Two minutes later the red limousine was at the door, and, stepping into it with his two companions, he was whizzed away to Olympia and the first step toward the solution of the riddle.
II
As it is the custom of those connected with the world of the circus to eat, sleep, have their whole being, as it were, within the environment of the show, to the total exclusion of hotels, boarding-houses, or outside lodgings of any sort, he found on his arrival at his destination the entire company assembled in what was known as the "living-tent," chatting, laughing, reading, playing games and killing time generally whilst waiting for the call to the "dining-tent," and this gave him an opportunity to meet all the persons connected with the "case," from the "chevalier" himself to the Brazilian coffee planter who was "backing" the show.
He found this latter individual a somewhat sullen and taciturn man of middle age, who had more the appearance of an Austrian than a Brazilian, and with a swinging gait and an uprightness of bearing which were not to be misunderstood.
"Humph! Known military training," was Cleek's mental comment as soon as he saw the man walk. "Got it in Germany, too; I know that peculiar 'swing.' What's his little game, I wonder? And what's a Brazilian doing in the army of the Kaiser? And, having been in it, what's he doing dropping into this line; backing a circus, and travelling with it like a Bohemian?"
But although these thoughts interested him, he did not put them into words nor take anybody into his confidence regarding them.
As for the other members of the company, he found "the indifferent rider," known as Signor Antonio Martinelli, an undoubted Irishman of about thirty years of age, extremely handsome, but with a certain "shiftiness" of the eye which was far from inspiring confidence, and with a trick of the tongue which suggested that his baptismal certificate probably bore the name of Anthony Martin. He found, too, that all he had heard regarding the youth and beauty of the chevalier's second wife was quite correct, and although she devoted herself a great deal to the Brazilian coffee planter and the Irish-Italian "Martinelli," she had a way of looking over at her middle-aged spouse, without his knowledge, that left no doubt in Cleek's mind regarding the real state of her feelings toward the man. And last, but not least by any means, he found the chevalier himself a frank, open-minded, open-hearted, lovable man, who ought not, in the natural order of things, to have an enemy in the world. Despite his high-falutin nom de théâtre, he was Belgian, a big, soft-hearted, easy-going, unsuspicious fellow, who worshipped his wife, adored his children, and loved every creature of the animal world.
How well that love was returned, Cleek saw when he went with him to that part of the building where his animals were kept, and watched them "nose" his hand or lick his cheek whenever the opportunity offered. But Nero, the lion, was perhaps the greatest surprise of all, for so tame, so docile, so little feared was the animal, that its cage door was open, and they found one of the attendants squatting cross-legged inside and playing with it as though it were a kitten.
"There he is, doctor," said the chevalier, waving his hand toward the beast. "Ah, I will not believe that it was anything but an accident, sir. He loved my boy. He would hurt no one that is kind to him. Fetch him out, Tom, and let the doctor see him at close quarters."
Despite all these assurances of the animal's docility Cleek could not but remember what the creature had done, and, in consequence, did not feel quite at ease when it came lumbering out of the cage with the attendant and ranged up alongside of him, rubbing its huge head against the chevalier's arm after the manner of an affectionate cat.
"Don't be frightened, sir," said Tom, noticing this. "Nothing more'n a big dog, sir. Had the care of him for eight years, I have – haven't I, chevalier? – and never a growl or scratch out of him. No 'smile' for your old Tom, is there, Nero, boy, eh? No fear! Ain't a thing as anybody does with him, sir, that I wouldn't do off-hand and feel quite safe."
"Even to putting your head in his mouth?" queried Cleek.
"Lor', yes!" returned the man, with a laugh. "That's nothing. Done it many a day. Look here!" With that he pulled the massive jaws apart, and, bending down, laid his head within them. The lion stood perfectly passive, and did not offer to close his mouth until it was again empty. It was then that Cleek remembered, and glanced round at young Scarmelli.
"He never 'smiles' for any but the chevalier and his son, I believe you said," he remarked. "I wonder if the chevalier himself would be as safe if he were to make a feint of doing that?" For the chevalier, like most of the other performers, had not changed his dress after the matinee, since the evening performance was so soon to begin; and if, as Cleek had an idea, that the matter of costume and make-up had anything to do with the mystery of the thing, here, surely, was a chance to learn.
"Make a feint of it? Certainly I will, doctor," the chevalier replied. "But why a feint? Why not the actual thing?"
"No, please – at least, not until I have seen how the beast is likely to take it. Just put your head down close to his muzzle, chevalier. Go slow, please, and keep your head at a safe distance."
The chevalier obeyed. Bringing his head down until it was on a level with the animal's own, he opened the ponderous jaws. The beast was as passive as before; and, finding no trace of the coming of the mysterious and dreaded "smile," he laid his face between the double row of gleaming teeth, held it there a moment, and then withdrew it uninjured. Cleek took his chin between his thumb and forefinger and pinched it hard. What he had just witnessed would seem to refute the idea of either costume or make-up having any bearing upon the case.
"Did you do that to-day at the matinee performance, chevalier?" he hazarded, after a moment's thoughtfulness.
"Oh, yes," he replied. "It was not my plan to do so, however. I alter my performance constantly to give variety. To-day I had arranged for my little son to do the trick; but somehow – Ah! I am a foolish man, monsieur; I have odd fancies, odd whims, sometimes odd fears, since – since that awful night. Something came over me at the last moment, and just as my boy came into the cage to perform the trick I changed my mind. I would not let him do it. I thrust him aside and did the trick myself."
"Oho!" said Cleek. "Will the boy do it to-night, then, chevalier?"
"Perhaps," he made reply. "He is still dressed for it. Look, here he comes now, monsieur, and my wife, and some of our good friends with him. Ah, they are so interested, they are anxious to hear what report you make upon Nero's condition."
Cleek glanced round. Several members of the company were advancing toward them from the "living-tent." In the lead was the boy, a little fellow of about twelve years of age, fancifully dressed in tights and tunic. By his side was his stepmother, looking pale and anxious. But although both Signor Martinelli and the Brazilian coffee planter came to the edge of the tent and looked out, it was observable that they immediately withdrew, and allowed the rest of the party to proceed without them.
"Dearest, I have just heard from Tom that you and the doctor are experimenting with Nero," said the chevalier's wife, as she came up with the others and joined him. "Oh, do be careful, do! Much as I like the animal, doctor, I shall never feel safe until my husband parts with it or gives up that ghastly 'trick.'"
"My dearest, my dearest, how absurdly you talk!" interrupted her husband. "You know well that without that my act would be commonplace, that no manager would want either it or me. And how, pray, should we live if that were to happen?"
"There would always be my salary; we could make that do."
"As if I would consent to live upon your earnings and add nothing myself! No, no! I shall never do that, never. It is not as though that foolish dream of long ago had come true, and I might hope one day to retire. I am of the circus, and of it I shall always remain."
"I wish you might not; I wish the dream might come true, even yet," she made reply. "Why shouldn't it? Wilder ones have come true for other people; why should they not for you?"
Before her husband could make any response to this, the whole trend of the conversation was altered by the boy.
"Father," he said, "am I to do the trick to-night? Señor Sperati says it is silly of me to sit about all dressed and ready if I am to do nothing, like a little super, instead of a performer and an artist."
"Oh, but that is not kind of the señor to say that," his father replied, soothing his ruffled feelings. "You are an artist, of course; never super – no, never. But if you shall do the trick or not, I cannot say. It will depend, as it did at the matinee. If I feel it is right, you shall do it; but if I feel it is wrong, then it must be no. You see, doctor," catching Cleek's eye, "what a little enthusiast he is, and with how little fear."
"Yes, I do see, chevalier; but I wonder if he would be willing to humour me in something? As he is not afraid, I've an odd fancy to see how he'd go about the thing. Would you mind letting him make the feint you yourself made a few minutes ago? Only, I must insist that in this instance it be nothing more than a feint, chevalier. Don't let him go too near at the time of doing it. Don't let him open the lion's jaws with his own hands. You do that. Do you mind?"
"Of a certainty not, monsieur. Gustave, show the good doctor how you go about it when papa lets you do the trick. But you are not really to do it just yet, only to bend the head near to Nero's mouth. Now then, come see."
As he spoke he divided the lion's jaws and signalled the child to bend. He obeyed. Very slowly the little head drooped nearer to the gaping, full-fanged mouth, very slowly and very carefully, for Cleek's hand was on the boy's shoulder, Cleek's eyes were on the lion's face. The huge brute was as meek and as undisturbed as before, and there was actual kindness in its fixed eyes. But of a sudden, when the child's head was on a level with those gaping jaws, the lips curled backward in a ghastly parody of a smile, a weird, uncanny sound whizzed through the bared teeth, the passive body bulked as with a shock, and Cleek had just time to snatch the boy back when the great jaws struck together with a snap that would have splintered a skull of iron had they closed upon it.
The hideous and mysterious "smile" had come again, and, brief though it was, its passing found the boy's sister lying on the ground in a dead faint, the boy's stepmother cowering back, with covered eyes and shrill, affrighted screams, and the boy's father leaning, shaken and white, against the empty cage and nursing a bleeding hand.
In an instant the whole place was in an uproar. "It smiled again! It smiled again!" ran in broken gasps from lip to lip; but through it all Cleek stood there, clutching the frightened child close to him, but not saying one word, not making one sound. Across the dark arena came a rush of running footsteps, and presently Señor Sperati came panting up, breathless and pale with excitement.
"What's the matter? What's wrong?" he cried. "Is it the lion again? Is the boy killed? Speak up!"
"No," said Cleek very quietly, "nor will he be. The father will do the trick to-night, not the son. We've had a fright and a lesson, that's all." And, putting the sobbing child from him, he caught young Scarmelli's arm and hurried him away. "Take me somewhere that we can talk in safety," he said. "We are on the threshold of the end, Scarmelli, and I want your help."
"Oh, Mr. Cleek, have you any idea, any clue?"
"Yes, more than a clue. I know how, but I have not yet discovered why. Now, if you know, tell me what did the chevalier mean, what did his wife mean, when they spoke of a dream that might have come true but didn't? Do you know? Have you any idea? Or, if you have not, do you think your fiancée has?"
"Why, yes," he made reply. "Zelie has told me about it often. It is of a fortune that was promised and never materialised. Oh, such a long time ago, when he was quite a young man, the chevalier saved the life of a very great man, a Prussian nobleman of great wealth. He was profuse in his thanks and his promises, that nobleman; swore that he would make him independent for life, and all that sort of thing."
"And didn't?"
"No, he didn't. After a dozen letters promising the chevalier things that almost turned his head, the man dropped him entirely. In the midst of his dreams of wealth a letter came from the old skinflint's steward enclosing him the sum of six hundred marks, and telling him that as his master had come to the conclusion that wealth would be more of a curse than a blessing to a man of his class and station, he had thought better of his rash promise. He begged to tender the enclosed as a proper and sufficient reward for the service rendered, and 'should not trouble the young man any further.' Of course, the chevalier didn't reply. Who would, after having been promised wealth, education, everything one had confessed that one most desired? Being young, high-spirited, and bitterly, bitterly disappointed, the chevalier bundled the six hundred marks back without a single word, and that was the last he ever heard of the Baron von Steinheid from that day to this."
"The Baron von Steinheid?" repeated Cleek, pulling himself up as though he had trodden upon something.
"Do you mean to say that the man whose life he saved – Scarmelli, tell me something: Does it happen by any chance that the 'Chevalier di Roma's' real name is Peter Janssen Pullaine?"
"Yes," said Scarmelli, in reply. "That is his name. Why?"
"Nothing, but that it solves the riddle, and the lion has smiled for the last time! No, don't ask me any questions; there isn't time to explain. Get me as quickly as you can to the place where we left Mr. Narkom's motor. Will this way lead me out? Thanks! Get back to the others, and look for me again in two hours' time; and Scarmelli?"
"Yes, sir?"
"One last word: don't let that boy get out of your sight for one instant, and don't, no matter at what cost, let the chevalier do his turn to-night before I get back. Good-bye for a time. I'm off."
Then he moved like a fleetly passing shadow round the angle of the building, and two minutes later was with Narkom in the red limousine.
"To the German embassy as fast as we can fly," he said as he scrambled in. "I've something to tell you about that lion's smile, Mr. Narkom, and I'll tell it while we're on the wing."
III
It was nine o'clock and after. The great show at Olympia was at its height; the packed house was roaring with delight over the daring equestrianship of "Mademoiselle Marie de Zanoni," and the sound of the cheers rolled in to the huge dressing-tent, where the artists awaited their several turns, and the chevalier, in spangled trunks and tights, all ready for his call, sat hugging his child and shivering like a man with the ague.
"Come, come, buck up, man, and don't funk it like this," said Señor Sperati, who had graciously consented to assist him with his dressing because of the injury to his hand. "The idea of you losing your nerve, you of all men, and because of a little affair like that. You know very well that Nero is as safe as a kitten to-night, that he never has two smiling turns in the same week, much less the same day. Your act's the next on the programme. Buck up and go at it like a man."
"I can't, señor, I can't!" almost wailed the chevalier. "My nerve is gone. Never, if I live to be a thousand, shall I forget that awful moment, that appalling 'smile.' I tell you there is wizardry in the thing; the beast is bewitched. My work in the arena is done, done forever, señor. I shall never have courage to look into the beast's jaws again."
"Rot! You're not going to ruin the show, are you, and after all the money I've put into it? If you have no care for yourself, it's your duty to think about me. You can at least try. I tell you you must try! Here, take a sip of brandy, and see if that won't put a bit of courage into you. Hallo!" as a burst of applause and the thud of a horse's hoofs down the passage to the stables came rolling in, "there's your wife's turn over at last; and there – listen! the ringmaster is announcing yours. Get up, man; get up and go out."
"I can't, señor, I can't! I can't!"
"But I tell you you must."
And just here an interruption came.
"Bad advice, my dear captain," said a voice, Cleek's voice, from the other end of the tent; and with a twist and a snarl the "señor" screwed round on his heel in time to see that other intruders were putting in an appearance as well as this unwelcome one.
"Who the deuce asked you for your opinion?" rapped out the "señor" savagely. "And what are you doing in here, anyhow? If we want the service of a vet., we're quite capable of getting one for ourselves without having him shove his presence upon us unasked."
"You are quite capable of doing a great many things, my dear captain, even making lions smile!" said Cleek serenely. "It would appear that the gallant Captain von Gossler, nephew, and, in the absence of one who has a better claim, heir to the late Baron von Steinheid – That's it, nab the beggar. Played, sir, played! Hustle him out and into the cab, with his precious confederate, the Irish-Italian 'signor,' and make a clean sweep of the pair of them. You'll find it a neck-stretching game, captain, I'm afraid, when the jury comes to hear of that poor boy's death and your beastly part in it."
By this time the tent was in an uproar, for the chevalier's wife had come hurrying in, the chevalier's daughter was on the verge of hysterics, and the chevalier's prospective son-in-law was alternately hugging the great beast-tamer and then shaking his hand and generally deporting himself like a respectable young man who had suddenly gone daft.
"Governor!" he cried, half laughing, half sobbing. "Bully old governor. It's over – it's over. Never any more danger, never any more hard times, never any more lion's smiles."
"No, never," said Cleek. "Come here, Madame Pullaine, and hear the good news with the rest. You married for love, and you've proved a brick. The dream's come true, and the life of ease and of luxury is yours at last, Mr. Pullaine."
"But, sir, I – I do not understand," stammered the chevalier. "What has happened? Why have you arrested the Señor Sperati? What has he done? I cannot comprehend."
"Can't you? Well, it so happens, chevalier, that the Baron von Steinheid died something like two months ago, leaving the sum of sixty thousand pounds sterling to one Peter Janssen Pullaine and the heirs of his body, and that a certain Captain von Gossler, son of the baron's only sister, meant to make sure that there was no Peter Janssen Pullaine and no heirs of his body to inherit one farthing of it."
"Sir! Dear God, can this be true?"
"Perfectly true, chevalier. The late baron's solicitors have been advertising for some time for news regarding the whereabouts of Peter Janssen Pullaine, and if you had not so successfully hidden your real name under that of your professional one, no doubt some of your colleagues would have put you in the way of finding it out long ago. The baron did not go back on his word and did not act ungratefully. His will, dated twenty-nine years ago, was never altered in a single particular. I rather suspect that that letter and that gift of money which came to you in the name of his steward, and was supposed to close the affair entirely, was the work of his nephew, the gentleman whose exit has just been made. A crafty individual that, chevalier, and he laid his plans cleverly and well. Who would be likely to connect him with the death of a beast-tamer in a circus, who had perished in what would appear an accident of his calling? Ah, yes, the lion's smile was a clever idea. He was a sharp rascal to think of it."
"Sir! You – you do not mean to tell me that he caused that? He never went near the beast – never – even once."
"Not necessary, chevalier. He kept near you and your children; that was all that he needed to do to carry out his plan. The lion was as much his victim as anybody else. What it did it could not help doing. The very simplicity of the plan was its passport to success. All that was required was the unsuspected sifting of snuff on the hair of the person whose head was to be put in the beast's mouth. The lion's smile was not, properly speaking, a smile at all, chevalier; it was the torture which came of snuff getting into its nostrils, and when the beast made that uncanny noise and snapped its jaws together, it was simply the outcome of a sneeze. The thing would be farcical if it were not that tragedy hangs on the thread of it, and that a life, a useful human life, was destroyed by means of it. Yes, it was clever, it was diabolically clever; but you know what Bobby Burns says about the best-laid schemes of mice and men. There's always a Power higher up that works the ruin of them."
With that he walked by and, going to young Scarmelli, put out his hand.
"You're a good chap and you've got a good girl, so I expect you will be happy," he said; and then lowered his voice so that the rest might not reach the chevalier's ears. "You were wrong to suspect the little stepmother," he added. "She's true blue, Scarmelli. She was only playing up to those fellows because she was afraid the 'señor' would drop out and close the show if she didn't, and that she and her husband and the children would be thrown out of work. She loves her husband – that's certain – and she's a good little woman; and, Scarmelli?"
"Yes, Mr. Cleek?"
"There's nothing better than a good woman on this earth, my lad. Always remember that. I think you, too, have got one. I hope you have. I hope you will be happy. What's that? Owe me? Not a rap, my boy. Or, if you feel that you must give me something, give me your prayers for equal luck when my time comes, and send me a slice of the wedding cake. The riddle's solved, old chap. Good-night!"