It is comparatively easy to read a character from a face. This is always a scientific possibility. To fit the face to a given character is obviously the reverse. And those who knew the worst of Lady Caroline Sellwood, before making her acquaintance, received, on that occasion, something like a shock. They had nourished visions of a tall and stately figure with a hook-nose and an exquisitely supercilious smile; whereas her Ladyship was decidedly short, and extremely stout, with as plebeian a snub-nose and as broad a grin as any in her own back-kitchen. Instead of the traditionally frigid leader of society, she was a warm-hearted woman where her own interests were not concerned; where they were, she was just what expedience made her, and her heart then took its temperature from her head, like the excellent servant it had always been. A case very much in point is that of her relations with Claude Lafont, whom, however, Lady Caroline had now her own reasons for fearing no more. As for the Duke of St. Osmund's, her heart had been a perfect oven to him from the first.

Nor did she make any pretence about the matter – it was this that so repelled Olivia. But the very falsity of the woman was frank to the verge of a virtue; and the honest dishonesty of her front hair (which was of the same shade as Olivia's, only much more elaborately curled) was as bluntly emblematic as a pirate's flag. Lady Caroline Sellwood was honestly dishonest to the last ounce of her two hundredweight of avoirdupois.

This was the kind of thing she thought nothing of doing. She had been engaged for months upon an egregious smoking-cap for Claude Lafont. That is to say she had from time to time put in a few golden stitches, in front of Claude, which her maid had been obliged to pick out and put in again behind the scenes. Claude, at any rate, had always understood that the cap was for him – until one evening here in the conservatory, when he saw Lady Caroline coolly trying it on the Duke.

"It never did fit you, Claude," she explained serenely. "It was always too small, and I must make you another. Only see how it fits the dear Duke!"

The dear Duke was made the recipient of many another mark of unblushing favour. He could do no wrong. His every solecism of act or word, and they still cropped up at times, was simply "sweet" in the eyes of Lady Caroline Sellwood, and his name was seldom on her lips without that epithet.

Moreover, she would speak her mind to him on every conceivable topic, and this with a freedom often embarrassing for Jack; as, for example, on the first Sunday after church.

"I simply don't know how Francis dared!" Lady Caroline exclaimed, as she took Jack's arm on the sunlit terrace. "Twenty-one minutes by my watch – and such drivel! It didn't seem so to you? Ah, you're so sweet! But twenty-one minutes was an outrage, and I shall tell the little idiot exactly what I think of him."

"I rather like him," said Jack, who put it thus mildly out of pure politeness to his companion; "and I rather liked what he said."

"Oh, he's no worse than the rest of them," rejoined Lady Caroline. "Of course I swear by the sweet Established Church, but the parsons personally, with very few exceptions, I never could endure. Still, it's useful to have one in the family; he does everything for us. He christens the grandchildren, and he'll bury the lot of us if he's spared, to say nothing of marrying poor Olivia when her time comes. Ah well, let's hope that won't be yet! She is my ewe lamb. And all men are not such dear sweet fellows as you!"

This sort of speech he found unanswerable; and although treated by her Ladyship with unflagging consideration, amounting almost to devotion, Jack was never at his ease in such interviews.

One of these took place in the hut. Lady Caroline insisted on seeing it, accompanied by Olivia. Of course the whole idea charmed her to ecstasies; it was so original; it showed such a simple heart; and the hut itself was as "sweet" as everything else connected with the Duke. So was the pannikin of tea which Jack was entreated to brew for her in the "billy": indeed, this was too sweet for Lady Caroline, who emptied most of hers upon the earth behind her camp-stool – an act which Jack pretended not to detect, and did not in the least resent. On the contrary, he put a characteristic construction upon the incident, which he attributed exclusively to Lady Caroline's delicate reluctance to hurt his feelings by expressing her real opinion of the tea; for though personally oppressed by her persistent kindness, he was much too unsophisticated, and had perhaps too good a heart of his own, ever to suspect an underlying motive.

Towards the end of that week, in fact on the Friday afternoon, they were all taking tea on the terrace; or rather all but the two talented young men, who were understood never to touch it, and who, indeed, were somewhat out of their element at the Towers, except late at night, when the ladies had gone to bed. "I can't think why you asked them down," said Lady Caroline to Claude. "I didn't," was the reply; "it was you, Jack." "Of course it was me," cried the astonished Jack, "and why not? Didn't they use to go to your rooms, old man, and to your house, Lady Caroline?" "Ah," said her Ladyship, with her indulgent smile, "but that was rather a different thing – you dear kind fellow!" All this, however, was not on the Friday afternoon, when Lady Caroline was absorbed in very different thoughts. They were not of the conversation, although she put in her word here and there; the subject, that of the Nottingham murder, being one of peculiar interest. The horrible case in question, which had filled the papers all that week, had ended the previous day in an inevitable conviction. And even Claude was moved to the expression of a strong opinion as he put down the Times.

"I must say that I agree with the judge," he remarked with a shudder. "'Unparalleled barbarity' is the only word for it! What on earth, though, was there to become 'almost inaudible with emotion' about, in passing sentence? If I could see any man hanged with equanimity, or indeed at all, I confess it would be this loathly wretch."

"Claude," said Lady Caroline, "I'm ashamed of you. He is an innocent man. He shall not die."

"Who's to prevent it?" asked Jack.

"I am," replied Lady Caroline calmly.

"There'll probably be a petition, you see," exclaimed Claude. "Then the Home Secretary decides."

"And I decide the Home Secretary," said Lady Caroline Sellwood.

It was grossly untrue, and Olivia shook her head in answer to the Duke's astounded stare, but her mother's eyes were again fixed thoughtfully on lawn and lake. The short dry grass was overrun with wild thyme, innumerable butterflies played close to it, as spray, and the air hummed with bees likewise in love with the aroma, whose fragrance reached even to the terrace. But Lady Caroline noted none of these things, nor yet the shadows of spire and turret encroaching on the lawn – nor yet the sunlight strong as ever on the lake beyond. She was already pondering on the best way of bringing a certain matter to a head. This quiet country life, with so tiny a house-party, and with one day so like another, was excellent so far as it went, but the chances were that it would not go the whole way. It lacked excitement and incentive. It was the kind of life in which an attachment might too easily stagnate in mere foolish friendship. It needed an event; a something to prepare for, to look forward to; a something to tighten the nerves and slacken the tongue; and yet nothing that should give the Duke an opportunity of appearing at a public disadvantage.

So this was the difficulty. It disqualified the dance, the dinner-party, even the entertaining of the county from 3.30 to 6.30 in the grounds. But Lady Caroline overcame it, as she overcame most difficulties, by the patient application of her ingenious mind. And her outward scheme was presently unfolded in the fewest and apparently the most spontaneous words.

"He is not guilty, and he shall not die," she suddenly observed, as though the Nottingham murder had all this time monopolised her thoughts. "But let us speak of something else; I had, indeed, a very different matter upon my mind, until the papers came and banished everything with this ghastly business. The fact is, dear Duke, that you should really do something to entertain your tenantry, and possibly a few neighbours also, before they begin to talk. They will expect it sooner or later, and in these things it is always better to take time by the forelock. Mind, I don't mean an elaborate matter at all – except from their point of view. I would just give them the run of the place for the afternoon, and feed the multitude later on. Francis, don't look shocked! I hope you'll be there to ask a blessing. Then, Duke, you could have a band on the lawn, and fireworks, and indeed anything you like. It's always good policy to do the civil to one's tenantry, though no doubt a bore; but you needn't shake hands with them, you know, and you could leaven the lower orders with a few parsons and their wives from the surrounding rectories. It's only a suggestion, of course, and that from one who has really no right to put in her oar at all; still I know you won't misunderstand it – coming from me."

He did not; his face had long been alight and aglow with the red-heat of his enthusiasm; and now his words leapt forth like flames.

"The very ticket!" he cried, starting to his feet. "A general muster of all sorts, and we'll do 'em real well. Fizz and fireworks! A dance on the lawn! And I'll make 'em a speech to wind up with!"

"That would be beautiful," said Lady Caroline with an inward shudder. "What a dear fellow you are, to be sure, to take up my poor little suggestion like this!"

"Take it up," cried Jack, "I should think I would take it up! It'll be the best sport out. Lady Caroline, you're one in two or three! I'm truly thankful for the tip. Here's my hand on it!"

His hand was pressed without delay.

"It really is an excellent suggestion," said Claude Lafont, in his deliberate way, after mature consideration. "It only remains to settle the date."

"And the brand of fizz, old man, and the sort of fireworks! I'll leave all that to you. And the date, too; any day will do me; the sooner the better."

"Well," said Lady Caroline, as though it had only just struck her, "Olivia's birthday is the twentieth – "

"Mamma!" cried that young lady, with real indignation.

"And it's her twenty-first birthday," pursued the other, "and she is my ewe lamb. I must confess I should like to honour that occasion – "

"Same here! By all manner o' means!" broke in the Duke. "Now, Miss Sellwood, it's no use your saying one word; this thing's a fixture for the twentieth as ever is."

The girl was furious. The inevitable, nay, the intentional linking of her name with that of the Duke of St. Osmund's, entailed by the arrangement thus mooted and made, galled her pride to the quick. And yet it was but one more twang of the catapult that was daily and almost hourly throwing her at his head; neither was it his fault any more than hers; so she made shift to thank him, as kindly as she could at the moment, for the compliment he was so ready to pay her – at her mother's suggestion.

"You could hardly get out of it, however, after what was said," she added, not perhaps inexcusably in the circumstances.

"No more can you," retorted the Duke. "And here comes the very man we must all consult," he added, as the agent appeared, a taking figure in his wrinkled riding breeches, and with his spurs trailing on the dead-smooth flags.

The agent handed Jack a soiled note, and then sat down to talk to the ladies. This he did at all times excellently, having assurance and a certain well-bred familiarity of manner, which, as the saying is, went down. In this respect he was a contrast to all the other men present. He inquired when the Home Secretary would be back and ready for his revenge on the links. And he heard of the plans for the twentieth with interest and a somewhat superfluous approval. Meanwhile the Duke had read his note more than once, and now he looked up.

"Where did you get this?" he asked, displaying the crumpled envelope, which had also a hole through the middle.

"In rather a rum place," replied the agent. "It was nailed to a tree just outside the north gates."

"Well, see here," said Jack, who stood facing the party, with his back to the stone bulwark of the terrace, and a hard look on his face; "that's just the sort of place where I should have expected you to find it, for it's an anonymous letter that some fellows might keep to themselves – but not me! I'm for getting to the bottom of things, whether they're nice or whether they're nasty. Listen to this: 'To the Duke of St. Osmund's' – he prints 'Duke' in big letters, as much as to say I'm not one. 'A word in your Grace's ear' – he prints that the same. 'They say,' he says, 'that you hail from Australia, and I say you're not the first claimant to titles and estates that has sprung from there. Take a friendly tip and put on as few frills as possible till you're quite sure you are not going to be bowled out for a second Tichborne. A well-wisher.' Now what does it all mean? Is it simple cheek, or isn't it? I recollect all about Tichborne. I recollect seeing him in Wagga when I was a lad, and we took a great interest in his case up the bush; but why am I like him? Where does the likeness come in? I've heard fat men called second Tichbornes, but I don't turn twelve stone. Then what can he mean? Does he mean I'm not a Duke? I know I'm not fit to be one; but that's another matter; and if it comes to that, I never claimed to be one either; it was Claude here who yarded me up into this pen! Then what's it all about? Can any lady or gentleman help me? I'll pass the letter round, and I'll be mightily obliged if they can!"

They could: it was pure insolence, not to be taken seriously for a single moment. So they all said with one consent; and Jack was further advised to steel himself forthwith against anonymous letters, of which persons in his station received hundreds every year. The agent added that he believed he knew who had written this one; at least he had his suspicions.

In a word, the affair was treated by all in the very common-sense light of a mere idle insult; any serious sympathy that was evinced being due entirely to the fact that Jack himself seemed to take it rather to heart. Lady Caroline Sellwood dismissed the matter with the fewest words of all; nevertheless, Jack detected her in a curious, penetrating, speculative scrutiny of himself, which he could not fathom at the time; and her Ladyship had a word to say to Claude Lafont after obtaining his arm as far as the house.

"That sort of thing is never pleasant," she observed confidentially, "and I can't help wishing the dear fellow had kept his letter to himself. It gives one such disagreeable ideas! I am the last person to be influenced by such pieces of impudence, as a general rule; still I could not help thinking what a very awkward thing it would be if your Mr. Cripps had made a big mistake after all! Not awkward from every point of view, dear Claude" – and here she pressed his arm – "but – but of course he had every substantial proof?"

"Of course," said Claude. "I looked into it, as a matter of form, on Cripps's return; though his word was really quite sufficient. Well, he had copies of the certificate of Jack's birth, and of that of my uncle's marriage, besides proof positive that Jack was Jack. And that was good enough for me."

"And for me too," said Lady Caroline, dropping his arm. "He is a dear fellow; I hardly know which is greater, my regard for him or my sympathy with you!" And her Ladyship marched upstairs.

Meantime the agent had led Jack aside on the terrace.

"I know who sent that letter," said he. "I had my suspicions all along, and I recognised the disguised hand in a moment. It was Matthew Hunt."

"Well?" said Jack.

"Well, it was meant merely as an annoyance: a petty revenge for the handsome thrashing you gave the fellow six weeks ago – I wish I'd seen it! But that's not the point. The point is that I think I could bring it home to the brute; and I want your Grace to let me try."

"I can't. What's the good? Leave bad alone; we should only make it worse."

"Then mayn't I raise the rent of the Lower Farm?"

"No; not yet, at any rate. I mean to give the fellow a chance."

"And an invitation for the twentieth too?"

"Certainly; he's a tenant, or his father is; we can't possibly leave them out."

"Very well; your Grace knows best."

And the agent went his way.

CHAPTER X
"DEAD NUTS"

It was three o'clock in the early morning of the twentieth of August. A single jet of gas, lighting a torch in the mailed hand of a life-size man-at-arms, burnt audibly in the silent hall; making the worst of each lugubrious feature, like a match struck in a cavern. And Claude Lafont was sitting up alone, in the Poet's Corner, at work upon his birthday offering to Olivia Sellwood.

At three, however, it was finished in the rough. The poet then stretched his fingers, took a clean sheet of paper, and started upon the fair copy in his prettiest hand. It began —

"What songs have I to sing you?
What tales have I to tell?"

And there it stuck, as though these questions were indeed unanswerable; the fact being, there was another still to come, which, however, involved an execrable couplet as it stood. Claude twisted it about for half-an-hour; realised its gratuitous badness; tried not to ask this inane question at all, hunted his rhyming dictionary up and down, and found he must; and finally, with a prayer that it might impose upon Olivia, and another for forgiveness from the Muse, finished his first stanza with —

"What garlands can I bring you
From Fancy's fairest dell?
Before the world grew old, dear,
The lute was lightlier strung;
Now all the tales are told, dear,
And all the songs are sung."

It is needless to quote more. The sentiments were superior to their setting. An affectionate camaraderie was employed, with success, as a cloak for those warmer feelings of whose existence in his own bosom the poor poet was now practically convinced. And the lines in themselves were not all or wholly bad; there was a certain knack in them, and here and there some charm. But if infinite pains could have made them a work of genius, that they would have been. It was almost five when Claude made his best signature at the foot of the last verse; yet there were but four of these, or thirty-two lines in all.

He put them in an envelope which he sealed deliberately with his signet-ring. The deliberation of all his private doings was enormous; neither the hour nor an empty stomach could induce briskness at the expense of pains. Yet Claude was exceedingly hungry, and the night had put an edge on his nerves. As he paced the floor the undue distinction between his steps, so soft on the rugs, and so loud on the parquetry, became exaggerated in his nervous ears; and all the silence and all the darkness of the sleeping Towers seemed to press upon that single lamp-lit, sounding room, like fathoms of wide sea upon a diver's helm. Claude had not thought of such things while he was still at work; he had rather overdone matters, and he poured out a sparing measure of whisky from the decanter upon the table.

There were other glasses with dregs at the bottom. The air was tainted with stale smoke, and within the fender lay the remains of many cigarettes. This was why Claude was so late. He had been late in making a start. Stubbs and Llewellyn had sat up with him till the small hours. The Poet's Corner was the one spot in which these young men seemed really at home. Here, by midnight, but seldom before, they could manage to create unto themselves their own element; for their Philistine host went early to his eccentric lair; but there were always his easy-chairs to lounge in, his whisky to drink, and Claude Lafont to listen to their talk.

Not that the poet was so good a listener as he had been once; the truth being, that he found himself a little out of touch with his clever friends – he hardly knew why. It might be the living under one roof with them; he himself would never have asked them down. Or it might be the simultaneous hourly contact with an opposite type of man – the kindly, unaffected dunce – the unburnished nugget, reeking yet of the Australian soil, but with the gold wearing brighter every day.

Certain it was that the benefit of the cousins' close companionship had not been all on one side. If the force of example had toned down some of Jack's pristine roughness of speech and manner, it had taken a like effect upon sundry peculiarities of a converse character in Claude. In a word, there had been an ideal interchange between the two, founded on a mutual liking. The amelioration of the Duke was sufficiently obvious to all; that of Claude struck Olivia especially, who had never been blind to his faults; needless to add, he was himself the last to see how he had changed. Yet he divined something of it now. As he thought of the verses he had just written, and of the critic to whom he would have submitted them in all humility a couple of months ago, he knew that he was no longer as he had been then; for he had not the faintest intention of allowing that critic to see these verses at all.

So Claude calmed his nerves, eating biscuits the while, and sipping soda-water merely tinctured with whisky; until all at once the lamp began to flicker and to smell, and the song of the birds, singing in Olivia's birthday, came at last to his ears through the plate-glass and rich curtains of the octagonal window. Then he rose; and in half a minute the lamp was out, the curtains drawn, a sash thrown up, and the risen sun shining mercilessly on the dishevelled head and blue chin and battered shirt-front of Claude Lafont.

The cool, fresh scene inspired him with delight; it was indeed a disgraceful novelty to the poet. He thought nothing of rhyming "morn" with "dawn," and yet of this phenomenon itself he had little or no experience. He would gain some now; he also promised himself the unique pleasure of rousing the early-rising Jack. So he got out of the window, and soaked his feet in the dew, only to meet Jack emerging from his hut, with towels on his arm, as he approached it. Nor was the Duke's surprise very flattering; but his chaff was fair enough. He was himself about to bathe in the creek at the north end of the tank. Would Claude join him and then go back to the hut for an early pannikin of bush tea? Claude would, and did, feeling (as all felt at Jack's hut) that he had been flashed through the thick of the earth, and come out in the wilds of Australia.

In the hut a log fire had burnt well up by the time they returned with wet towels and glowing skins. Over the flames hung the billy-can, with boiling water throbbing against the side. Jack lifted it down with a stick, and threw a handful of tea among the bubbles. "Shall I sweeten it?" he then asked; and, at Claude's nod, threw in another handful of brown sugar.

"There, that's real bush tea for you," continued the Duke, in a simmer of satisfaction himself as he stirred the mixture with the stick. "Now take the pannikin and dip it in. There's no milk, mind; that wouldn't be the thing at all. Here are some biscuits, and they aren't the thing either. I'd have made you a damper, only I never could strike a camp-oven; it's been trouble enough to raise the plant I've got. What do you think of the tea?"

"Capital!" cried Claude, who was seated on the bunk. And indeed the whole thing appealed to his poetic palate; for he could not forget that this hut was within half a mile of the Towers themselves, in which the Duke took evidently far less pleasure; and the many-sided contrast amused his literary sense, even while it piqued his family pride.

"How I wish it was the real thing!" said Jack, with a sigh. "I'd have a camp-oven, then, and you should have your mutton chop and damper served up hot. I used to be an artist at a damper. Then after breakfast I'd take you with me round the paddocks, and you'd help me muster a mob and drive them to the tank; and you'd hear them bleat and see them start to run when they smelt the water. My colonial oath, I can see 'em and hear 'em now! Then we'd give our mokes a drink in the middle of 'em, and we'd take a pull at our own water-bags. Then we might camp under the nearest hop-bush for a snack, and I should yard you up at the homestead, and make you know my old boss before the day was over. What a day it would be for you! You wouldn't believe the sky could get so blue or your face so red. But it's no use talking – here we are again!" And he set down his empty pannikin with another sigh.

"You wouldn't really prefer that life to this?"

"No; perhaps not; but I like to think of it, as you can see."

"Surely you like your new life best by this time? You wouldn't go back there now?"

"I like my new friends best; I wouldn't go back on them. Olivia and you, for instance."

"It's her birthday," said Claude; but a silence had intervened.

"So it is. God bless her! I haven't got her anything, because I seemed to make a mull of it with those flowers. Have you?"

"Yes, I have a trifle for her; it's rather a different thing on her birthday, you know. And – and I've written her a few verses; that's what I've been doing all night."

"Clever dog!" said Jack enviously. "See what it is to be a man of genius; here's where it comes in so handy. And has Llewellyn done her something, too?"

"Yes; a portrait of herself."

"Well, let him label it to that effect, or she may put her foot in it like me. He never shows me his blooming drawings now. But I wish you'd let me see your poem."

"It's not all that; it's only verses, and pretty bad ones too; still, you shall hear them if you like, and if I can remember them," said Claude, who would have found much more difficulty in forgetting them so soon. "I only wish they were better! There are some lamentable lines here and there. I tried to iron them out, but they wouldn't all come."

"Go on!" cried Jack, lighting his pipe. "I'll tell you whether they're good or bad. You go ahead!"

And Claude did so, only too glad of a second opinion of any kind; for he had little or no intellectual self-reliance, and was ever ready to think his productions good or bad with their latest critic. On this occasion, however, he would have been better pleased with the general enthusiasm of the Duke, had not the latter proceeded to point out particular merits, when it transpired that the ingenuity of the rhymes was what impressed him most. Knowing where they came from, the poet himself was unable to take much pride in this feature.

"They're splendid!" reiterated Jack. "You ought to be the laureate, old man, and I've a good mind to tell 'em so in the House of Lords. You're far and away ahead of Shakespeare at rhyming; he hardly ever rhymes at all; I know that; because there used to be a copy of him in my old hut. I say, I like that about the garlands from Fancy's dell; that's real poetry, that is. But do you mind giving me the last four lines again?"

Claude gave them —

"While yet the world was young, dear,
Your minstrel might be bold:
Now all the songs are sung, dear,
And all the tales are told."

"First-chop," said Jack, whose look, however, was preoccupied. "But what's that you're driving at about the minstrel being bolder? What was it you'd have said if only you'd had the cheek? Say it to me. Out with it!"

"I don't know, really," said Claude, laughing.

"Then I do: you're dead nuts on Olivia!"

"What's that?"

"You like her!"

"Naturally."

"As much as I do!"

"That all depends how much you like her, Jack."

There was a moment's pause. The Duke was sitting on his heels in front of the fire, into which he was also staring fixedly; so that it was impossible to tell whether the red light upon his face was spontaneous or reflected. And he spoke out now without turning his head.

"Old man," he said, "I've wanted a straight word with you this long time – about Olivia. Of course I know I oughtn't to call her Olivia behind her back, when I daren't to her face; but that's what she is in my own heart, you see – and that's where she's pegged out a claim for good and all. Understand? We can't all talk like books, old man! Still I want to make myself as plain as possible."

"You do so. I understand perfectly," said Claude Lafont.

"That's all right. Well, as I was saying, she's pegged out a claim that no other woman is ever going to jump. And what I was going to say was this: you remember that night in your rooms in town? I mean when I said I meant no harm, and all that; because I spoke too soon. Worse still, I felt mean when I did speak; it didn't ring true; and long I've known that even then there was only one thing that would have held me back. That was – if she'd been your girl! I gave you a chance of saying if she was, but you only laughed; and sometimes I've thought your laugh wasn't any truer than my word. So I've got to have it in plain English before I go the whole hog. Claude – old man – she never was – your girl?"

"Never," said Claude decidedly.

"You never asked her – what I think of asking one of these days?"

"Never."

"Thank God, old man. I'm dead nuts on her myself, I tell you frankly; and I mean to tell her when I can rake together the pluck. I'm not sure I can keep it to myself much longer. The one thing I'm sure of is that she'll laugh in my face – if she isn't too riled! I hear her doing it every night of my life as I lie where you're sitting and listen to the pines outside. I hear her saying every blessed thing but 'yes!' Yet it isn't such cheek as all that, is it, Claude? I want your candid opinion. I'm not such a larrikin as I was that day you met me, am I?"

And he turned to the other with a simple, strong humility, very touching in him; but Claude jumped up, and getting behind him so that their eyes should not meet, laid his hands affectionately on the Duke's shoulders.