CHAPTER III
ALORA'S FATHER
A man slouched into the lofty foyer of the Hotel Voltaire and paused uncertainly, as if awed by the splendor of the place. A boy in uniform hastened to relieve him of his hand baggage, which consisted of a "roll-me-up" or "carryall" of brown canvas, strapped around the middle, such as one often sees in traveling on the Continent. It seemed a much used and abused affair and painted upon the ends were the dimmed initials: "J. J."
This man was plainly dressed. His clothing was of the cheap, ready- made variety, worn nearly to shabbiness and matched by a gray flannel shirt with a flowing black tie, knotted at the throat, and a soft gray hat that was a bit weatherstained. His shoes were shabby and unshined. His whole appearance was out of keeping with the palatial hotel he had entered.
Without relinquishing his baggage to the boy he asked sharply:
"Is Dr. Anstruther here?"
But now Dr. Anstruther, who had been impatiently waiting, espied the arrival and after a glance at the initials on the traveling-roll said in hesitating tones:
"Mr. Jason Jones?"
"Yes. You must be the doctor who telegraphed me."
"I am Doctor Anstruther."
"All right. Where's my wife?"
There was no especial anxiety in his tones, which were slow and distinct and a trifle sharp. He seemed ill at ease and looked around the foyer again, as if fearing he had entered the wrong place.
"I will lead you to her presently," replied the physician gravely; "but first, sir, I must acquaint you with her condition, which is serious. I have engaged a room for you here and if you will please register we will go there together and talk undisturbed."
"All right," said Jason Jones. He registered at the desk and then turned and announced: "I'm ready. Go ahead."
Those present in the foyer cast curious glances at the stranger as he passed them and followed Dr. Anstruther to the elevator. The boy accompanied them, now carrying the roll of baggage. The grandeur of the room they entered, which was convenient to the suite of Mrs. Jones, seemed to astonish the artist, although it was as simply furnished as any the great hotel contained. However, he made no remark but removed his hat, seated himself, and looked inquiringly at the physician.
"Mrs. Jones," began Dr. Anstruther, "is really dying. I cannot say how long she may survive, but it is a matter of days – perhaps hours. Her greatest anxiety at present is to be reconciled with you, whom she has not seen or even communicated with for years."
"Did she say that?"
"Yes."
"And she wants to be reconciled?"
"She does."
"Rather a queer notion, that," remarked Mr. Jones, musingly.
"Very natural, I think, under the circumstances," stiffly replied the doctor. "She has every confidence in you and admires your character exceedingly, although it was her desire that you live apart."
The man's stolid countenance relaxed in a grin – a somewhat scornful and unbelieving expression – but he did not speak. He was not a very tall man; he was thin of figure and hardened of muscle; his head was bald in front, giving him the appearance of a high forehead, and the hair at the back and around the ears was beginning to gray. His eyes were light blue; his nose was shapely and his jaws prominent and tightly set in repose. His age was about forty.
"Mrs. Jones," continued the doctor, "knows that you are due to arrive at this time and is eagerly counting the minutes; not that you are so dear to her," he asserted in retaliation for the sneer upon his hearer's lips, "but because she has important business matters to arrange with you before she passes away."
"Business matters?"
"So she has told me. I believe," he said, after a brief period of hesitation, during which he considered how best to handle this peculiar artist, "that I will allow you to see your wife at once, that you may learn her plans from her own lips."
Indeed, he had already decided that Jason Jones must have changed materially, and for the worse, since Antoinette Seaver had known him. Perhaps, when she had talked with the man, she would revise her opinion of him and make other disposition of her finances and the guardianship of her child. In that case it would not be well for him to give her husband any inkling of her present plans. Having reached this conclusion, Dr. Anstruther rose abruptly and said: "Come with me, please."
Jason Jones made no demur. Without remark he followed his conductor into the hallway and to the entrance to the suite occupied by his wife. The governess had been instructed to take Alora out for a ride; there was no one in the little reception room. Here, however, the doctor halted, and pointing to the door at the further end of the passage he said:
"That is your wife's sick chamber. Please enter quietly and remember the danger of exciting Mrs. Jones unduly. Be gentle, and – considerate."
Jason Jones nodded. A moment he regarded the door with curious intentness, savoring of reluctance. Then he slowly advanced, opened it and went in, closing the door softly behind him.
Dr. Anstruther seated himself in the reception room. The artist puzzled him greatly, although he prided himself – through long professional experience – on being able to read human nature with some accuracy. This summons to his dying-wife ought to seem the most natural thing in the world to Jason Jones, yet the man appeared dazed and even bewildered by the event, and while he had once lived in luxurious surroundings his later experiences must have been so wholly different that the splendor of his wife's mode of living quite embarrassed him. Yes, the contrast was sharp, it must be admitted; the man had formerly shared Tony Seaver's immense wealth; he had enjoyed the handsomest studio in New York; and then – back to poverty, to drudgery, to a struggle for mere food and clothing! Years of hardship were likely to have had a decided effect upon the character of a man who was doubtless weak in the beginning; it would make him hard, and bitter, and —
A shrill scream startled him. It came from the sick chamber and was echoed by another cry – hoarse and terrified – in a man's voice.
Dr. Anstruther sprang to his feet and hurried into the patient's bedchamber.
"The woman's dead, Doctor," cried Jason Jones, standing in the middle of the room. "She's dead!"
The physician hastened to the bedside, where Janet Orme, the nurse, was bending over the still form. Pushing her away, Dr. Anstruther made a hurried examination.
It was true; the woman was dead. At the very moment of reunion with the husband from whom she had so long been parted, she had passed on to another life, leaving reconciliation in abeyance.
Mrs. Antoinette Seaver Jones lay beneath her lace covered with features contorted, mouth half open and eyes staring wildly. A paroxysm of pain had carried her off, the good doctor well knew; the pain, and the excitement of the moment. Very tenderly he bent down and closed the eyes and pressed the lips together. He smoothed the lines from the cheeks, so that the face became more natural in appearance. Then, with a sigh – for he had become fond of this brave, beautiful patient – he turned away to find Jason Jones and the nurse Janet confronting one another in tense attitudes. The man stared wonderingly into the nurse's face; Janet, her eyes now unveiled, returned the stare with an expression that Dr. Anstruther could not fathom.
They seemed to feel the doctor's observation, for Janet turned her back abruptly, while the man swung around and tiptoed hastily from the room.
Dr. Anstruther looked at the nurse reflectively.
"Who was it that screamed? Was it you, or Mrs. Jones?" he asked.
She hesitated a moment.
"It was I," she replied. "I saw her face and knew that – that the end had come."
It was a lie, and the nurse knew that the shrewd doctor recognized it as a lie. But he made no comment and with a last regretful look toward the bed he followed Jason Jones out.
CHAPTER IV
ALORA'S NEW LIFE
Time sears all heart wounds. The scars remain, perhaps, but as the clock ticks on the ache is stilled and the soreness finally passes away.
At first Alora was heart-broken over her mother's loss. She lived in a sort of stupor for weeks after the funeral. Her father's presence she accepted without comment or emotion, for it had been arranged by "Mamma Tone." She did not consider, in those first weeks, whether she cared for her newly found father or not. Her mother's statement that he was a "good man" and would love Alora dearly was taken by the child as a matter of fact, while her mother's injunction to love him and confide in him in her stead was for the present ignored.
Indeed, during those first weeks Lory had no fault to find with her new protector, for she saw little of him. Jason Jones retained his room at the hotel and allowed Alora and her governess to inhabit the handsome suite her mother had occupied, although they were much too small for the big apartments. However, Lory would have felt uncomfortable, just then, in any other place. Her mother's chamber was closed and the curtains drawn, but every night before she retired to her own little room the child would steal in, in the dark, and feel her way to the empty bed and kiss the pillow on which her dear mother's head had rested. Miss Gorham, the governess, was aware of these evening excursions, but offered no objection. Indeed, the woman objected to nothing that did not interfere with her own personal comfort and convenience. Under the eyes of Mrs. Jones she had been prim and dutiful, but there was no one to chide her now, however neglectful she chose to be, and it was true that during these days the little girl required no particular care. Alora resumed her morning studies with meekness a week after her mother had been laid away, and in the afternoons she rode or walked with Miss Gorham or received the callers who came to "console poor Antoinette Seaver Jones' child."
Despite her haughty reserve, Mrs. Antoinette Seaver Jones had accumulated a wide circle of acquaintances – if not friends – who sincerely mourned her untimely death and would have been glad to befriend her little girl were such services needed. But it was known that Alora's father had now appeared to guard her welfare and there was "so much money in the Jones family" that no financial aid was required; therefore, these acquaintances could only call to see Alora and profess their friendship.
The child listened gravely to their stilted praises of her mother and accepted their platitudes in good faith. It was indeed comforting to hear so many nice things said of her loved one.
Her father was never present on these occasions. He was by no means a sociable man. Sometimes he came in for a few minutes, in the morning, and sat down and stared at the girl in a way half curious and half speculative, and said little, and presently went away as quietly as he had come.
The nurse, Janet Orme, left on the day that Mrs. Jones died, and Alora had almost forgotten the young woman when one afternoon she came to see her. Janet no longer wore her nurse's uniform but was dressed in ultra-fashionable apparel and to the child's amusement affected the manners of a lady. She talked more with Miss Gorham than with the little girl and was keen to know what arrangements had been made for their future. Miss Gorham admitted that she had no idea of Mr. Jones' intentions. Of course they could not remain long in this elaborate suite; a smaller one would be more satisfactory in every way; but Mr. Jones had not as yet mentioned the subject.
A few days afterward, during one of their walks, Alora was surprised to see her father and nurse Janet riding past in a hired automobile. The two seemed engaged in earnest conversation and neither noticed Alora or her governess. Miss Gorham snorted rather disdainfully but without remark, and Lory was not especially interested in the matter.
Meantime, letters of administration had been issued to Jason Jones and the control of his wife's – now Alora's – property legally placed in his hands. Judge Bernsted attended to all the necessary details and, while he did not admire the artist and secretly believed he was unfitted for the task of handling so much money, he loyally insisted that the dead woman's wishes be obeyed to the letter.
Dr. Anstruther had called on the attorney and had ventured to state his misgivings concerning Jason Jones, pleading that Alora was likely to suffer through the man's indifference and lack of culture, but Judge Bernsted declared it was not his duty to criticise character but to see that the wishes of his clients were obeyed. In this case doubtless the man's wife knew him more intimately than anyone else and if she trusted him, aware as she must be of his faults and virtues, it would be presumptuous for anyone to try to break her will or otherwise interfere with her carefully planned arrangements.
But Jason Jones was improving, in a way. He had bought new clothes and a supply of linen, and although he did not wear them with the ease of one accustomed to modish dress they certainly improved his appearance. He was quiet and unassuming; he made no friends and few acquaintances; he never mentioned himself or his personal history and never referred to his wife except when forced to do so by some of "her meddling friends" – well meaning people who sought his acquaintance to condole with him or perhaps to attempt to "cultivate" him for Antoinette Seaver Jones' sake. But these found him so unresponsive that they soon left him alone.
The legal business, even though it progressed smoothly, required time for consummation, so it was somewhat more than three months before all the details were complete. Alora, a sad-faced child with no especial interest in life, kept no track of time and plodded along in her morning-studies and took her afternoon drives or walks in a perfunctory manner that rendered Miss Gorham's duties light indeed. But all this ended suddenly, and Jason Jones ended it.
He came to the rooms one morning and said to the governess in his abrupt way: "Pack up."
"What do you mean, sir?" was the startled query.
"Just what I say. Get the child's things and your own ready to move out of this place by Saturday. Also pack the personal belongings of Mrs. Jones. Put them in separate trunks and boxes, so I can have them stored. Do you understand me?"
"I – I shall need assistance," gasped the bewildered Miss Gorham.
"Then get a maid – or a porter – or both – to help you."
Alora was present and listened with awakening interest. A change of any sort would be pleasant, she reflected.
"Where are we going?" she asked, as her father turned away.
It was the one question Miss Gorham wanted to ask, too, but Mr. Jones left the room without reply.
Three days was little enough time to gather up and pack the accumulation of years. The governess knew there were many big trunks in the storeroom of the hotel belonging to Mrs. Jones, and these she ordered brought up to the rooms. Then she procured two maids, told them what and how to pack, and composedly resumed her reading.
"I am no menial," she told Alora, with a lofty air of superiority; "these persons will do their work properly, I'm sure."
On Saturday morning Mr. Jones appeared again.
"Is everything ready?" he demanded.
"Ask Susan and Jane," replied Miss Gorham.
Susan and Jane declared everything was packed, even to the suit cases and traveling satchels.
"But where are we going?" inquired the governess.
"You are going wherever you please," said Jason Jones. "I do not require your services longer."
"You're going to discharge me?" she said, startled.
"You are already discharged."
"But who will look after poor Lory? Who will attend to her education, and to – to – her comforts?"
"I will. Here is your money. I have paid you a week in advance, in lieu of notice."
"A week? Pooh! I'm hired by the year," asserted the woman defiantly.
"Have you a written contract?"
"No; a verbal contract is just as good."
"It won't hold in law. Take your traps and go – at once."
The governess looked at him. He was absolutely calm and determined. Instinctively she knew that any protest would be unavailing.
Alora regarded the dismissal of her governess with as much unconcern as her father displayed. Miss Gorham had been her companion for years, but had never won the smallest corner of the girl's heart. Although she was not aware of the fact, the woman's constant presence and lack of interest in her had become oppressive. The child's first sensation, on realizing their future separation, was one of distinct relief.
When Miss Gorham had gone, seeming to begrudge the terse "good-bye" she gave her pupil, the girl's father quietly said: "Come, Alora," and walked away.
She followed him to a waiting taxicab, in which had been heaped her hand luggage and his own, and they drove away from the grand hotel where she had lived in luxury for so long, and where so many indelible memories had been impressed upon her childish mind, with as little ado as if they had been transient guests.
When the cab drew up at a railway station, Alora asked:
"Are we leaving town, then, father?"
"Yes," he replied; "I am returning to New York."
She felt a slight sinking of the heart, just then, but it was followed by a sense of elation. The old life, in which her adored mother had played so prominent a part, was being abandoned forever, and this troubled her, she knew not why.
But since Mamma Tone had gone away the old life had lost its charm and become dull and stupid. Lory was not sure she could be happier elsewhere, but her crushed and dispirited nature responded to the suggestion of change. It was interesting to have something different to look forward to.
The man beside her was no more congenial than Gorham had been, but he was her father; he was the guardian selected by her dead mother, and in obeying his wishes she might find her future life more grateful than had been the dreadful dreary months since Mamma Tone had left her.
Somehow, Jason Jones seemed uneasy in the presence of his daughter. During the journey to New York he rode most of the time in the smoking compartment, only appearing to take Alora to the diner for her meals. The child was equally uncomfortable in her father's society and was well pleased to be left so much alone.
So, with very little questioning or conversation on either side, father and daughter came to their destination and Alora found herself deposited in a small suite of rooms on the third floor of a grimy and dingy house in East Sixty-seventh Street – one of a long row of similar houses that were neither residences nor business establishments, but hovered between the two. There were several little tin signs nailed beside the entrance and Lory noticed that one of these read: "Jason Jones. Studio. 3rd Floor." It was an old sign, scarcely legible, while others beside it seemed bright and new, and when the girl had climbed laboriously up the three flights and the artist had unlocked the door at the head of the stairs, with a key which he took from his pocket, she found everything about the rooms she entered as old and faded as the sign on the door.
CHAPTER V
IN THE STUDIO
The fact that it was beginning to grow dark prevented Alora from observing all the tawdriness of her new home and what she saw inspired her more with curiosity than dismay. The little girl had been reared from babyhood in an atmosphere of luxury; through environment she had become an aristocrat from the top of her head to the tips of her toes; this introduction to shabbiness was unique, nor could she yet understand that such surroundings were familiar to many who battle for existence in a big city. The very fact that her father's humble flat was "different" made it far more interesting to the child than new apartments such as she had been accustomed to. Therefore she had no thought, at this time, of protest. Her own little room contained a small iron bed, one straight chair with a wooden bottom and a broken- legged dresser over which hung a cracked mirror. The small rag rug was worn threadbare.
While she stood in the doorway of this room, solemnly regarding it, her father said over her shoulder:
"You won't need both those big trunks here, I'm sure. I'll store them somewhere in the studio. Covered with drapes, they won't be noticed. I can't imagine what that woman packed them with."
"My dresses," replied Alora. "Even then, I left a lot at the Voltaire, for the maids to sell or give away. Mamma used to send them to the Salvation Army."
"Two trunks of dresses ought to last for a good many years," he remarked in a reflective tone.
"Oh, no indeed," said Lory. "Miss Gorham was about to engage a dressmaker for me when – when – you said we'd go away. I'm growing fast, you know, and I was to have a dozen or fifteen summer frocks made, and a lot of lingerie."
"Then we moved just in time to save that expense," he declared, setting his stern jaws together. "There's been a terrible waste of money through that woman Gorham. We're well rid of her."
He turned away to the studio and the child followed him there. He turned on the electric lights, which were not very bright, and Alora took a look at the workroom and thought it seemed more comfortable than the other rooms of the flat.
Her father began dusting and arranging half a dozen paintings of various sizes, mounted on stretchers. None was finished; some were scarcely begun. Lory tried to see what they represented. Perhaps she had inherited from her mother a bit of artistic instinct; if so, it was that which prompted her to shrug her small shoulders slightly and then turn away to the window.
In the dimly lighted street outside a man drove up with the baggage. Mr. Jones had purchased for himself in Chicago a new trunk – a small and inexpensive one – and there were two big trunks and a suitcase belonging to Alora. After these had been carried up and placed in the studio – the only room that would hold them – her father said:
"We will go out now and get some dinner. You won't need your coat, for the restaurant is just around the corner."
Alora marveled at the restaurant even more than at the studio furnishings. It looked a hundred years old and the atmosphere still retained the fumes of much ancient cookery. The linen was coarse, the plating worn from the forks and spoons through constant use, the dishes thick and clumsy and well nicked. Alora was hungry and she ate what her father ordered for her, although she decided it did not taste very nice.
When they sat down a man from behind the counter approached them and bending low said in a quiet tone:
"You know, Jones, it's to be a cash deal from now on."
"Of course," replied Alora's father, with a slight frown. "Also I'll pay you the old account, if you'll make out the bill."
The man smiled, patted Alora's head – a liberty she indignantly resented – and went back to his desk.
During the meal and, indeed, ever since their arrival in New York, Jason Jones cast frequent puzzled glances into the face of his little daughter, who until now had accepted her changed conditions with evident indifference. But as they ate together in silence her small features grew grave and thoughtful and her father shrank from meeting the inquiring glances of her big eyes. Yet even now she made no complaint. Neither did she ask questions. Her look was expectant, however, and that was what embarrassed him.
After the dinner they went back to the dingy studio, where the man lighted a pipe and sat opposite his small daughter, puffing uneasily. They were both reserved; there was an indefinable barrier between them which each was beginning to recognize. Presently Alora asked to go to bed and he sent her to her room with a nod of relief.
Next morning they had breakfast at the same stuffy little restaurant and afterward Alora unpacked some things from her trunks and put them in the drawers of the broken-legged dresser. It seemed odd to have no maid to wait upon her, but she was glad to have something to do. As she passed to and from the studio she noticed that her father had resumed work on a picture that represented two cows eating a broken pumpkin that lay in a cornfield. He worked slowly and never seemed satisfied with what he did, as if lacking confidence in his ability. Lory decided he couldn't be blamed for that.
The child plodded drearily along in her new life for a full week. Then she began to grow restless, for the place was hateful and repulsive to her. But now an incident occurred that gave her new cause for wonder.
One day the door opened and a woman walked into the studio. It was Janet Orme, her mother's former nurse, but what a new and astonishing Janet it was! Her silken gown was very "fashionable," somewhat too modish for good taste, for it was elaborately trimmed and embroidered. She wore considerable jewelry, including diamonds; her shoes were elegant and her hose daintily clocked; her hat must have been a French milliner's choicest creation. If good clothes could make Janet Orme a lady, there was no question of her social standing, yet even little Alora felt that Janet was out of her element – that she fell short, in some vague way, of being what she was ambitious to appear.
"So," said the nurse, glancing around the room with frank disdain, "this is where you hang out, Jason, is it?"
Alora's father confronted the woman with a menacing frown.
"What do you mean by coming here?" he demanded.
"I had two reasons," she answered carelessly, seating herself in the only easy chair the room contained. "In the first place, I wanted to see how a rich man lives."
"Well, you see, don't you?" a muttering growl.
"I certainly do, and I realize you are quite comfortable and ought to be happy here, Jason – you and the millionaire heiress, your daughter Alora."
As she spoke she turned to glance sharply at the child, who met her look with disconcerting gravity. Alora's eyes expressed wonder, tinged with a haughty tolerance of an inferior that struck home to Janet and made her flush angrily.
"Your sneers," said Jason Jones, still frowning but now speaking with composure, "must indicate that you have graduated from servitude. I cannot admit that my mode of living is any of your business, Janet. In these retired but respectable rooms I have worked and been contented for years, until – "
"Until you came into your money and found you didn't have to worry over your next meal," she interjected. "Well, that ought to make you still more content. And that reminds me of the second object of my visit. I want some money."
"So soon?"
"Don't try to crawfish; it was agreed you should give me a check whenever I asked for it. I want it now, and for the full amount – every single penny of it!"
He stared at her fixedly, seeming fearful and uncertain how to answer.
"I cannot spare it all today."
"Humbug!" she snapped. "You can and will spare it. I must have the money, or – "
Her significant pause caused him to wriggle in his seat.
"You're a miserly coward," she declared. "I'm not robbing you; you will have an abundance for your needs. Why do you quarrel with Dame Fortune? Don't you realize you can pay your rent now and eat three square meals a day, and not have to work and slave for them? You can smoke a good cigar after your dinner, instead of that eternal pipe, and go to a picture show whenever the mood strikes you. Why, man, you're independent for the first time in your life, and the finances are as sure as shooting for a good seven years to come."
He glanced uneasily at Alora.
"Owing to my dead wife's generosity," he muttered.
Janet laughed.
"Of course," said she; "and, if you play your cards skillfuly, when Alora comes of age she will provide for you an income for the rest of your life. You're in luck. And why? Just because you are Jason Jones and long ago married Antoinette Seaver and her millions and are now reaping your reward! So, for decency's sake, don't grumble about writing me that check."
All this was frankly said in the presence of Alora Jones, the heiress, of whose person and fortune, her father, Jason Jones, was now sole guardian. It was not strange that the man seemed annoyed and ill at ease. His scowl grew darker and his eyes glinted in an ugly way as he replied, after a brief pause:
"You seem to have forgotten Alora's requirements and my duty to her."
"Pooh, a child! But we've allowed liberally for her keep, I'm sure. She can't keep servants and three dressmakers, it's true, but a simple life is best for her. She'll grow up a more sensible and competent woman by waiting on herself and living; as most girls do. At her age I didn't have shoes or stockings. Alora has been spoiled, and a bit of worldly experience will do her good."
"She's going to be very rich, when she comes into her fortune," said Alora's father, "and then – "
"And then she can do as she likes with her money. Just now her income is too big for her needs, and the best thing you can do for her is to teach her economy – a virtue you seem to possess, whether by nature or training, in a high degree. But I didn't come here to argue. Give me that check."
He walked over to his little desk, sat down and drew a check book from his pocket.
Alora, although she had listened intently to the astonishing conversation, did not quite comprehend what it meant. Janet's harsh statement bewildered her as much as did her father's subject subservience to the woman. All she realized was that Janet Orme, her dead mother's nurse, wanted money – Alora's money – and her father was reluctant to give it to her but dared not refuse. Money was an abstract quantity to the eleven year old child; she had never handled it personally and knew nothing of its value. If her father owed Janet some of her money, perhaps it was for wages, or services rendered her mother, and Alora was annoyed that he haggled about it, even though the woman evidently demanded more than was just. There was plenty of money, she believed, and it was undignified to argue with a servant.