His companion, however, was so launched in her permitted liberty of appreciation that she for the moment scarce heard him. She was lost in the case she made out, the vision of the different ways in which Charlotte had distinguished herself.
"She would have liked for instance—I'm sure she would have liked extremely—to marry; and nothing in general is more ridiculous, even when it has been pathetic, than a woman who has tried and has not been able."
It had all Mr. Verver's attention. "She has 'tried'—?"
"She has seen cases where she would have liked to."
"But she has not been able?"
"Well, there are more cases, in Europe, in which it doesn't come to girls who are poor than in which it does come to them. Especially," said Maggie with her continued competence, "when they're Americans."
Well, her father now met her, and met her cheerfully, on all sides. "Unless you mean," he suggested, "that when the girls are American there are more cases in which it comes to the rich than to the poor."
She looked at him good-humouredly. "That may be—but I'm not going to be smothered in MY case. It ought to make me—if I were in danger of being a fool—all the nicer to people like Charlotte. It's not hard for ME," she practically explained, "not to be ridiculous—unless in a very different way. I might easily be ridiculous, I suppose, by behaving as if I thought I had done a great thing. Charlotte, at any rate, has done nothing, and anyone can see it, and see also that it's rather strange; and yet no one—no one not awfully presumptuous or offensive would like, or would dare, to treat her, just as she is, as anything but quite RIGHT. That's what it is to have something about you that carries things off."
Mr. Verver's silence, on this, could only be a sign that she had caused her story to interest him; though the sign when he spoke was perhaps even sharper. "And is it also what you mean by Charlotte's being 'great'?"
"Well," said Maggie, "it's one of her ways. But she has many."
Again for a little her father considered. "And who is it she has tried to marry?"
Maggie, on her side as well, waited as if to bring it out with effect; but she after a minute either renounced or encountered an obstacle. "I'm afraid I'm not sure."
"Then how do you know?"
"Well, I don't KNOW"—and, qualifying again, she was earnestly emphatic. "I only make it out for myself."
"But you must make it out about someone in particular."
She had another pause. "I don't think I want even for myself to put names and times, to pull away any veil. I've an idea there has been, more than once, somebody I'm not acquainted with—and needn't be or want to be. In any case it's all over, and, beyond giving her credit for everything, it's none of my business."
Mr. Verver deferred, yet he discriminated. "I don't see how you can give credit without knowing the facts."
"Can't I give it—generally—for dignity? Dignity, I mean, in misfortune."
"You've got to postulate the misfortune first."
"Well," said Maggie, "I can do that. Isn't it always a misfortune to be—when you're so fine—so wasted? And yet," she went on, "not to wail about it, not to look even as if you knew it?"
Mr. Verver seemed at first to face this as a large question, and then, after a little, solicited by another view, to let the appeal drop. "Well, she mustn't be wasted. We won't at least have waste."
It produced in Maggie's face another gratitude. "Then, dear sir, that's all I want."
And it would apparently have settled their question and ended their talk if her father had not, after a little, shown the disposition to revert. "How many times are you supposing that she has tried?"
Once more, at this, and as if she hadn't been, couldn't be, hated to be, in such delicate matters, literal, she was moved to attenuate. "Oh, I don't say she absolutely ever TRIED—!"
He looked perplexed. "But if she has so absolutely failed, what then had she done?"
"She has suffered—she has done that." And the Princess added:"She has loved—and she has lost."
Mr. Verver, however, still wondered. "But how many times."
Maggie hesitated, but it cleared up. "Once is enough. Enough, that is, for one to be kind to her."
Her father listened, yet not challenging—only as with a need of some basis on which, under these new lights, his bounty could be firm. "But has she told you nothing?"
"Ah, thank goodness, no!"
He stared. "Then don't young women tell?"
"Because, you mean, it's just what they're supposed to do?" She looked at him, flushed again now; with which, after another hesitation, "Do young men tell?" she asked.
He gave a short laugh. "How do I know, my dear, what young men do?"
"Then how do I know, father, what vulgar girls do?"
"I see—I see," he quickly returned.
But she spoke the next moment as if she might, odiously, have been sharp. "What happens at least is that where there's a great deal of pride there's a great deal of silence. I don't know, I admit, what I should do if I were lonely and sore—for what sorrow, to speak of, have I ever had in my life? I don't know even if I'm proud—it seems to me the question has never come up for me."
"Oh, I guess you're proud, Mag," her father cheerfully interposed. "I mean I guess you're proud enough."
"Well then, I hope I'm humble enough too. I might, at all events, for all I know, be abject under a blow. How can I tell? Do you realise, father, that I've never had the least blow?"
He gave her a long, quiet look. "Who SHOULD realise if I don't?"
"Well, you'll realise when I HAVE one!" she exclaimed with a short laugh that resembled, as for good reasons, his own of a minute before. "I wouldn't in any case have let her tell me what would have been dreadful to me. For such wounds and shames are dreadful: at least," she added, catching herself up, "I suppose they are; for what, as I say, do I know of them? I don't WANT to know!"—she spoke quite with vehemence. "There are things that are sacred whether they're joys or pains. But one can always, for safety, be kind," she kept on; "one feels when that's right."
She had got up with these last words; she stood there before him with that particular suggestion in her aspect to which even the long habit of their life together had not closed his sense, kept sharp, year after year, by the collation of types and signs, the comparison of fine object with fine object, of one degree of finish, of one form of the exquisite with another—the appearance of some slight, slim draped "antique" of Vatican or Capitoline halls, late and refined, rare as a note and immortal as a link, set in motion by the miraculous infusion of a modern impulse and yet, for all the sudden freedom of folds and footsteps forsaken after centuries by their pedestal, keeping still the quality, the perfect felicity, of the statue; the blurred, absent eyes, the smoothed, elegant, nameless head, the impersonal flit of a creature lost in an alien age and passing as an image in worn relief round and round a precious vase. She had always had odd moments of striking him, daughter of his very own though she was, as a figure thus simplified, "generalised" in its grace, a figure with which his human connection was fairly interrupted by some vague analogy of turn and attitude, something shyly mythological and nymphlike. The trick, he was not uncomplacently aware, was mainly of his own mind; it came from his caring for precious vases only less than for precious daughters. And what was more to the point still, it often operated while he was quite at the same time conscious that Maggie had been described, even in her prettiness, as "prim"—Mrs. Rance herself had enthusiastically used the word of her; while he remembered that when once she had been told before him, familiarly, that she resembled a nun, she had replied that she was delighted to hear it and would certainly try to; while also, finally, it was present to him that, discreetly heedless, thanks to her long association with nobleness in art, to the leaps and bounds of fashion, she brought her hair down very straight and flat over her temples, in the constant manner of her mother, who had not been a bit mythological. Nymphs and nuns were certainly separate types, but Mr. Verver, when he really amused himself, let consistency go. The play of vision was at all events so rooted in him that he could receive impressions of sense even while positively thinking. He was positively thinking while Maggie stood there, and it led for him to yet another question—which in its turn led to others still. "Do you regard the condition as hers then that you spoke of a minute ago?"
"The condition—?"
"Why that of having loved so intensely that she's, as you say, 'beyond everything'?"
Maggie had scarcely to reflect—her answer was so prompt. "Oh no.She's beyond nothing. For she has had nothing."
"I see. You must have had things to be them. It's a kind of law of perspective."
Maggie didn't know about the law, but she continued definite."She's not, for example, beyond help."
"Oh well then, she shall have all we can give her. I'll write to her," he said, "with pleasure."
"Angel!" she answered as she gaily and tenderly looked at him.
True as this might be, however, there was one thing more—he was an angel with a human curiosity. "Has she told you she likes me much?"
"Certainly she has told me—but I won't pamper you. Let it be enough for you it has always been one of my reasons for liking HER."
"Then she's indeed not beyond everything," Mr. Verver more or less humorously observed.
"Oh it isn't, thank goodness, that she's in love with you. It's not, as I told you at first, the sort of thing for you to fear."
He had spoken with cheer, but it appeared to drop before this reassurance, as if the latter overdid his alarm, and that should be corrected. "Oh, my dear, I've always thought of her as a little girl."
"Ah, she's not a little girl," said the Princess.
"Then I'll write to her as a brilliant woman."
"It's exactly what she is."
Mr. Verver had got up as he spoke, and for a little, before retracing their steps, they stood looking at each other as if they had really arranged something. They had come out together for themselves, but it had produced something more. What it had produced was in fact expressed by the words with which he met his companion's last emphasis. "Well, she has a famous friend in you, Princess."
Maggie took this in—it was too plain for a protest. "Do you know what I'm really thinking of?" she asked.
He wondered, with her eyes on him—eyes of contentment at her freedom now to talk; and he wasn't such a fool, he presently showed, as not, suddenly, to arrive at it. "Why, of your finding her at last yourself a husband."
"Good for YOU!" Maggie smiled. "But it will take," she added, "some looking."
"Then let me look right here with you," her father said as they walked on.
XI
Mrs. Assingham and the Colonel, quitting Fawns before the end of September, had come back later on; and now, a couple of weeks after, they were again interrupting their stay, but this time with the question of their return left to depend, on matters that were rather hinted at than importunately named. The Lutches and Mrs. Rance had also, by the action of Charlotte Stant's arrival, ceased to linger, though with hopes and theories, as to some promptitude of renewal, of which the lively expression, awakening the echoes of the great stone-paved, oak-panelled, galleried hall that was not the least interesting feature of the place, seemed still a property of the air. It was on this admirable spot that, before her October afternoon had waned, Fanny Assingham spent with her easy host a few moments which led to her announcing her own and her husband's final secession, at the same time as they tempted her to point the moral of all vain reverberations. The double door of the house stood open to an effect of hazy autumn sunshine, a wonderful, windless, waiting, golden hour, under the influence of which Adam Verver met his genial friend as she came to drop into the post-box with her own hand a thick sheaf of letters. They presently thereafter left the house together and drew out half-an-hour on the terrace in a manner they were to revert to in thought, later on, as that of persons who really had been taking leave of each other at a parting of the ways. He traced his impression, on coming to consider, back to a mere three words she had begun by using about Charlotte Stant. She simply "cleared them out"—those had been the three words, thrown off in reference to the general golden peace that the Kentish October had gradually ushered in, the "halcyon" days the full beauty of which had appeared to shine out for them after Charlotte's arrival. For it was during these days that Mrs. Rance and the Miss Lutches had been observed to be gathering themselves for departure, and it was with that difference made that the sense of the whole situation showed most fair—the sense of how right they had been to engage for so ample a residence, and of all the pleasure so fruity an autumn there could hold in its lap. This was what had occurred, that their lesson had been learned; and what Mrs. Assingham had dwelt upon was that without Charlotte it would have been learned but half. It would certainly not have been taught by Mrs. Rance and the Miss Lutches if these ladies had remained with them as long as at one time seemed probable. Charlotte's light intervention had thus become a cause, operating covertly but none the less actively, and Fanny Assingham's speech, which she had followed up a little, echoed within him, fairly to startle him, as the indication of something irresistible. He could see now how this superior force had worked, and he fairly liked to recover the sight—little harm as he dreamed of doing, little ill as he dreamed of wishing, the three ladies, whom he had after all entertained for a stiffish series of days. She had been so vague and quiet about it, wonderful Charlotte, that he hadn't known what was happening— happening, that is, as a result of her influence. "Their fires, as they felt her, turned to smoke," Mrs. Assingham remarked; which he was to reflect on indeed even while they strolled. He had retained, since his long talk with Maggie—the talk that had settled the matter of his own direct invitation to her friend—an odd little taste, as he would have described it, for hearing things said about this young woman, hearing, so to speak, what COULD be said about her: almost as it her portrait, by some eminent hand, were going on, so that he watched it grow under the multiplication of touches. Mrs. Assingham, it struck him, applied two or three of the finest in their discussion of their young friend—so different a figure now from that early playmate of Maggie's as to whom he could almost recall from of old the definite occasions of his having paternally lumped the two children together in the recommendation that they shouldn't make too much noise nor eat too much jam. His companion professed that in the light of Charlotte's prompt influence she had not been a stranger to a pang of pity for their recent visitors. "I felt in fact, privately, so sorry for them, that I kept my impression to myself while they were here—wishing not to put the rest of you on the scent; neither Maggie, nor the Prince, nor yourself, nor even Charlotte HERself, if you didn't happen to notice. Since you didn't, apparently, I perhaps now strike you as extravagant. But I'm not—I followed it all. One SAW the consciousness I speak of come over the poor things, very much as I suppose people at the court of the Borgias may have watched each other begin to look queer after having had the honour of taking wine with the heads of the family. My comparison's only a little awkward, for I don't in the least mean that Charlotte was consciously dropping poison into their cup. She was just herself their poison, in the sense of mortally disagreeing with them—but she didn't know it."
"Ah, she didn't know it?" Mr. Verver had asked with interest.
"Well, I THINK she didn't"—Mrs. Assingham had to admit that she hadn't pressingly sounded her. "I don't pretend to be sure, in every connection, of what Charlotte knows. She doesn't, certainly, like to make people suffer—not, in general, as is the case with so many of us, even other women: she likes much rather to put them at their ease with her. She likes, that is—as all pleasant people do—to be liked."
"Ah, she likes to be liked?" her companion had gone on.
"She did, at the same time, no doubt, want to help us—to put us at our ease. That is she wanted to put you—and to put Maggie about you. So far as that went she had a plan. But it was only AFTER—it was not before, I really believe—that she saw how effectively she could work."
Again, as Mr. Verver felt, he must have taken it up. "Ah, she wanted to help us?—wanted to help ME?"
"Why," Mrs. Assingham asked after an instant, "should it surprise you?"
He just thought. "Oh, it doesn't!"
"She saw, of course, as soon as she came, with her quickness, where we all were. She didn't need each of us to go, by appointment, to her room at night, or take her out into the fields, for our palpitating tale. No doubt even she was rather impatient."
"OF the poor things?" Mr. Verver had here inquired while he waited.
"Well, of your not yourselves being so—and of YOUR not in particular. I haven't the least doubt in the world, par exemple, that she thinks you too meek."
"Oh, she thinks me too meek?"
"And she had been sent for, on the very face of it, to work right in. All she had to do, after all, was to be nice to you."
"To—a—ME?" said Adam Verver.
He could remember now that his friend had positively had a laugh for his tone. "To you and to every one. She had only to be what she is—and to be it all round. If she's charming, how can she help it? So it was, and so only, that she 'acted'—as the Borgia wine used to act. One saw it come over them—the extent to which, in her particular way, a woman, a woman other, and SO other, than themselves, COULD be charming. One saw them understand and exchange looks, then one saw them lose heart and decide to move. For what they had to take home was that it's she who's the real thing."
"Ah, it's she who's the real thing?" As HE had not hitherto taken it home as completely as the Miss Lutches and Mrs. Rance, so, doubtless, he had now, a little, appeared to offer submission in his appeal. "I see, I see"—he could at least simply take it home now; yet as not without wanting, at the same time, to be sure of what the real thing was. "And what would it be—a—definitely that you understand by that?"
She had only for an instant not found it easy to say. "Why, exactly what those women themselves want to be, and what her effect on them is to make them recognise that they never will."
"Oh—of course never?"
It not only remained and abode with them, it positively developed and deepened, after this talk, that the luxurious side of his personal existence was now again furnished, socially speaking, with the thing classed and stamped as "real"—just as he had been able to think of it as not otherwise enriched in consequence of his daughter's marriage. The note of reality, in so much projected light, continued to have for him the charm and the importance of which the maximum had occasionally been reached in his great "finds"—continued, beyond any other, to keep him attentive and gratified. Nothing perhaps might affect us as queerer, had we time to look into it, than this application of the same measure of value to such different pieces of property as old Persian carpets, say, and new human acquisitions; all the more indeed that the amiable man was not without an inkling, on his own side, that he was, as a taster of life, economically constructed. He put into his one little glass everything he raised to his lips, and it was as if he had always carried in his pocket, like a tool of his trade, this receptacle, a little glass cut with a fineness of which the art had long since been lost, and kept in an old morocco case stamped in uneffaceable gilt with the arms of a deposed dynasty. As it had served him to satisfy himself, so to speak, both about Amerigo and about the Bernadino Luini he had happened to come to knowledge of at the time he was consenting to the announcement of his daughter's betrothal, so it served him at present to satisfy himself about Charlotte Stant and an extraordinary set of oriental tiles of which he had lately got wind, to which a provoking legend was attached, and as to which he had made out, contentedly, that further news was to be obtained from a certain Mr. Gutermann-Seuss of Brighton. It was all, at bottom, in him, the aesthetic principle, planted where it could burn with a cold, still flame; where it fed almost wholly on the material directly involved, on the idea (followed by appropriation) of plastic beauty, of the thing visibly perfect in its kind; where, in short, in spite of the general tendency of the "devouring element" to spread, the rest of his spiritual furniture, modest, scattered, and tended with unconscious care, escaped the consumption that in so many cases proceeds from the undue keeping-up of profane altar-fires. Adam Verver had in other words learnt the lesson of the senses, to the end of his own little book, without having, for a day, raised the smallest scandal in his economy at large; being in this particular not unlike those fortunate bachelors, or other gentlemen of pleasure, who so manage their entertainment of compromising company that even the austerest housekeeper, occupied and competent below- stairs, never feels obliged to give warning.
That figure has, however, a freedom that the occasion doubtless scarce demands, though we may retain it for its rough negative value. It was to come to pass, by a pressure applied to the situation wholly from within, that before the first ten days of November had elapsed he found himself practically alone at Fawns with his young friend; Amerigo and Maggie having, with a certain abruptness, invited his assent to their going abroad for a month, since his amusement was now scarce less happily assured than his security. An impulse eminently natural had stirred within the Prince; his life, as for some time established, was deliciously dull, and thereby, on the whole, what he best liked; but a small gust of yearning had swept over him, and Maggie repeated to her father, with infinite admiration, the pretty terms in which, after it had lasted a little, he had described to her this experience. He called it a "serenade," a low music that, outside one of the windows of the sleeping house, disturbed his rest at night. Timid as it was, and plaintive, he yet couldn't close his eyes for it, and when finally, rising on tiptoe, he had looked out, he had recognised in the figure below with a mandolin, all duskily draped in her grace, the raised appealing eyes and the one irresistible voice of the ever-to-be-loved Italy. Sooner or later, that way, one had to listen; it was a hovering, haunting ghost, as of a creature to whom one had done a wrong, a dim, pathetic shade crying out to be comforted. For this there was obviously but one way—as there were doubtless also many words for the simple fact that so prime a Roman had a fancy for again seeing Rome. They would accordingly—hadn't they better?—go for a little; Maggie meanwhile making the too-absurdly artful point with her father, so that he repeated it, in his amusement, to Charlotte Stant, to whom he was by this time conscious of addressing many remarks, that it was absolutely, when she came to think, the first thing Amerigo had ever asked of her. "She doesn't count of course his having asked of her to marry him"— this was Mr. Verver's indulgent criticism; but he found Charlotte, equally touched by the ingenuous Maggie, in easy agreement with him over the question. If the Prince had asked something of his wife every day in the year, this would be still no reason why the poor dear man should not, in a beautiful fit of homesickness, revisit, without reproach, his native country.
What his father-in-law frankly counselled was that the reasonable, the really too reasonable, pair should, while they were about it, take three or four weeks of Paris as well—Paris being always, for Mr. Verver, in any stress of sympathy, a suggestion that rose of itself to the lips. If they would only do that, on their way back, or however they preferred it, Charlotte and he would go over to join them there for a small look—though even then, assuredly, as he had it at heart to add, not in the least because they should have found themselves bored at being left together. The fate of this last proposal indeed was that it reeled, for the moment, under an assault of destructive analysis from Maggie, who—having, as she granted, to choose between being an unnatural daughter or an unnatural mother, and "electing" for the former—wanted to know what would become of the Principino if the house were cleared of everyone but the servants. Her question had fairly resounded, but it had afterwards, like many of her questions, dropped still more effectively than it had risen: the highest moral of the matter being, before the couple took their departure, that Mrs. Noble and Dr. Brady must mount unchallenged guard over the august little crib. If she hadn't supremely believed in the majestic value of the nurse, whose experience was in itself the amplest of pillows, just as her attention was a spreading canopy from which precedent and reminiscence dropped as thickly as parted curtains—if she hadn't been able to rest in this confidence she would fairly have sent her husband on his journey without her. In the same manner, if the sweetest—for it was so she qualified him—of little country doctors hadn't proved to her his wisdom by rendering irresistible, especially on rainy days and in direct proportion to the frequency of his calls, adapted to all weathers, that she should converse with him for hours over causes and consequences, over what he had found to answer with his little five at home, she would have drawn scant support from the presence of a mere grandfather and a mere brilliant friend. These persons, accordingly, her own predominance having thus, for the time, given way, could carry with a certain ease, and above all with mutual aid, their consciousness of a charge. So far as their office weighed they could help each other with it—which was in fact to become, as Mrs. Noble herself loomed larger for them, not a little of a relief and a diversion.
Mr. Verver met his young friend, at certain hours, in the day-nursery, very much as he had regularly met the child's fond mother—Charlotte having, as she clearly considered, given Maggie equal pledges and desiring never to fail of the last word for the daily letter she had promised to write. She wrote with high fidelity, she let her companion know, and the effect of it was, remarkably enough, that he himself didn't write. The reason of this was partly that Charlotte "told all about him"—which she also let him know she did—and partly that he enjoyed feeling, as a consequence, that he was generally, quite systematically, eased and, as they said, "done" for. Committed, as it were, to this charming and clever young woman, who, by becoming for him a domestic resource, had become for him practically a new person— and committed, especially, in his own house, which somehow made his sense of it a deeper thing—he took an interest in seeing how far the connection could carry him, could perhaps even lead him, and in thus putting to the test, for pleasant verification, what Fanny Assingham had said, at the last, about the difference such a girl could make. She was really making one now, in their simplified existence, and a very considerable one, though there was no one to compare her with, as there had been, so usefully, for Fanny—no Mrs. Rance, no Kitty, no Dotty Lutch, to help her to be felt, according to Fanny's diagnosis, as real. She was real, decidedly, from other causes, and Mr. Verver grew in time even a little amused at the amount of machinery Mrs. Assingham had seemed to see needed for pointing it. She was directly and immediately real, real on a pleasantly reduced and intimate scale, and at no moments more so than during those—at which we have just glanced—when Mrs. Noble made them both together feel that she, she alone, in the absence of the queen-mother, was regent of the realm and governess of the heir. Treated on such occasions as at best a pair of dangling and merely nominal court-functionaries, picturesque hereditary triflers entitled to the petites entrees but quite external to the State, which began and ended with the Nursery, they could only retire, in quickened sociability, to what was left them of the Palace, there to digest their gilded insignificance and cultivate, in regard to the true Executive, such snuff-taking ironies as might belong to rococo chamberlains moving among china lap-dogs.
Every evening, after dinner, Charlotte Stant played to him; seated at the piano and requiring no music, she went through his "favourite things"—and he had many favourites—with a facility that never failed, or that failed but just enough to pick itself up at a touch from his fitful voice. She could play anything, she could play everything—always shockingly, she of course insisted, but always, by his own vague measure, very much as if she might, slim, sinuous and strong, and with practised passion, have been playing lawn-tennis or endlessly and rhythmically waltzing. His love of music, unlike his other loves, owned to vaguenesses, but while, on his comparatively shaded sofa, and smoking, smoking, always smoking, in the great Fawns drawing-room as everywhere, the cigars of his youth, rank with associations—while, I say, he so listened to Charlotte's piano, where the score was ever absent but, between the lighted candles, the picture distinct, the vagueness spread itself about him like some boundless carpet, a surface delightfully soft to the pressure of his interest. It was a manner of passing the time that rather replaced conversation, but the air, at the end, none the less, before they separated, had a way of seeming full of the echoes of talk. They separated, in the hushed house, not quite easily, yet not quite awkwardly either, with tapers that twinkled in the large dark spaces, and for the most part so late that the last solemn servant had been dismissed for the night.