He would have figured less than anything the stage-manager or the author of the play, who most occupy the foreground; he might be, at the best, the financial "backer," watching his interests from the wing, but in rather confessed ignorance of the mysteries of mimicry. Barely taller than his daughter, he pressed at no point on the presumed propriety of his greater stoutness. He had lost early in life much of his crisp, closely-curling hair, the fineness of which was repeated in a small neat beard, too compact to be called "full," though worn equally, as for a mark where other marks were wanting, on lip and cheek and chin. His neat, colourless face, provided with the merely indispensable features, suggested immediately, for a description, that it was CLEAR, and in this manner somewhat resembled a small decent room, clean-swept and unencumbered with furniture, but drawing a particular advantage, as might presently be noted, from the outlook of a pair of ample and uncurtained windows. There was something in Adam Verver's eyes that both admitted the morning and the evening in unusual quantities and gave the modest area the outward extension of a view that was "big" even when restricted to stars. Deeply and changeably blue, though not romantically large, they were yet youthfully, almost strangely beautiful, with their ambiguity of your scarce knowing if they most carried their possessor's vision out or most opened themselves to your own. Whatever you might feel, they stamped the place with their importance, as the house-agents say; so that, on one side or the other, you were never out of their range, were moving about, for possible community, opportunity, the sight of you scarce knew what, either before them or behind them. If other importances, not to extend the question, kept themselves down, they were in no direction less obtruded than in that of our friend's dress, adopted once for all as with a sort of sumptuary scruple. He wore every day of the year, whatever the occasion, the same little black "cut away" coat, of the fashion of his younger time; he wore the same cool-looking trousers, chequered in black and white—the proper harmony with which, he inveterately considered, was a sprigged blue satin necktie; and, over his concave little stomach, quaintly indifferent to climates and seasons, a white duck waistcoat. "Should you really," he now asked, "like me to marry?" He spoke as if, coming from his daughter herself, it MIGHT be an idea; which, for that matter, he would be ready to carry out should she definitely say so.

Definite, however, just yet, she was not prepared to be, though it seemed to come to her with force, as she thought, that there was a truth, in the connection, to utter. "What I feel is that there is somehow something that used to be right and that I've made wrong. It used to be right that you hadn't married, and that you didn't seem to want to. It used also"—she continued to make out "to seem easy for the question not to come up. That's what I've made different. It does come up. It WILL come up."

"You don't think I can keep it down?" Mr. Verver's tone was cheerfully pensive.

"Well, I've given you, by MY move, all the trouble of having to."

He liked the tenderness of her idea, and it made him, as she sat near him, pass his arm about her. "I guess I don't feel as if you had 'moved' very far. You've only moved next door."

"Well," she continued, "I don't feel as if it were fair for me just to have given you a push and left you so. If I've made the difference for you, I must think of the difference."

"Then what, darling," he indulgently asked, "DO you think?"

"That's just what I don't yet know. But I must find out. We must think together—as we've always thought. What I mean," she went on after a moment, "is that it strikes me that I ought to at least offer you some alternative. I ought to have worked one out for you."

"An alternative to what?"

"Well, to your simply missing what you've lost—without anything being done about it."

"But what HAVE I lost?"

She thought a minute, as if it were difficult to say, yet as if she more and more saw it. "Well, whatever it was that, BEFORE, kept us from thinking, and kept you, really, as you might say, in the market. It was as if you couldn't be in the market when you were married to me. Or rather as if I kept people off, innocently, by being married to you. Now that I'm married to some one else you're, as in consequence, married to nobody. Therefore you may be married to anybody, to everybody. People don't see why you shouldn't be married to THEM."

"Isn't it enough of a reason," he mildly inquired, "that I don't want to be?"

"It's enough of a reason, yes. But to BE enough of a reason it has to be too much of a trouble. I mean FOR you. It has to be too much of a fight. You ask me what you've lost," Maggie continued to explain. "The not having to take the trouble and to make the fight—that's what you've lost. The advantage, the happiness of being just as you were—because I was just as I was—that's what you miss."

"So that you think," her father presently said, "that I had better get married just in order to be as I was before?"

The detached tone of it—detached as if innocently to amuse her by showing his desire to accommodate—was so far successful as to draw from her gravity a short, light laugh. "Well, what I don't want you to feel is that if you were to I shouldn't understand. I SHOULD understand. That's all," said the Princess gently.

Her companion turned it pleasantly over. "You don't go so far as to wish me to take somebody I don't like?"

"Ah, father," she sighed, "you know how far I go—how far I COULD go. But I only wish that if you ever SHOULD like anybody, you may never doubt of my feeling how I've brought you to it. You'll always know that I know that it's my fault."

"You mean," he went on in his contemplative way, "that it will be you who'll take the consequences?"

Maggie just considered. "I'll leave you all the good ones, but I'll take the bad."

"Well, that's handsome." He emphasised his sense of it by drawing her closer and holding her more tenderly. "It's about all I could expect of you. So far as you've wronged me, therefore, we'll call it square. I'll let you know in time if I see a prospect of your having to take it up. But am I to understand meanwhile," he soon went on, "that, ready as you are to see me through my collapse, you're not ready, or not AS ready, to see me through my resistance? I've got to be a regular martyr before you'll be inspired?"

She demurred at his way of putting it. "Why, if you like it, you know, it won't BE a collapse."

"Then why talk about seeing me through at all? I shall only collapse if I do like it. But what I seem to feel is that I don't WANT to like it. That is," he amended, "unless I feel surer I do than appears very probable. I don't want to have to THINK I like it in a case when I really shan't. I've had to do that in some cases," he confessed—"when it has been a question of other things. I don't want," he wound up, "to be MADE to make a mistake."

"Ah, but it's too dreadful," she returned, "that you should even have to FEAR—or just nervously to dream—that you may be. What does that show, after all," she asked, "but that you do really, well within, feel a want? What does it show but that you're truly susceptible?"

"Well, it may show that"—he defended himself against nothing. "But it shows also, I think, that charming women are, in the kind of life we're leading now, numerous and formidable."

Maggie entertained for a moment the proposition; under cover of which, however, she passed quickly from the general to the particular. "Do you feel Mrs. Rance to be charming?"

"Well, I feel her to be formidable. When they cast a spell it comes to the same thing. I think she'd do anything."

"Oh well, I'd help you," the Princess said with decision, "as against HER—if that's all you require. It's too funny," she went on before he again spoke, "that Mrs. Rance should be here at all. But if you talk of the life we lead, much of it is, altogether, I'm bound to say, too funny. The thing is," Maggie developed under this impression, "that I don't think we lead, as regards other people, any life at all. We don't at any rate, it seems to me, lead half the life we might. And so it seems, I think, to Amerigo. So it seems also, I'm sure, to Fanny Assingham."

Mr. Verver-as if from due regard for these persons—considered a little. "What life would they like us to lead?"

"Oh, it's not a question, I think, on which they quite feel together. SHE thinks, dear Fanny, that we ought to be greater."

"Greater—?" He echoed it vaguely. "And Amerigo too, you say?"

"Ah yes"-her reply was prompt "but Amerigo doesn't mind. He doesn't care, I mean, what we do. It's for us, he considers, to see things exactly as we wish. Fanny herself," Maggie pursued, "thinks he's magnificent. Magnificent, I mean, for taking everything as it is, for accepting the 'social limitations' of our life, for not missing what we don't give him."

Mr. Verver attended. "Then if he doesn't miss it his magnificence is easy."

"It IS easy-that's exactly what I think. If there were things he DID miss, and if in spite of them he were always sweet, then, no doubt, he would be a more or less unappreciated hero. He COULD be a Hero—he WILL be one if it's ever necessary. But it will be about something better than our dreariness. I know," the Princess declared, "where he's magnificent." And she rested a minute on that. She ended, however, as she had begun. "We're not, all the same, committed to anything stupid. If we ought to be grander, as Fanny thinks, we CAN be grander. There's nothing to prevent."

"Is it a strict moral obligation?" Adam Verver inquired.

"No—it's for the amusement."

"For whose? For Fanny's own?"

"For everyone's—though I dare say Fanny's would be a large part." She hesitated; she had now, it might have appeared, something more to bring out, which she finally produced. "For yours in particular, say—if you go into the question." She even bravely followed it up. "I haven't really, after all, had to think much to see that much more can be done for you than is done."

Mr. Verver uttered an odd vague sound. "Don't you think a good deal is done when you come out and talk to me this way?"

"Ah," said his daughter, smiling at him, "we make too much of that!" And then to explain: "That's good, and it's natural—but it isn't great. We forget that we're as free as air."

"Well, THAT'S great," Mr. Verver pleaded. "Great if we act on it. Not if we don't."

She continued to smile, and he took her smile; wondering again a little by this time, however; struck more and more by an intensity in it that belied a light tone. "What do you want," he demanded, "to do to me?" And he added, as she didn't say: "You've got something in your mind." It had come to him within the minute that from the beginning of their session there she had been keeping something back, and that an impression of this had more than once, in spite of his general theoretic respect for her present right to personal reserves and mysteries, almost ceased to be vague in him. There had been from the first something in her anxious eyes, in the way she occasionally lost herself, that it would perfectly explain. He was therefore now quite sure.

"You've got something up your sleeve."

She had a silence that made him right. "Well, when I tell you you'll understand. It's only up my sleeve in the sense of being in a letter I got this morning. All day, yes—it HAS been in my mind. I've been asking myself if it were quite the right moment, or in any way fair, to ask you if you could stand just now another woman."

It relieved him a little, yet the beautiful consideration of her manner made it in a degree portentous. "Stand one—?"

"Well, mind her coming."

He stared—then he laughed. "It depends on who she is."

"There—you see! I've at all events been thinking whether you'd take this particular person but as a worry the more. Whether, that is, you'd go so far with her in your notion of having to be kind."

He gave at this the quickest shake to his foot. How far would she go in HER notion of it.

"Well," his daughter returned, "you know how far, in a general way, Charlotte Stant goes."

"Charlotte? Is SHE coming?"

"She writes me, practically, that she'd like to if we're so good as to ask her."

Mr. Verver continued to gaze, but rather as if waiting for more. Then, as everything appeared to have come, his expression had a drop. If this was all it was simple. "Then why in the world not?"

Maggie's face lighted anew, but it was now another light. "It isn't a want of tact?"

"To ask her?"

"To propose it to you."

"That I should ask her?"

He put the question as an effect of his remnant of vagueness, but this had also its own effect. Maggie wondered an instant; after which, as with a flush of recognition, she took it up. "It would be too beautiful if you WOULD!"

This, clearly, had not been her first idea—the chance of his words had prompted it. "Do you mean write to her myself?"

"Yes—it would be kind. It would be quite beautiful of you. That is, of course," said Maggie, "if you sincerely CAN."

He appeared to wonder an instant why he sincerely shouldn't, and indeed, for that matter, where the question of sincerity came in. This virtue, between him and his daughter's friend, had surely been taken for granted. "My dear child," he returned, "I don't think I'm afraid of Charlotte."

"Well, that's just what it's lovely to have from you. From the moment you're NOT—the least little bit—I'll immediately invite her."

"But where in the world is she?" He spoke as if he had not thought of Charlotte, nor so much as heard her name pronounced, for a very long time. He quite in fact amicably, almost amusedly, woke up to her.

"She's in Brittany, at a little bathing-place, with some people I don't know. She's always with people, poor dear—she rather has to be; even when, as is sometimes the case; they're people she doesn't immensely like."

"Well, I guess she likes US," said Adam Verver. "Yes—fortunately she likes us. And if I wasn't afraid of spoiling it for you," Maggie added, "I'd even mention that you're not the one of our number she likes least."

"Why should that spoil it for me?"

"Oh, my dear, you know. What else have we been talking about? It costs you so much to be liked. That's why I hesitated to tell you of my letter."

He stared a moment—as if the subject had suddenly grown out of recognition. "But Charlotte—on other visits—never used to cost me anything."

"No—only her 'keep,'" Maggie smiled.

"Then I don't think I mind her keep—if that's all." The Princess, however, it was clear, wished to be thoroughly conscientious. "Well, it may not be quite all. If I think of its being pleasant to have her, it's because she WILL make a difference."

"Well, what's the harm in that if it's but a difference for the better?"

"Ah then—there you are!" And the Princess showed in her smile her small triumphant wisdom. "If you acknowledge a possible difference for the better we're not, after all, so tremendously right as we are. I mean we're not—as satisfied and amused. We do see there are ways of being grander."

"But will Charlotte Stant," her father asked with surprise, "make us grander?"

Maggie, on this, looking at him well, had a remarkable reply. "Yes, I think. Really grander."

He thought; for if this was a sudden opening he wished but the more to meet it. "Because she's so handsome?"

"No, father." And the Princess was almost solemn. "Because she's so great."

"Great—?"

"Great in nature, in character, in spirit. Great in life."

"So?" Mr. Verver echoed. "What has she done—in life?"

"Well, she has been brave and bright," said Maggie. "That mayn't sound like much, but she has been so in the face of things that might well have made it too difficult for many other girls. She hasn't a creature in the world really—that is nearly—belonging to her. Only acquaintances who, in all sorts of ways, make use of her, and distant relations who are so afraid she'll make use of THEM that they seldom let her look at them."

Mr. Verver was struck—and, as usual, to some purpose. "If we get her here to improve us don't we too then make use of her?"

It pulled the Princess up, however, but an instant. "We're old, old friends—we do her good too. I should always, even at the worst—speaking for myself—admire her still more than I used her."

"I see. That always does good."

Maggie hesitated. "Certainly—she knows it. She knows, I mean, how great I think her courage and her cleverness. She's not afraid—not of anything; and yet she no more ever takes a liberty with you than if she trembled for her life. And then she's INTERESTING—which plenty of other people with plenty of other merits never are a bit." In which fine flicker of vision the truth widened to the Princess's view. "I myself of course don't take liberties, but then I do, always, by nature, tremble for my life. That's the way I live."

"Oh I say, love!" her father vaguely murmured.

"Yes, I live in terror," she insisted. "I'm a small creeping thing."

"You'll not persuade me that you're not as good as Charlotte Stant," he still placidly enough remarked.

"I may be as good, but I'm not so great—and that's what we're talking about. She has a great imagination. She has, in every way, a great attitude. She has above all a great conscience." More perhaps than ever in her life before Maggie addressed her father at this moment with a shade of the absolute in her tone. She had never come so near telling him what he should take it from her to believe. "She has only twopence in the world—but that has nothing to do with it. Or rather indeed"—she quickly corrected herself—"it has everything. For she doesn't care. I never saw her do anything but laugh at her poverty. Her life has been harder than anyone knows."

It was moreover as if, thus unprecedentedly positive, his child had an effect upon him that Mr. Verver really felt as a new thing. "Why then haven't you told me about her before?"

"Well, haven't we always known—?"

"I should have thought," he submitted, "that we had already pretty well sized her up."

"Certainly—we long ago quite took her for granted. But things change, with time, and I seem to know that, after this interval, I'm going to like her better than ever. I've lived more myself, I'm older, and one judges better. Yes, I'm going to see in Charlotte," said the Princess—and speaking now as with high and free expectation—"more than I've ever seen."

"Then I'll try to do so too. She WAS"—it came back to Mr. Verver more—"the one of your friends I thought the best for you."

His companion, however, was so launched in her permitted liberty of appreciation that she for the moment scarce heard him. She was lost in the case she made out, the vision of the different ways in which Charlotte had distinguished herself.

"She would have liked for instance—I'm sure she would have liked extremely—to marry; and nothing in general is more ridiculous, even when it has been pathetic, than a woman who has tried and has not been able."