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Birds Illustrated by Color Photography [February, 1898]

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THE BALDPATE

 
We would have you to wit, that on eggs though we sit,
And are spiked on a spit, and are baked in a pan,
Birds are older by far than your ancestors are,
And made love and made war, ere the making of man!
 
– Andrew Lang.

THERE is much variation in the plumage of adult males of this species of Widgeon, but as Dr. Coues says: “The bird cannot be mistaken under any condition; the extensive white of the under parts and wings is recognizable at gun-range.” The female is similar, but lacks the white crown and iridescence on the head.

The Baldpate ranges over the whole of North America. In winter it is common in the Gulf states and lower part of the Mississippi Valley. Cooke says it breeds chiefly in the north, but is known to nest in Manitoba, the Dakotas, Minnesota, Nebraska, Kansas, Illinois, and Texas. Throughout the whole of British America, as far north as the Arctic ocean, it is very abundant. In October and April it visits in large numbers the rivers and marshes, as well as both sea coasts of the northern United States, and is much sought by hunters, its flesh being of the finest quality, as when in good condition it cannot easily be distinguished from that of the Canvas-back. It is regarded by hunters as a great nuisance. It is not only so shy that it avoids the points of land, but by its whistling and confused manner of flight is said to alarm the other species. During its stay in the waters of the Chesapeake, it is the constant companion of the Canvas-backs, upon whose superiority in diving it depends in a large degree for its food, stealing from them, as they rise to the surface of the water, the tender roots of the plant of which both are so fond —vallisneria grass, or wild celery. The Baldpate is said to visit the rice fields of the south during the winter in considerable numbers. It winters in the Southern states, Mexico, and the West Indies. In the north, the Widgeon exhibits a greater preference for rivers and open lakes than most of the other fresh-water Ducks.

The favorite situation of the nest is remarkable, for while the other Ducks – except, perhaps, the Teal, according to Mr. Kennicott – choose the immediate vicinity of water, he found the Baldpate always breeding at a considerable distance from it. Several of the nests observed on the Yukon were fully half a mile from the nearest water. He invariably found the nest among dry leaves, upon high, dry ground, either under large trees or in thick groves of small ones – frequently among thick spruces. The nest is small, simply a depression among the leaves, but thickly lined with down, with which after setting is begun, the eggs are covered when left by the parent. They are from eight to twelve in number, and pale buff. The food of the Baldpate consists of aquatic insects, small shells, and the seeds and roots of various plants.

The call of this bird is a plaintive whistle of two and then three notes of nearly equal duration. Col. N. S. Goss states that, as a rule, Widgeons “are not shy, and their note, a sort of whew, whew, whew, uttered while feeding and swimming, enables the hunter to locate them in the thickest growth of water plants.”

WOOING BIRDS’ ODD WAYS

Of all the interesting points on which Mr. Dixon touches in his “Curiosities of Bird Life,” perhaps none is more remarkable than the strange antics in which some birds indulge, especially at the pairing season. With what odd gestures will a smartly dressed Cock sparrow, for instance, endeavor to cut a good figure in the eyes of his demure and sober-tinted lady-love!

To a similar performance, though with more of dignity and action about it, the Blackcock treats his wives, for, unlike the better conducted though often much calumniated sparrow, he is not satisfied with a single mate. One of the most characteristic of spring sounds on Exmoor, as evening darkens, or, still more, in the early hours of the morning, is the challenge of the Blackcock. In the month of April he who is abroad early enough may watch, upon the russet slopes of Dunkery, a little party of Blackcock at one of their recognized and probably ancestral meeting-places, by one of the little moorland streams, or on the wet edge of some swampy hollow. Each bird crouches on a hillock, in the oddest of attitudes – its head down, its wings a-droop, its beautiful tail raised – and utters at intervals strange, almost weird notes, sometimes suggestive of the purr of a Turtle-dove, and sometimes more like the cry of chamois.

Presently an old cock, grand in his new black coat, will get up and march backward and forward with his neck stretched out and his wings trailing on the ground. Now he leaps into the air, sometimes turning right round before he alights, and now again he crouches close upon his hillock. It is said that in places where black game are few a single cock will go through all this by himself, or at least with only his wives for witnesses. But if there are more cocks than one, the proceedings generally end with a fight. Where the birds are numerous the young cocks, who are not allowed to enter the arena with their elders, hold unauthorized celebrations of their own.

There are many birds which thus, like higher mortals, have their fits of madness in the days of courtship. But there are some, such as the spur-winged Lapwing of La Plata, which are, like the lady in the song, so fond of dancing, especially of what the natives call their serious dance, meaning a square one, that they indulge in such performances all the year, not in the daytime only, but even on moonlight nights. “If,” says Mr. Hudson, who tells the story, “a person watches any two birds for some time – for they live in pairs – he will see another Lapwing, one of a neighboring couple, rise up and fly to them, leaving his own mate to guard their chosen ground, and instead of resenting this visit as an unwarranted intrusion on their domain, as they would certainly resent the approach of almost any other bird, they welcome it with notes and signs of pleasure. Advancing to the visitor, they place themselves behind it; then all three keeping step, begin a rapid march, uttering resonant drumming notes in time with their movements; the notes of the pair behind them being emitted in a stream, like a drum roll, while the leader utters loud single notes at regular intervals. The march ceases; the leader elevates his wings and stands motionless and erect, still uttering loud notes, while the other two with puffed-out plumage, and standing exactly abreast, stoop forward and downward until the top of their beaks touch the ground, and, sinking their rhythmical voices to a murmur, remain for some time in this posture. The performance is then over and the visitor goes back to his own ground and mate, to receive a visitor himself later on.” —London Daily News.

THE PURPLE FINCH

“The wind blows cold, the birds are still,
And skies are gray.”

PURPLE GROSBEAK, Crimson Finch, Strawberry Bird, and Linnet are some of the common names by which this bird of bright colors, sweet song, and sociable disposition is known. It is very numerous in New England, but is found nesting regularly in the northern tier of states, North and South Dakota, Minnesota, Wisconsin, Michigan, etc., northward, and it is said to breed in northern Illinois. In Nova Scotia it is exceeding abundant.

Robert Ridgway says he first made the acquaintance of the Purple Finch at Mt. Carmel, in mid-winter, “under circumstances of delightful memory. The ground was covered with snow, – the weather clear and bright, but cold. Crossing a field in the outskirts of the town, and approaching the line of tall, dead rag-weeds which grew thickly in the fence corners, a straggling flock of birds was startled, flew a short distance, and again alighted on the tall weed-stalks, uttering as they flew, a musical, metallic chink, chink. The beautiful crimson color of the adult males, heightened by contrast with the snow, was a great surprise to the writer, then a boy of thirteen, and excited intense interest in this, to him, new bird. On subsequent occasions during the same winter, they were found under like circumstances, and also in ‘sycamore’ or buttonwood trees, feeding on the small seeds contained within the balls of this tree.”

Dr. Brewer says that the song of the Purple Finch resembles that of the Canary, and though less varied and powerful, is softer, sweeter, and more touching and pleasing. The notes may be heard from the last of May until late in September, and in the long summer evening are often continued until it is quite dark. Their song has all the beauty and pathos of the Warbling Vireo, and greatly resembles it, but is more powerful and full in tone. It is a very interesting sight to watch one of these little performers in the midst of his song. He appears perfectly absorbed in his work, – his form is dilated, his crest is erected, his throat expands, and he seems to be utterly unconscious of all around him. But let an intruder of his own race appear within a few feet of the singer, the song instantly ceases, and in a violent fit of indignation, he chases him away. S. P. Cheney says that a careful observer told him that he had seen the Linnet fly from the side of his mate directly upward fifteen or twenty feet, singing every instant in the most excited manner till he dropped to the point of starting. The Yellow-breasted Chat has a like performance. See Vol. II of Birds,

The nest of the Finch is usually placed in evergreens or orchard trees, at a moderate distance from the ground. It is composed of weed-stalks, bark strips, rootlets, grasses, and vegetable fibres, and lined with hair. The eggs are four or five in number, dull green, and spotted with dark brown.

 

Study his picture and habits and be prepared to welcome this charming spring visitant.