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A Bed of Roses

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CHAPTER XVI

'Silly ass,' remarked Victoria angrily. She threw Edward's letter on the table. Unconsciously she spoke the 'Rosebud' language, for contact had had its effect upon her; she no longer awoke with a start to the fact that she was speaking an alien tongue, a tongue she would once have despised.

Edward had expressed his interest in her welfare in a letter of four pages covered with his thin writing, every letter of which was legible and sloped at the proper angle. He 'considered it exceedingly undesirable for her to adopt a profession such as that of waitress.' It was comforting to know that 'he was relieved to see that she had the common decency to change her name, and he trusted..' Here Victoria had stopped.

'I can't bear it,' she said. 'I can't, can't, can't. Twopenny little schoolmaster lecturing me, me who've got to earn every penny I get by fighting for it in the dirt, so to say.' Every one of Edward's features came up before her eyes, his straggling fair hair, his bloodless face, his fumbling ineffective hands. This pedagogue who had stepped from scholardom to teacherdom dared to blame or eulogise the steps she took to earn her living, to be free to live or die as she chose. It was preposterous. What did he know of life?

Victoria seized a pen and feverishly scribbled on a crumpled sheet of paper.

'My dear Edward, – What I do's my business. I've got to live and I can't choose. And you can be sure that so long as I can keep myself I shan't come to you for help or advice. Perhaps you don't know what freedom is, never having had any. But I do and I'm going to keep it even if it costs me the approval of you people who sit at home comfortably and judge people like me who want to be strong and free. But what's the good of talking about freedom to you. —

Your affectionate sister,
Victoria'.

She addressed the envelope and ran out hatless to post it at the pillar box in Edgware Road. As she crossed the road homewards a horse bus rumbled by. It carried an enormous advertisement of the new musical comedy The Teapot Girl. 'A fine comedy indeed,' she thought, suddenly a little weary.

As she entered her room, where a small oil lamp diffused a sphere of graduated light, she was seized as by the throat by the oppression of the silent summer night. The wind had fallen; not even a whirl of dust stirred in the air. Alone and far away a piano organ in a square droned and clanked Italian melody. She thought of Edward and of her letter. Perhaps she had been too sharp. Once upon a time she would not have written like that: she was getting common.

Victoria sat down on a little chair, her hands clasped together in her lap, her eyes looking out at the blank wall opposite. This, nine o'clock, was the fatal hour when the ghosts of her dead past paced like caged beasts up and down in her small room, and the wraith of the day's work rattled its chains. There had been earlier times when, in the first flush of independence, she had sat down to gloat over what was almost success, her liberty, her living earned by her own efforts. The rosiness of freedom then wrapped around the dinge with wreaths of fancy, wreaths that curled incessantly into harmonious shapes. But Victoria had soon plumbed the depths of speculation and found that the fire of imagination needs shadowy fuel for its shadowy combustion. Day by day her brain had become less lissome. Then, instead of thinking for the joy of thought, she had read some fourpenny-halfpenny novel, a paper even, picked up in the Tube. Her mind was waking up, visualising, realising, and in its troublous surgings made for something to cling to to steady itself. But months rolled on and on, inharmonious in their sameness, unrelieved by anything from the monotony of work and sleep. Certain facts meant certain things and recurred eternally with their unchanging meaning; the knock that awoke her, a knock so individual and habitual that her sleepy brain was conscious on Sundays that she need not respond; the smell of food which began to assail her faintly as she entered the 'Rosebud,' then grew to pungency and reek at midday, blended with tobacco, then slowly ebbed almost into nothingness: the dying day that was grateful to her eyes when she left to go home, when things looked kindly round her.

When Victoria realised all of a sudden her loneliness in her island in Star Street, something like the fear of the hunted had driven her out into the streets. She was afraid to be alone, for not even books could save her from her thoughts, those hounds in full cry. In such moods she had walked the streets quickly, looking at nothing, maintaining her pace over hills. Now and then she had suddenly landed on a slum, caught sight of, all beery and bloody, through the chink of a black lane. But she shunned the flares, the wet pavement, the orange peel that squelched beneath her boots, afraid of the sight of too vigorous life. Unconsciously she had sought the drug of weariness, and the cunning bred of her dipsomania told her that the living were poor companions for her soul. And, when at times a man had followed her, his eye arrested by the lines of her face lit up by a gas lamp, he had soon tired of her quick walk and turned away towards weaker vessels.

But even weariness, when abused, loses its power as a sedative. The body, at once hardened and satiated, demands more every day as it craves for increasing doses of morphia, for more food, more drink, more kisses, more, ever more. Thus Victoria had reached her last stage when, sitting alone in her room, she once more faced the emptiness where the ghosts of her dead past paced like caged beasts and the wraith of the day's work rattled its chains.

From this, now a state of mental instead of physical exhaustion, she was seldom roused; and it needed an Edward come to judgment to stir her sleepy brain into quick passion. Again and again the events of the day would chase round and round maddeningly with every one of their little details sharp as crystals. Victoria could almost mechanically repeat some conversations, all trifling, similar, confined to half a dozen topics; she could feel, too, but casually as an odalisque, the hot wave of desire which surrounded her all day, evidenced by eyes that glittered, fastened on her hands as she served, on her face, the curve of her neck, her breast, her hips; eyes that devoured and divested her of her meretricious livery. And, worse perhaps than that big primitive surge which left her cold but unangered, the futility of others who bandied with her the daily threadbare joke, who wearied her mind with questions as to food, compelled her to sympathise with the vagaries of the weather or were arch, flirtatious and dragged out of her tired mind the necessary response. Even Butty and the moist warmth of him, even Stein with his flaccid surly face, were better in their grossness than these vapid youths, thoughtless, incapable of thought, incapable of imagining thought, who set her down as an inferior, as a toy for games that were not even those of men.

'Beauty' had been a disappointment. She had met him two or three times since their first evening out. That night Neville, who was a young man of the world, had pressed his suit so delicately, preserving in so cat-like a manner his lines of retreat, that she had not been able to snub him when inclined to. He had a small private income and knew how to make the best of his good looks by means of gentle manners and smart clothes. In the insurance office where he was one of those clerks who have lately evolved from the junior stage, he was nothing in particular and earned ten pounds a month. He had furnished two rooms on the Chelsea edge of Kensington, belonged to an inexpensive club in St James's, had been twice to Brussels and once to Paris; he smoked Turkish cigarettes, deeming Virginia common; he subscribed to a library in connection with Mudie's, and knew enough of the middle classes to exaggerate his impression of them into the smart set. Perhaps he tried a little too much to be a gentleman.

Neville Brown was strongly attracted to Victoria. He had vainly tried to draw her out, and scented the lie in her carefully concocted story. He knew enough to feel that she was at heart one of those women he met 'in society,' perhaps a little better. Thus she puzzled him extremely, for she was not even facile; he could hold her hand; she had not refused him kisses, but he was afraid to secure his grip on her as a man carrying a butterfly stirs not a finger for fear it should escape.

Victoria turned all this over lazily. Her instinct told her what manner of man was Neville, for he hardly concealed his desires. Indeed their relations had something of the charm of a masqued ball. She saw well enough that Neville was not likely to remain content with kisses, and viewed the inevitable battle with mixed feelings. She liked him; indeed, in certain moods and when his blue eyes were at their bluest, he attracted her magnetically. The reminiscent scent of Turkish tobacco on her lips always drew her back towards him; and yet she was of her class, shy of love, of all that is illicit because unacknowledged. She knew very well that Neville would hardly ask her to marry him and that she would refuse if he did; she knew less well what she would do if he asked her to love him. When she analysed their relation she always found that all lay on the lap of the gods.

In the loneliness of night her thoughts would fasten on him more intently. He was youth and warmth and friendliness, words for the silent, a hand to touch; better still he was a figment of Love itself, with all its tenderness and crudity, its heat, all the quivers of its body; he was soft scented as the mysterious giver of passionate gifts. So, when Victoria lay down to try and sleep she rocked in the trough of the waves of doubt. She could not tell into what hands she would give, if she gave, her freedom, her independence of thought and deed, all that security which is dear to the sheltered class from which she came. So, far into the night she would struggle for sight, tossing from right to left and left to right, thrusting away and then recalling the brown face, the blue eyes and their promise.

 

CHAPTER XVII

The days rolled on, and on every one, as their scroll revealed itself, Victoria inscribed doings which never varied. The routine grew heavier as she found that the events of a Monday were so similar to those of another Monday that after a month she could not locate happenings. She no longer read newspapers. There was nothing in them for her; not even the mock tragedy of the death of an heir presumptive or the truer grimness of a shipwreck could rouse in her an emotion. She did not care for adventure: not because she thought that adventure was beneath her notice, but because it could not affect her. A revolution could have happened, but she would have served boiled cod and coffees to the groundlings, wings of chicken to the luxurious, without a thought for the upheaval, provided it did not flutter the pink curtains beyond which hummed the world.

At times, for the holiday season was not over and work was rather slack, Victoria had time to sit on her 'attendant' chair and to think awhile. Reading nothing and seeing no one save Beauty and Mrs Smith, she was thinking once more and thinking dangerously much. Often she would watch Lottie, negligently serving, returning the ball of futility with a carelessness that was almost grace, or Cora talking smart slang in young lady-like tones.

'To what end?' thought Victoria. 'What are we doing here, wasting our lives, I suppose, to feed these boys. For what's the good of feeding them so that they may scrawl figures in books and catch trains and perhaps one day, unless they've got too old, marry some dull girl and have more children than they can keep? We girls, we're wasted too.' So strongly did she feel this that, one day, she prospected the unexplored ground of Cora's mind.

'What are you worrying about?' remarked Cora, after Victoria had tried to inflame her with noble discontent. 'I don't say it's all honey, this job of ours, but you can have a good time pretty well every night, can't you, let alone Sundays?'

'But I don't want a good time,' said Victoria, suddenly inspired. 'I want to feel I'm alive, do something.'

'Do what?' said Cora.

'Live, see things, travel.'

'Oh, we don't get a chance, of course,' said Cora. 'I'll tell you how it is, Vic, you want too much. If you want anything in life you've got to want nothing, then whatever you get good seems jolly good.'

'You're a pessimist, Cora,' said Victoria smiling.

'Meaning I see the sad side? Don't you believe it. Every cloud has a silver lining, you know.'

'And every silver lining has a cloud,' said Victoria, sadly.

'Now, Vic,' answered Cora crossly, 'don't you go on like that. You'll only mope and mope. And what's the good of that, I'd like to know.'

'Oh, I don't know,' said Victoria, 'I like thinking of things. Sometimes I wish I could make an end of it. Don't you?'

'Lord, no,' said Cora, 'I make the best of it. You take my tip and don't think too much.'

Victoria bent down in her chair, her chin upon her open palm. Cora slapped her on the back.

'Cheer up,' she said, 'we'll soon be dead.'

Victoria had also attempted Gladys, but had discovered without surprise that her association with Cora had equalised their minds as well as the copper of their hair. Lottie never said much when attacked on a general subject, while Bella never said anything at all. Since the day when Victoria had attempted to draw her out on the fateful question 'What's the good of anything?' Bella Prodgitt had looked upon Victoria as a dangerous revolutionary. At times she would follow the firebrand round the shop with frightened and admiring eyes. For her Victoria was something like the brilliant relation of whom the family is proud without daring to acknowledge him.

It fell to Gertie's lot to enlighten Victoria further on the current outlook of life. It came about in this way. One Saturday afternoon Victoria and Bella were alone on duty upstairs, for the serving of lunch is then at a low ebb; the City makes a desperate effort to reach the edge of the world to lunch peacefully and cheaply in its homes and lodgings. Lottie and Gertie were taking the smoking room below.

It was nearly three o'clock. At one of the larger tables sat two men, both almost through with their lunch. The elder of the two, a stout, cheery-looking man, pushed away his cup, slipped two pennies under the saucer and, taking up his bill, which Victoria had made out when she gave him his coffee, went up to the cash desk. The other man, a pale-faced youth in a blue suit, sat before his half emptied cup. His hand passed nervously round his chin as he surveyed the room; his was rather the face of a ferret, with a long upper lip, watery blue eyes, and a weak chin. His forehead sloped a little and was decorated with many pimples.

Victoria passed him quickly, caught up the stout man, entered the cash desk and took his bill. He turned in the doorway.

'Well, Vic,' he said, 'when are we going to be married?'

'29th of February, if it's not a leap year,' she laughed.

'Too bad, too bad,' said the stout man, looking back from the open door out of which he had already passed, 'you're the third girl who's said that to me in a fortnight.'

'Serve you right,' said Victoria, looking into the mirror opposite, 'you're as bad as Henry the..'

The door closed. Victoria did not finish her sentence. Her eyes were glued to the mirror. In it she could only see a young man with a thin face, decorated with many pimples, hurriedly gulping down the remains of his cup of coffee. But a second before then she had seen something which made her fetch a quick breath. The young man had looked round, marked that her head was turned away; he had thrown a quick glance to the right and the left, to the counter which Bella had left for a moment to go into the kitchen; then his hand had shot out and, with a quick movement, he had seized the stout man's pennies and slipped them under his own saucer.

The young man got up. Victoria came up to him and made out his bill. He took it without a word and paid it at the desk, Victoria taking his money.

'Well, he didn't steal it, did he?' said Gertie, when Victoria told her of the incident.

'No, not exactly. Unless he stole it from the first man.'

''Ow could he steal it if he didn't take it?' snapped Gertie.

'Well, he made believe to tip me when he didn't, and he made believe that the first man was mean when it was he who was,' said Victoria. 'So he stole it from the first man to give it me.'

'Lord, I don't see what yer after,' said Gertie. 'You ain't lost nothing. And the first fellow he ain't lost nothing either. He'd left his money.'

Victoria struggled for a few sentences. The little Cockney brain could not take in her view. Gertie could only see that Victoria had had twopence from somebody instead of from somebody else, so what was her trouble?

'Tell yer wot,' said Gertie summing up the case, 'seems ter me the fellow knew wot he was after. Dodgy sort of thing to do. Oughter 'ave thought of the looking-glass though.'

Victoria turned away from Gertie's crafty little smile. There was something in the girl that she could not understand; nor could Gertie understand her scruple. Gertie helped her a little though to solve the problem of waste; this girl could hardly be wasted, thought Victoria, for of what use could she be? She had neither the fine physique that enables a woman to bear big stupid sons, nor the intelligence which breeds a cleverer generation; she was sunk in the worship of easy pleasure, and ever bade the fleeting joy to tarry yet awhile.

'She isn't alive at all,' said Victoria to Lottie. 'She merely grows older.'

'Well, so do we,' replied Lottie in matter of fact tones.

Victoria was compelled to admit the truth of this, but she did not see her point clearly enough to state it. Lottie, besides, did nothing to draw her out. In some ways she was Victoria's oasis in the desert, for she was simple and gentle, but her status lymphaticus was permanent. She did not even dream.

Victoria's psychological enquiries did not tend to make her popular. The verdict of the 'Rosebud' was that she was a 'rum one,' perhaps a 'deep one.' The staff were confirmed in their suspicions that she was a 'deep one' by the obvious attentions that Mr Burton paid her. They were not prudish, except Bella, who objected to 'goings on'; to be distinguished by Butty was rather disgusting, but it was flattering too.

'He could have anybody he liked, the dirty old tyke,' remarked Cora. 'Of course I'm not taking any,' she added in response to a black look from Bella Prodgitt.

Victoria was not 'taking any' either, but she every day found greater difficulty in repelling him. Burton would stand behind the counter near the kitchen door during the lunch hour, and whenever Victoria had to come up to it, he would draw closer, so close that she could see over the whites of his little eyes a fine web of blood vessels. Every time she came and went her skirts brushed against his legs; on her neck sometimes she felt the rush of his bitter scented breath.

One afternoon, in the change room, as she was dressing alone to leave at four, the door opened. She had taken off her blouse and turned with a little cry. Burton had come in suddenly. He walked straight up to her, his eyes not fixed on hers but on her bare arms. A faintness came over her. She hardly had the strength to repel him, as without a word he threw one arm round her waist, seizing her above the elbow with his other hand. As he tried to draw her towards him she saw a few inches from her face, just the man's mouth, red and wet, like the sucker of a leech, the lips parted over the yellow teeth.

'Let me go!' she hissed, throwing her head back.

Burton ground her against him, craning his neck to touch her lips with his.

'Don't be silly,' he whispered, 'I love you. You be my little girl.'

'Let me go.' Victoria shook him savagely.

'None of that.' Burton's eyes were glittering. The corners had pulled upwards with rage.

'Let me go, I say.'

Burton did not answer. For a minute they wrestled. Victoria thrust him back against the wall. She almost turned sick as his hand, slipping round her, flattened itself on her bare shoulder. In that moment of weakness Burton won, and, bending her over, kissed her on the mouth. She struggled, but Burton had gripped her behind the neck. Three times he kissed her on the lips. A convulsion of disgust and she lay motionless in his embrace. There was a step on the stairs. A few seconds later Burton had slipped out by the side door.

'What's up?' said Gladys suspiciously.

Victoria had sunk upon a chair, breathless, dishevelled, her face in her hands.

'Nothing.. I.. I feel sick,' she faltered. Then she savagely wiped her mouth with her feather boa.

Victoria was getting a grip of things. The brute, the currish brute. The words rang in her head like a chorus. For days, the memory of the affray did not leave her. She guarded, too, against any recurrence of the scene.

Her hatred for Burton seemed to increase the fascination of Neville. She did not think of them together, but it always seemed to happen that, immediately after thrusting away the toad-like picture of the chairman, she thought of the blue-eyed boy. Yet her relations with Neville were ill-fated. Some days after the foul incident in the change room, Neville took her for one of his little 'busts.' As it was one of her late nights he called for her at a quarter past nine. They walked towards the west and, on the stroke of ten, Neville escorted her into one of the enormous restaurants that the Refreshment Rendezvous, known to London as the Ah-Ah, runs as anonymously as it may.

Victoria was amused. The R. R. was the owner of a palace, built, if not for the classes, certainly not for the masses. Its facing was of tortured Portland stone, where Greek columns, Italian, Louis XIV and Tudor mouldings blended with rich Byzantine gildings and pre-Raphaelite frescoes. Inside too, it was all plush, mainly red; gold again; palms, fountains, with goldfish and tin ducks. The restaurant was quite a fair imitation of the Carlton, but a table d'hôte supper was provided for eighteen pence, including finger bowls in which floated a rose petal.

 

Neville and Victoria sat at a small table made for two. She surrendered her feet to the clasp of his. Around her were about two hundred couples and a hundred family parties. Most of the young men were elaborately casual; they wore blue or tweed suits, a few, frock coats marred by double collars; they had a tendency to loll and to puff the insolent tobacco smoke of virginias towards the distant roof. Their young ladies talked a great deal and looked about. There was much wriggling of chairs, much giggling, much pulling up of long gloves over bare arms. In a corner, all alone, a young man in well-fitting evening clothes was consuming in melancholy some chocolate and a sandwich.

Neville plied Victoria with the major part of a half bottle of claret.

'Burgundy's the thing,' he said. 'More body in it.'

'Yes, it is good, isn't it? I mustn't have any more, though.'

'Oh, you're all right,' said Neville indulgently. 'Let's have some coffee and a liqueur.'

'No, no liqueur for me.'

'Well, coffee then. Here, waiter.'

Neville struggled for some minutes. He utterly failed to gain the ear of the waiters.

'Let's go, Beauty,' said Victoria. 'I don't want any coffee. No, really, I'd rather not. I can't sleep if I take it.'

The couple walked up Regent Street, then along Piccadilly. Neville held Victoria's arm. He had slipped his fingers under the long glove. She did not withdraw her arm. His touch tickled her senses to quiescence if not to satisfaction. They turned into the Park. Just behind the statue of Achilles they stepped upon the grass and at once Neville threw his arm round Victoria. It was a little chilly; mist was rising from the grass. The trees stood blackly out of it, as if sawn off a few feet from the ground. Neville stopped. A little smile was on his lips.

'Beauty boy,' said Victoria.

He drew her towards him and kissed her. He kissed her on the forehead, then on the cheek, for he was a sybarite, in matters of love something of an artist, just behind the ear, then passionately on the lips. Victoria closed her eyes and threw one arm round his neck. She felt exhilarated, as if gently warmed. They walked further westwards, and with every step the fog thickened.

'Let's stop, Beauty,' said Victoria, after they had rather suddenly walked up to a thicket. 'We'll get lost in the wilderness.'

'And wilderness were paradise enow,' murmured Neville in her ear.

Victoria did not know the hackneyed line. It sounded beautiful to her. She laughed nervously and let Neville draw her down by his side on the grass.

'Oh, let me go, Beauty,' she whispered. 'Suppose someone should come.'

Neville did not answer. He had clasped her to him. His lips were more insistent on hers. She felt his hand on her breast.

'Oh, no, no, Beauty, don't, please don't,' she said weakly.

For some minutes she lay passive in his grasp. He had undone the back of her blouse. His hand, cold and dry, had slipped along her shoulder, seeking warmth.

Slowly his clasp grew harder; he used his weight. Victoria bent under it. Something like faintness came over her.

'Victoria, Victoria, my darling.' The voice seemed far away. She was giving way more and more. Not a blade of grass shuddered under its shroud of mist. From the road came the roar of a motorbus, like a muffled drum. Then she felt the damp of the grass on her back through the opening of her blouse.

A second later she was sitting up. She had thrust Neville away with a savage push under the chin. He seized her once more. She fought him, seeing nothing to struggle with but a silent dark shadow.

'No, Beauty, no, you mustn't,' she panted.

They were standing then, both of them.

'Vic, darling, why not?' pleaded Neville gently, still holding her hand.

'I don't know. Oh, no, really I can't, Beauty.'

She did not know it, but generations of clean living were fighting behind her, driving back and crushing out the forces of nature. She did not know that, like most women, she was not a free being but the great-granddaughter of a woman whose forbears had taught her that illegal surrender is evil.

'I'm sorry, Beauty… it's my fault,' she said.

'Oh, don't mention it,' said Neville icily, dropping her hand. 'You're playing with me, that's all.'

'I'm not,' said Victoria, tears of excitement in her eyes. 'Oh, Beauty, don't you understand. We women, we can't do what we like. It's so hard. We're poor, and life is so dull and we wish we were dead. And then a man comes like you and the only thing he can offer, we mustn't take it.'

'But why, why?' asked Beauty.

'I don't know,' said Victoria. 'We mustn't. At any rate I mustn't. My freedom is all I've got and I can't give it up to you like that. I like you, you know that, don't you, Beauty?'

Neville did not answer.

'I do, Beauty. But I can't, don't you see. If I were a rich woman it would be different. I'd owe nobody anything. But I'm poor; it'd pull me down and.. when a woman's down, men either kick or kiss her.'

Neville shrugged his shoulders.

'Let's go,' he said.

Silently, side by side, they walked out of the park.